Biography
Rochelle Hurt is a poet and creative nonfiction writer. She is the author of the poetry collections Lightboxes, which won the 2025 Dorset Prize (forthcoming from Tupelo Press); The J Girls: A Reality Show (Indiana University Press, 2022); In Which I Play the Runaway, which won the Barrow Street Poetry Prize; and The Rusted City: A Novel in Poems (White Pine, 2014); as well as Book of Non (Broadstone Books, 2023), a collaboration with Carol Guess. Her work has been included in Poetry magazine and the Best New Poets anthology. She's been awarded prizes and fellowships from Arts & Letters, Poetry International, Vermont Studio Center, Jentel, and Yaddo. She is the founding editor of The Bind, a poetry review site.
Education
- Ph.D. in English and Creative Writing from University of Cincinnati (2017)
- M.F.A. in Creative Writing (Poetry) from University of North Carolina Wilmington (2011)
- B.A. in English Literature from The Ohio State University (2008)
Research Interests
Contemporary Poetry, Creative Nonfiction, Hybrid Genres, Lyric Essay, Prose Poetry
Professional Activities
Panelist, “Preparing Students for Life Beyond the Writing Program.” Association of Writers & Writing Programs (AWP), Los Angeles, March 28, 2025.
Panelist/Moderator, “The Ecstasy & Agony of Collaborative Books.” Association of Writers & Writing Programs (AWP), Kansas City, Feb. 11, 2024
Guest Author, Publishing Consultations and Panel, Hamilton College, April 23-26, 2024
Visiting Writer, Creative Writing Course, Ringling College, April 1, 2024
Panelist, “To Keep or Not to Keep: Shifting Models in the Post-Pandemic Workshop.” Association of Writers & Writing Programs (AWP), Kansas City, Feb. 10, 2024
Featured Author, Paul Meek Literary Legacy Series, University of Tennessee at Martin, April 3, 2023
Guest Author, Douglas Anderson School for the Arts Literary Festival, March 24, 2023
Featured Author, Benefit Reading Series, Lit Youngstown, virtual, January 30, 2023
Festival Poet, Geraldine R. Dodge Poetry Festival in Newark, NJ, Oct. 20-23, 2022
Guest Presentation, “Haiku in the Writing Classroom.” 4th International Haiku Symposium, University of New England – Tangier Campus, June 10, 2021
Guest Lecturer & Reader, Michigan State University, November 5, 2021
Guest Author, MTSU Write: Middle Tennessee State University Writing Conference, October 22, 2021
Panel Presentation, “Girls Made from Too Much: The Collective Voice as Feminist Performance in Poetry." Excess: An Open Access Interdisciplinary Critical Femininities Conference, York University, Toronto, (Virtual) August 22, 2021
Panelist, “‘what are you if not a location on a map?’: Intersectional Rust Belt Poetry.” Working Class Studies Association Conference at Youngstown State University (Virtual), June 8, 2021
Visiting Writer, Series Reading & Master Class, Gilman School in Baltimore, April 21, 2021
Visiting Writer, Trinity Preparatory School in Orlando, April 19, 2021
Panelist, “‘City birthed from the refuse’: Intersectional Rust Belt and Appalachian Poetry.” Association of Writers & Writing Programs (AWP), Virtual, March 5, 2021
Panelist, “Strange Horizons: Feminist Speculative Poetry.” C.D. Wright Women Writers Conference at University of Central Arkansas, November 9, 2019
Publications
Books
- Book of Non. Co-authored with Carol Guess. Broadstone Books, 2023. Poetry/Hybrid.
- The J Girls: A Reality Show. Bloomington: Indiana University Press, 2022. Poetry.
- In Which I Play the Runaway. New York: Barrow Street Press, 2016. Poetry.
- The Rusted City: A Novel in Poems. Buffalo: White Pine Press, 2014.
Creative Publications
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“Bharti Kher – Confess” and two other poems. Poetry (June 2025): 244-247.
- “Alice Neel – Andy Warhol,” and two others. The Southern Review 61.1 (Winter 2025): 160-163.
- “Maria Berrio – The Dream of Flight,” and four other poems. The Georgia Review 78.4 (Winter 2024): 829-833. Poetry.
- “Cecilia Vicuña – The Story of the Red Thread in Athens.” Adroit Journal 45. Poetry/CNF/Hybrid.
- “Carrie Mae Weems – Woman Standing Alone.” Pleiades 43.2 (Fall 2023): 218. Poetry.
- “Maria Nepomuceno – Out the window 3.” AGNI 98: 121-22. Poetry.
- “Hilma af Klint – The Swan.” Ninth Letter 20.1 (Spring/Summer 2023): 43. Poetry.
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“Mary Cassatt – The Letter” and “Jay DeFeo – The Rose.” Southeast Review 41.1 (Spring/Summer 2023): 111-112. Poetry.
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“Georgia O’Keeffe – Black Iris,” and two other poems. The Kenyon Review vol. XLIV no. 5 (Sept/Oct 2022): 30-32. Poetry.
- “Meret Oppenheim – Object (1936).” Gulf Coast 34.2 (Summer/Fall 2022): 236. Poetry.
