To the Elk

They were hanging it against the barn wall. The head limp to the side. With a snowmobile they had dragged the dead elk from wherever in the mountains the pile lay where it had been gutted. For this bloody spectacle.

 

“That’s a big fucking animal.”

 

The porch of the main cabin: Wyatt was there with her, and so was this man Dale from Seattle plus the three highballs in his veins. That’s a big fucking thing, Dale kept saying. This was at the ranch that was in Wyatt’s family. The Smith River was nearby. It was Thanksgiving night.

 

“They got one last year too,” said Wyatt.

 

“It’s bigger than a buffalo.”

 

Savannah was thinking of her father and brother and this same performance. They would return home to the triplex by the refinery, north-side Great Falls, with a carcass in the truck bed and blood dripping from the tailgate. And she was saying to herself, for this….

 

Up the porch steps came the hunters. They had been out all day and were covered in mud, and Savannah thought they smelled. Wyatt congratulated them and asked about the hunt. An uncle said they’d been lucky to shoot it from fifty yards. It ran a hundred and died, and a young cousin took the killing shot.

 

Wyatt’s uncles and cousins started applauding. They shook hands all around. Even in daytime she didn’t remember their names, and it was not daytime. The dark was long past gathering; it had mustered.

 

“Last year they got a bigger one,” Wyatt said.

 

By now the hunters had gone off to their different cabins to clean up.

 

“Bigger?” said Dale. “Bigger than that?”

 

“It’s missing half its rack.”

 

Savannah looked at the head again and saw only one antler.

 

“Do they spar?” asked Dale.

 

“I think they grind them against the trees,” said Wyatt.

 

“Not as impressive.”

 

“True.”

 

Speaking to her now, Dale said, “Let me ask. As a Western woman, does this arouse you? These men returning from the hunt?”

 

“I hope not,” said Wyatt. “I’m related to them.”

 

“I don’t mean the men. I mean the blood. I mean the sight of this big, beautiful dead thing.”

 

Savannah said, “I’m used to it.”

 

In fact by now—being from this region and educated in a different one (the opportunity belonging to so few from that refinery neighborhood)—she had a rule for herself: no dead animals or fresh-caught fish, not in real life and not in any photographs in any public medium, app or profile, or anything else. None of that spectacle would be permitted with regard to whatever partner or friend she kept. Wyatt’s pictures were full of other things: the neoclassical façade of the apartment building where he used to live in Missoula, an Old Fashioned in a bar in Chicago where his roommate from college played jazz guitar, a portrait in graduation robes and the sandstone arcade columns flanking him, that one now six years old and his hair (shorter back then) tousled from doffing the cap, the PBK cord helpfully around his neck in the foreground….

 

“Does it arouse you, Dale?” Wyatt asked.

 

“No, I’m so boring. No kinks for me. For me it’s all dollars and cents.”

 

“You’ve seen more blood than any of us.”

 

Seattle Dale was a political communications consultant. Fundraising was his higher function.

 

“Violence to me is writing a strongly worded email. But—I mean—you look at this, and you know these men can provide. I mean, this is vacation—it’s fun—for us. But—I mean—it’s something, something more.”

 

His tumbler was down to the ice melt.

 

“It doesn’t arouse me,” Savannah said.

 

A cone of light and warmth and festivity spiraled out like a dust devil when the door opened. A terrier called Sonny with long distinguished whiskers came out and trotted down the steps and went to piss on the snowy lawn. Inside, Wyatt’s aunts and mother, and his father also, were preparing the table. His father specialized in sweet potatoes.

When the little dog came back Dale went in for another drink and called the dog in using baby sounds. At last they were alone.

 

She watched Wyatt’s face. There was nothing there but anticipation for dinner and for his wine. She had looked at him before and had seen whole worlds where they would go together and more from which he’d come. A lick of dark hair came down out of the front of his cap. He put himself together well and tried to dress of his time, but it did not subsume him. Not too clean with the effort, his good shirt just a little too big. He liked big clothes. To have something fit perfectly—was that another of the things that would make him feel ashamed of his upbringing?

 

The glass against Wyatt’s lips now. Rare content passed through his eyes as he swallowed, the fire weeping in them. He made his deep voice go high and feminine. “Does it arouse you?”

 

“Ask me again,” Savannah said.

 

“As a Western woman?”

 

She moved to hit him, and his arm was around her.

 

“It’s cold.”

 

“I’ll get a fire going in our cabin.”

 

“That sounds nice.”

 

“Thank you for doing this,” he said. “I know it’s unbearable.”

 

“It’s not. It’s really not. I love them.”

 

There were many people she didn’t know. But at length you would know them. It was not being away from home, that wasn’t the difficult thing. Anyway you only had to get through dinner and then go to the little cabin and go to sleep. The drive had been beautiful, and they hadn’t argued.

 

She stood on toes to kiss the bottom of his neck.

 

“Do you really?” he asked.

 

Tears were in that question. Tears were good. And her rule was a good rule, a necessary rule to have for men. Education in history and politics had made her question whether it was for the better passage of life not to have relationships with men. That was a resounding theory up until graduation. Anyway, at minimum you had to have a rule you stuck with.

 

He went to wash his hands before dinner. When he was gone she admired for a while the dark mountain on the horizon above the ranch gate. The cold clean air touching her eyes, inflaming the veins. She didn’t look at the dead elk on the side of the barn. Then she went in for dinner.

 

 

The table was so crowded with people that her shoulders never relaxed. Her shirt went too low, she thought.

 

The food was very good. The green beans were perfectly seasoned. There were two turkeys; one was local and lean and the other was a butterball. They filled their glasses with red wine out of towering decanters. She was at the end of the table beside Wyatt. His father was at the head. She was across from his mother. It was a good meal. Everyone talked to each other.

 

“How come you didn’t want to hike,” the mother was saying.

 

“I thought I’d stay around and get something done,” said the father.

 

“Get what done?”

 

“Work. Caught up on emails.”

 

She watched Wyatt. He was drinking fast. She touched his knee under the table. His leg was vibrating under her hand. You could duck under these little breakers of talk like a child playing in the surf, but Wyatt was not possessed of that lightness. Later they would have to talk at length about it—whatever thing was said at the table that stood out to him as particularly abhorrent.

 

Things got formally quiet as everyone took turns saying gratefuls. The woodstove atmosphere and the gray iron of the gun barrels on the walls and the smell of the old rugs and leather furniture gave the quiet an oppressive quality like overwhelming heat, inescapable intimacy, absorbing silence into it.

 

From the other head of the table, “To the elk.”

 

“To the elk.”

 

“Beautiful. Just beautiful.”

 

“It’s special.”

 

“There are times you’re facing an animal and you’re not ready to take a life. It’s not an easy thing. To the elk. And to Harrison. He took the shot.”

 

She drank a little faster after the toast. When her turn finally came, she said, “Thank you for welcoming me. It’s a wonderful place.”

 

“To the ranch.”

 

“The ranch.”

 

They drank. All agreed—the ranch and the dead elk held all that was beautiful and dear. She didn’t look at any particular face; from having run meetings she understood how to look between people when addressing a table. She went on, “It’s been a good year. Better than I expected.”

 

Wyatt mugged for the crowd, and everyone laughed.

 

“Really, thank you for having me.”

 

Later they stood around the long kitchen island and ate the pie she had baked. She explained again to one of the aunts the decision they’d made to move in and what went into it. The uncle who had toasted the elk asked what she was doing for work and followed her answer with, “Do you work together?”

 

“No,” said Wyatt. “She works for a Dean. I work in Admissions. The worst office to be in right now.”

 

“It’s a good place to work,” she said. “I can do four tens in the summer when I want. The benefits are good. Campus jobs are nice.”

 

“When you add your union dues to the premiums you’re losing half a paycheck,” said Wyatt.

 

“But you can’t have one without the other,” she said.

 

“It’s beautiful how that works.”

 

“Can you run this up the flagpole?” the uncle went on. He had not listened. “Why the cuts to English? You can’t cut English. What’s the point of having a public college if you’re going to get rid of English?”

 

“English isn’t going anywhere,” she promised, wearily. Because she thought there was more than just the appreciation of literature in his concern for the survival of English.

 

“Well, run it up the pole if you can. It’s terrible what’s happening over there with the cuts. And Will Tunt retiring is a big loss.”

 

“It’ll get better,” she said.

 

“Enrollment always goes up when there’s a recession,” said Wyatt. “Folks would rather be in grad school.”

 

The uncle had taken several big bites of her pie. He told her how delicious it was and asked if she had made it herself, yes. After a long while the grown-ups were too drunk to stay awake and the teenage boy cousins had grown too weary for the world outside their heads and the girl cousins were sleeping in the corners cuddling with the dogs and it was over, she had survived it, and Wyatt was not saying anything else about the college where they worked and how it was a poor school serving poor students who were going to stay poor, and they were on their way out.

 

“Take Sonny with you,” said his father. Handed the terrier’s leash to his son. “Don’t worry, he’ll be good.”

 

Together they walked the little dog from the big cabin to the small cabin where they were staying.

 

While Sonny sniffed around at the base of the cabin steps, they sat on the porch, on top of a bench covered with a buffalo hide, and they looked across the lawn at the barn where the dead elk was hanging. Savannah wondered if it was going to start smelling.

 

“I wish I’d been out there to see,” said Wyatt.

 

“I don’t.”

 

“I mean to see it when it was alive.”

 

“I’m glad you weren’t there to see it get killed.”

 

They were holding each other. The wind moved over their faces, and they squeezed closer.

 

“Not that I want to hunt,” Wyatt was saying. “But you sort of wish that you knew what it was like.”

 

“I don’t. I don’t want you to be like,” she raised her voice and imitated Seattle Dale, “Harrison.”

 

“Me neither. I just wish I knew.”

 

“It was fun walking to the cliff,” she said.

 

The hike they’d done in the afternoon took them across the western expanse of the family’s great tract, past a tipi erected for ambience, to the edge of the river gorge. Fathoms down, you could see the frozen banks. In summertime you could swing from a hammock between two ponderosas with a cocktail in hand, maybe a book in your lap. This was how she imagined him.

 

Then she thought that the dead elk had moved, swung a little.

 

“It’s—” he started. “My dad didn’t know how to field dress an animal. His dad never taught him how to hunt. I’m not any better because I don’t do it.”

 

“It’s not about being better.”

 

“One feels somehow emasculated,” he said.

 

“Because you don’t know how to hunt?”

 

“Not exactly. I don’t think you’d get it. You remember Chuck asking what I do?”

 

“He didn’t ask you. He asked me.”

 

“But then he asked if we work together.”

 

“So.”

 

“I always have to prove my worth. That’s what I mean: I don’t think hunting is impressive. But doing something impressive is impressive. Knowing how to do things.”

 

“I don’t think that’s what Chuck meant.”

 

“I know my family.”

 

She didn’t want to argue. She said something about how it would be cold and unpleasant to have to go pee in the middle of the night, since the nearest outhouse was across the lawn, behind the barn with the dead elk. After that they went inside and got changed for bed; or, she did, and he started trying to make the fire.

 

The plush duvet cover was cold on her bare legs. The hairs stood up, and while she waited for the fire to start she was self-conscious of having prickly legs. Sonny was on the ground, sitting obediently and anxiously, watching her in bed. Wyatt was kneeling and using a hatchet to make kindling. Erratic banging shook the door when he wedged the blade into a crack and slammed a log against the stone base of the fireplace to split off flakes of pine. He built a pyre in the iron woodstove with newspaper and tinder and tried to get the flames started and took a long time to do it and tried opening and closing the flue and could not get it right.

 

“It’s so cold,” she said.

 

“Almost got it. I smothered it last time.”

 

“Maybe you could just get in with me.”

 

“No, I have to do this.”

 

She could fall asleep even when she was freezing, especially after enduring something. Enduring did make you tired, but it was alright to be tired because you could sleep easily. Her father had said to her once, do you sleep easy because you’re a princess?

 

She was almost in a dream and Wyatt was still working on the fire, and she felt Sonny climb up onto the bed and lay down on top of her feet, and her legs got warmer, and then she was all the way in the dream and almost asleep but still heard the newspaper flare up quickly and burn out each time he tried and tried, Wyatt still in the waking world.

 

 

Much later in the night she woke up because she had to pee. It was hot in the cabin. The fire was going, she did not know for how long, and the twin bed beside the queen was unmade but empty.

 

She pulled sweatpants on and went to the door and had to push it very hard till it flew open and slammed against the wall. No other noise out there. She saw the moonlight, bright on the snowy lawn, and the big cabin like an embalmed giant. She saw the elk, its fur matted and dark, and the tongue spilling out of its cracked mouth. Its open eye was black.

 

And Wyatt was sitting on the bench next to the cabin door. He was all in his winter gear, which he had formerly peeled off when he labored to make the fire, and his elbows were on his knees and his cheeks were in his hands, and he was undoubtedly facing to look at the elk.

 

“It’s cold,” she said.

 

“It’s not too bad.”

 

“Do you want to talk?”

 

“About what?”

 

He wasn’t wearing shoes. His bare feet were on the ground, his toes a few inches from the pastry-thin ice. He had taken off his thick wool socks and left them between his feet, inside out.

 

“What are you doing? Come to bed.”

 

“I can’t,” he said.

 

“Come on. Don’t do this.”

 

“I’ll be in later. I’m sorry.”

 

Savannah recalled that she had to pee. Without answering the apology she went down the cabin steps. The sudden reminder, the pressure in her stomach returning to the front of her conscience, was as heat coming back into a room after a door is shut against winter.

 

She walked out over the snow. The dead elk grew larger and larger in sight the closer she came to the barn. The texture of its fur was nauseating, more than the smell of the outhouse.

 

Sitting down, she hated herself for the lapse. It wasn’t useful to be bitter about anything, but it had gotten to you anyway. The transference: you’d caught it just as it was done.

 

When she returned he had already gone back in. The socks remained. She picked them up and shook a little ice from them. In the cabin he was lying flat on the twin mattress, with hands folded on his chest. She got on the queen and pushed all the bad air from her lungs.

 

“Come on up.”

 

“Just calming down.”

 

It was the same thing. Civilized men would kill something, civilized men would watch. In his pictures the elk was there. Strung up between the arcade columns, its outline and ghost.

 

“Get in with me.”

 

After a minute he said, “Alright.”

 

There was love too, that was true. He was the product of a rule, an algorithm that had narrowed so many variables to her preference. They resisted the same things. Like the logs and pine flakes and newspaper it would keep the fire going, but also they would be consumed and used up. There was no rule concerning what to feel.

 

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Pollarding & Animal Spirits

 

Pollarding

In this unwitting dawn. In the begonia
I put in the poem because of its incantatory

 

sound. In the vine I thought was a sweet

pea—to put a sweet pea in the poem—

 

but was actually a weed, common vetch.
In the still early summer heat like gentle

 

pressure on the forearms and wrists.

 

 

A trio of military planes screams overhead.

I squint into the glare and the leftover

 

cosmetic product on my hands flashes
in a type of dim recognition. Wash it off. Who

 

is going to read about botanical misprision.

There’s a war on and I am the yellowing

 

pages of Bishop’s National Geographic.

There’s always a war on and its location

 

is not a function of place but of people, plucked

for the vase or the oven, wilting or burning or

 

eaten as a delicacy. The word of the day

is upward. The word of the day is all cops

 

are bastards. Who am I to say what we should make

of the clay at our feet, minor gods with shovels

 

and grass seed, with kilns and molds, the joints of

our fingers curling around some texture, releasing

 

it in the checkout aisle or through the window

that backs the checkout aisle.

 

 

After adrenaline, a comedown just like any
other high. You’re sitting on the floor in a hoodie

 

and biting all the skin off your lips. Outside,

the day continues to mulch itself, there are

 

robins, someone is invoicing someone else

for another order of rubber bullets.

 

The symbolic vulture will not arrive

 

 

To hunch in the middle distance. Sorry,
I’m back now, I was on the patio this whole time,

 

my mouth is bleeding and the roar has faded
such that it might be mistaken for an air conditioner,

 

the mechanical hum of comfort
in deeply inhospitable environments,

 

a fueled and speedy monarchy, it’s coming,
I tell myself, get up, it’s well-rested and armed

 

to the teeth literally but also and importantly
for my purposes metaphorically, a giant blossoming

 

of dipshit noisemaking. It doesn’t have to go
to the office and it is responsible for the existence

 

of Phoenix, Arizona. I wobble on my feet

like a newborn anything. I am melancholic

 

about structures. Look: no matter what you grab

out of the kitchen drawer, it can be used

 

as a lever. In what follows, we’re on the side

of the ice, those tropical begonias be damned.

 

 

Animal Spirits

“If the animal spirits are dimmed and the spontaneous optimism falters, leaving us to depend on nothing but a mathematical expectation, enterprise will fade and die.” —John Maynard Keynes

 

 

 

 

Enterprise withering on the vine. Enterprise left to rot in the sun.

Out of its carcass, a cooler wind—

 

 

 

 

/ / /

 

 

 

 

If the world is bad to you, you are sad.
If the world is good to you, but you know about the world, you are sad.
If the world is good to you, and you do not know about the world, you will not be sad.
If the world was bad to you but it is no longer, it is easy to forget about the world, and easy to

forget you were ever sad.

 

O dripping globe. What we’ve blamed

on the elements. On the accident
of our cells rather than the rapidity

with which we turn water to cement.

 

 

 

 

/ / /

 

 

 

 

The idea that the brain is the seat of the soul is older than most people think it is.

 

The history of naturalizing economic activity is exactly as long as you think it is.

