Two Poems

How It Is Now, How It Was

as a boy panning the stream behind my house 
         for the minnows that drilled 
down the current in schools. They moved as one—
         muscular, thick, sequined—
so if I dipped down, I could nearly scoop 
         handfuls of their bounty up

to my chest like some dream of my hunter ancestors
          lost in the currents 
of my DNA. I imagine desire like this. 
          But whenever I stabbed 
my hand into that glacier water, they dispersed 
          at once, every one. And this entertained me 

until the day I did catch one, held its slim, jeweled body 
          inside my fist. The thrill 
of its tail flickering inside my palm 
          like candlelight, like a snake’s forked tongue
until I unclenched my hand to let it go and saw
          it was already gone.

Nurture

 

As souls in heaven, before inhabiting their bodies, children choose 

           their mothers. I heard my mother say this exactly twice. 

Once after we had fought in the car to cut the silent ride home. 

           And once on the phone with my aunt after my cousin shot himself 

through the mouth. I was born after a summer solstice 

           under a new moon. Rain thickened the green outside my window. 

Above my crib two portraits of angels hung.
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Another Sanié

On the 14th floor of an unremarkable Chicago skyscraper, fourteen women and two men sat in small cubicles receiving phone calls from people searching for intimacy in a place free from shame. And it wasn’t all people, if you want to be specific. It was men, mostly middle-aged men, mostly professional men, mostly white men, mostly meaning that from time to time, operators received calls from these men’s sons.

            Among the sixteen phone operators, a young woman sat three rows from the eastern wall in the second cubicle from the front desk. She, Sanié, wore her chemically red hair in an uncombed shag, a black T-shirt on which a dead, cartoon fish floated to the top of its tank, and loose black jeans that fit no part of her body. With a landline tucked between her shoulder and her ear, she online shopped from her cell, looking for a new walker for her baba. To her unique credit, she could multitask without pause, as though of two minds.

            “Oh daddy, yes, I’d love to fuck you in space,” she said to the caller, who allegedly used to be an astronaut. She said, “I wanna see your cock float up toward me in zero gravity,” and clicked through the screens toward her checkout.

            She’d already done the hard work of listening to the man’s problems for twenty minutes. That’s where the money was.

            Sanié said what she said on the phone with complete abandon, knowing that were she to break character, laugh, or hesitate, the person on the other line would hang up. Ultimately, it also made it more interesting for her, the experimentation with an alternative embodiment. They’d been on the phone for a little over ten minutes. If a customer hung up shortly after calling, it meant a lower average on her call time. A lower hourly rate for her. Currently, she averaged the third longest call time in the office, a fact she was not outwardly proud of though she occasionally imagined herself at the top of the list—to improve her hourly wage.

            While she told the anonymous man on the phone the planets they’d see, the aliens who might join in his fantasy, the meteors they’d narrowly avoid while leaving the ship on autopilot, an intruder claiming to be a pizza delivery man (one can imagine how clever he thought his disguise) was attempting to get past the front desk as the guard, David, repeatedly told him, “Man, you gotta have the name of whose pizza this is or you leave it with me.”

            When David called up, the receptionist, Sandra, whose voice had squeaked in an off-brand Barbie imitation since the ’70s, answered. She told him no one on the floor ordered a pizza from, and she hesitated, “Steve Buscemis.

            Unsuccessful in his attempt, the intruder left the building and took out a slice of the sausage pie while leaning on one of the modern columns out front. The pizza was good, though cold. It was from the place on his block in Roger’s Park. He removed a strand of his oily black hair off the slice before taking a second bite.

            In the meantime, Sanié took another twenty minutes with her caller, creating subplots based on Star Wars that took them out of the original fantasy and into action. “Baby, figure out a condom while I fight back these Laputians, don’t stop touching yourself!” At thirty-four minutes, she surpassed her call average. When she was done, she asked Sandra if there were calls waiting to be picked up.

            “Nah, sweetie, we’ve been in a lull for the last twenty minutes or so.”

            At 6:00, bored husbands would be returning from their salaried jobs. Sanié could either leave to take calls from home or else hang out for another couple hours. She opted to leave. Coming into the office was mostly a way for her to get out of her parents’ house. She said goodbyes to Sandra and then David at the downstairs desk.

            As she left the building, she saw a man leaned against a column eating a pizza from the box. Putting on her headphones, she let him know he had sauce on his chin. He looked at her as she walked away then ran up, tapping her shoulder. She jumped back, said, “Fuck.”

            The man’s eyes lit. “It’s you!” He spoke with the intonation of a child. “I didn’t think I was going to find you!” He was panting. The pizza box was abandoned by the column. “I had the disguise and everything,” he continued.