- “Nonfiction.” Co-authored with Carol Guess. Iowa Review 51.1: 1-9. Creative Nonfiction.
- “Some People Love War Like a Song” and “Some People Love War Like a House.” Poetry Magazine 217:8 (May 2021): 118-119. Poetry.
- “Terror Mirror.” Hayden’s Ferry Review 67 (Fall/Winter 2020): 27-41. Nonfiction.
- “Thigh High,” “My Apologies,” “Prayer for Containment." Bennington Review (Spring 2020). Poetry.
- "Mall Haunts." Michigan Quarterly Review (Winter 2020). Poetry.
- "Lifespans.” Prairie Schooner (Fall 2019): 76-81. Nonfiction.
- “Demolition Derby Queens, 1996.” Cream City Review 42.2 (Spring 2019). Poetry.
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“The Art Collector.” Southern Indiana Review (Fall 2018): 62-74. Mary C. Mohr Prize Finalist. Nonfiction.
- “Car Ode, 1999.” Third Coast 45 (Spring/Summer 2018): 95. Poetry.
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“Zombieland.” Ninth Letter 15.1 (Spring/Summer 2018): 83-98. Nominated for Pushcart Prize. Nonfiction.
- “Avon Grotesque.” Diode Poetry 11 (Spring 2018). Poetry/Hybrid.
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“Documentary.” Hayden’s Ferry Review 60 (Summer 2017): 108. Poetry.
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“The Birth of Anger at the Roller Skating Rink.” Pleiades 37.2 (Summer 2017): 140. Poetry.
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“Adoration of the J Girls.” Indiana Review 39.1 (Summer 2017): 102-103. Poetry/Hybrid.
- “Ponytail Ode.” North American Review 302.2 (Spring 2017): 13. Finalist for James Hearst Prize. Poetry.
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“Teenage Pastoral.” Hotel Amerika 15 (Winter 2017): 102-103. Hybrid.
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“Shame Story VI (Proper Name).” DIAGRAM 17.1 (February 2017). Poetry.
- “Wifebeaters.” The Awl: January 12, 2017. Poetry.
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“Three Defenses” and “Specters.” South Dakota Review 53.1 (Fall/Winter 2017): 14-17. Poetry.
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“Weeknight.” Greensboro Review 100 (Fall 2016): 22. Poetry.
- “Selfward.” Bat City Review 12 (Spring 2016): 77. Poetry.
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“Kaleidoscope.” Phoebe 45.2 (Spring 2016). Winner of Greg Grummer Prize. Poetry.
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“I Could Eat You Up.” New South 9.1 (Spring 2016): 131. Poetry.
- “There is No Patron Saint for Lost Girls.” Southern Indiana Review (Spring 2016): 15. Poetry.
- “An entrance, an exit, an entrance.” Black Warrior Review 42.2 (Spring 2016): 89-102. Nonfiction Prize Finalist.
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“On Adultery.” American Literary Review (Spring 2016). Poetry.
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“Blood Loop.” The Collagist 80 (March 2016). Flash Fiction.
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“Half-Hearted” and “Apricots.” Midwestern Gothic 21 (Spring 2016): 63. Flash Fiction.
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“Silence is Golden.” 32 Poems 13.2 (Fall 2015): 11. Poetry.
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“Fourteen.” Crazyhorse 87 (Spring 2015): 73-74. Poetry.
- “Shame Story I: Origins & Outcomes” and two others. Laurel Review 48.1 (Spring 2015): 73-75. Poetry.
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“Pearl.” Quarter After Eight 21 (Spring 2015): 63-67. Poetry.
- “Who Taught You That One?” “Can I Call You Shelly?” and “craniotomy.” The Journal 38.4 (Fall 2014). Poetry.
- “The Gold Letters” (four-poem sequence). Crab Orchard Review 19.2 (Fall 2014): 49-52. Poetry.
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“Self-Portrait in Accident, Maryland.” Harpur Palate 14.2 (Fall 2014): 28-29. Poetry.
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“Self-Portrait in Aimwell, Alabama,” and three others. PANK Magazine Online 9.6 (June 2014). Poetry.
- “No Place (Dorothy Reconsiders),” and four other poems. Fairy Tale Review 10.1 (Spring 2014): 59-63.
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“In the Century of Fumes.” Mid-American Review 34.1 (Fall 2013): 3. Poetry.
- “Poem in Which I Play the Runaway.” Best New Poets 2013: University of Virginia Press, anthol. eds. Jazzy Danziger and Brenda Shaughnessy, 2013: 22-23. Poetry.
- “Bad Luck.” Versal 11 (2013): 112-113. Flash Fiction.
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“Impossible Child.” The Southeast Review 31.1 (Spring 2013): 76-77. Flash Fiction.
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“Dirty Girl.” Passages North 34 (Spring 2013): 11. Flash Fiction.
- “Diorama of a Funeral” and “Diorama of a Tiny Death.” The Kenyon Review (KROnline) (Fall 2012). Poetry.
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“In Last Chance, California.” Meridian 29 (Spring/Summer 2012): 53-54. Poetry.