 

We were made for money / / we were made of money

 

 

 

 

/ / /

 

 

 

 

Falling through a substrate,
the gentle “u” of the body as it faces upward. The hands and feet like a dancer’s, directional.

 

On the curb, a man turns over shovelfuls of dampened sand in a wheelbarrow. The sound is like

stiff fabrics hung too close to one another on a line. A recursive intimacy.

 

A brief and wild optimism, and then the grinding sludge of machinery, its unmatchable

excitation.

 

 

 

 

/ / /

 

 

 

 

A bull in the blood.
A bull made of blood, made of air, air carried in the blood air seated in the brain.

 

The brain a bull. The world a bull with its hooves on the world.

 

O beast that could be gentle. Asleep in the beige autumn of the shaken head, slow wading

through the pool of counter-liquefaction.

 

Abolish selling.
In the hand outstretched, these cool bristles
like a hand broom, a horned smoothness and the scent
of fields and a fire recently extinguished. This animal pause.

 

 

 

 

/ / /

 

 

 

 

Frenzied acquisition of undergarments,

small vases, linens, soaps, followed by the hatred of stuff—

 

 

 

 

/ / /

 

 

 

 

The dog on the surface of the water, the dog on the silver of the coin.1

 

 

 

 

 

1See Robert Burton, in Anatomy of Melancholy, on rabidity: “That in Hydrophobia they seem to see the picture of a dog still in their water” (222).

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Invasive

Then there was no more singing.

All the lights in their throats cut:

 

the protest of evening wolves & black

bears nuzzling a parched creek for any-

 

thing that might sustain them another

white-skinned winter, those foreign

 

birds we never learned the names for.

Invasive, my grandfather called them.

 

Like the silver carp haunting our

local river. Bullfrogs & possums.

 

He called us natives after living

three generations on the same

 

hard land it took so much blood

to own. At the end of the path

 

the bullet takes to meet the right

body, the right body drops like

 

nothing worth losing sleep over.

It’ll cost two men three hours

 

to drag it home in one piece.

That wilder silence lasts but

 

a brief eternity. Before the unseen

choir shakes the forest. Again,

 

the same damn wolves & starlings. Men

still dragging. The season closing.

 

Its wiry legs kick & quiver in our hands.

Like strings. Song. Our song now to sing.

 

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King Speaking

 

“King Speaking” is a sequence excerpted from the latter half of a book-length erasure, Her Read, forthcoming from Texas Review Press in 2021. Her Read reconceives the entirety of The Meaning of Art (Faber & Faber, 1931), a highly regarded exploration of art from prehistory to the modern era by British art and cultural critic Herbert Read. Though the maternal body appears with frequency, zero womxn artists are included in the early editions of this text. In 1951, Barbara Hepworth becomes the sole female artist to be admitted.

 

I began this makeover summer of 2016, in that pre-election heat, when rage at the latest iterations of hate on the American political stage, in conjunction with erasures playing out in my own life, made other writing seem impossible. From the voice of the male critic surveying male bodies of work, I began excavating a first-person lyric, the imagined voice(s) of womxn artists.

 

The concept of “mastery” appears with frequency over the course of the book, issues of dominion—that is to say—control—over a medium of expression, over other humans, and of course, over the Earth. One may well ask, what is art but a pronunciation of mastery? One may ask, must it always be?

 

Though I call this erasure, collage is a more accurate descriptor of this late excerpt. The surgical reconstruction contrasts cruder, monochromatic pages early in the text—used canvases treated only with correction fluid. As the book advances, the speaker gains agency over the text, revising the rules to serve to her fluencies. One rule is not broken: all language excavated and redeployed in this text can be harvested from a single copy of Read’s seminal text.

 

Materials:  source text, correction fluid, archival inks, bookbinders glue, florist tissue, window shades, general purpose thread, embroidery floss.

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Long Marriage (Parable of the Skull)

Over years we lifted it sometimes
from its cardboard box, studying

 

the fifty teeth and gazing into the open
eye sockets, this possum skull we found

 

in our sixth year, half-buried in the dirt
behind the rental house. For decades, then,

 

we moved it everywhere we went,
and always it lay quietly, as patient as dirt,

 

and only now and then did I imagine it
dreaming that skin formed once more around

 

its body—the moon face and moon tail—
so it might waddle again along the river.

 

 

This poem was originally published in The Florida Review (43.2, Fall 2019) and was a runner-up in the Humboldt Poetry Prize.

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Notes on Pet Monkeys and How to Manage Them

I.     CAGE ITEMS

 

This box should be fairly heavy. The door
never needs opened or undone. Bend the rim
into a square. Little danger to your
self—the room to be afforded him.

A looking glass hung up by a small chain—
your pet’s vanity exceeds belief. A
flimsily made affair is soon bitten
to pieces. Body of a cage. Many a
good monkey is killed by swallowing
fragments of glass. Rub on a coat of
maroon. A little ornamental topping.
Or Venetian Red, most suitable of
colors for a cage. All that remains
is to procure your monkey and put him in.

 

II.     CLASSIFICATION

 

From the time my fingers were big enough
to manufacture fly-cages with hollowed
cork and pins—all other lines of
fancy well threshed out—Simians have held

 

great fascination. The schoolboy’s definition
is “the plural of monk.” Or humonculous.
Much is lacking in what might have been
told. I cannot pin. Great naturalists

 

have labored to show a relationship.
I cannot pin my credibility.
Below the average human idiot’s,
the head of a chimpanzee. I am drifting.

 

What might have been. A fertile source of
drollery. My fingers were big enough.

 

III.     AILMENTS

 

Disease—Symptoms of Indisposition

Quinsy—Good Riddance—a small apple

hollowed out—Toothache—Headache—treat him

as you would a child—Useful Article—

 

as you would—Broken Limbs—a human
being—Rheumatism—RuptureRisk of

Being Bitten—first he should be en-
veloped—Treatment—in a bag—Costive-

 

nessBiliousness—Monkeys Eating Their
Own Tails—a ready sale is better than
the nuisance—Excrement—the “Kill or Cure”
Treatment—treat him as you would a human

 

being—Simple Remedies—a small apple hollowed

out and plugged again is greedily devoured

 

IV.     CONCLUDING OBSERVATIONS

 

Savagely grabbed, the hand that has fed and
petted him all along. The very moment
novelty is lost, sit and write off an
advertisement to Exchange and Mart,

 

Bazaar. I haven’t always had the heart.
A passing menagerie generally

has a vacant cage. With an iron bar
a sharp and heavy blow. An exceedingly

 

human-like affair. As if we all of us
come at last to this. In skinning him
yourself you’ll find his hide fairly tough.
Put him in a natural posture. A bit

 

of dried moss, artificial leaf you might
purchase at the milliners. Keep him in full light.

 

 

 

The source material for these pieces is Notes on Pet Monkeys and How to Manage Them, Arthur Patterson’s 1888 handbook, which was published in response to the colonialist British fashion of adopting exotic animals without any idea of how to properly provide care for them. These poems erase and rearrange the text into sonnet form. The poems were originally published in The Florida Review (43.2, Fall 2019) and were the winner of the Humboldt Poetry Prize.

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Freebirds

My mother calls to tell me she cannot get on the plane. She has had a premonition.

 

“You’re going to crash?” I sit upright in bed, sheet clutched to my chest. When she says stuff like this, my skin gets crawly.

 

“Not exactly a premonition.” She sighs. “I can’t say what will happen. A foreboding. Emmy, I’m not thinking straight. I can’t zip up my suitcase. And I wanted to get out of here so badly.”

 

“Are you sure it’s the plane?” I look to my left where the baby is sleeping in her bassinet. I look to the right where my husband is sleeping in our bed. “Could you be foreboding something else?” I say as I tiptoe out of the room, which is not actually a room. We put up a wall in the studio after the baby was born.

 

No, says my mother, she’s sure it’s the plane, and of course, I could try to reason with her. I could tell her to go ahead and pack that suitcase, get in a taxi, buy a tea and sit at the airport, see if the foreboding recedes. Until she’s actually on the plane, she has not committed to anything. Instead, I say, “I don’t know what to tell you.” Because really, what should I tell her to do? Get on the plane and then the plane crashes and then she’s gone and then it’s my fault? Because planes do crash. They do.

 

In the background, at my mother’s house, radio voices are murmuring. “I have to think,” she says. “I’ll call you back.”

 

 

As soon as I hang up the phone, the baby is up. By up, I mean that she’s screaming. She’s always screaming and we don’t know why. I don’t know why. My husband comes out of the bedroom and hands her to me. “I have to go,” he says.

 

“It’s six thirty in the morning.” I follow him into the bathroom. He’s a real estate broker, which means that he works on commission, which means that the more he works the more money he makes, at least in theory. I’m no longer sure I buy this direct correlation. He works seven days a week. Before we had a baby, this wasn’t a problem. But now we do have a baby.

 

I sit on the toilet, bouncing the baby in my lap, while my husband brushes his teeth. “My mother might not be coming,” I say.

 

He spits into the sink. “Is she sick?”

 

“Sick in the head!” I say. “You’d think she’d want to see Eva. Who wouldn’t want to spend time with this delightful creature?” I kiss the top of Eva’s head, which is covered in the silkiest hair, soft and ticklish on my lips. She smells like a baby, like white soap and milk. She likes to be bounced, likes the sound of the water and the echo of our voices in the tiny chamber of the bathroom. She and I spend a lot of time in this bathroom. On the rare occasions when she is content and awake, I adore her so much I want to stuff her whole hand in my mouth. Both hands at once.

 

My husband is sliding the stroller out of the way to get to the door when my mother calls me back. “I’m in line at security,” she says.

 

“What changed your mind?”

 

“I’m a fifty-four-year-old woman. I cannot live my life in fear.”

 

 

I spy her on my building’s doorstep, from four stories up. She is covered chin to foot in a camel-colored, fur-trimmed coat. Her bright blond hair spills over the collar. Since the divorce, she has made herself thin and sort of glamorous.

 

She is also late. More than two hours late. Thirty minutes ago she called from a taxi to say she was on her way but couldn’t talk. Before that, I was very worried. Fear gnawed my stomach from the inside out. I called the airline. The plane had landed safely, on time. So if something had happened, it had happened only to my mother. Baby in my arms, growing heavier by the minute, I paced the apartment. What had she been foreboding? A car accident? A fainting spell?

 

“I met the pilot,” she says, over coffee, at the cafe around the corner, Broadway and 100, where we have settled ourselves at a cozy table. The baby is asleep in her stroller and I am actually drinking my coffee, my guard down, more relaxed than I’ve felt in weeks. If I need to use the bathroom, my mother can stay with the baby. If the baby wakes unexpectedly, perhaps she can even hold the baby.

 

“He’s a very nice pilot.” She pauses. “He’s not actually a pilot.”

 

“What is he?”

 

“He’s a flight attendant.”

 

“How did you meet a flight attendant?” I say, pleased by the inanity, the frivolity of this conversation. Really, I am pleased to be having any conversation. I am so happy my mother is here and I am not sitting alone.

 

“It’s a long story,” she says. “But when I called you from a taxi, it wasn’t really a taxi.”

 

“What was it?” I say, stupidly, my brain dulled by motherhood, perhaps, which is what happens to you, they say.

 

“He keeps his car at the airport. He was kind enough to give me a ride.”

 

“If he gave you a ride, you should have been early. Or at least, not two hours late.” I pause, comprehension forming. “What did you do in his car? Mom?”

 

“Oh my goodness, nothing like that!” My mother flushes. “But he was very nice. We had a wonderful conversation.”

 

“That’s great,” I say and I mean it and I would ask for more details, such as whether she’s planning to see him again, but the baby is starting to stir. I watch her like I’m watching a bomb about to explode. Except, if a bomb were about to explode, I’d run. My mother is distracted. She hasn’t noticed yet. I stand from the table. “I’ll be right back. Could you watch her?” I don’t look back.

 

 

The last time my mother came to visit, I was very pregnant and my mother was the thinnest I’d ever seen her. She was on a mission. According to her surgeon, you were not supposed to touch your face until you had achieved your ideal weight. This was the reason she hadn’t gotten a mini-facelift years ago. For years, she was a slave to her daily pint of pecan ice cream, until, one day, she wasn’t. One day she realized she could live and thrive on little more than lettuce.

 

“Don’t lose any more weight,” I told her. “You’re thin enough.”

 

My mother patted my shoulder. “Don’t take this personally, honey, but your perspective might be a little skewed.” She was very concerned for me and how unwieldy I must feel, how uncomfortable I must be in my swollen body. But I thought I looked fine, maybe better than I’d ever looked. I’d asked her to wait a month before visiting so she could be in town for the birth, but she said she could not push off her trip because she needed to schedule her surgery before the doctor’s schedule was full and she really wanted to get my feedback before she made her final decision. There were so many options, she said—facelift, brow lift, botox. “We could Skype,” I said but she shot that down quickly. She needed me to see her in person, the texture of her skin, the full 360 degrees.

 

She had not been to the city in a while, since before the divorce. Like a flower, you could see her drinking in the energy; you could see her bloom. Smohio, Ohio, she said, she loved everything about the city, the noise and the streets and the interesting little apartments.

 

“When you were a baby,” she said, “we lived in an apartment like this.” I knew this story. Living in that apartment as a hopeful young wife was a shining time for her. Dad was gone all day, a low-level administrator, not yet the boss. The days were just us, playing in the complex playground, walking to the mall next door. She loved to tell how there was a hole in the fence between the mall and the complex, two missing boards. The shortcut saved ten minutes walking, a lot in the winter. The geometry of it was tricky, but after many attempts, she figured out how to take me out and angle the stroller through just right.

 

On that trip, we were both waiting, preparing for a big change. In the mornings, I put on my one pair of dress pants with the stretchy panel and took the train to my boss’s office in midtown East, where I worked as an executive assistant. In the afternoons my mother and I wandered the city in the late September heat, shifting from one café to the next, where I would sit back with my hands on my belly, under which I could feel the baby moving, poking and pushing from inside of my body, and my mind was overtaken with the strangeness of this, I couldn’t really think about anything else, but my mother’s mind was somewhere else. When the waiters came to ask us if we wanted something to drink, she’d be pulling at her face, lifting the skin with her fingers, asking if this was too tight or not tight enough. I wanted to be able to tell her that she looked fine how she was, but the truth was, she looked so much better, younger and fresher, when she lifted up her face.

 

A week after the baby was born, she backed out of her facelift, paying a steep penalty for the cancellation. She spent her deposit on a peel and fillers instead. “I’d love to come see how you look,” I told her. “But I really can’t leave this baby.”

 

Now, in the bathroom mirror, I look at my own face, which would look better with a little makeup. I luxuriate in the ease of washing my hands and smoothing out my hair without a baby tucked under my arm. I feel so light and unencumbered I could fly straight up to the sky.

 

 

When I get back, the baby is screaming. I hear her before I see her. The sound of her cry is the sound of pure uncomprehending terror. She always sounds like this when she cries. Are these her authentic emotions, I wonder, or is she the girl who cries wolf all day long?

 

“Where were you?” says my mother, thrusting her into my arms.

 

People are looking at us. “Let’s go,” I say, as I bounce the baby up and down, bouncing her into oblivion. She quiets and falls asleep. I put her hat on her head and zip her into my coat, which is about three sizes too large for me, chosen because she and I will fit in it together.

 

On the street, I secure the baby to my body with one hand and push the empty stroller with the other. We trudge uphill and duck our heads against the blustery wind. Snowflakes swirl in the air.

 

“I think I’m finally ready,” my mother says, “to go back to work.” Now she is skinny and presentable; she has plans to expand her hypnotherapy business, to move from one-on-one sessions to larger seminars on stopping smoking and losing weight. She’s had to stop seeing most of her personal clients because they were getting too personal with her—they told her too much and made her worry at night, made her feel that she should help them in ways that went beyond the scope of hypnotherapy.

 

I also want to go back to work, but I am only an assistant. By the time we pay a babysitter, we don’t know if it makes any sense. I have the idea that my mother could do it. She could move to the city, watch the baby. In my mind, this is something she ought to do, should want to do, should be asking to do. But she hasn’t asked.

 

A couple blocks from my apartment, we are brought to a halt. Shouting, brakes screeching, a bicycle tipped over in the street, and a man in sleek spandex clothes standing by, helmet on this head, looking dazed. The driver gets out of the car, a young woman who looks terrified. Her blond hair is sleek and perfect. Her makeup is perfect. She is wearing razor-thin heels and short, wide pants that display her pale, delicate ankles. Her ankles must be freezing. Perhaps she is on her way to an interview? I feel certain that the interview was for the girl’s dream job and that she would have gotten it except that now she will not make the interview. Tears run down her face. “Did I actually hit you?” she says.

 

“You hit me,” says the man.

 

We cannot look away. We stay until the police arrive. I bounce to keep the baby asleep. The snow thickens and falls down on our heads and on the scene, obscuring the people and the street and the buildings, obscuring the man on the bicycle and the woman who ran into him, but none of this obscures what my mother and I have seen, by which I mean, the things we have seen in our minds, the more terrible things that could have happened.

 

 

We take the baby home. While I am feeding her, my mother dresses for dinner. She puts on a camel-colored dress and a big gold necklace. She looks wonderful. I’ve decided her face looks wonderful, too. The baby presses her soft skin into my skin. Very gently, she pets my shoulder with her chubby baby hand. When she’s done, I put her down on a blanket. I give my mother a hug, and her body feels strange to me, so thin, not at all like the mother I know, a woman who might eat half a cheesecake for dinner then go power-walking through her Ohio neighborhood, at any time of night, arms pumping away, a bullet in white tennis shoes, Walkman tuned to her motivational tape of the moment. She’d come back red-faced and full of ideas. The world is awakening, she might say. Get enlightened or get left behind.

