Publications

Books

• Negotiating Discursive Spaces: Censorship and Women’s Novels in Spain (1950s-1960s), Juan de la Cuesta Hispanic Monographs, July 2023. https://linguatextbooks.com/products/negotiating-discursive-spaces-by-lisa-nalbone

• The Novels of Carmen Conde: Toward an Expression of Feminine Subjectivity. Newark, DE: Juan de la Cuesta Hispanic Monographs, 2012.
  https://linguatextbooks.com/products/the-novels-of-carmen-conde-by-lisa-nalbone
  Reviewed by: 
  Sibbald, Kathleen. Cincinnati Romance Review. 40 (2016): 131-33. 
  Andrews, Jean. Bulletin of Spanish Studies (Liverpool). 92 (2015): 154-55.
  Corbalán, Ana. Romance Notes. 54.2 (2014): 283-85.
  Grau-Lleveria, Elena. Women’s Studies: An Interdisciplinary Journal 42.4 (2013): 464-66.
  Bellver, Catherine G. Bulletin of Hispanic Studies. 90.3 (2013): 370-71.
  Bellver, Catherine G. Hispania 96.3 (2013): 584-85.

Edited Collections

• "The Legacy of Joseph Conrad’s Heart of Darkness: Reimagining the Portrayal of Africa in Twentieth Century Literature" Introduction, South Atlantic Review, special issue co-edited by Lisa Nalbone and Sandra Sousa, vol 89. no. 3, 2024, pp. 1-8.
• Smith, Jennifer and Lisa Nalbone, ed. and intro. Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture. New York: Routledge, 2016. 
  Reviewed by:
  Souto Rumbo, Ismael. Journal of Spanish Cultural Studies. 2020, pp. 1-3.
  Tolliver, Joyce, Hispania, vol.102, no. 1, 2019, pp. 144-45.
  Dupont, Denise. Bulletin of Spanish Studies, vol. XCV, 2018, pp. 898-99.
  Blanco, Alda. Anales de literatura española contemporánea, vol. 43 no. 1, 2018, pp. 261-64.
  Useche, Oscar Iván. Anales Galdosianos, vol. 52, 2017, pp. 115-18.

Articles/Essays

• "Postcolonial Otherness and Angst in Liberata Masoliver’s Efún (1955)." South Atlantic Review, vol. 89, no. 3, 2024, pp. 44-59.
• "La de Bringas: El contexto naturalista y la metaobservación crítica." Signos Literarios, vol. XX, no. 39, 2024, pp. 220-44.

• “El niño biopolítico en el cuento ‘Rompecabezas’: Trauma y ansiedad política.” Coda a un centenario. Galdós, miradas y perspectivas, edited by Yolanda Arencibia and Rosa María Quintana, Cabildo de Gran Canaria, 2024, pp. 422-32.

• "Articulating Postmemory in Soledad Puértolas's Música de ópera." Ex aequo, vol. 47, 2023, pp. 51-64.
  
• “‘Desandar los viejos senderos retorcidos y construir algunos otros caminos necesarios’: La metaficción en Hueso duro de roer de Enrique Jaramillo Levi.” Contar desde la tangente: Luz y sombra en la obra literaria de Enrique Jaramillo Levi. Edited by Fredy Villarreal Vergara. Editorial Tecnológica, Universidad Tecnológica de Panamá, 2022, pp. 21-33.
• “Decentering the Narrative: Teaching the Life and Selecting Writing of José Martí.” Boletin Martiano, vol. 1, no. 2, 2021, pp. 28-33.
  

• “Consideraciones sobre la traducción al inglés del cuento inédito ‘Rompecabezas’ de Benito Pérez Galdós.” Tibón, vol. 2, 2020, pp. 199-204.

• “La mirada masculina en Tristana.” La hora de Galdós, edited by Yolanda Arencibia and Rosa María Quintana. Cabildo de Gran Canaria, 2019, pp. 193-200.