- “Honey the Sky Ain’t Going.” Columbia Poetry Review 25 (May 2012): 169. Repub on Verse Daily.
- "The Persistence of St. Teresa of Avila” and “The Stove Tender.” Arts & Letters 26 (Spring 2012): 117-8. Poetry.
- “Third Surgery.” Hunger Mountain 16 (Fall 2011): 150. Poetry.
- “Dorothy Tries.” Portland Review 58.1 (Fall 2011, Film & Video Issue): 102. Poetry.
- “Helen’s Confession.” Poetry International 17 (Fall 2011): 107. Poetry.
Awards
2025 Dorset Prize in Poetry (Book Award), Tupelo Press
2025 Recipient of a Teaching Incentive Award, Faculty Excellence, University of Central Florida
2024 Recipient of a Research Incentive Award, Faculty Excellence, University of Central Florida
2022 Winner of Best of the Net Award in Creative Nonfiction
2021 Winner of Blue Light Books Prize from Indiana Review / Indiana University Press
2020 Recipient of a Glenna Luschei Award (for Creative Nonfiction) from Prairie Schooner
2019 Resident in Creative Nonfiction, Hambidge Center for the Creative Arts & Sciences
2017 Recipient of Residency Fellowship from Yaddo
2016 Recipient of Residency Fellowship from Vermont Studio Center
2016 Winner of Greg Grummer Poetry Prize from Phoebe
2015 Winner of Barrow Street Book Prize
2014 Winner of TQ3 Poetry Prize from Tupelo Quarterly
2013 Winner of Richard Peterson Poetry Prize from Crab Orchard Review
2013 Selected for inclusion in Best New Poets anthology series
2012 Recipient of Dorothy Sargent Rosenberg Poetry Prize
2011 Recipient of Artist Residency Fellowship from Jentel Foundation
2011 Winner of Ruth Stone Poetry Prize from Hunger Mountain
2011 Winner of Rumi Prize in Poetry from Arts & Letters
2011 Winner of 2010 Poetry International Prize
Courses
| Course # | Course | Title | Mode | Days/Times | Syllabus | |
|---|---|---|---|---|---|---|
| 82956 | CRW3013 | Creative Writing for English M | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable | |
| 83224 | CRW6720 | Professional Dev in Crw | In Person (P) | Tu 6:00 PM - 8:50 PM | Unavailable | |
|
This class is designed to prepare MFA students for careers in writing, publishing, and academia. We will research and discuss various approaches to publishing, teaching, community involvement, and the job market. Assignments will include small weekly responses and four larger projects, presentations, or portfolios at the end of each course unit. Since this course covers a broad range of professional topics, you will conduct significant independent research and be responsible for meaningful contributions to class activities and discussions. My vision for this course (and graduate courses in general) is not a top-down model wherein I provide knowledge and ask you to apply it. Rather, I will provide a structural platform with resources for your individual research and development, and you will contribute to those resources, sharing what you learn with your peers. |
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| 83353 | CRW6921 | Multi-genre Workshop | In Person (P) | Th 6:00 PM - 8:50 PM | Unavailable | |
|
This graduate-level workshop in poetry, creative nonfiction, and hybrid genres will be focused primarily on process rather than critique. Class sessions will include guided discussion of published work that offers new approaches to process and composition, as well as frequent independent and collaborative writing exercises and non-traditional workshops. Students will generate new work through various prompts and assignments designed to encourage experimentation and risk-taking as much as productivity, but traditional critique will be limited. At the end of the term, students will submit a portfolio of new work as well as a craft statement on process. |
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| Course # | Course | Title | Mode | Days/Times | Syllabus | |
|---|---|---|---|---|---|---|
| 12253 | CRW3053 | Thry & Practice Creative Wrtng | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable | |
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In this entry-level course, students will read literary texts to feed their understanding of authorial decisions in contemporary writing in fiction, literary nonfiction, scriptwriting, and poetry. Students will become fluent in relevant writing terminology and concepts, gain insight into the emphases and specialties of the UCF creative writing program, identify possible career paths and “uses” of a degree in English with a specialization in creative writing; and familiarize themselves with the publishing process. |
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| 12928 | LIT6039 | Studies in Contemporary Poetry | In Person (P) | Tu 6:00 PM - 8:50 PM | Unavailable | |
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This course will investigate the notion of hybridity through craft-based analysis of mostly contemporary texts that primarily inhabit the genre of poetry while borrowing widely from other literary genres. We will read and discuss books of poetry that veer into the realms of fiction, nonfiction, playwriting/performance, and visual imagery, including memoirs and novels in verse, poetry comics, and multimedia collections. Students will write short creative and analytical responses frequently, completing a midterm presentation and a final project that is either creative or critical in nature. Students are free to choose a creative or critical approach for most assignments, but class discussion will approach material from a creative writing tradition--that is, we will read the material as writers, discussing structural and formal techniques we can learn from each author. Authors may include Gwendolyn Brooks, Julio Cortázar, Anne Carson, Tyehimba Jess, Sabrina Orah Mark, Sumita Chakraborty, Maggie Millner, Bianca Stone, Victoria Chang, and Keith Wilson. |
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