 

My husband is supposed to be meeting us but he calls to say that he’s running late and we should go on ahead. I don’t have anything to wear and I mean that very literally. The only clothes that fit me are yoga pants, so I put on my nicest yoga pants, the ones that look the most like real pants. I tuck the baby into her stroller and by the time we’re out on the street she’s fallen asleep. My mother and I walk to dinner. We are shown to a table close to the door, presumably because we are saddled with a baby and might need to make a fast escape. Every time someone exits or leaves, we are hit with a blast of cold air, which makes this a terrible table for a baby.

 

We order a bottle of wine, something my mother and I have never done together. I can’t drink much because of the baby but I assume my husband will take most of my share. I am drinking wine with my mother, who looks like a glamour girl, and she is talking to me about men, how much she wants to meet a man. She orders a salad without any dressing. She takes one tiny sip of wine. I eat all the bread in the basket. I can’t stop drinking the wine or asking my mother questions. I am having a wonderful time. “What about the pilot?” I say. “I mean the flight attendant.”

 

“Oh,” she says. “Oh, I don’t think so. He’s always traveling all over the place.”

 

“There’s no reason why you can’t travel,” I say. “Shouldn’t you travel? You’re so free. There’s no reason for you to stay in Ohio. You’re unencumbered. You could travel all the time.” I am getting excited. I keep drinking wine. “You could do your seminars like that,” I say. “You could just travel and give your seminars wherever you travel. Doesn’t that sound like a wonderful life? Maybe you should marry the pilot.”

 

My mother puts down her fork. She is taking a break though she hasn’t eaten anything. “Mark hasn’t called me,” she says. “He said that he would call me but he hasn’t. So I think that we should forget about that.”

 

“It’s only been a couple of hours,” I say. “Maybe he’ll call you tomorrow.”

 

“I was hoping that he would meet us for dinner. I was hoping to have a date.”

 

“Well, I don’t have a date either,” I say. “So I guess we can be each other’s date.” Really, the baby is my date, and I’m worried that my date might be waking up. I watch her like I can hypnotize her with my will to go back to sleep.

“I’m tired,” my mother says.

 

“Move here!” I say. “There are men everywhere! You’ll get a place near me. You can help with the baby.” As soon as I say this out loud, I realize how badly I want it. “Wouldn’t you like to spend time with the baby? You can help me, I can help you.” I knock over my glass of wine, I am so overwhelmed with the perfection of this idea. As I mop up the mess, I think how this is what I need. This is what she needs. For the first time in many years, my mother and I will fulfill each other’s needs.

 

My mother shakes her head. “I can’t move here. I don’t like it here. All the people. That accident. I’d be afraid to cross the street.”

 

“I thought you loved it here,” I say.

 

“I want to work on my business. I want to work on myself. There are so many years—I really don’t know what I was doing. I need to make up for lost time.”

 

“The baby’s here,” I say. We both look at the baby, who is starting to stir in her stroller. Her face wrinkles and un-wrinkles. I turn to my mother and I can see that she is unmoved.

 

Before I can reach her, the baby escalates to a full-on scream. As quick as I can, I lift her out of the stroller, but the crying doesn’t stop. Everyone is looking at us. I bounce and bounce. I look for a nook. The bathroom is tiny. There’s nowhere to go. The screaming gets louder. I am starting to panic. The waiter is approaching. I was silly to bring a baby to this place. In a second, I will get kicked out.

 

“I’m going outside,” I say to my mother, zipping myself and the baby into my jacket, pulling our hats onto our heads. “I’m sorry,” I say. “I’ll be back as fast as I can.”

 

Outside, the snow is falling. It lands gently on our heads while the baby screams. “Don’t cry, baby,” I say. “Don’t cry.” I feel a little woozy, my cheeks flushed and warm from the wine. Despite the crying, I am glad to be outside, where the air is bracing and fresh, where the baby can scream to her heart’s content without disturbing anyone—anyone other than me. This is where we belong.

 

We walk to the end of the block and come back. The baby is starting to quiet but I can’t quite bring her inside. Through the window, I watch my mother, who is eating her salad, one leaf at a time. She does not touch the bread. She looks lonely to me, but maybe I’m wrong. Maybe she wants to be lonely. Maybe being lonely is better than the alternatives.

 

After a couple minutes, my husband shows up with a camel scarf around his neck and ear clips on his ears, huffing from the cold. He is finally here. He is my most familiar person, but I feel like I haven’t seen him in weeks.

 

“Hey,” he says. “What are you doing out here?” He puts an arm around my shoulder, kisses the top of my head. The baby lets out a sigh and relaxes her body into my body. I relax my body into his body. The snow falls and falls on all of our heads.

 

“Go in there,” I say. “I’ll be in in a minute. Just sit with her at table, okay?”

 

“Okay,” says my husband. He opens the door. Warm air rushes out. Cold air rushes in. He greets my mother. He gives her a hug. He takes off his coat and sits in the chair across from her, the chair where I was sitting before. The snow is melting in his dark hair. I can make out the faint sheen of wet. He talks to her, she shows him something in her notebook, and I feel calm, the baby’s body against my body makes me calm, but underneath I am bereft. She starts to smile. He takes a sip of my wine. She takes a bite of her salad.

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The Pageant

“Spain cannot be blamed for the crassness of the discoverers.”

      —William Carlos Williams, In the American Grain

 

 

A man I love says, Why do you worry about where you come from? You’re here. Is that not enough?

 

 

Bananas ripen to a bloom like a black cloud.

 

 

Mestizo comes from the Latin mixticus. A mix a mix a mix. Say mixticus six times while looking in the mirror. If you have at least one foot in the Americas, you will conjure up un conquistador noble y su indio salvaje y inocente. White hand clasping brown hand.

 

 

The 16th century indigenous chieftain, Lempira, is today renowned for leading the (unsuccessful) rebellion against the conquistadors in Honduras.

 

 

In the language of the Lencas, Lempira means “Lord of the cows” or “Lord of the grass.”

 

 

In the 1980s, two Honduran lempiras were worth the equivalent of one US dollar; today the exchange rate is twenty-four HNL for one dollar.

 

 

Lempiras folded into tiny squares nestled in my tiny hand for a trip to the corner store. In the suburbs, the loamy smell creates a palimpsest.

 

 

Honduras is not a plantation. To be a plantation, one requires a crop, workers, and overseers. But if the workers were Black in a country that had no Blacks, if that thought rendered the worker invisible, well then, who were these people before our very eyes, ingloriously sweating their singing?

 

 

Alfonso Guillen Zelaya, my second cousin three times removed, is, according to Wikipedia, “the greatest Honduran poet and intellectual in history.” He was also a journalist, my family said, contra el imperialismo. I was told he was exiled to Mexico in 1933 by the tyrant Tiburcio Carias Andino. But the history books say Zelaya, with his American-born wife, left of his own accord.

 

 

Until 1931, the Honduran currency was the peso. At least twenty-two countries, past and present, have used the peso as currency. Peso, in Spanish, means “weight.”

 

 

During a several-months-long rebellion in 1537, in which Lempira led 30,000 men, he was lured out by the Spanish who were offering to negotiate a ceasefire. History says that Lempira was ambushed and shot by the Spanish, and it is this sequence—a request for peace, an ambush, and a murder—that the school children of Honduras act out year after year on July 20th, Lempira Day.

 

 

My dad—who reminded me of Harry Belafonte, of Sydney Poitier—fed his melancholic nostalgia during my childhood, wallpapering our atmosphere with Motown. He told me this after heart surgery. They picked me, he said laughing. One year, I was the Spaniard. The one who shot Lempira through the heart.

 

 

Memories stick like breadcrumbs in my throat.

 

 

Zelaya’s poetry in Spanish is melodic but also didactic and pastoral. Zelaya’s poetry idealizes nature as a way of simplifying and cleansing a land and its people of complexity.  The poems say, Honduras is not a plantation. The poems watch the land buckle under the weight of her masters.

 

In a poem translated by William Carlos Williams, the voice says:

 

Lord, I ask a garden in a quiet spot

Where there may be a brook with a good flow

A humble little house covered with bell-flowers

And a wife and a son who shall resemble Thee.

 

What does God look like?

 

 

My hair was straight once, inky blue-black strands, each a representation of logic and perfection. I looked more like Lempira then.

 

 

It is said that el indio Lempira died in an ambush. And it is this ambush and subsequent death that the children of Honduras have acted out every year in hundreds of schools across the country since the 1930s. One eyewitness account, written in 1558 by Rodrigo Ruiz, a Spanish national in service to the Crown, states that Lempira died in battle. This account was discovered in the 1980s, and yet the pageant continues. Lempira is tricked into this death. Lempira the guileless martyr, símbolo heroico de la patria.

 

 

You have a beautiful nose, my father would tell me, with thumb and index finger lightly rubbing then pinching his nostrils. It’s so narrow. I don’t understand what it is to love or not to love a nose.

 

 

In 1926, as the government debates naming the currency after Lempira, a leaflet is distributed among workers calling for the sons of the invincible Lempira to defend the “land of Columbus” against Yankees and Blacks.

 

The poet Zelaya and other Honduran intellectuals support the measure to raise Lempira’s symbolic profile. Prior to the mid-1920s, no image of Lempira existed.

 

 

The man hovers over the uncomprehending girl-child, lamenting his own features, like monstrous stamps—his nose, the unconscious touch of the lips to measure their fullness. “My woolly hair, my woolly hair.”

 

 

Someone said the word miscegenation today.

 

 

The last time I visited Lempira’s entry in Wikipedia, like an afterthought, in the description of circumstances behind his death, a line I’d never seen before: “The Spanish then ate his corpse in disrespect.” What a fitting symbol of el mestizaje in Honduras. Europe, like Saturn, devouring us like little children.

 

 

My baby doll diapered. Brown eyes that click shut when you lay her down. Hair so soft, so effortlessly curly. A dark cloud unseen in the sky.

 

 

No matter how many bananas were harvested, more were needed. Bunch after bunch into the cold bellies of ships ready to set sail for far-off places. The hunger was endless. The ships filled the small port of La Ceiba. The ships would leave, empty the port, only to be replaced by newer, larger, and emptier vessels. All this rotation, under the hum of workers, from sea to field, year after year.

 

 

Until one day, just like that, the replacement ships began to dwindle and then just stopped coming. The harvested bananas had nowhere to go. The field workers filled the wheelbarrows until there were no more barrows to fill. The fruit hung heavy, not just in the trees, but in the air.

 

 

There is such a thing as too much sweet.

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The Crypt of Civilization

“It’s the size of a swimming pool,” I said, “and locked in stainless steel. Locked for six thousand years, in fact.” I was telling my son about the Crypt of Civilization, a time capsule in Atlanta. We were in the basement, sorting his toys into piles. An overdue project, because now he used electric razors; he studied for the driving test. I picked up a tiny plastic mare and her tinier plastic foal. I asked, “Do you want them, your Horse and Baby Joe?”

 

He shook his head. “Sounds ambitious,” he said, “that thing in Atlanta.” He was burning through the matchbox cars and the doll that looked like a businessman, the Lincoln Logs and the book in which the bear is forever snoring on. Discard, discard, discard.

 

“These are in there,” I said, holding up a log the size of a finger. “In the Crypt of Civilization.”

 

“Why save a bunch of sticks?” he said.

 

I kept talking. Other items in the crypt: recorded birdsong, aluminum foil, ashtrays, the form of a woman’s breast, a “Negro doll,” a piece of soap in the shape of a bull.

 

“Jesus,” he said, taking a pterosaur from my hands and tossing it with the discards. “Are you kidding me with that list?”

 

I shrugged. “It was 1940,” I said. “Not a great year for time capsules.” I didn’t say: As if there have been so many other, better years. Our hopes and our hubris, the human experiment laid bare, thanks to the Crypt of Civilization.

 

His class did a time capsule once, back when he was in the first grade. A moment in time, or, as the principal said, a moment in conversation. “What will we choose?” she’d asked. We were gathered in the gym on parents’ night, the thick heat of September rolling in through the propped-open door. “Will we choose something that says how far our civilization has come, like light bulbs, or will we choose things from today, from here in 2010?”

 

Later, his dad and I joked. Let’s put in some guns. A bottle of DEET. A white guy billionaire, maybe Jeff Bezos. But our coal hearts burned away when our son chose to add his stuffed lion. Other kids picked the yearbook, mechanical pencils, a photo of Phillip Stanning, the third grader who’d died of leukemia the year before. His parents gave the school their permission.

 

“Why tell me this now?” my son asked when I reminded him. He glanced at the clock, wanting to go upstairs, but I was thinking of stories unearthed. Of conversations between a dreamed-of future and the best and the worst of our past.

 

And what of the forgotten capsules? Conversations never had, conversations still in the earth, magnolia roots pushing against old tin boxes, letters in bulldozed attics, bottles left floating eternally at sea, through storms and under scorching skies. A metal ball orbiting the earth, the silence of that, its secrets tucked in like a heart.

 

“Mom,” he said. “Let’s be done. Let’s give it all away.” It was like this more and more with us. He looked forward, to the car he’d soon drive and the girls he’d soon kiss and to more distant visions—college, roommates, drugs, maybe—while I held his Horse, his Baby Joe and said, let’s build ourselves a capsule.

 

I scooped the discard pile my way. “I’m saving these,” I said, the Legos and the frog blanket and the board book with a dollop of oatmeal on it, long hardened into milky cement. The toys that came later—the stacking robots, the sticker sheets. He knew it would end this way, and I did too. An hour used or wasted, depending on who you asked.

 

“Time,” he said, standing up. “You always talk about time.”

 

As if this was so boring. As if time didn’t start and stop and shift to the left, didn’t corrode and make you whole. Didn’t change little boys who cried as they buried their lions into bigger boys who thought that Lincoln Logs were sticks, discard who they were for who they would become again and again and again.

 

And what of Phillip Stanning’s parents? Sometimes I wondered, across the hurried years, as the elementary school collected artifacts from one class and then another, moved from one principal to the next. As the Crypt of Civilization sat in its deluded wait. What did time become for them that April afternoon when they put their boy into the ground, when they tucked away that last thing with him, that final conversation, that favorite plushy bird?

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There They Are

my mother, my father. Her skinny
blue wrists, his ear caressing a cigarette.     In the beginning,
it is already too late,    but there is hunger & no time
to waste.    All they need are six hands, three mouths, a clockwork
yearning for locks of their own, windows square & fresh.    In the beginning,
my cry breaks my father, who flushes red at my fall, opens my face in search
of his mother.          Grasses, grasses on a country
road, hawthorn up to their waists,
aflame.     The crying of no mothers.  Temple bells hung
by the wind.    An October without moons,
a feeling I’ve been here before.  Dew on the page.
Windows billowing   wax paper.
Fall’s charred eyelids.     Toes pressing down my own wet
imprint.    Begin the world without a bang.
Water, air,   the Earth split into an egg,
elements halved for light.      No mothers, just two figures on a bicycle
for one.   A sweaty country road. Stoves that won’t start,
boxes of damp matchsticks.     Strain of a blue wrist
untucking cigarettes from his lips
prayer of hands inside the ashes of mothers,
single finger curving to a hush.    Careful,
hold the glass up to one eye, split the nucleus
with the other, explosions muted by winged lungs.
Put down my pen.    Unfold my eyes.  Count backwards
before legs, before longing, until I hit a snag in the web,
open,   to find my palm full of tears.
Once, there were no mothers. Trace the outline,
one, two, build a family from hunger.                   Listen, a cry, mine,
dragging her mother’s last breath up the jagged washboard as he soaps
my throat clean, baptizing his mother’s blackened lungs.
My mouth opens       to wake their beginning & just like that
blesses our downfall.
There, stretch the canvas, spread oil thin-thin
into our crevasses, what’s that in the distance?       No mother,
not the moon,      just six hands bent over a clock face with no opening,
porcelain spoons    raised to another’s lips,    tap – tap we widen
our insides until ink forks our edges.        In the beginning,
an October without night. Windows torn
open with flashlights. Hawthorn dawning a mother’s last breath.
Let me begin   again,

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Tell Your Mother

I grew up in a flash by your mother’s side.

 

Tell her I loved her deeply, like bells sounding in the distance, like the secret I had to rush to tell her. I loved your mother at the Lutheran summer camp where we got real with our Bibles, where we rehearsed on the Palace Theater stage in the wings while we murmured our parts and pantomimed our choreography before the curtain parted. As best friends, we made space for anything to happen to us, as long as it happened to us side by side, or was documented through letters that we posted in the mail that arrived steadily like ants creating a trail.

 

Tell your mother to tell you how we cut images of what you must be going to look like from magazine pages in the 1990s, how we clipped around your round face and big eyes from baby-food advertisements, certain it was  going to be you.

 

The first I saw of you was a roiling under her skin, kicking while she filmed her belly, feet stretched far before her.

 

Tell your mother to tell you the time, in the charged balm of adolescence, when we lay in a hammock on the fourth of July, watched neighbors tilt back in lawn chairs and for some reason, while we rocked  in the weave of the hammock, while sparklers crackled, and dry as a bone but intoxicated surely by the elation at simply being alive side by side, we laughed so hard at something that rocked us nearly over and to the ground, we peed our pants and tumbled down while fireworks shot up as the floodlight clicked on as the adults chatted, and I consider that place in the grass on the Clintonville lawn that exists with our imprint on it still, the sound of the dresser drawer opening for her to replace my clothes in the room she shared with her sister. We stayed up as late as the night would have us then paraded into the morning hours, just as we paraded from the hammock, our lack of shame like capes behind us.