• "La construcción de la memoria en 'A la hora en que cierran los bares de Soledad Puértolas." Ed. Christine Di Benedetto and Eugénie Romon. Narraplus, 1 (2018): 119-132.
• “The Legal, Medical, and Social Contexts of the ‘Angel in the House.’” Teaching the Works of Emilia Pardo Bazán. Ed. Margot Versteeg and Susan Walter. NY: Modern Language Association. 2017. 49-57.
• "Censorship: Blasco Ibáñez and the Trajectory of His Narrative Production (1939-1978)." Journal of Blasco Ibáñez Studies. 4 (2016/17): 97-112.
• "Moving through Time and Space in Mercedes Rubio's Las siete muchachas del liceo (1957) via Wagner's Parsifal in Barcelona, Spain (1914)." Studies in Medievalism. Ed. Karl Fugelso. XXV (2016): 37-44.
• "La metaficción en los cuentos del escritor panameño Enrique Jaramillo Levi.” Maga (Panama). 77 (2015): 24-28
• “Conjuros, seducción y tribulaciones en La última fada de Pardo Bazán.” De Britania a Britonia: La leyenda artúrica en tierras de Iberia: cultura, literatura y traducción. Cuaderno de Bretoña. Ed. Juan Miguel Zarandona. Bern, Switzerland: Peter Lang International, 2014. 282-293.
• “La construcción de la feminidad en la novela española: la mujer novelista de los 50 y 60.” Literatura y Cine: El Bicentenario de la Independencia Iberoamericana y de la Constitución de Cádiz. Asociación Hispánica de Humanidades. Ed. Jorge H. Valdivieso and Enrique Ruis-Fornells Silverde, (2014). 100-107.
• “La política y la (de)construcción de valores en El caballero encantado.” Galdós. Los fundamentos de una época.  Ed. Yolanda Arencibia and Rosa María Quintana. Gran Canaria: Cabildo de Gran Canaria, 2014. 309-314.
• “Border Crossings and Journeys of Discovery: Carmen Conde’s Las oscuras raíces and Solamente un viaje." South Atlantic Review. 78 (2013) 59-74.
• “La naturaleza y el imaginario nicaragüense: Una lectura ecocéntrica de Jaguar puro inmarchito de Carmen Conde.” Aula Lírica 5 (2013): 47-60.  http://www.aulalirica.org/numerov.pdf
• "Rewriting Genre and Gender in Tremendismo: Temporal, Spatial, and Auditory Signs in Carmen Conde's Mientras los hombres mueren." Letras Femeninas 38.2 (2012): 97-109.
• "La visión ginocéntrica en Mientras los hombres mueren de Carmen Conde." Hispania 94 (2011): 229-39. (Lead article)
• La dialéctica del tradicionalismo y de la modernidad mediante el traslado geográfico en Sin rumbo de Eugenio Cambaceres. Crítica Hispánica 33.1-2 (2011): 65-77.
• "Las confesiones y los espacios de deseo en La Incógnita y Realidad." Actas del IX Congreso Galdosiano. Ed. Yolanda Arencibia and Rosa María Quintana. Gran Canaria: Cabildo de Gran Canaria, 2011. 410-18.
• "Entrevista con el escritor cubano Ricardo Viñalet." Pegaso 4 (2010): 79-86.
• "Colonized And Colonizer Disjunction: Power And Truth In Zeno Gandía’s La Charca." Hispánofila 159 (2010): 23-37.
• "El vértice de la modernidad en La Quimera y Dulce dueño de Emilia Pardo Bazán."La Literatura de Emilia Pardo Bazán, Ed. José Manuel González Herrán, Cristina Patiño Eirín y Ermitas Penas Varela. A Coruña: Fundacion CaixaGalicia y Casa-Museo Emilia Pardo Bazán, 2009. 483-91.
• "The Poetics of War in Carmen Conde’s Mientras los hombres mueren." Romance Notes 49.3 (2009): 277-85.
• “El derrumbe sistemático de la relación colonia/colonizado: La muñeca de Carmela Eulate Sanjurjo.” Baquiana IX (2007-2008): 144-49.
• “Lola Rodríguez de Tió and Luis Lloréns Torres: Literary Precursors of Puerto Rican Political Ideology.” SECOLAS Annals 32 (2000):125-31.
• “Collectivity vs. Individuality: Duplicity in Plantation Society in La charca by Manuel Zeno Gandía.” Southeastern Latin Americanist 41 (1997): 38-45.