            Sanié stopped, looked at his face. He looked Desi-ish. Someone whose family she grew up with, maybe. She asked him if she knew him, and he nodded vigorously, started talking about an encounter they’d had last week that she had no recollection of. Something about a trampoline. The circus. This is when Sanié began to feel creeped out. Knowing how quickly she needed to deescalate the situation, she asked, “Why are you here? How do you know where I work?” She moved slightly toward the building to make sure she and the man could be seen by the security cameras affixed to the columns.

            “Girl, you told me last week,” he grinned,  speaking in an accent that didn’t match his body but rather, likely, his friends’ growing up, “when we met.”

Sanié was not pleased to be called girl by this stranger, but she kept her gaze empty, confused.

            The man hesitated. “Or I think it was you. You got a twin? Pink hair? Sweet voice? Big ass?” He talked with stiff straight hands that emphasized the parentheses of this hypothetical ass.

            Sanié took two steps backward. “No twin.”

            Moments like this were not meant to happen in Sanié’s world. The point of phone sex was distant intimacy. For both parties. A caller shared their kinks, their innermost fantasies. An operator made that fantasy come true. Caller came. Caller hung up. Operator got paid their hourly rate for the minutes they were on the phone. Maybe a caller became a regular client, but they never met their operators. If they met, see, then Sanié couldn’t pretend that the man or woman on the other line had a fat cock or that she was an eighteen-year-old blonde. Today’s conjured fantasy in which “Horny Astronaut” wrapped two navel oranges in a T-shirt in an effort to mimic playing with DD’s in a zero-gravity chamber would’ve been impossible.

            The dude looked embarrassed. “This just doesn’t make sense, you know?”

            Sanié tried to let him down easy. Some version of her had made an impact, even if it was in this man’s head, even if she had spent years working so that she would be distinguishable in most settings. “Okay, sweetie, listen,” she began, taking on her operator’s voice, “I appreciate you coming all this way to, uh, follow up with me on whatever date you think we had.” He interrupted, but she wouldn’t let him speak. Raised a finger. Changed tactics. “Most women will find it creepy if a man goes to a her place of work when she isn’t calling him back or anything, but I don’t think you’re a creep,” quieting her voice, she said “I’m gonna go now. Be well, and stay away from the hard stuff.”

            But the small speech, which should have worked to throw him off guard, made him  insistent. He faced her even as she turned away.

            “You told me to come here. You told me to do some role play, come to your office, and find you. And now,” he hesitated, stepping back as he rethought his earlier assessment, “you’re acting like,” and his voice trailed off.

            Sanié finished his sentence, “Like I don’t know you.”

            Something in his eyes was earnest, she would’ve seen if she’d looked closely. Equally as puzzled as she was. Knowing where she worked? Knowing her face? Instead, she found the clarity that suited her.

            “Oh shit.” She laughed. “Andrea put you up to this, didn’t she?” Sanie laughed a coughing sort of laugh, “Fuck her, wow. Okay, honestly for a second you had me going. Whatta bitch.” The puzzle solved, she began walking away. “Tell her she wins.”
The man didn’t laugh. “Who’s Andrea?”

            Just then Sanié’s bus turned the corner. She waved at the man. “Don’t be too good at your job.” Smiling big, she got to the stop. The pigeons perched on building balconies seemed to laugh with her as she boarded. The man did not follow, just stared after her.

Sanié forgot about the incident on the bus. She didn’t bother texting Andrea about the prank because she knew Andrea had lost her phone three nights ago after some show at Lincoln Hall. She didn’t think twice about why anyone would prank her or why the man wouldn’t have some finish planned for the kind of nonexistent joke. She arrived home, where her mother, eternally stationed at the linoleum kitchen counter in her red flip flops and blue flannel robe, asked why she hadn’t put away her dishes after breakfast.

            “It was a long day, Mama,” she said ignoring the question and not looking toward her mother’s shaking head in the kitchen, not even a glance to the white roots growing into her coarse black hair. Sanié went to her room, like a teenager. Which is what her baba, eternally stationed in the living room in slippers and a green version of her mother’s robe, yelled after her.

            Her mother cooked dinner, but Sanié let her parents eat alone and told them she would clean up. When she heard them finishing, she went out to make sure each of them had their meds for the evening and cleaned up after their meal. She took a small bowl of pulao back to her room and ate in bed. She took two, mundane calls. She contemplated texting some friends to see if there was anything happening that night, but decided against it.

            Her chest felt tense, as it did sometimes, like she’d been holding something ahead of her too long waiting for someone to open a door. She ate her pulao and watched bad standup for an hour and a half—nothing put her to bed quite like it. Afterward, she lay in the dark holding a violet dildo against her clit. She tried to empty her mind. Pushed the black of the room past waves of thought and breath until she came. Her sleep was dreamless, her ability to put a day into her subconscious untouched by the events of her afternoon.