 

Ask your mother if she remembers learning how to solve the problem of a house fire. The firemen brought a trailer filled with theatrical smoke to the library parking lot where we filed before the door like books to be shelved. There is a way out, we learned, if you crawl under the smoke, if you test the metal doorknob with the back of your hand. We crawled through the hallway, snickering always, toward the trailer exit where, successful, we’d hop out into the clear air having passed the test, and it was this way that we jumped from our tenth birthdays to our twelfth, and now years later we are here, the fire behind us, and you due in her arms in a matter of weeks.

 

When you arrive, she will feel your warm cheek with the back of her hand. Tell your mother that when you arrive, I will step back as she lights the firework fuse of your little life, that I will do my best to be a bellows to your flames.

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Some Mornings

Some mornings are not meant to be peaceful

they are full of tiny battles, body pains, and aches

coffee grounds spilled in the crack of tile

egg shells crushed against your spine

 

Some mornings are not meant to be hopeful

the sun’s tyrant gaze slips in through the gaps

the ceiling fan is a switchblade to the ear

alley cats scream their war cries to the world

 

Some mornings are not meant to be calm

the throbbing skull of a night, water-deprived

echoes inside itself, a reminder that the body

desires equilibrium and safety in this storm

 

No, some mornings are not meant to be peaceful

yet the day moves on, mixing with the night

the truce made since the dawn of time

where worries unwind, where thought dissolves,

 

where the world is reminded that dreams live

beyond the body and the body is a dream.

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Evil Comes in Many Ways

Listen, don’t ever talk to strangers. If a stranger approaches you, run the other way and scream at the top of your lungs. Dios, I couldn’t live with myself if you were ever kidnapped. Sorry, Manuelito, no trick-or-treating this year. But Mom, we’ll have adults chaperoning and… I don’t care who’s doing what. You shouldn’t be outside at night, in the dark where it’s easier to kidnap someone. Look at poor Jimmy Ryce, the authorities still haven’t found him. He was walking home in broad daylight when he was taken. That could have been you. You’re both the same age. Oh, stop rolling your eyes at me. Forget about going to the movies—fasten yourself on the sofa and read those Goosebumps books you like so much. I don’t wanna read, Mom. I wanna go out and play hide-n-seek. You can’t. Armando, you’re his stepfather: tell Manuelito he can’t go to no sleepover. What am I gonna tell him that he doesn’t already know? There’s been talk of attempted kidnappings, the whole county is having a panic attack. Anyway, there’s no reason to go out. Oh, no, Dios. Armando, didn’t you hear? They found Jimmy; he was raped, his body mutilated with a bush hook, the parts buried inside planters, encased in cement. A Cuban balsero did it. I heard about it on La Cubanisima radio program. Do you know what this means, Armando? Yes, I do. Remember I’m a balsero, too. Now they’ll point a finger at us hardworking immigrants. They’ll tell us to go back from where we came. That we’re all rapists and murderers. That we don’t belong here. They’ve done it before. That man has left a scorch mark on us all. This never would have happened in Cuba, communism or no communism. Mom, that’ll never happen to me. But it can happen to you, Manuelito; you can be kidnapped and killed and buried inside planters. Mom, I need to go to school. I can homeschool you. What about my friends? You don’t need friends: they’re a distraction. Armando, tell him his friends are a distraction. Let the boy go out, willya? Ah! You’re no use. Manuelito, stay home and eat all the helado you want. Go on, read your little Goosebumps book—I’m never reading Goosebumps again! Jimmy Ryce never would have died if he was a character in a Goosebumps book. Stop screaming. Now, where is that boy hiding—? Oye, Armando! Where’s my son? I can’t find him. Call the police! He’s been kidnapped. Espera, wait, we don’t know that yet. Maybe he’s with un amigo? He’s dead, buried God knows where. Breathe, mija, breathe. Let’s look for him. Miralo, here he is, hiding under the kitchen cabinet. Manuelito, coño, why are you hiding? Stop crying. All I wanna do is play with my friends. Please, let me go! But there’s evil in every corner. Go out through the front door, and it smacks you like a strong gust of wind. Sit down on the sofa, stay home. You’re safe here, you’ll always be safe with me.

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Recipes That Aren’t Mine

Joe and I make refried beans on a Saturday morning while our four-month-old sits in a bouncer and gums his hands. We follow the recipe I’ve learned by watching my mom for years: heat oil in a deep pan, fold each white corn tortilla into four triangles, and toast them in the oil until they are brown and crisp. Joe always reminds me to flip the tortillas and remove them just when they are crispy, not a second later. I’ve burned dozens of tortillas in our two years of marriage, their pockmarked surfaces forming black bubbles. It’s always because I’m in a hurry, turning the heat up too high, or because I’m trying to get something else done at the same time—fry the rice, chop the cilantro. I return to smoking oil and charred chips. I’ve learned that the secret to this meal of refried beans, as with most Mexican food, is taking your time and giving it your attention.

 

 

When my parents were dating, my dad told my mom he had always wanted to marry a woman who cooked as good as his mom. They were sharing a meal my mom had made for him after a long day of work.

 

“You better be careful,” Mom said. “Someone might mistake that as a proposal.”

 

Dad, the story goes, blushed. “You never know—it might have been.”

 

Returning the jest, Mom smiled casually. “Well, you never know I might have said yes.”

 

Later that evening, he proposed to her on the San Antonio River Walk. He had no ring, no plan, really. I believe it was the only spur-of-the-moment decision he ever made in his adult life—my father the planner, the deliberator, the one I’m said to take after in my notorious cynicism.

 

I try to imagine what it was that overpowered him that day he proposed to Mom: love that disregarded fear and obstacles, a love effusive and daring, the kind of emotion I’ve rarely seen my practical, serious father express in words. A midwestern farm boy, he wasn’t raised to express feelings that way. Sometimes, when I think of Dad as a young man falling in love over food, I think also of the little boy finding comfort—love, safety, and home—in his mother’s cooking. I imagine meals were often my stoic grandmother’s only means of showing tenderness to her children. To say he wanted to marry a woman who cooked as good as his mom was to say he wanted a woman to share a home with.

 

On a Sunday morning, when I was having brunch at my parents’ house, Dad told me that beans and hot sauce have replaced mashed potatoes and gravy in his diet. I laughed, because I know how much Dad loves mashed potatoes and how much Mom hates them. She didn’t grow up with them and finds their texture unappetizing. I think of how Dad—born in Chicago, raised on a farm in Iowa—never ate a breakfast taco until he met Mom, born in Guadalajara and raised in San Antonio. Now he eats chorizo, eggs, beans, and jalapenos every morning for breakfast.

 

 

After I remove the tortilla chips, we let the oil cool a few minutes. I learned the need for this the hard way, too, from the time I poured an entire can of beans into the bubbling oil and ended up with a sprinkle of burns across my arm. When I told Mom, she scolded me in that strange way we get mad at people we love for hurting themselves.

 

“You have to wait,” she told me, a step I hadn’t remembered ever seeing her take. I simply assumed she’d learned the art of pouring beans into scalding oil without burning herself.

 

I’ve since made it Joe’s job to pour the beans into the pan, regardless of how cooled the oil is. This morning, we use a fifty-three-ounce can of Bush’s Pinto Beans, with their liquid. Joe and I joke that we have a problem, making too much for only two people.

 

“It was the smallest can I could find,” I say, but Joe is happy we’ll have leftovers for tacos later in the week.

 

 

Mom has used Bush’s for as long as I can remember, though she talks of a time she used to wash and boil her own beans.

 

“It takes too long,” she says now, “and Bush’s taste just as good.” On the rare occasions she makes frijoles borrachos, I’ve seen just how long it takes to prepare beans from scratch. She lays them out on a towel, their speckly, wiggly forms smooth as she runs her fingers over each one, feeling for bumps and sprouts. She throws out the misshapen ones, rearranges the remaining ones. Then she lets the beans soak in a cold-water bath overnight before boiling them until they’re soft, like butter, then adds tomatoes, cilantro, bacon, and a bottle of Corona beer to the broth. I asked her once if the bumpy beans are bad to eat.

 

“No,” she said. “I just want the pretty ones.”

 

She told me once that her dad, my Tito, used to carry out this bean ritual weekly, often recruiting her from backyard play or homework to help. She says there was always a pot of beans on the stove in her childhood home. Her family ate beans and rice almost every day.

 

“We were poor,” Mom says, which is a statement I realize I can’t understand, not the way she does. Beans and rice have never been the main dish at a family dinner I can remember. My grandparents both owned their own businesses, trades brought over from Mexico. My Tito was, and is, a shoe repairman; my Tita, a seamstress and a sculptor. But with five children, a language barrier, and dying trades, there were times when their hard work barely paid the bills. If they came to this country with the usual hopes of immigrants, their grandchildren even more than their children are the ones who have seen those hopes to fruition.

 

I think of the disparity between their lives and mine, of how much of who I am I’ve inherited from them and the world they came from. Some of those things are simple: the shape of my eyes, my ability to roll my “r’s,” my love for their simple, delicious food. Some of those things are more complex, specific to Mom’s family: a history of brokenness, abuse, and betrayal; a propensity for the dramatic, for storytelling. And yet, though I claim my Latina heritage, I only really know that world through Mom’s stories and recipes.

 

 

As Joe fries onions and corn tortillas for migas, another dish I’ve learned from Mom, I wait for the beans to heat back up. I watch as they turn frothy and bubbling, then take a potato masher and smash them into their broth. Once, Joe tried to mash them before they started to boil, and the masher made awkward chunks of the still too-hard beans. We learned that you have to wait until they’re soft, so that when you’re done smashing, the beans look almost like gravy.

 

I heat flour tortillas as I wait for the beans to cook. Joe laughs when I insist that the first tortilla, hot off the pan, go to testing the beans. It’s Mom’s tradition: standing in front of the hot stove, tortillas on a cast iron skillet, she’d rip the edge of one—her fingers moving quickly—and scoop the beans in their broth and hand it to me to taste. If it was too hot in my mouth, we knew they were ready. I do the same for Joe now, and he fits the whole piece of tortilla in his mouth in one bite.

 

“So good,” he says, and I smile, because he never ate refried beans for breakfast until he met me.

 

 

Mom tells me that, when I was born, she and Dad couldn’t afford to take pictures of me. With two children and Dad in grad school, film was an expense they couldn’t spare. Meanwhile, I scroll through the hundreds of pictures I’ve taken of my son on my iPhone, every snap as effortless and cheap as a can of beans.

 

I don’t remember those seasons of hardship, the years of hand-me-downs and one family car, when dinner at the Kentucky Fried Chicken counted as my parents’ date night. But I know their toll. I remember, even when we could afford new cars and a custom-built home, the nights when family dinners were disrupted by arguments so bitter they turned the food cold on our plates. Dad’s anger that Mom couldn’t keep to a budget. The stress of a job that kept him away on nights and weekends. The time his anger was so violent that he sent his fist into the drywall, and my brothers and I cried as a pot of Mexican rice sat untouched on the kitchen table. The time I asked Mom why they didn’t think their fighting hurt my brothers and me. If only I knew then how much she already knew that it did.

 

Years later, at my wedding, Dad whispered to me, “I pray Joseph is a better husband to you than I’ve been to your mom.” He was crying, that rare expressiveness surfacing, a vulnerability that told me that he knew, too, that my brothers and I felt the weight of his spousal mistakes, that we would carry them into our own marriages and families.

 

 

Joe asks if I want anything else with breakfast, and I add a handful of strawberries to the table of fried, Mexican food.

 

“Are you really going to eat those?” he asks, not because there’s anything wrong with the strawberries, but because I’m notorious for taking out strawberries and not eating them, leaving them to turn crusty and brown in a ceramic bowl all day.

 

“Yes,” I say, which will become a lie. The strawberries are there to make me feel healthy, though I will feel guilty later when I throw them away. Joe, who was not raised to calculate the cost of every item of wasted food, accepts my habit with patience.

 

Some weeks later, when he leaves a pot roast out overnight, forgetting to cover it and put it in the fridge, I’m the one who can’t contain her anger, refusing to speak to him for half the day. Because the roast was expensive, time consuming, the time and the money we don’t have now with a baby. It’s only the sight of him bouncing our son, making him laugh, that reminds me of all the times I wished my parents had weighed their marriage against their anger. A pot roast is pretty light in the scale.

 

 

When Mom got breast cancer six years ago, Dad blamed it on food, on the milk from cows treated with hormones, on the grill her parents didn’t scrape clean of charcoal carcinogens. He began to research with all the zeal of the academic he had been before three kids. Diet, he decided, was at the heart of health. He told Mom to buy organic, unprocessed food. He decided to turn the hobby farm he’d had since we were kids into a business, even though raising pigs and cows and chickens is exhausting in any climate, but especially in the heat of Texas summers.

 

Now, he sells farm-raised beef, pastured pork, and free-range eggs in an effort to teach people about sustainable farming and healthy living. But I know the deeper reason, even if he won’t say it, even if his fear for Mom turns into scolding when she doesn’t drink bone broth or cook with the right oils. I know there is love, duty, vigilance, even in his anger.

 

When I was pregnant, he told me I shouldn’t eat corn flakes because they might be tainted with Roundup. I started crying. Hormones aside, my tears were the realization of how deep his fear went. Food has become protection from cancer, from diseases without known cause. Food is how he can protect his family. When he and Mom tell us to read ingredients, to make baby food from scratch, Joe and I complain that they’re being paranoid. We remind them that we can’t afford to buy all organic food. But we also know that food has become their shelter against things beyond their control. We can’t blame them for wanting to build it over us.

 

 

Joe and I eat the entire pan of migas and nearly half of the beans; we serve them with a side of Herdez green salsa. I like to remind Joe that I know something about Mexican cuisine, especially when we go to his family’s house for dinners and they serve things like pre-packaged guacamole and cold tortillas. But there is always the part of me that feels like an imposter, like I’m trying to claim something that barely is mine. I use canned beans and store-bought tortillas. If Mom does the same, it’s because she’s trying to save time, and not because she doesn’t know how to make them from scratch. Still, there are dishes she won’t make because she says my Tito makes them better.

 

“Plus, they take way too long,” she says, and I can’t tell if that’s the real reason or the excuse for why I’ve never had her tamales or her menudo. I’ve never made salsa, or chile relleno, or mole from her recipes for the same reasons, and because of the part of me that feels those recipes aren’t mine to make. It is the same feeling that washes over me when I hear someone speaking in Spanish, those sounds and syllables that echoed through my childhood when Mom spoke over the phone to her parents or when she drilled me on conjugation and tense, lessons I can barely recall. I can’t speak Spanish, and yet its cadence feels like home. Like a home I’ve inherited, but I can’t find the key.

 

When people ask me why I can’t speak Spanish, I usually blame my parents: Mom didn’t speak it often enough at home because Dad couldn’t understand it. But if I’m honest, I know that I was the one who stopped practicing, who was too embarrassed by an accent that didn’t flow as smoothly as my mother’s. When it comes to my Mexican heritage, is it only half-known because Mom didn’t share enough with me, or because I am too afraid to enter the discomfort of my unknowing?

 

 

After our son was born, Mom drove the five hours to visit us twice over three weeks. She brought meat from Dad’s freezers and filled ours with meals from my childhood. Enchiladas, taco meat, Mexican rice. She spent all day cooking or holding our son while we napped or took short walks, tried to regain a semblance of normalcy in those first, volatile weeks.

 

I don’t remember very much from those sleep-deprived days, except for this feeling that everything was on the verge of breaking. My body. This tiny, hungry person who needed me constantly. Everything about life that Joe and I knew before he came. Everyone talks about the joy of newborns. Few talk about the fear—of failing, of death—that comes with them.

 

But when Mom was there, I felt my fears recede, a sense of reassurance in her cooking and her smile. The sense that the walls of our little apartment would hold up through all the sleepless nights and the strange, repetitive days filled with nothing and everything. Wrestling squirming legs into infant diapers, staring at the rise and fall of his chest as though all our lungs were encased by that tiny rib cage. And even when Mom left and we sat at our table with the reheated food she’d made for us, there was a wholeness created by a family dinner, a comfort in tastes we knew.

 

 

As we finish breakfast, our son begins to fuss, so Joe picks him up and sits him on his lap, lets him sit at the table and look at the empty plates and thickening beans.

 

“In a few months, you can try these,” I tell him as I scrape the spoon across the pan, because I know that beans were among my own first tries at solid foods. I wonder to myself if he’ll like them, because I know that both of my brothers aren’t fans of the dish. I wonder if doctors recommend feeding babies beans, or if it’s one of those things my parents did that experts now swear have a hundred health risks, like giving your baby a stuffed animal to sleep with or using baby sunblock. I decide I’ll follow Mom’s example with this one. Our son sticks his tongue out when he smiles, and I notice again that his eyes are Joe’s, but his nose is like mine.

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The Little Engine: Four Takes

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Echolocation & Proof

Echolocation

I begin with near-silence,

the droning refrigerator,

a dog barking far off.

You’ve just fallen asleep

as morning splinters

through the blinds.

He kicks off his boots,

braces himself on the dresser,

pulls at the leg of his jeans.

Something wakes you—

a knocked over jar of change,

a picture frame falling flat.

You must miss the feeling

of waking in the night

knowing exactly where

you are, hearing only

your brothers’ muffled voices

through the wall. Years later,

nights when my friends and I

stay up until dawn,

you’ll wake this way again

to laughter resonating

down the hall. One night,

to meet our girlfriends,

J. T. and I will sneak

to Arroyo Vista Park.