Book Sections/Chapters

• “A Gem of Many Colors”: Articulating Migration in Isabel de Palencia’s I Must Have Liberty (1940)." Nomadic New Women Exile and Border-Crossing between Spain and the Americas, Early to Mid-Twentieth Century, edited by Renée M. Silverman and Esther Sánchez-Pardo, Palgrave Macmillan, 2024, pp. 101-20.

• "La visión ecocrítica en la narrativa de Carmen Conde." Encendida de mediodía exacto: Estudios sobre Carmen Conde, edited by Manuel A. Broullón-Lozano, Cari Fernández and Fran Garcerá, 2024. pp. 121-26.

• “Colonial Imperatives: Articulating a Discourse of Education in Evita’s Cuando los combes luchaban (1953) and Dadié’s Climbié (1956).” The Africas in the World and the World in the Africas: African Literatures and Comparativism, edited by Nazir Can and Sandra Sousa, Quod Manet, 2022, pp. 155-78.

• 'Spaces of Enclosure in Liberata Masoliver’s Barcelona en llamas.” Spanish Women Writers and Spain's Civil War. Ed. Roberta Johnson and Maryellen Bieder. Routledge, 2017, pp. 52-63.
• "On Being a Writer: The Fictional Self in Enrique Jaramillo Levi's Caracol y otros cuentos." Encuentro con la literatura panameña. Panama: Universal, 2003. 109-29.

Translation

• “Braintwister.” ‘Rompecabezas’ con dibujuos por Benito Pérez Galdós. By Benito Pérez Galdós, translated by Lisa Nalbone, edited by Yolanda Arencibia, Gobierno de Canarias y La Universidad Las Palmas, 2020, pp. 21-28.

• Translation of “Explaining Nineteenth-Century Spanish Literature: The Evaluation of Pardo Bazán’s Literature Lessons.” By Íñigo Sánchez-Llama. Teaching the Works of Emilia Pardo Bazán. Ed. Margot Versteeg and Susan Walter. NY: Modern Language Association, 2017. 122-27.
• Translation of The Last Fairy from the Original Spanish: Emilia Pardo Bazán’s La última fada. De Britania a Britonia: La leyenda artúrica en tierras de Iberia: cultura, literatura y traducción. Cuaderno de Bretoña. Ed. Juan Miguel Zarandona. Bern, Switzerland: Peter Lang International, 2014. 297-334.

Book Reviews

• Concepción Gimeno de Flaquer (1850-1919): Cartas, cuentos cortos y artículos periodísticos. Ana I. Simón Alegre. Vernon P, 2023. Anales Galdosianos, vol. 59, 2024, pp. 122-24.

• "Carmen Conde, desde su Edén by Díez de Revenga, Francisco Javier." Hispanófila. The University of North Carolina at Chapel Hill, Department of Romance Studies, vol. 196, Fall 2022, pp. 212-14.

• "Jennifer Smith, Ed. Insolación. By Emilia Pardo Bazán. Newark, DE: Cervantes & Co. Spanish Classics Num. 54, 2011.” Anales Galdosianos, vol. 49, 2014, pp. 137-38.
• "Anna Caballé e Israel Rolón Barada. Carmen Laforet: Una mujer en fuga. Barcelona: RBA, 2010." Cincinnati Romance Review 29 (2010). Web. http://www.cromrev.com/volumes/2010-VOL29/11-Vol29-Caballe.pdf By invitation of author.
• "Valera, Juan. Juanita la Larga. Robert M. Fedorchek, Intr. and Trans. Washington, DC: Catholic University Press of America, 2006." Letras Peninsulares 21.1 (2008): 170-72.
• "Linhard, Alexa Tabea. Fearless Women in the Mexican Revolution and the Spanish Civil War. St. Louis, MO: U of St. Louis P., 2005." Hispania 91.3 (2008): 617-18.
• "Horno-Delgado Asunción y Janet N.Gold, Eds. Mujeres y cambio desde la letra. Santo Domingo, República Dominicana: Secretaría del Estado de la Mujer, 2005." Hispania. 91.1 (2008): 206-07.