You’ll wedge a drumstick

in the window-track and wait

for our knock at the door.

After sending J. T. home,

you’ll say When it’s quiet, I know

somethin’ aint right. Because

this all feels close enough

to the truth, and because I have

no evidence I was made

the usual way—not even a picture

of you and my father together—

I’ve made this:

In splinters of

morning, you pull me from

his open mouth while he sleeps,

piece me together from handfuls

of his running breath, the small

sound of whitewater.

 

Proof

The fact is I was made

from what Whitman called

“father-stuff,” from a current

of you and from being held.

This—the raw physiology of it—

may explain why most fathers

think only of pushing their sons

into the world and most mothers

only of keeping them from it.

But the facts only tell us

half of every story, and never

the half we need. I have

a photograph taken just weeks

after I was born. I was

sleeping on your bare chest.

You were slouched in an armchair

with your fingers laced like rivulets

under my feet. These are facts—

even if you forgot, and even if all

I remember from being with you

before Arizona is the smell of

shop grease and dipping tobacco,

you once held me the way

a riverbed wants to hold a river.

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Code Blue Theater

You were the one whiteboy who came over to visit a house where usually there were only blackfolk. You were friends with Kevin—my boyfriend—his former co-worker at the nursing home. You extended your hand not to give me dap, or to pull me into a bro hug, or even to change the shape of your hand for a fist bump, but to clasp my palm, as in a transaction.

 

You didn’t say wassup or what it do, but nice to meet you.

 

Your name was Riley, and you were tall with dirty blond hair, blue eyes, a chipped tooth, and some might say you were cute.

 

You drank Natural Light, smoked cigarettes, and weed if it was passed your way.

 

You were addicted to opioids, but you’d been trying to quit, especially after your girlfriend quit you; she was a CNA where you and Kevin worked, but after dating you a while and you wouldn’t let the pills go, she let you go. You left the nursing home not long after that.

 

One day, three years later, when I was home on spring break from graduate school in Iowa City, I watched you overdose.

 

It happened on a Friday afternoon, when you were supposed to be cutting the backyard, even though the sky was gray and steadily darkening with threats of a rainstorm.

 

I had plans to spend the day with Kevin on the couch binge-watching Netflix, but company kept arriving.

 

Benita was the first, announcing herself popping her Double Bubble gum.

 

You came in right after her, pulling a lawnmower behind you like a wagon, holding to the handle with one hand while jostling a can of Natural Light in the other. By the time you made it to the dining room—where Benita and I were sitting—you’d left a trail of beer that foamed on the hardwood floor.

 

You better clean that shit up before Kevin sees it, Benita said.

 

You looked back at the spillage and mouthed fuck.

 

Get the mop dude, she said when you stood there gaping at the mess you’d made. The way she exaggerated the u made it seem as if what she’d really said was: get the mop you dumb, triflin ass, muthafucka. Benita was harsh and, if you didn’t know it already, you got on her nerves. Why didn’t he just take the lawnmower around the side of the house? she said to me after you’d gone into the kitchen. But you didn’t go for a mop, you went for paper towels, which we could hear you tearing off in sheets. The mop, dude, get the mop, she yelled. You wasting paper towels.

 

You were shrug-shouldered with humiliation when you returned with a mop to clean up the mess. Did you wet it? You gotta wet it, Benita said and watched you slink off to the kitchen again.

 

At least you had the floor cleaned by the time Kevin came back inside.

 

You and I would often joke about Kevin’s idea of what constituted clean and orderly—how he liked his place mats arranged on the dining room table with the corners touching so the center of the table was a framed rectangle; how his condiment bottles on the countertop must be in rows by height with labels facing out; how the chairs should be tucked beneath the table when not in use so they weren’t in people’s way when they moved around the room.

 

Kevin didn’t comment on the wet streaks slowly fading away. He’d decided to put some meat on the grill and went into the spare bedroom where he kept a bag of charcoal in the closet and dragged it through the kitchen to take outdoors. I asked him if it might rain, which was my way of saying don’t cook out because it might rain. Kevin answered by asking me to season the burgers and boneless chicken breasts. I did not season the burgers and boneless chicken breasts.

 

Terry was the last to show up, talking on his cell phone. I told Kevin to ask him to season the burgers and boneless chicken breasts. Hearing his name, Terry waved me off then secluded himself in the living room, where blackout curtains created a dark alcove for him to hide in, but not to muffle the conversation he was having with his soon-to-be ex-wife, whom he’d recently begun to refer to as his baby mama.

 

I heard him pop the tab on a tall boy of Bud Ice (the only beer he and Kevin drank) and loudly slurp the spillover. Kevin had told me several times during our nightly, long-distance phone calls how Terry regretted that his marriage was breaking up and he didn’t care anymore that his wife had gotten pregnant with another man’s child. Of course, the fact that he, too, might father a child with another woman may have given him this perspective; he might have rationalized their mutual infidelities as a mutual cancelling out of wrongs: they’d both fucked up so couldn’t they just get past the drama to be parents to the one child they’d created together? He’d be by to pick her up later, I heard him say, and then his voice lowered in pitch, as if he’d cupped a hand around the mouthpiece. Come on, he said, crooning to her like an ’80s balladeer in what he could never deny wasn’t an attempt to please, baby, let me hit that, he said.

 

You’d taken the lawnmower to the backyard and returned to the dining room with another 12 oz. can of Natural Light. You popped the tab and set the can on the table beside Benita. Without taking a sip, you lingered briefly in the middle of the room and mumbled to yourself, or to Benita or to me, neither of us could tell, then took off again. You returned with a leaf blower, a gas can, which you carried beneath one arm, and another Natural Light. You opened it and placed it this time on the mantel and took the leaf blower and gas can to the backyard. Never once did you sip from either beer.

 

Benita looked up from a game she’d been playing on her cell phone to watch you leave the room and come back. Her hair, slicked down with grease, was pulled tight into a ponytail that lashed the air each time she whipped her head to follow you back and forth, a snarl stiffening her upper lip like a pinched fold of dough. Her expressiveness portrayed a three-dimensional annoyance that reminded me of the look on people’s faces after they’d made a petty comment about some petty thing.

 

When she heard Kevin in the kitchen, she went to him to ask what was wrong with you.

 

Kevin told her you were on one, entering the dining room seasoning a plate of boneless chicken breasts. He set the plate on the table to light a Black & Mild, then continued to lightly dust the meat with seasonings.

 

Benita asked what you were on.

 

Through an exhale of smoke, Kevin told her he didn’t know. Probably roxys, he said, two fifteens. He clenched the tip of the plastic filter between his teeth, his right eye cinched tight to avoid the smoke, and let the tip rest in the corner of his mouth.

 

Two fifteens my ass, Benita said.

 

As if on cue, you walked in tilting a can of Natural Light. You’d forgotten the other open, untouched cans still in their places on the table, the mantel. You tried to take a sip but missed your mouth when you stumbled, lifting your foot too high, as if you were prepared to step up and had come down thinking a landing was closer than it was, so gravity pulled you forward, which threw you off balance. You pretended to play it off with a bit of footwork you said you’d learned from watching Childish Gambino.

 

You need to sitdown, dude, Kevin said, laughing.

 

You fucked up, ain’t you? Benita said simultaneously.

 

I’m awright, you said, and as if to prove this you shook your arms and legs vigorously in the air. You seemed agitated. Your eyes were wet and tired, the rim of your lower lids puffy, pink like an albino rabbit’s eyes. Your eyes wanted sleep, but your body was fueled, apparently, by thirty milligrams of pills to keep you sleepless. When you disappeared outside again, Benita told Kevin that she heard that you crushed your pills. Kevin said yes, you did, and that you snorted the powder. Benita shook her head, her mouth pursed. She didn’t snort her pills, nor anything else for that matter. Unlike you, she took pills because she had sickle cell anemia. Yes, sometimes, she’d said many time before, when her sickle cell flared up and she could barely get out of bed, she had to call around to see if she could buy extra pills; she needed always to be in constant supply of pills to keep the symptoms of her sickle cell in check.

 

I gotta get this meat on the grill, Kevin said and grabbed the plate of boneless chicken breasts and headed outside. Terry came in just then and the two of them stopped just short of colliding. My bad, Terry said. He had been in the backyard and came to tell us you just fuckin threw up in the trash can.

 

Puttin shit up your nose. That’s what happens, Benita said.

 

Terry said you were outside sweaty and red in the face.

 

Would you put shit up your nose? Benita asked me.

 

Nah, I said, to imply hell no! as if I’d never dared to do something like that, ever, not ever had I smoked crack cocaine, nor did I once, when so fucked up, attempt to snort through the lit end of a cigarette. Obviously, Benita had forgotten I’d told her about my past drug use, about those very incidences. I searched her face for the recognition that told me she remembered, but her own eyes were glazed over with what could be either the weariness of being fed up with other people’s shit or this was the settling in of her own high. She tapped a cigarette out of her pack and proceeded to strike a series of sparks with her lighter. Your lighter’s out of fluid, Benita, I told her, but she kept trying.

 

Who knows why people do what they do, she said, her head beginning to loll.

 

When I finally went outside, the coals were lit and the grill was smoking. Kevin paced nervously as the skirt of his black bib apron fluttered in the slight breeze, clapping a pair of tongs together like pincers in one hand and taking frequent swigs from his beer with the other. Terry leaned against one of the posts on the small porch, giving me the side-eye when he saw me, shaking his head. It’s not looking too good, he said, nodding toward something past me. I followed his gaze to where you sat in a patio chair a few feet away from the grill. I hadn’t noticed you, but probably because I wasn’t expecting to see you sitting with your legs shoulder-width apart, each of your arms resting along the arms of the chair, your head hanging so your chin barely touched your chest, your mouth languishing partly open with drool stretching a silvery strand down into your lap.

 

Kevin and Terry alternated turns calling your name. Kevin tilted up your head, only for it to fall forward with a slight bob; he said you needed milk. Terry directed our attention to the dog, Kevin’s pit bull, who circled you in your chair then stopped to lie down. She whined, half-barked, then she was up again, letting loose a high-pitched squeal; she pawed at the dirt and grass, digging with her nails and sending a fretwork of dust into the air that formed a cloud around you.

 

Kevin came back without any milk but with Benita smoking her cigarette. Oh gawd, she said, her eyes now wide open when she saw you. She said she had to leave because you were fucked up. You were a whiteboy, she said, and if one of us had to call 911, she didn’t want any part in what happened when they got there.

 

I didn’t pay Benita any attention. I watched you, wondering how many sad clowns were packed inside that tiny car.

 

Kevin, too, paid Benita no mind because he thought you were just passing out, which was good, he said, because you needed to sleep it off.

 

I wasn’t so sure. I went inside.

 

I heard Benita’s thick-heeled boots not soon after, clomping into the dining room where I’d distracted myself on the computer.

 

Benita stuttered directions for me to look up on the internet the signs of an overdose. I did and listed a few symptoms to her: dilated pupils, severe difficulty or shallow breathing, gurgling sounds, blue lips or fingers, nausea or vomiting, unresponsiveness … a person didn’t need to exhibit all the symptoms to indicate an overdose. Benita rushed outside, yelling to Kevin and Terry: vomiting, something about the pupils, gurgling in the throat, breathing with blue lips …

 

It had been roughly thirty minutes since you unloaded your car with all the tools you needed to cut Kevin’s backyard, since you danced your way out of a stumble and Kevin and I laughed, since you popped open three cans of beer, two of which you abandoned untouched, and then you suddenly began vomiting in the garbage can and were placed in that chair. But, if you had done so, how long had it been since you snorted those pills?

 

Benita rushed back through the house gathering her purse and cellphone off the table, and waved goodbye. See ya. Lord willing and the creek don’t rise. I’m going to get my nails done.

 

I set the laptop aside, feeling uneasy. I needed to see for myself how bad it had gotten for Benita to leave the way she did.

 

I felt as if I were about to open a door into a past that often haunted me, entering a room to lift a sheet covering a body that lay cold on a slab. Was it me?

 

I became a visitor in a place I hadn’t been to in a while. Even though I recognized those familiar surroundings, I felt like a stranger, and it was possible that you, too, felt like a stranger inside your own body.

 

I’m coming, I’m coming was the reluctant way I walked through the rooms to get outdoors.

 

I heard music that wasn’t playing before as I approached the backyard, smelled mesquite smoke mixed with charred chicken flesh and seasonings that didn’t waft on the subtle breeze before, and, through the window, I saw the opaque clouds billowing from the grill that before was a cloud of dust the dog had kicked up, but this new cloud blocked you from my view.

 

This was the moment I pretended that I didn’t wait too long to follow my intuition; that I didn’t need to suspect a bad situation even when your slack-jawed mouth drooled with so much silvery, silken strands of spit; that you weren’t propped up like a mannequin to model normalcy; that you weren’t trying to convince us that you were only having a bad trip (but nothing you couldn’t shake off); that this was you just playing possum.

 

Kevin used his cell phone to record you while he and Terry kept calling your name. But you couldn’t answer them.

 

Your arms had gone limp, no longer resting on the chair; your hands were likewise motionless between your thighs. You breathed, but your breathing was labored, shallow gasps as if the air inside was trapped so deep inside your chest that when it reached my ears it was the echo of your efforts to breathe that I heard, your lungs taking in breath but sending back the faint noise of rattling cans.

 

You were in tremors as if from shocks of low-voltage electricity, as if your body was a city of dimming lights from a series of rolling brownouts.

 

You were shutting down.

 

Your face was blue with the encroachment of more blue—your lips blue, your cheeks besieged with blue, an armada of blue storming toward the north theater of your face, capillaries carrying the blue until the totality of your face would be subsumed by blue, and Terry and Kevin acted as if they didn’t know whether to continue to barbeque, to wait and see what happened, or to do as I said and fucking call 911.

 

I couldn’t stop looking at you. I wouldn’t blink; if I didn’t blink, you’d be fine; you’d be fine because I was fine; because I was proof that rock bottom didn’t need to mean death.

 

I’d come down off the pipe once and struggled through the night shivering, and no amount of blanketing would qualm, and nothing could distract me from believing that as I lay in a bed demonized by crack cocaine, I felt elsewhere the heels of so many people walking back and forth across the future site of my grave.

 

I had to believe that Terry didn’t want to call 911 because he was a felon who didn’t want cops swarming with their detective work.

 

Kevin was afraid that he might be wrong about you having a bad trip, and that you were dying while he drank beer, recording you while he made sure the boneless chicken breasts were neither overcooked nor raw in the middle. He was afraid, the way we all were, that this wan’t the movies where the blue in your face was special effects makeup and magic.

 

We heard sirens coming from of St. Mary’s Hospital, a few blocks away. Within minutes, three paramedics in a fire truck climbed out and, together, walked casually to the backyard.

 

Back here? one said, pointing.

 

Yes, back here, I said, swinging my arm like a propeller to rush them.

 

The first paramedic knelt beside you, took his fist and rubbed circles over your heart. The second asked us your name. When we told him, he asked you if you could hear him. What’d you take today? he asked. Your response carried the same low gurgling you’d been making since Kevin dialed 911. Shaking his head, the paramedic repeated the question.

 

The third paramedic started an IV and gave your vitals to the second, who wrote them down on his gloved hand. The glove was blue, and I worried the ink wouldn’t show. I came closer when the first paramedic shone his tiny flashlight into your eyes to check your pupils. They were small as pinpoints. The whites of your eyes waxy.

 

Two cops arrived and immediately began gathering details. The first cop took information from one of the paramedics, while the second spoke with Kevin. He told the cop that you admitted taking two fifteens of roxys, but Kevin believed you took more than that, or you took something else with it. The first paramedic stopped rubbing your chest to interrupt their conversation. He agreed with Kevin, so the cop asked if you were ever in the house. First, Kevin said no, then he backtracked, and said instead that you had been unloading the lawnmower from your truck and started to bring it through the house before he stopped you and asked that you bring the lawnmower around the house to the backyard. I worried he was implicating himself too much because he was so desperate for you not to be in the house in his version of events. He didn’t want to give the cops probable cause to search the house.

 

Terry had been quiet, shrinking back, his eyes suspiciously watching the cops. He saw me looking for him and when our eyes locked, he mouthed that’s the cop. It took him a few times mouthing and gesturing at the cop for me to understand what he said, but then I understood. Terry had been in a minor car accident just around the corner from Kevin’s house a few weeks earlier. But Terry didn’t have a driver’s license. The cop wrote him a ticket and that seemed to be the end of it. But seeing him now, at the house, was too much of a coincidence. It incited a nervous fear within Terry that showed on his face.

 

I walked over to tell Terry I didn’t think the cop recognized him. He was too busy explaining to Kevin how people would sometimes ask to use the bathroom so they could take drugs. That’s why he wanted to know if you were in the house. He needed a timeline of events. But everyone’s conversations were put on hold when suddenly you leaned forward so abruptly in your chair you nearly fell out of it. Two of the paramedics had to catch you and press you back into the chair. Easy, easy Riley, they said.

 

You shook your head, looked around to familiarize yourself, and as if none of this ever happened, responding to a barrage of questions, you verified your name, spelled your last name that had earlier given Kevin trouble; you gave your address, and, finally, because you were cold you asked for a blanket.

 

In a minute, a paramedic said.

 

Curiously, though, no one asked you what you’d taken. They loaded you onto a gurney with a blue blanket. You wrapped it around yourself, including your head. Your muffled voice asked what hospital they were taking you to.

 

It’s wherever you want to go, a paramedic said.

 

You said St. Mary’s since it was closest to your house.