Conference Papers/Presentations

• November 2024, Presidential Address. “'Seen / Unseen' in Censorship in 20th Century Spain." South Atlantic Modern Language Association (SAMLA). Atlanta, GA.

• October 2024. Invited Book Presentation: Gloria. La poeta de los amores prohibidos. Editorial Dos Bigotes, Madrid, 2024, virtual.
• June 2024. "FRQ 4: Text comparison Teaching Presentation," Poster Session Presentation, Advance Placement Spanish Literature and Culture Reading. Tampa, FL.
• March 2024. "(In)Tangible: La cultura socio-histórica en Hermosos días en China de Carmen Conde." Congreso Internacional TRANSLITTERAE: Estudios en torno a Carmen Conde, Madrid, Spain.
• February 2024. “Flagging the Foundational: Diaspora and Identity in Feliciano Castro’s Lágrimas y flores.” Fourteenth Conference on Cuban and Cuban American Studies, Miami, FL.
• January 2024. "From Social to Personal: Sentimental Response in La de Bringas." Modern Language Association Annual Convention. Philadelphia, PA.
• November 2023. “Postcolonial Otherness and Angst in Liberata Masoliver’s Efún (1955).” South Atlantic Modern Language Association (SAMLA). Atlanta, GA.

• May 2023. “Integrating Course Content for Cultural Visibility and Servingness in the HSI Setting.” Faculty Center for Teaching and Learning, Summer Institute, UCF.

• May 2023. "What Is Your 'Virtual' Reality? Strategies for Online Engagement." Co-presenter. Faculty Center for Teaching and Learning, Summer Institute, UCF.
• April 2023. From Sojourn to Exile: Isabel de Palencia's I Must Have Liberty (1940). 76th Annual Kentucky Foreign Language Conference (KFLC).
• January 2023. “Inscribing the Imperial: An Ecocritical Reading of the Motherland and Maternity in El caballero encantado." Modern Language Association Annual Convention, San Francisco, CA.

• November 2022. “From Phenomenon to Noumenon: The chica rara in Mid-Twentieth Century Spanish Narrative.” South Atlantic Modern Language Association (SAMLA). Virtual.

• October 2022. “Puerto Rican Arts, Culture, and Politics: Five Years After Maria,” panelist and moderator, Florida Historical Society, Orlando, FL.
• June 2022. "El niño biopolítico en el cuento “Rompecabezas”: Trauma y ansiedad política." XII Congreso Internacional Galdosiano, Las Palmas, Spain.
• December 2021. “La visión ecocrítica en la narrativa de Carmen Conde,” Encendida de mediodía exacto": I Congreso Internacional de estudios sobre Carmen Conde. Cartagena, Spain, virtual.
• November 2021. "Spanish Women Writers and Censorship: Four Rejected Novels." South Atlantic Modern Language Association, virtual.
• April 2021.  “Nada: Andrea and Literary Sisterhood.” 41th Cincinnati Conference on Romance & Arabic Languages & Literatures. Virtual.
• January 2021. “Teaching José Martí in the U.S.: Strategies and Practice.” 1st Biannual Conference of the Center for José Martí Studies Affiliate, Envisaging José Martí in 2021: History, Culture and Education. Roundtable participant. Virtual.
• November 2020. “La traducción al inglés del cuento galdosiano “‘Rompecabezas.’” Seminario: Galdós Traducido. Casa-Museo Galdós, Las Palmas, Spain. Virtual.
• November 2020.  “Censorship and Concha Castroviejo’s Vispera del odio.” South Atlantic Modern Language Association (SAMLA). Virtual.
• February 2020. “Recovering Intersections of Race, Class and Gender: Miguel Govín’s La novia del tabaquero (1947).” Recovering the U.S. Hispanic Literary Heritage Program Conference Histories and Cultures of Latinas: Suffrage, Activism and Women’s Rights. Houston, TX
• November 2019. “Collapse of Empire: Unamuno’s Patriotism, Cuba’s Independence and Symbolic Migrations.” Surpassing Borders: Physical, Emotional and Cultural Movements in the Hispanic Transnationality (from 19th to 21st Century). Florida Atlantic University.
• November 2019. “Aggressing the War-Torn Body: The Censorship of Josefina Canellada’s Penal de Ocaña.” South Atlantic Modern Language Association (SAMLA). Atlanta, GA.
• July 2019. “Teaching Disability in Galdós’s La de Bringas: (Dis)Order and (Dis)Illusion.” XXIX Congreso Internacional de la Asociación de Estudios de Género y Sexualidades (AEGS): Women Creating in Literary and Intercultural Education. Valencia, Spain.
• November 2018. "The Art of Comparison: Analyzing and Writing a Comparative Essay on Poetry." American Council on the Teaching of Foreign Languages (ACTFL). New Orleans, LA.
• November 2018. "The Oppressed Women in Celda común: Recovering the Marginalized Voice of Dolores Medio." South Atlantic Modern Language Association (SAMLA). Birmingham, AL.
• February 2018. “World Language Vertical Alignment: A Speaker’s Path to Success.” Roundtable Discussant. “Cracking the Communication Code with Real Language” - A Mini-Conference by Florida World Languages in Colleges and Universities, Eastern Florida State College, Palm Bay Campus.
• November 2017. “Concha Lagos’s Agora: Literary Landscape of Editor/Contributor Correspondence.” South Atlantic Modern Language Association. Atlanta, GA.
• October 2017. “Rereading Galdós’s La de Bringas (1884): Metaobservations in the Periodical Press.” Mid-America Conference on Hispanic Literature (MACHL). Saint Louis, MO.
• June 2017. “La mirada masculina: El lienzo artístico y literario en Tristana.” XI Congreso Galdosiano. Las Palmas, Spain.
• April 2017. "Transition and Liminality in Elisa Brufal’s Siete puertas (1954/1964)." Kentucky Foreign Language Conference. Lexington, KY.
• November 2016. “Vicente Blasco Ibáñez and the Censorship of his Novels.” South Atlantic Modern Language Association. Jacksonville, FL.
• October 2016. “Success of Women Faculty: Revisiting Horizontal and Vertical Mentoring Models.” 9th Annual Mentoring Conference. Albuquerque, NM. With Amanda Anthony and Linda Walters.
• April 2016. “Representations of Space in Pérez Galdós’s “Novel on the Streetcar” and Verne’s 20,000 Leagues Under the Sea.” Nineteenth-Century Studies Association Conference, University of Nebraska-Lincoln, NE.
• March 2016. “Teaching AP Spanish Literature/Culture Terminology (Pardo Bazán, Unamuno, García Lorca).” California Language Teachers’ Association Annual Conference, Visalia, CA.
• November 2015. “A Poetics of Art: The Painter’s Gaze in the Novels of Pardo Bazán, Pérez Galdós and Blasco Ibáñez.” South Atlantic Modern Language Association. Durham, NC.
• October 2015. “Reconciling Paganism and Christianity in Emilia Pardo Bazán’s La última fada.” Asociación Internacional de Literatura y Cultura Femenina Hispánica. Milwaukee, WI.
• April 2015. “Spaces of Enclosure in Liberata Masoliver’s Barcelona en llamas.” 68th Annual Kentucky Foreign Language Conference. Lexington, KY.
• November 2014. “Narratives of Confinement: The Body Feminine in the Mid-Twentieth Century Spanish Novel.” South Atlantic Modern Language Association. Atlanta, GA. 