 

As they wheeled you away, Kevin closed the lid on the grill to suffocate the still red-hot coals. I took the chair you sat in and stacked it with the others. A smear of blood on the armrest had to be wiped away. Terry wanted to leave but was afraid to get in his car and drive home.  Across the street, where you’d parked your car, the two original police officers were joined by two more squad cars and a K-9 unit. It had grown dark by then. Flashlights lit the interior of your car while a German shepherd was taken by the leash to sniff around and eventually inside your vehicle. They had your car keys, I’d forgotten. After you were taken away, Kevin found them, which must have fallen from your pocket at some point, hidden in the high grass. One of the police officers asked to take them.

 

You came back to the house a few hours later. Kevin and I were playing a game of spades with some friends—the JJs, Jay and Jalisa—who arrived shortly after the cops had put away their flashlights and left. Kevin showed them the video he’d taken of you earlier in the chair. Jalisa had been rolling a blunt and Jay smoking a cigarette, and both of them watched with their mouths agape at the blue, drooling face gurgling ceaselessly before the camera.

 

As they watched the video, I replayed that sudden intake of breath that brought you back to seemingly full vitality. Narcan, I was told, was what the paramedic administered through the IV. They said it took about two minutes to revive you. Two more minutes without it, you might have been dead.

 

You had come back to ask Kevin to let you keep your lawn equipment in his backyard, to tell him privately that you’d taken heroin earlier that day, and to thank him for calling 911. Kevin must have told you I was the one who told him to. You said thank you, Darius, on your way out, avoiding my eyes, though you briefly squeezed my shoulder. Kevin walked you to the door and returned quickly to the table to deal the cards for another hand. We beat the JJs that night, but probably because they’d gotten too high smoking the blunt to pay attention.

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Two Lynchburg Poems

Riverside Park, Lynchburg

At Riverside Park off Rivermont Avenue,

Katy and I sit on a boulder viewing

the overcast valley where classmates

died leaping

from the 200-foot train trestle.

Every day my body betrays itself into

believing it’s dying, believing the pastor’s

words that homosexual boys

are destined for death.

Katy lights a cigarette as a canopy of leaves protects

us from the rain, says, “I wonder what it feels like to know

you’re going to die.” The train whistles

in the distance.

My mom pretended to die for attention

after she left me. For once I don’t feel her

absence in my body. For once

I feel kind of okay, like I won’t walk

up and down a foggy

Court Street at three a.m. in front of the Episcopal church,

crying and begging

God to make me straight so my father

doesn’t leave me too.

We walk back toward the car in the rain,

listening to the train chug pass in the distance

along the riverbank.

In the clearing between the path and the forest

a gathering of fireflies twinkles in the twilight, my prayers

burning in the trees.

My arms around Katy who, after smoking,

smells like my mom plummeting to earth

on a meteor.

A tear carves down the tracks of skin and leaps off

my jawline. My body simmers to smoke,

little fires,

this figure of ash.

 

[Driving away from Lynchburg]

Driving away from Lynchburg, realizing

the Blue Ridge is my home but not

where I’m meant to live,

a tiger swallowtail smears across

my windshield in powder yellow.

I too have wished to feel the painless

end, but a windshield

nebula requires a life, brittle

as the swallowtail’s chitin wings,

one the mountains can’t afford to lose.

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The Bright Forest

My beloved spoke, and said unto me:

‘Rise up, my love, my fair one, and come away.’

—from “The Song of Songs,” attributed to King Solomon, circa 950 BCE

 

This planet may host a thousand worlds, or maybe millions: worlds within worlds, each nation a deck of cards, each citizen a new deal. But as certain as Gregory might be that many worlds must exist, he knew that he had claims in only two. He could live in the world which contained Sylvie, or he could live in the world which did not. He had a secret name for the world with Sylvie. He called it the Bright Forest.

 

Sometimes she could draw him into that world merely by speaking his name on the telephone. “Gregory?” she would begin uncertainly, and then pause. The uncertainty itself seemed to undo the normal world. It was like a fairy-call, and in that brief silence Gregory would be drawn, sometimes against his will, into the forest ruled by the misrule of Sylvie: a fairy queen, dark, with the serious expression of a girl, not of a woman. In the forest, she was at times openly a child, but no less the author of the tale. Much later, when he lived in the other world full time, the world without Sylvie, the Big World as he called it, he liked to say that he once knew someone who had thought about growing up but had thought better of it. People would smile when they heard this kind of thing, would joke about Peter Pan, but later, privately, he felt bad. Privately, he said, “What if innocence matters?” And he admitted to himself that when young with Sylvie he had looked up into windy sunlit birch trees and they had both seen the leaves flash in great numbers. And only when together! This was tantamount to a confession of faith by a fallen child, and it tore at him so much that sometimes long later he would pick up his phone and call her, and begin, uncertainly: “Sylvie…” then pause for the fairy-call in return and say, again like a child himself: “Oh Sylvie, today I turned forty-one.”

 

As a boy, Gregory was pale, with pale eyes that you could look straight through without interest. Drive into the suburbs and you might see dozens like him—boys with bikes and the pettiest temptations. He had gone to college as a studious lad without a clue on how to make friends or find a lover. He wrote to his parents: “Dear Mom and Dad: All is well. It looks like I have made peace with my Econ 12 T.A. and have been to the beach three times. I should be able to make your check last until February.” When it rained outside his dormitory, however, he opened his window for the wet smell. And sometimes, like a premonition, he would walk out into a night of crickets and feel a largeness in the sky—but nothing much more than that until he met Sylvie.

 

They met as freshmen in English Lit 221: The Romantics, where they were in the same section, and Sylvie was the only one who really cared about Byron, who she called an elitist pig. He just thought Byron a bore, though there was something to some of that stuff by Keats. She loved Keats and Shelley, too, but hardly bothered to turn in assignments. Sylvie was no “college girl,” but merely “in college” the way an animal wanders into a serious place, an office or a classroom, sniffs, and wanders out again. She told him seriously that professors murdered all poetry. That poets were in fact real people who really cared about what they were writing, and not in the least what stupid college students or professors said about it. That poets had actually seen the magic in the world and tried to communicate it, and that he should try reading their stuff under a tree without looking for the fucking underlying themes. “Seriously, Gregory. Tonight.” And she took him out at ten p.m. with his book and a flashlight and a jar of peanut butter in case they got hungry.

 

Of course they kissed, and her hands roamed, and they fell in love.

 

 

 

 

In love! There came a day when he walked into a city park in the full knowledge of being in love—looking at the other people in wonder, as if they must know. Of sharing secret amazements in the eyes of other young people, who must be, like himself, in love. If only he had known that it was all true, all along, all of it. Neither Gregory nor Sylvie were handsome people, but love does not require physical beauty, it only requires an alliance with beauty. So the two of them forgot about literature and sought beauty together everywhere—parks, houses, restaurants, bed.

 

In the face of this alliance with beauty, other things fell away. And so there came another amazing day when Gregory walked down the main street of the college town in full knowledge of Sylvie failing in all her classes. Not just one, but all. This information overwhelmed his previous knowledge of how the world operated. He saw how provisional and fraudulent the Big World was, and he ran into a store to buy champagne and potato chips to bring them back to her for a celebration of freedom. In the right light, this was a magnificent act, the act of a prince to his princess—and of course, after that, there was nothing for it but to fail along with her. He wrote to his parents, announcing his decision to drop out of college: “Dear Mom and Dad, I am finally taking responsibility for my own life. I think I’m about to discover a great truth, but I’m not sure what it is.”

 

He was, of course, about to discover the deepest extents of the Bright Forest, a world where anything might become beautiful. In the Bright Forest were green bottles and mossy curbsides, wet iron railings, bits of colored paper caught in the trees. A world like a fine photograph. He could see roads leading to dilapidated gas stations, sudden rocky overhangs, rows of maple, the gathering places of strangers. In the Bright Forest no one read newspapers on trains; they ran their fingers across the cold windowpanes, drawing circles. Later, at the station, people did not speak of schedules, they huddled against each other on benches and whispered. Or played guitars. Sometimes these same men and women would walk into the alleyways behind restaurants or lie naked together behind the hedges in a public park. In the Bright Forest, goals did not matter, only each step mattered, each momentary act—each meal of crackers and cheese, each raindrop in wintertime, each glance, each motion of the hand before the eyes. Sylvie and Gregory rented a shabby room together, got low-paying jobs, and before long the Bright Forest was everywhere: painted on the vinyl cushions of diner booths and tall against the blank stares of cars in parking lots. Each object in the natural world was but a marker for a potent force in the Bright Forest, each work along its paths a work of gods. In the distance, somewhere, was a lazy conductor beating a slow baton: Now you will sleep, will sleep, now you will make love. They would listen and lie together on long afternoons, would lose jobs for lying together on long afternoons.

 

Months passed effortlessly and grandly. Gregory let his head grow foggy and warm for whole weeks at a time. Sunlight would cross dusty rooms, grow weak with winter, strong with summer. He was for a long time a kind of prince, and in these, which he considered his finest hours, he was capable of the most royal actions: a quarter to a bum, a long night holding Sylvie when her father died. Prince Gregory could open his eyes to the near and the far and see them both as his dominion. Up close was Sylvie, her face, her hands, her frequent illnesses, her fears. In the distance were palaces: deeper glens, sea cliffs. Each palace they must find, or each palace would never be found by humankind, for there seemed to be no sight but their own. One afternoon in the year he was twenty would remain with Gregory for the rest of his life, a moment of greatness few people in this world can claim: the two of them standing on a small, grassy hill in a public park. A breeze was blowing, and hand in hand, the whole earth was telescoped into the power of Sylvie and Gregory, young and in love and owning it, just owning it all. Looking out, Gregory felt benevolence toward the scene, felt benevolence and generosity of spirit, as would any great man.

 

 

 

 

Over the course of four years, however, Sylvie and Gregory changed from eighteen to twenty, and then to twenty-two. Despite the best efforts of the forest, Sylvie discovered that Gregory retained ambitions. He found that she could sometimes look strong and serious. One night he brought a lamp up close to her face and declared that she had become a woman.

 

“Really?” she asked.

 

“Really,” he said.

 

She had no secrets from him, of course, and they began to talk about children. Carelessly, but they talked. “Imagine me having a baby,” Sylvie would say, squatting and pretending to pull a baby from her womb. “It would just come out, like this.” She did not know his secret term for their relationship, the “Bright Forest,” but she knew that theirs would be the first baby of some amazing world. This baby would walk with them hand in hand among its trees. They would found a dynasty born in the poverty of the Bright Forest. A dynasty!

 

Nevertheless, talk of a child triggered an ancient male fear which lay dormant but deep inside Gregory. Time, he saw, was hotting up. Conversations such as the following began to occur:

 

Gregory (condescendingly): “I don’t understand how you could have lost your fucking keys again. Look, I keep mine on this nail by the door. They’re always there and I can always find them.”

 

Sylvie (in tears): “What does it matter, Gregory? What does it fucking matter?”

 

Though such scenes became common, a greater threat arose. For the Bright Forest had a determined enemy, and his name was “Morning.” All was well when they slept in and kept the shades drawn, but sometimes Gregory would awake early with a curious restlessness, and, leaving Sylvie in the humid bedroom, he would walk out into the Morning. At Morning he heard the brass of trucks and streetcars, the cries of work and doing, could smell the clean hard smell of dew evaporating from the Big World, see mailmen. Eventually, Morning became a kind of religion with him. “Sylvie just doesn’t understand this,” he told himself, observing the early people and secretly smiling at their purpose. “These people understand something she just does not understand at all.” And when he returned to find Sylvie still asleep, the bedclothes warm to the touch and the shades peeking pinpricks of sunlight, when he touched the damp shine of sleep on her forehead and smelled the smell of long untidy human habitation, he began to be repelled.

 

Frightened, he’d close the door and go into the kitchen to make coffee. Once, he even called his parents for advice.

 

 

 

 

Sylvie began to sense a change in Gregory, and it became an uncomfortable joke between them that he was never home when she awoke. “I want to wake up together,” she would say. “We can open our eyes at the very same instant and then just lie there for a while before going to work or whatever.” And often, after his new routine of newspaper and coffee, Gregory would return to the bedroom, and, consciously steeling himself against—what, he didn’t know—he would crawl back into bed, and awaken her with much charm and grace. But this effort became deception and acting.

 

Gregory began to ask: was the Bright Forest merely a stepping stone to another, even finer world? And once that question had been asked, Morning was no longer enough. The idea of a baby born in the Bright Forest became more and more a threat. The Big World seemed more and more a release.

 

One day, Gregory got a real job downtown, to which he went at the appointed hours and worked not just for cash, but advancement. Such joy he took in arriving at a cold office in a gray a.m. would be hard to describe, but there he’d be, beaming inwardly to himself as he wrote things in files and passed messages to people in well-chosen clothing. At lunchtime, he would walk into the hustle of the city with a serious smile, and he would rejoice in the wind that tunneled through the office buildings and set the pant legs of busy men to flapping. The wind! Puzzling movements! Men themselves! The Big World held less beauty than the Bright Forest, but he found it strangely satisfying. He began to look collegiate again, tall and thin, with round glasses and a preppie vest. In the office he became liked, for he had a way of fixing his eyes on a person with an innocent concentration which brought him much good will.

 

His parents rejoiced that he had finally made a job last more than a few months. Hey, maybe he’d go back to school.

 

When Gregory told Sylvie that he enjoyed “this cycle of coming and going each day, being away from you and then with you again,” she at first believed him. She was too naive, perhaps, to realize what was going on. After all, what could really threaten the beauty of the Bright Forest? When he came home each day, she would throw herself around his neck and try to drag him into bed, but he would demur, would say he was tired, and again she would believe him. She didn’t realize that he had brought the Big World in with him, and that she, in her old sweater and sneakers, and with all that undisguised love in her eyes, looked merely out of place. Little by little, Gregory grew impatient with “her” cheap restaurants and “her” back roads, and he began to be repelled by sex. Seriously: a certain American Puritanism rose up in him against a life of pleasure. Worse, he now saw not a determined “poetry-in-real-life,” but a kind of desperate quality to all his days with Sylvie, an excess of beauty which might well appear ugly to the outsider. To people, for example, from his office.

 

At night, lying awake by Sylvie’s side, keeping a precious inch between himself and her flesh, Gregory would actually wonder how he could have given himself to this woman who was like none of the women he knew in his other, Big World of men and ideas. She, for example, could not keep facts straight and ask the right questions when taking a message over the phone. Just now, she was, for heaven’s sake, working in an organic food collective. She had no shine of rapid plans in her eyes, she wore no masculine jackets, and touched no colored shadows to her eyes.

 

“You should throw out that shirt,” he’d say. “It’s falling apart.”

 

“You look like a college boy in that jacket,” she would reply, as a joke. “Do they laugh at you at work?”

 

But he did not smile.

 

Late at night, he could hear the wind curl around the edges of the apartment building like a kind of warning, and sometimes, rising noiselessly, he would walk out onto the balcony and feel a kind of tremendous and lonely power in the darkness. At such times, even though it was not Morning, he would let a strength come into his limbs which thrilled him, which reminded him that he was young and might do anything. For a short time, at least, young.

 

 

 

 

In such a manner, little by little, Gregory became utterly alone from Sylvie, and entirely left the Bright Forest for the Big World. This should be no surprise: a new world is all we ever ask, and for the second time in his life, counting the moment he quit college, he felt mighty and free.

 

The final separation came in the worst way, when Sylvie was out of town, visiting her mother. Indeed, a whole month passed without a visit to the Bright Forest. Under the circumstances, far too long for it to survive.

 

During that month, Gregory relaxed visibly and worked late hours. So little did he think about Sylvie that he imagined that she did not think of him either. When he finally wrote his letter, on actual paper with a pen, he was sure it would come as no real surprise: “Dearest Sylvie, I’m sorry to write you a letter, but it must be done in a letter, if it is to be done at all. If you would find your own true strength, I know that you must leave me for a time. I am holding you back every moment we are together. We once said that the present should never destroy the beauty of the past, and in that spirit, I say that it has all been so beautiful that I am brought only to joy in looking back. You know what you have taught me, and I only hope the world can teach you what I cannot as time goes by. Write to me. Gregory.”

 

Lying face down on her childhood bed, Sylvie could only think of that word “strength.” Strength? What did strength have to fucking do with it? Either you stick with someone or you don’t. The letter had come at a dark moment with her mother, when she was hoping for a word from Gregory to cheer her, and now she thought the world had come to an end. Who was this jerk masquerading as Gregory, who had signed such a letter? A letter so full of ugliness and distrust? She reviewed the few weeks before their parting and could not remember having met this other Gregory, though looking back, she could see the signs that he had been growing inside her true Gregory.

 

“Now I am alone,” she thought, correctly.

 

This other Gregory grew a moustache, moved halfway across the country, enrolled at a new university—and after a few months he was no longer a child in the Bright Forest, but an adult in the Big World. City streets began to lose their shine and glimmer. He completed a tax return. He graduated. He obtained a job in a sales statistics firm. He fixed his own lunch to bring to work, and he began looking at advertisements for cameras and stereo systems and folding couches. In time he forgot the smell of women, or rather the women around him were so clean that he could not smell them through their blouses and sinless colognes.

 

About a third of the way into the fourth movement of Beethoven’s Ninth Symphony, there’s a curious moment when the chorus pauses for the orchestra to play a theme like a little brass band—a brief, bouncy military march, revving up for another grand entrance. Gregory whistled that little tune to himself almost every Morning. If he thought back to his time with Sylvie, he would say things like this to himself:

 

“Is it only the first moments of any new enterprise that set the whole image and beauty for what is to come? Surely everything that happened in that first moment beneath the oak when Sylvie’s hands roamed created everything that occurred in the next four years.”