• June 2014. “Comunicando los espacios de guerra en Barcelona en llamas de Liberata Masoliver.” VII Congreso Internacional de la Asociación Hispánica de Humanidades. Santiago de Compostela, Spain.
• April 2014. "Subverting Socially Prescribed Masculinity: Intersections of Class, Gender and Ethnicity in Pardo Bazán’s La sirena negra." Kentucky Foreign Language Conference, Lexington, KY.
• November, 2013. "Process-Based Learning and Academic Integrity in the Language Classroom." ACTFL, Orlando, FL.
• November, 2013. "Reconfiguring the Image of Race, Class, and Gender from the Homeland in Liberata Masoliver's Efún: Plantation Culture in Spanish Guinea." SAMLA, Atlanta, GA.
• June, 2013. "La política y la (de)construcción de valores en El caballero encantado." X Congreso Galdosiano, Las Palmas, Spain.
• April, 2013. "Los enigmas de la naturaleza: Carmen Conde y Jaguar puro inmarchito." XXXIII Asamblea y Congreso Internacional de ALDEEU, St. Augustine, FL.
• March 2013. "Mapping Gender and Class: Power and Truth in Pardo Bazáns La Quimera." Third Biennial Florida International University Symposium -- Escritoras: From Enlightenment to Modernismo, Miami, FL.
• January 2013. "From Enigma to Epiphany: Symbolic Convergence Theory in 'A la hora en que cierran los bares' by Soledad Puértolas." Modern Language Association Annual Convention, Boston, MA.
• November 2012. "Border Crossings and Journeys of Discovery: Carmen Conde's Las oscuras raíces and Solamente un viaje." South Atlantic Modern Language Association. Raleigh, NC.
• June 2012. "La construcción de la feminidad en la novela española: la mujer novelista de los 50 y 60." VI Congreso de la Asociación Hispánica de Humanidades, Madrid, Spain.
• April 2012. "Writing the Desecrated Body and Blood: Pardo Bazán's 'Sor Bibiana,' 'Corpus', 'Vampiro,' and '¿Justicia?'" 63rd Annual Kentucky Foreign Language Conference (KFLC). Lexington, KY.
• January 2012. "Human versus Nonhuman: Collective Hybridity in Emilia Pardo Bazán's The Last Fairy." 127th Modern Language Association (MLA) Annual Convention. Seattle, WA.
• November 2011. "The Roots of Tremendismo in Carmen Conde's Mientras los hombres mueren." South Atlantic Modern Language Association, Atlanta, GA.
• October, 2011. “Shapeshifting and the Supernatural: The Hybrid Collective in Emilia Pardo Bazán’s The Last Fairy.” 26th Annual International Conference Studies in Medievalism, Albuquerque, NM.
• January 2011. “España sin rey: Emplotment Betrays Commitment.” Modern Language Association (MLA) Annual Convention, Los Angeles, CA.
• November 2010. "Gendered Spaces in Galdós' Tristana." South Atlantic Modern Language Association Annual Convention, Atlanta, GA.
• October 2010. "When Motherhood Fails: Pardo Bazán’s La sirena negra." Mid-America Conference on Hispanic Literature, St. Louis, MO.
• April 2010. “Scissors and Hemlines: The New Woman, the New Century in Pardo Bazán’s Journalism.” Kentucky Foreign Language Conference, Lexington, KY.
• November 2009. “Trickery, Seduction, and Distress in Pardo Bazán’s La última fada.” Mid-America Conference on Hispanic Literature, Lawrence, KS.
• November 2009. “Shifted Gender Scripting: Carmen Conde’s Cobre.” Mountain Interstate Foreign Language Conference, Greenville, SC.
• July 2009. "Las confesiones y los espacios de deseo en La incógnita y Realidad." IX Congreso Galdosista, Las Palmas, Spain.
• April 2009. "(Un)conditional Response in Carmen Conde’s Soy la madre." Kentucky Foreign Language Conference, Lexington, KY.
• December 2008. “Engendered Textual-Spatial Narrative: La incógnita, Realidad, and Tristana.” Modern Language Association (MLA) Annual Convention, San Francisco, CA.
• November, 2008. “Economy of Gender in La muñeca by Carmela Eulate Sanjurjo.” South Atlantic Modern Language Association (SAMLA), Louisville, KY.
• November, 2007.  "Disjunction and Violence in Carmen Conde's Mientras los hombres mueren." SAMLA, Atlanta, GA.
• April 2007. "Heterotopias: Vehicle of Spatial Movement in Pérez Galdós's El caballero encantado." KFLC, Lexington, KY.
• April 2005. “La dialéctica ginocéntrica en Mientras los hombres mueren de Carmen Conde,” 58th Annual KFLC. Lexington, KY.
• October 2003. “Isolation Vs. Interaction: The Case of Tugging Emotions in Blasco Ibáñez's La barraca," 18th Annual Interdisciplinary Conference. Atlanta, GA
• October 2002. “(Dis)Order in Late Nineteenth Century Society in Zeno Gandía's La charca,” 17th Annual International Conference in Literature and the Visual Arts.  Atlanta, GA.
• March 2001. "The Literary/Political Nexus of Coll y Toste's Leyendas puertorriqueñas and Reseña del estado social," Southeastern Council of Latin American Studies (SECOLAS). Veracruz, Mexico.
• March 2000. "Lola Rodríguez de Tió and Luis Lloréns Torres:  Literary Precursors of Puerto Rican Political Ideology," SECOLAS.  Myrtle Beach, SC.
• October 1999. "The Ubiquitous Turn of the Corner in Rosa Chacel's Estación.  Ida y vuelta." Mountain Interstate Foreign Language Conference (MIFLC).  Chattanooga, TN.