 

Again and again he recalled specific moments of joy in the Bright Forest, but always he heard himself describing his former love to his new friends in disparaging terms: “Those were awful days after I left school, just floundering around. There was this girl who flunked out and took me with her. She, like, never grew up.”

 

But Gregory found no new woman in the Big World. And sure enough, six years further on, when he was nearing thirty, he began to dream again of making love to Sylvie. The dream of her would arise against his will around him in the night like a close and familiar room. He began to telephone her in Phoenix or Boulder or wherever she had moved that month and found himself talking to her in the small, childlike voice of his previous love.

 

“Sylvie?”

 

Sylvie was at first hesitant and kept her distance over the phone. Gregory took this as a sign of strength, and in his mind, judging by the new tone of her voice, his heart began to dress her in sleek, adult working jackets and straight slacks; he pictured her wearing makeup and staring him directly in the eye. Then she began to call, too. “Gregory,” would come the call. Each time, after they spoke, he would walk out into the city with new eyes and look briefly down graffiti-laden alleyways and into the beautiful shadows of the trees, revisiting the Bright Forest. But safely.

 

 

 

 

At last, one long holiday weekend, Gregory boarded a plane and met Sylvie in her latest town. Over the course of those six years, she had known many men and many jobs. Gregory had become the poet who was her first love, and her best, but who had abandoned her in some vague, artistic confusion. She lost her anger and told herself they had had to part in order to grow up. She could now speak in a more direct manner, dress in well-kept skirts (though not sleek adult jackets), own a car, make plans in advance, offend people less often, and generally pass as a citizen of the Big World.

 

When Gregory arrived, therefore, he was at first perfectly enchanted. He felt his fondest wish had come true. Sylvie had gained all the strength he had spoken of in his heartless letter! They went out to dinner without even holding hands, and Gregory was magnificent with charming talk and generous public behavior. He had learned how to smoke cigarettes, and he displayed this new talent with bravado, blowing smoke into a warm summer night. Sylvie, in her turn, acted witty, and she looked at him with the indulgence of a former lover, now grown mature, gently hinting at the secrets they had in the past, and laughing indulgently at the right moments.

 

Like in a movie made by the Big World.

 

No one in the restaurant looked at them oddly or suspected them to be refugees from another world altogether. And back at her apartment, they went about the business of getting ready for bed with coy efficiency. When the lights went out, Gregory crawled into Sylvie’s bed with confidence, eager to make love like men do to women in the Big World.

 

On the second day, however, Sylvie didn’t bother to comb her hair as carefully. Gregory overslept.

 

On the third day, spent idly at a beach, they didn’t walk as they’d both intended, with pants rolled and shoes held discreetly, but instead sprawled in the sand, making a mess with sandwich wrappers. Sylvie forgot to mention the plans she had for Gregory to meet her new friends—annoying and confusing him.

 

And by the end of the fourth day, when he awoke dreamy and lost, and looked deeply into the waxy magnolia leaves that rattled outside Sylvie’s window, he lost sight of Morning. He saw only that the Bright Forest had sprung up lush and fantastic from the ground all around them, once again. All day they slept and woke, slept and woke, missing the appointment to meet her friends. It wasn’t their fault, Gregory thought. When they got together, everything just went to hell.

 

As anyone will tell you, much is changed in one’s life merely by having a regular job. And so, even though he delayed his return flight until late into the night, Gregory did eventually drag himself to the airport.

 

For a time, as they sat together waiting for his flight to depart, it’s true that everyone else looked like a stranger.

 

Only after their final kiss, and when he found himself alone on the airplane, did Gregory begin to think about how to organize the next day. He checked his messages. His calendar. A few minutes later, he felt the vast cool relief of flying into the Big World forever.

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Insomnia

Night works a dark purple down the loom.

Again, I watch dawn unravel those rows,

 

a weaving and unweaving no less coy

than Penelope producing her burial shroud.

 

Please let today end. I am desperate to feel better

and know days will trudge past this point with me in tow.

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Two Poems

Breakfast with My Spiritual Advisor at Sunny Side Café

His first job out of school was working

as a hospital chaplain at Mercy,

sat bedside with the dying

 

for a living, and he tells me what

it was like to wait for the joints

in their fingers to go loose like he

 

was letting the fish steal the hook to swim

back off into scripture with.

Out down the road

 

the early service releases and a ringing

tower sends off the congregation

with the old, irregular style bell

 

ringing that signifies to me an actual

human is somewhere down there tugging

one end of some rope that crashes

 

a lead tongue against the hollow insides

of cast iron. You hear that, I say,

pointing with a slice of bacon to the air,

 

and he says they’re an expression of joy

meant to help us forget our sadness

for a minute or so, and I say

 

it’s there though, pointing at my heart

with the bacon, the sadness, even

when we let ourselves forget it,

 

same as it’s always been,

the heartache and the thousand

natural shocks that flesh is heir to.

 

He says he prefers Blake

over Shakespeare any day of the week

when it comes to either sadness or joy,

 

To see a world in a grain of sand, he says

and a heaven in a wild flower.

When the ringing quits

 

I say I prefer Frank Stanford, which

is a damn lie, but I don’t tell him I actually

prefer my wife’s hair slinking down her back

 

though I do, or that I prefer sneaking out at night

for a cigar on the porch in early fall,

or that I’ll always prefer to bury the light

 

and put on the darkness like a pair of wool socks

with a hole in one of the big toes

over Milton or Jesus or Sappho.

 

There are houses so broken

they aren’t worth fixing, and sometimes

that’s exactly how I feel. Waterlog turned

 

to dryrot turned so useless you couldn’t

sink a nail. Sometimes my wife whispers

she loves me from the other room and all

 

I hear are bells. Other times, there’s only

a lonely wind passing through the storm door

whispering almost nothing at all.

 

Art Fair

I came to meander through open-air booths erected

in the name of self-taught metallurgical fiends

who curl lengths of iron into abstract lawn décor,

 

in the name of grade school art teachers

who scrawl feverish landscapes into the night,

in the name of potters who breathe and bellow fire

 

into backyard kilns, in the name of woodworkers

who turn burlwood into bowls for still-life prints.

I came here because there exist people with second lives

 

that last longer than the first, and because we all

eventually fall into the shapeless crowds who wander

these grassy lanes like ghosts who’ve fallen

 

into portraits tacked in museum galleries. If I fail

to bargain down a smear of moon oil on canvas, just watch

me move in on that bloodwood cutting board,

 

or that hand-twined chandelier, because there’s a price

in my head that’s incapable of change and all it takes

is a bit of small talk and to look someone in the eyes.

 

I once convinced a man at a roadside fireworks tent

to knock ten bucks off a 12-pack of Mississippi Gambler

mortar shells so I could paint the night with more color

 

than you can imagine, and he just sat back into his body

and his impossibly quiet lawn chair. Just sat back down

into a life defined by a carnival tent of powder and fuse.

 

Listen, I came here to feel a rougher art rush through

each one of my eye’s billion vessels, because color

and form, and because far from the Louvres

 

of the world artists still find ways to fashion

grief into the arcades of other people’s hearts.

Because somewhere near these tents meat smoke rises

 

from pork fat spit into embers, and because somewhere

there is a moveable stage upon which a bass player

slowly unlatches his case, and because soon enough

 

the lights of this art fair will begin to dim, and each

one of us will drift back to the silence of our homes

where we will each unearth from slumber the stud-finder

 

level, hammer and a single nail in order to hang

an image upon the dining room wall

where before there was nothing, until now.

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Logos

The beginning of Virginia happened . . . when? That moment is lost in time. Early on, she was at the edge of my consciousness but still a writer whom, even as an English major, I had never read. Woolf wasn’t on the syllabus in any of my classes—not required reading in those days just before there were courses in feminist literature. After my graduation, I read Woolf with a vengeance. I liked the experimental novels well enough—Jacob’s Room, To the Lighthouse, The Waves—but what intrigued me most was the gradual publication of her letters and diaries.

 

That wealth of material gave me a window on a life radically different from my own. For a period of years, I felt as if her friends were also my friends, and that the conversations she participated in were as important to me as they were for her. It was easy to achieve this intimacy. The diaries and letters are filled with minutiae, nuanced insights, deeply personal impressions, and remembered conversations. They offer more information than most people ever reveal about their lives. The details are so extensive. It would probably be possible to chronicle Woolf’s daily life for decades.

 

I learned about her sister, the painter Vanessa Bell, and about Virginia’s marriage to Leonard Woolf, a Jewish writer, editor, liberal politician, and the man with whom she founded the revolutionary Hogarth Press. I was fascinated as her relationship with Vita Sackville-West unfolded, a love affair between two married women, flirtatious and communicative—resulting in the high humor and euphoria of Woolf’s novel Orlando—only to find a quieter resolution as they drifted apart.

 

What attracted me to Woolf? My life was completely unlike hers. I was not born into the London literati. I had my origins in a small town in northern Wisconsin. I had no famous father and no brothers at Cambridge. We definitely did not spend idyllic summers in Cornwall in a large house on the English seacoast waited on by servants, walking the beach, and playing games of cricket in the garden. My family took car trips across the American West, slogging along the interstates to see our country, camping out to save money, and eating macaroni and cheese out of a box.

 

I came from people whom Woolf might have dismissed or even despised and ridiculed—from farmers, mill workers, and civil servants, from those who were uneducated, at least by Woolf’s criteria. My people did not read books as a means of understanding the self, defining feelings, or interpreting the world. They worked. They were mostly just trying to survive and get by. I came from them, and yet I still wanted to be like Woolf. I wanted to write. Virginia became, at least for a decade, my higher power.

 

 

It’s 2006. My friend Nancy and I are touring London. I am here partly in pursuit of my mentor—Virginia Woolf. At this point, I’ve read everything she’s written. I’ve waltzed through that embarrassment of riches—the printed pages she left behind—her novels, letters, diaries, essays, and articles. Now I’m walking the streets she walked.

 

It’s dusk when we board the London Eye for a bird’s-eye view of the city beginning to turn on its lights. In our glass car, we rise and fall while feasting on this unparalleled view of London. Although it undoubtedly looked different in her time, this is Woolf’s city—a place she inhabited in all ways. After the ride, we choose to dine at the café in the crypt below St. Martin’s in the Fields. I order mushroom stroganoff with delicate new potatoes and a fennel salad. Nancy has a dish with steamed broccoli, cauliflower, and Savoy cabbage. Our globed glasses of white wine fracture light into the vaulted space.

 

It’s wonderful, yes, and isn’t this a moment Woolf might have chosen to memorialize? It seems to me I should write about it. What are we saying to one another? What are my thoughts and impressions of this day? If I don’t get this down somehow, won’t it be lost forever? I wonder. Does that really matter? Isn’t it enough that Nancy and I are here sharing this moment?

 

Later, I lie awake with jet lag thinking about Woolf’s second novel, Jacob’s Room. After a galloping romp through a young man’s life at Cambridge, we learn that Jacob, the protagonist, has died as a soldier in World War I. The final scene of the novel has Jacob’s mother and one of his friends cleaning out his rooms. They find Jacob’s papers strewn across his desk as though he had left for a stroll in the park.

 

There’s a horror in this vision, a sense of futility and emptiness. A person—vital and rich with life—is suddenly gone. The novel poses the ultimate question. What is left of all that sensation, what remains of so much rich lived experience once the person has passed? It occurs to me that, in her novels, Woolf is almost always writing toward the same end game. Yes, this is happening—this vivid and incredibly complex life tapestry. Yet, it’s also disappearing. Suddenly, because of either time or death, a chunk of it is gone, lost forever.

 

Woolf’s most autobiographical novel, To the Lighthouse, chronicles a family’s summer in Cornwall. But those moments are also lost. When they return to the house on the shore years later, the whole emotional tenor and tempo of their lives has changed. The mother has died, leaving them to struggle. The long-awaited trip to the lighthouse takes on a completely different meaning than it did on a day in the distant past when it was impossible to go because of bad weather.

 

At the novel’s end, Lily Briscoe, a peripheral character, takes center stage. She is a spinster and a Sunday painter, a woman not taken seriously by the male-dominated art world. Yet, she perseveres. Lily is at work painting the Cornwall scene when the family returns. Finally, almost giving up in frustration, unable to express the whole as she sees it, Lily declares a truce. The painting must be finished. There’s nothing more to be done. “I have had my vision,” she announces. And this seems the best we can hope for—to have that vision and attempt to record something about it even as the moment is passing.

 

Woolf tries to preserve those moments that don’t last, the globes of being and experience that simply disappear. She seems to be saying it’s important to celebrate the freshness, newness, and immediacy that make the world overflow. But the other side of this promise is the tragedy of time passing, the heartbreak of death and loss. I can clearly see this is Woolf’s vision. But is it mine?

 

After my trip to London, sick of the insistent need to turn every experience into copy, I stopped writing for five or six years. I told myself it was enough to have my experiences without constantly formulating words to describe them. It was an immense relief.  My mind felt free. And yet, there must have been something of a warring voice within me because I saved my notes—notes about that day in the city and the meal I shared with Nancy. I must have believed that, one day, I would need or want them, and I did.  But when I finally began to write again, it was with a different attitude. I knew I could live without writing, even without Virginia.

 

 

The Buddhists say that, to become enlightened, you must actually kill the Buddha, meaning you must destroy your idols. This comes from an old Zen koan attributed to the Zen Master Linji, a Chinese Zen Buddhist monk who founded the Rinzai sect of Zen Buddhism and who died in 866.

 

The saying says: If you meet a Buddha, kill the Buddha.

 

I guess I did this to Woolf after my trip to London. Not that I actually killed Virginia, but I doubted her. I saw her as a person, brilliant but limited, part of her own time, her class, and her culture. Woolf gave me a window on her world but not a passage into it. She had been my teacher, but perhaps I had learned what I needed to learn from her. She taught me to pay attention, to notice details, to hear my environment, and to listen to my own thoughts.  At this realization, there was disappointment and a sense of loss. It felt a bit like losing an old friend either to death or indifference. It’s all well and good to have idols, but suddenly, I knew I would never be this person who spent three weeks touring Greece with the painter and art critic Roger Fry.

 

Woolf’s festival of words took me somewhere. She got me to London and enriched my time there. But in the end, I returned home, leaving England for my own geographical and personal world. My physical and spiritual home for most of my life has been the northern boreal forest of North America. It’s a place where I walk on footpaths between towering trees, a place where I count my breaths while listening for the air rush of bird wings. This is where I belong.

 

This winter has been a hard one. Nearby, just off the footpath, several crows feed on the remains of unidentifiable dead animal. Busily tearing toward the center of the carcass for red meat, the two companionable black birds ignore this approaching human. Likewise, a soaring red-tailed hawk offers me no greeting as it flies overhead and beyond my field of vision. As I tread my forest path, I experience the spaciousness that exists outside and beyond words.

 

Don’t get me wrong. I love words for their capacity to partially tame the world’s wildness. I adore them as they lean into metaphor and traverse distances. But I see their limitations. Words are temporary containment fields. I believe that, although words were her medium, Woolf understood this. She was always writing into the void, always using language to push toward the no-word zone. In novels that exist on the margins of human experience—Jacob’s Room, To the Lighthouse, The Waves—Virginia has taken me to regions where there is simply nothing more to say.

 

What can we know of poor Jacob after he has passed? Lives and loves succumb to time. Individuals exist for a while and then they are gone. The waves roll toward the shore, relentlessly washing away all footsteps on the beach. Eventually, through her suicide, Woolf crossed the ultimate barrier. No one could follow her into that beyond. Still, during her lifetime, Virginia returned to the place of making again and again. She tried to hold her ground even as that ground was slipping out from underneath her. She had a faith I sometimes lose. When I tire of carefully wrought language, I leave my writing desk and head into the woods seeking the place of no-words.

 

Entering this wordless zone is another way of killing the Buddha. But I know he isn’t really dead. I’ll be back at my computer soon enough. Tall pine trees creak in the wind. It seems that, though it is incomprehensible to me, they speak in a language all their own. And suddenly I get it. Virginia is the hawk flying away from me. She was here but she’s moved beyond my field of vision. I can’t say where she is now or what she is like. I’m not even sure what I am like, but I am resolved. I turn back on the path that will take me home. My house isn’t far away, really no distance at all.

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Santa Maria Novella

Florence, Italy

 

Outside the Santa Maria Novella basilica, I draw belief

in God for hours on a bench and local and foreign

visitors watch me watching faith. We all stare down

 

the church. Revisit and retrace an object

as if it can save the millennium, as if it can save me.

I am drawing to you, Love, in straight black lines

 

as a spectator’s wrinkles deepen. Who is on the watch

for angels and Satan as millennials take self-portraits

filtered to Beautiful for hours in front of the church?

 

As if to follow as if to Like as if to Share as if to Friend

as if to Capture as if to Block as if to Leak. Is this social

media faith’s purgatory? Please believe in my selves.

 

Inside my real body, frescoes. Frescoes and sketches of

now dead little i’s and little u’s then purportedly loving.

Love™ – a façade as flat as the green and white lines

 

mapping the face of the Santa Maria Novella.

All one hundred people in this square freeze

to view order for seconds and minutes and hours

 

and the lovers kiss and hold it as if Love’s relics

as I wonder who will be discarded upon homecoming as

if trash blown up dew-slicked streets of East Walnut Hills.

 

u and i kissed and held it for years

in America to peel off the monochromatic

color scheme on Satan’s dividing palette yet

 

my image you displayed for no one. Unaffirmed,

unshared, you ghosted me. Our love—my grave.