Invited Lectures/Presentations

• “Censorship and Carmen Laforet’s Narrative: From Chica Rara to Femme Seule,” Real Colegio Complutense, Harvard University, December 2019
• “Got Adaptive Learning?: A Digital Course Redesign Initiative Experience”, Co-presenter, Faculty Center for Teaching and Learning, UCF, Summer Conference, May 2019
• Respondent: “Contesting the Boundaries of Mysticism”. I Symposium of the Asociación Internacional de Galdosistas, “Rethinking Galdós Studies.” Bowdoin College, Brunswick, Maine, September 2018.
• “World Language Vertical Alignment: A Speaker’s Path to Success.” Co-panelist. Florida World Languages in Colleges and Universities: “Cracking the Communication Code with Real Language,” Eastern Florida State College, Palm Bay Campus, February 2018
• "The Two Rocíos: A Half-Century of Transition in [Spanish] Music and Culture.” From Sara to Saritísima: A Tribute to Sara Montiel and Her Cultural Legacy. Real Colegio Complutense at Harvard. Harvard University, March 2015. 
• “Palabras tachadas: Literatura y censura en la España franquista.” Foro Lingüístico, Department of Modern Languages and Literatures, University of Central Florida, March 2015.
• "Galdós y La novela en el tranvía,” Instituto Franklin, Alcalá de Henares, Spain, September 2013.
• "The Novels of Carmen Conde: Toward an Expression of Feminine Subjectivity." Center for the Success of Women Faculty Author’s Reception, an invited reading from my book, March 2013.

Miscellaneous Publications

• "Manuel Zeno Gandía." World Literature in Spanish: An Encyclopedia. Vol. 3. Ed. Maureen Ihrie and Salvador A. Oropesa. Santa Barbara, CA: ABC-CLIO, 2011. 1050.
• “Carmen Conde.” World Literature in Spanish: An Encyclopedia. Vol. 1. Ed. Maureen Ihrie and Salvador A. Oropesa. Santa Barbara, CA: ABC-CLIO, 2011. 230. http://books.google.com/books?id=zPDFHE_5besC&pg=PR5&source=gbs_selected_pages&cad=3#v=snippet&q=carmen%20conde&f=false
• ¡Arriba! Student Activities Manual. 5th Edition. Upper Saddle River, NJ: Prentice Hall, 2008. Co-authored with Enriq Figueras.
• ¡Arriba! Lab Manual. 4th Edition. Upper Saddle River, NJ: Prentice Hall, 2004. Co-authored with Enriq Figueras.
• Plazas: Lugar de encuentros. 2nd Edition. Boston: Heinle and Heinle, 2004. Co-authored with Robert Hershberger et al.
• "Jorge Teillier." Dictionary of Literary Biography: Modern Spanish Poets. Vol. 283. Ed. María Salgado. Detroit: Gale. 2002. 345-49.
• "García Balmaseda, Joaquina." Feminist Encyclopedia of Spanish Literature. Vol. 1. Ed. Janet Pérez. Greenwood, CT: Greenwood P. 2002. 263-64.
• "Palacio Valdés, Armando (1853-1938): Women in His Works." Feminist Encyclopedia of Spanish Literature. Vol. 2. Ed. Janet Pérez. Greenwood, CT: Greenwood P. 2002. 454-56.
• "Saéz de Melgar, Faustina (1834?-1895)." Feminist Encyclopedia of Spanish Literature. Vol. 2. Ed. Janet Pérez, Greenwood, CT: Greenwood P. 2002. 533-34.
• "Pereda, José María de (1833-1906): His Portrayal of Women." Feminist Encyclopedia of Spanish Literature. Vol. 2. Ed. Janet Pérez. Greenwood, CT: Greenwood P. 2002. 468-71.
• Plazas: Lugar de encuentros. Boston: Heinle and Heinle, 2000. Co-authored with Robert Hershberger et al.

Awards

• 2024 (October) Florida Humanities, Community Project Grant: "The Dawn of Latinx Creative Writing in Florida: Culture, Identity, and Community in Key West & Tampa" (PI)
• 2023 Teaching Incentive Program (TIP) Award
• 2023 Florida Humanities, Greater Good in Academia Grant: "Operación Pedro Pan: Honoring the Cultural, Historical Legacy of Cuba’s Child Exodus" (CoPI)
• 2022 Florida Humanities, Greater Good in Academia Grant: "Re-Membering Puerto Rican Arts and Culture Five Years After María" (PI)
• 2022 AIM Impact Award
  
• 2021 Research Incentive Award (RIA)
• 2020 Fall Sabbatical Award, UCF
  
• 2020 Fall Visiting Scholar Appointment, Universidad de Alcalá de Henares, Spain
• 2019 University Travel Award, Office of Faculty Excellence, to deliver a lecture at the Real Colegio Complutense, Harvard University
• 2019 Selected participant, National Endowment for the Humanities Summer Institute, University of Tampa: José Martí and the Immigrant Communities of Florida in Cuban Independence and the Dawn of the American Century  https://bit.ly/2NVMDky
  
• 2018 Teaching Incentive Program (TIP) Award
• 2016 UCF Scroll and Quill Society
• 2015 Research Incentive Award
• 2015 UCF Woman of Distinction, Center for Success of Women Faculty, UCF
• 2014 National Endowment for the Humanities (NEH) Symposium, travel grant: “Vicente Blasco Ibanez & World War I Lectures,” University of Oklahoma, Tulsa
• 2013 Fall Visiting Scholar Appointment, Universidad de Alcalá de Henares, Spain 
• 2013 Fall Sabbatical Award, UCF 
• 2012 TIP Award 
• 2007 Women's Center Research Award in the Arts and Humanities
  
• 2007 General Electric Grant:  Fundación de la Lengua Española Instituto de Verano, Valladolid, Spain
• 2007 TIP Award
• 2002 TIP Award

Courses

• Fall 2025
• Spring 2026