 

Behind the basilica, the sinking sun births shadow-

twins, keeps loneliness company. Couples go silently

away. Nights, I pretend to be Loved™—paint God.

 

Where the tour

 

Where the auction

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Like Fireworks, Far Off

As if chrysanthemum fireworks flaring

gold, blue, red—brief, phosphorescent

amoebas throb, pulse. Next, a galaxy

of green stars spins out of existence.

Then, a flurry of supernovas

 

flare and fade. After, a comet-like

streaking ends in a white flash. All the while,

a far off chorus of oohs and ahs

mingles with some last applause.

Then, for a moment, it seems like dawn.

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Overhang

I slipped and nearly twisted my ankle getting out of bed and trying to look out the window—as if it made a difference what the weather was. The day would be wasted at work, where I would mostly sit on the edge of the toilet, zooming in to towns in Greenland and Mozambique and the Russian Far East on my phone. My boss sat in a glass-enclosed office and scrolled Reddit all day, and it was clear from the way he talked to me that he didn’t know my name. I had lost my job as a sommelier and ended up here. I used to joke that I would rather be a day laborer than one of the petty tyrants I had spent my life tiptoeing around; that way, at least, I could keep to myself. Now my wish was granted.

 

I didn’t really know what my job duties were, although I was able to intuit that breaking down tomato boxes, wrapping them with twine, and setting them in the lot behind the building for pickup fell to me. Around six everyone left for the day, and I would work alone in the big empty facility until my shift ended at ten. The vaulted ceilings and troweled floor magnified every tap of my feet like snare hits. I dithered, playing on my phone; now and then I broke down a box and leaned it against the wall with the others, finishing by evening’s end however many were going to get done in my dithering style. The boss probably assumed I was sweeping and mopping. What did I care?—they paid me hardly enough to live.

 

Improved weather lured me outside—I spent the last couple of hours of my shifts in the lot behind the facility. I dragged out however many boxes I might realistically take care of. One night I flipped one on its back and tore off its flaps. With a razor blade I’d found on a windowsill, I cut two windows and a door in the front. My shadow reached into the bath of kudzu behind the barbed-wire fence.

 

I tore apart several more boxes and taped them together into some sort of hut, big enough for, say, a few cats to lounge around in.

 

Over time, I built the structures more and more elaborately, adding lookouts and flourishes, always thinking of symmetry. I cut out crenellations. I drew out entrance halls. I realized I needed this, enjoyed this little something. One night I made what you might call a castle, with four lookouts and a full-on gatehouse. I assembled a drawbridge that didn’t quite work, and then it was already five past ten. I would have to start the whole thing over the next day. I didn’t know where the boxes actually disappeared to—some kind of processing facility, I assumed.

 

On Memorial Day I was one of two employees scheduled. A professional cleaning crew was brought in. Nobody told me how I should interact, so I avoided them. I hauled every box I could find outside and built a room big enough for two people to have coffee in. I brought in two folding chairs and sat and put my feet up. I wrote “Hotel Pomodoro” over the entrance with a Sharpie. I liked to think I was daring them, whoever they were, to take it away. The next day my little cafe was gone, the asphalt clean.

 

I was supposed to have begun getting ready for work by now. The day was bright—I stood on my balcony and came alive in the sun. I was taking the day off: I wasn’t going to show up.

 

 

I walked to the corner store for cigarettes. An orange tabby sat at attention beside the door, pretending not to see me. “What is this, Buckingham Palace?” I said, never having felt more unselfconscious about dishing out tepid one-liners.

 

I bought my pack, saluted the cashier, stripped off the plastic, and strolled out into the sunshine. The skyline soared in the foreground; it looked as if the buildings were receiving medals, the tallest in the middle taking gold. They seemed to smile at me. The possibilities of today were almost overwhelming. I could walk all the way downtown. Maybe take in a movie. Or I could buy a novel and gobble up the whole thing in the park.

 

I decided I would take myself out for lunch downtown at the famous place I knew only by sight where the ramen was of the highest caliber.

 

I had no desire to call in and invent some excuse—I didn’t owe them a thing.

 

Was I quitting? Was that what I was doing?

 

At the bus stop a man I’d never seen before was dancing joyfully, barefoot, hair swinging. He leaned out from under the overhang and held out cupped hands, still bouncing. I handed him a dollar, we dapped, and the shop cat skittered out from behind the bench and scampered up the street as if our knuckles touching had launched him.

 

The cat stopped at the next corner and glanced back, waiting for me.

 

We let a car pass and crossed the street together. I started running to see if he would follow along. He did. We jogged past the shady schoolyard; a group of kindergarteners heaved a red ball toward the heavens and squealed.

 

The next intersection marked with an X the “downtown” of the neighborhood, a cluster of markets and restaurants with funny names: Victory Cigarettes, Zen Tool & Hardware, and, of course, Mr. and Mrs. Fruit.

 

Maybe I would buy myself something nice. Once a week I almost spent my entire savings on a giant television. If I were going to die on my feet, I might as well enjoy myself.

 

It was just now one o’clock, my in-time. If I snuck into the facility at two, when management had their daily meeting, maybe no one would see me come in late, and I could keep my paycheck after all.

 

The cat, who had gone ahead while I stopped to think, looked back at me expectantly. I caught up with him.

 

We reached the local ramen shop, the last shop on the last strip of this section of town. I had never eaten here. I assumed it was inferior to the fancy place, which I couldn’t imagine improving upon.

 

I looked at the menu, even though I knew it wouldn’t do. I wanted the real deal; I wanted something to look forward to.

 

The cat’s eyes blazed: he was fixated on something ahead, his heart thumping through his fur. He was staring into what I called the Zone, the fenced-off moonscape of wild grass and rubble between the inferior ramen shop and actual downtown. The road we stood on bisected the rocky terrain, rising up slightly before us and vanishing down. I knew it eventually led to the overpass I considered to be the border with actual downtown, only two blocks from the ramen mecca.

 

At the precipice of the Zone, the wind picked up. The cat paused, his body scrunched, the formerly linear stripes down his back now scrambled. He squinted nervously. I bent down to pet him goodbye and he shied away. I tried again, and he ran and hid behind a car.

 

The brightness of the chalky mass and the openness of the sky were paralyzing. I forged into the headwind, shifting my gaze to the sidewalk. The glaringly white concrete stung my eyes: there was nowhere to look.

 

I couldn’t walk straight; I slipped off the curb and veered into the road.

 

I was going to get hit by a car.

 

I stumbled back, blindly found the fence, grabbed on. I covered my face with my other arm, slid to the ground, and curled myself into a ball.

 

My eyes stayed shut for some time. I watched brain TV, avoiding myself. Maybe a few minutes passed, and I then heard the gentle crunch of slowing tires, and then an engine fan. I peeked through my knees—a taxi had stopped across the street. The window, opaque with reflective glare, came down, gradually revealing a woman’s impassive face, squinting at me.

 

In the car I asked if she could take me to the ramen place I’d just passed, the less exciting place. Taking the bus home from downtown didn’t sound pleasant, nor did I want to shell out for cab fare from there, which would approach the cost of lunch.

 

She asked if I meant the restaurant fifty feet behind us; I nodded. She searched my face.

 

 

The door chimed as it shut behind me. Someone—a waiter—emerged from a secret door in the wall and through the opening revealed the kitchen: immense steel cauldrons of bubbling broth, white-coated cooks. A woman stood at a steel table and portioned dry noodles into plastic bags, twisted them closed, and set them aside, staring vacantly ahead. The door closed and the scene ended.

 

I asked the waiter if I could sit at the bar. He led me through drawn curtains to an empty room—where was the bar? He set a menu on a table in the far corner, near the kitchen.

 

Although I already knew what I wanted, I picked up the menu and pretended to read him my order, envisioning the creamy, six-minute egg, the concentrated, nourishing broth, and the heap of soft yellow noodles from the other, better restaurant.

 

He nodded and took the menu. I waited.

 

Finally he came through the curtain holding my bowl, set it down, and left without saying anything. The ramen swayed—pork belly, seaweed, pickled mushrooms. This was not what I’d ordered.

 

The waiter burst through the curtains holding a jar of candies. I lifted my chin and writhed to get his attention.

 

He stomped his foot, acknowledging the mistake, set the candies on the table next to mine, and carried my bowl away.

 

I noticed my shoulders weren’t relaxed and dropped them. It’s only food.

 

A few minutes later an old man wearing chef’s whites limped into the room, holding a platter heaped with scallions and bean sprouts, clearly meant for a large party that was not there. He looked lost. Sweat streamed down his face.

 

The confusion on his face intensified when he saw me, as if he were just now realizing the restaurant was open.

 

He remained in his frightened stance, knees bent, five feet away, clutching the plate, staring past me. He seemed to be looking at my ear lobe. Then he glanced back toward the kitchen, maybe for guidance. I felt the urge to say something to him—I opened my mouth—and then the curtains flew back and the server rushed in, wove around the man as if he were a tree, and set before me something resembling what I’d ordered.

 

The broth was lukewarm and under-seasoned. The bewildered cook now held the heap of garnishes close to his knees, his arms tiring. He watched me eat.

 

He shuffled over and set it next to the candies on the table beside mine and returned to the kitchen.

 

 

The mizzling rain would have been refreshing on a certain kind of day. Not that it bothered me—it simply coated me, like a plant. My stomach growled; I had eaten three bites of ramen.

 

I walked in the general direction of home. Maybe it wasn’t too late to call in. Although now I would have to explain why I hadn’t contacted them earlier, in addition to lying about my absence. Lies on lies. I burst out laughing, which almost developed into weeping. I slowed to a halt, and stood, just stood there, water droplets quivering on my chin before leaping off like skydivers. At least that was how I imagined they appeared. A black SUV whooshed by, looking important.

 

On the bench at the bus stop sat the man to whom I had given a dollar, and sitting to his right was the cat, in loaf-of-bread position. A matching loaf—it was even the same color—of sandwich bread rested on the man’s lap. To his left were open jars of peanut butter and jelly.

 

He set one piece atop the loaf of bread, which he used as a table. Then he dunked his finger in the peanut butter and smeared it on the slice, and with deft, certain strokes he did the same with the jelly. He popped out another slice, slapped it on top of the filling, handed his creation to me without looking up, and went on producing sandwiches, piling them up between his legs. Now and then he glanced up at me. Maybe he was waiting for me to start eating. The window of time in which I could have plausibly said I was saving it—saving it for the first trash can once I was out of view—had passed.

 

I sat beside the cat. He didn’t acknowledge me. He knew I was there and accepted my presence, squinting and smiling, the way cats do. He was completely dry and smelled like fabric softener.

 

“Found him in a cardboard box,” the man said. “Taking a nap.”

 

“What did the box look like?” I said.

 

“What did it look like?” he said.

 

“Yeah.”

 

“It looked like a box.”

 

He stood, lifted the pile of sandwiches, opened a polyester knapsack, placed them inside, cinched the drawstring, set the bag of sandwiches on the concrete, sat back down, wiped his hands on his pants, and looked off into the distance.

 

“Anything unusual about the box?”

 

He looked over at me, and then at my sandwich, as if he hadn’t heard, or maybe he had and didn’t intend to respond.

 

I took a small bite. No granules, no razor blades. I nodded with approval, arching my eyebrows to make sure he got the message. He snorted and shook his head wildly, as if I had insulted his family and thrown the sandwich into the street.

 

“Crazy over there,” he said, motioning with his head toward the Zone. “Stadium is going to change everything. If they ever build it. Gonna wipe everything out. Gonna wipe out the whole neighborhood.”

 

Another SUV cruised by, looking official, its black-mirror windows reflecting the three of us like mangled dough.

 

“There’s gonna be a casino, too,” he said. “A goddamn casino. Can you believe they approved it?”

 

I had no idea what he was talking about. I caught myself starting to speak, emitting a truncated, guttural sound. “Ahp.”

 

He assessed me, first my sneakers, then my legs and shorts, working his way up to my face.

 

I had another bite of the sandwich. It was delicious. The jelly was exploding with strawberry sweetness. I tilted my head back and nestled it in the bend of the Plexiglas overhang. Hundreds of beads of water constellated above me, jiggling on their own, as if they were alive; every so often one broke away, streaked down the plastic, and disappeared. I got to thinking about the last restaurant I would ever work in; in the summer we served watermelon granita in crystal glasses, which either I or a runner would pass from a silver tray to guests waiting for tables. I was the sommelier.

 

And then I wasn’t.

 

“That’s why we like you—you stick up for yourself,” the manager, Jamie, had told me as I sat down to sign my termination notice.

 

At the time, I didn’t think it was the end of my career. The strange thing about being blackballed is nobody tells you—you gradually figure it out on your own, to the extent you can affirm it. Nothing was stopping me from trying to break back in, technically.

 

I remember standing in the parlor in the early evening before the rush, empty tray under my arm as I looked through floor-to-ceiling windows onto the sidewalk, watching the uneven stream of bodies, some hurrying by, some stalling; and then a woman stopped to let her dog pee on some impatiens fenced around a tree.

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The Doctor Looks at My Blood Work

Says: There are blacksmiths in your eyes.

Maybe this explains the forging.

The way I flatten heat. Bang

earth against answer until

I call it knife. Nodding to bellows

in their muddy howls. Told them

chemistry separates from slag.

I speak in gardens. Interrogate

the estrogen and her rising weeds.

From space this earth is more red

than any astronaut will speak.

In the dirt, the iron begs to be born.

I kneel before anvil and pray.

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Acknowledgment

You divorce. You remarry.

 

You are already a father; your new wife is already a mother. She has a blooming daughter that you come to love, a daughter to whom, in time, you begin to say I love you. A daughter who later begins to occasionally reply, with no discernible pattern: Love you, too.

 

You write a book for people just her age—that age we think of as between. A publisher buys the book, makes plans to release it, and over the course of many disorienting months these plans unfold as promised. Along the way, you encounter the moment when you must determine how to dedicate the book, when you will choose how to acknowledge the people you will elect to thank. The task is self-indulgently benevolent. You dedicate the book to your wife, first and last. You acknowledge your parents, your teachers, your friends, the people to whom you entrusted the book long before anyone wanted to pay you for it.

 

You acknowledge your son, of course, who is easily named. But when you try to acknowledge your wife’s daughter, who by now has been a part of your life for years, you hesitate. She is your child. Also she is not your child. The sentiment comes easy, but what to call her does not. You contemplate at length how you will identify her role in your life, the way you will declare—in print—what you are to each other. Eventually you end up with these words:

 

To my daughter, for being such an excellent human being to share the world with, and for teaching me so much about being a dad.

 

You send these words to your editor.

 

The day comes when the publisher of your book prints advance copies. These copies are not final; they are still full of mistakes. You show the book to your wife’s daughter, and she thumbs swiftly through it toward the end. While you watch, she slows and reads the acknowledgments page. She sees the way you have phrased your gratitude, sees the title you have bestowed her. She says nothing. She is thirteen. You do not, at first, know what to think of her silence.

 

But weeks pass, the book due to be finalized any day, and you don’t forget what she didn’t say. You remember your words: my daughter, for teaching me so much about being a dad. You begin to suspect that she has said nothing not because she is thirteen, but because she is thirteen and already has a dad. Her dad is not you. And finally one night when you are already feeling melancholy, you hover at the entrance of her room before bedtime and tell her you have a question. A personal question that might feel awkward. She says, dubiously, Okay.

 

You ask her about the acknowledgment, if she remembers what it says. She does. You ask her if she would feel better if instead of daughter, you wrote step-daughter, because that’s what she is. You ask her if, instead of dad, you should write step-dad, because that’s what you are. She says, slowly—Maybe?—and in the weight of that word you feel a sick and swollen tide of regret: at having asked the question, at having phrased your gratitude the way you did in the first place, at taking space in this doorway at all. She tells you, because she is an excellent human being to share the world with, that what you said was sweet. But she also describes, because she is an excellent human being to share the world with, how there are competing piles of guilt whose weights she has to measure, whose burdens she must compare. If you do not make the change, she explains, there is this pile of guilt. If you do make the change, there is this other pile.

 

You understand her.

 

You understand her, and you think in that moment that maybe you will never again be asked to undertake anything so parental as this, to gift her this retraction, to express the truth not the way you want to, not the way you feel it, but rather the way she needs you to. And what she needs is to be called step-daughter.

 

She compromises with you, suggesting that you could at least still say Thank you for teaching me so much about being a dad. You don’t realize until later that she is doing that right now. Teaching you right this second.

 

Because right now she argues how important it is for people to hear the true story. They need to have things explained. They don’t like things to be unclear, and you have been unclear. Worse, you have been untruthful. You have used the word daughter.

 

You agree to change the word. She thanks you. And then she tells you—she is so young, she is trying so hard—that at least you will have this copy of the book, this version that still says daughter, this advance that is full of mistakes. At least you’ll have that. You agree with her, even though you have no true idea what she hopes to mean, offering you this consolation. You ache with the possibilities. You thank her for her honesty. You say I love you. She says love you too. You will say goodnight now. You will leave her to her thoughtful room. You will go and you will nurse the strange dear knife in your belly, and you will send an email to your editor with the necessary correction, and for a while you’ll be lost, already fumbling to imagine some story whose words you would never take back.

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Three Months Without Razor

or the scratch

calling from behind

without kiss of water to skin

without the graze of a finger

or palm to cradle a smile

but love—at times—

like winter

ends abruptly

and with a blade

the pores shocked

and opening

their wide mouths

once again—

without arrest—

dancing with the sun

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