The next day, Sanié decided to stay home from the office. It was an unreasonably cold April Wednesday, and the forecast called for hail. Sanié had never left the Midwest, though she once took a cruise to the Caribbean with her cousins. That was some years ago. They’d spent most of the vacation drinking artificially flavored daiquiris and telling stories about the ass-backward men her cousins dated, aspiring doctors and CEO’s and, sometimes, lawyers with mommy complexes and drinking problems and fraternity brothers or whatever the fuck. She rarely dated brown men anymore. She rarely dated any men anymore. There wasn’t much of a point. Why go out of one’s way for a relationship doomed to fail. Doomed to end with her, still in her parents’ home, still obligated.

            Her parents, of course, asked her about these things, encouraged her to meet so-and-so’s son who was studying at Northwestern. She took the conversations as cues for her to leave the house, her childhood bedroom. Cues she didn’t take. She’d move but she couldn’t leave her life here—not when her parents needed her to take care of the house, make sure the bills were paid on time, manage their insurance, make sure they didn’t get scammed. She had a responsibility, she’d decided sometime after she’d had to move home from college.

            She loved her family, though perhaps not in the conventional way. She didn’t know if people actually could.

            She took three calls that afternoon from the desk in her bedroom—slow. Two dudes who wanted a conventionally submissive bimbo, the second of whom she persuaded to have her play a sex robot, just to shake things up and keep him on the line longer. Then one man who called weekly just to chat about his life, his job, the trip him and his family had just taken to Montauk. He was kind, if not boring. Sanié listened and asked him questions and laughed at his bad jokes. She thought of telling him he could pay a therapist, but that may not be what therapists were for and she might have been more affordable than one.

            It was funny when she thought about it, that she found this job in one of Baba’s newspapers. She’d been going through listings a year and a half ago after a particularly annoying day at the health food store. A kid had flushed half a sandwich down the toilet and clogged it, and Sanié was the one to plunge it up—it wasn’t appetizing to see whole tomatoes and slices of turkey come up a pipe like that. The ad stated plainly: “WANTED: VOICE ACTRESSES AND STORYTELLERS FOR TELEPHONE SALES.” Well, Sanié had always been told she had a nice voice and had a particular love for well-placed dupes, so she called. Her parents were proud when she told them she found a new job. They took her to her favorite Thai restaurant off Argyle just to celebrate. Mama told them the latest gossip circulating the catty group of aunties she visited with, and Baba, eyeing the bowl from across the table, asked Sanié if he could taste her seafood soup. She remembered lifting her spoon to his eager mouth with a smile.

            Between calls, she watched reality TV and shared an asynchronous lunch of aloo gosht with her parents. When she decided to be done for the day, she thought about going out and decided against it. Too much effort for an escape that never felt free.

            On Thursday, Sanié went into the office around 2:30. She ran into Andrea, who sat two cubicles down from her, in the elevator and was reminded of the man with the pizza. When she asked about it, Andrea played it off, chuckling slightly. Had Sanié wanted to see it, she’d have noticed that the lack of knowledge felt genuine. Andrea turned to her, the blue braided into her hair catching in the light. She asked if Sanié had met the person who’d started the day before.

            Sanié had not. There was a new person in the office every couple months or so. Low retention or whatever. And it made sense. The way that the operation worked. Management, tucked away in corner offices that never seemed occupied, took a significant cut of what people paid. Even if your hourly rate was as high as Sanié’s, it wasn’t enough to survive on. She still took a Sunday shift at the health food store when calls were light during the week.

            Sanié and Andrea were greeted by Sandra at the front, and then each woman headed to her desk. But when Sanié turned the corner toward her cubicle, someone was in her chair. She tapped her shoulder. Said, “Hey sorry, this is my seat.”

            The woman turned around in her chair slowly, with a soft, “Oh,” and Sanié blinked to be sure of her eyes. “My bad. I’m new and didn’t realize this desk was taken.”

            She waved her hand, smiling a remorseful smile, pointing to the emptiness of the desk. Sanié saw that it did not look like she’d ever occupied it. The woman continued. “Do you mind if I sit here for the day? I’ll clear it out in a couple of hours. Promise.”

            She smiled at Sanié with all her teeth, revealing dimples Sanié remembered she once had. Her hands were pressed into one another like a prayer. Her voice sounded like pie or a velour sweatsuit.

            Sanié acquiesced, walked away. She found a desk in the fourth row from the wall that was unoccupied. She sat down, placed her bag on the desk in front of her. She still wore her coat. At her desk, at her real desk—it was her. Or, the person that looked like her was at her desk. Or, at her desk there was a mirror and none of her movements were matching up and it was good, really good, that she had walked away from her.

            Her, but pink haired. Her, but soft-spoken. Her, but smiling, non-sarcastic, accommodating, fat-assed (unconfirmed, but yes). Her, but not her. Sanié sat for a moment. She thought she ought to say something but couldn’t think of anything to say. She went to the front desk, greeted Sandra and her blond pouf halfheartedly.

            “Sandra,” she said, “the new girl?”

            Sandra smiled. “So sweet, right!” It was not a question. Sanié agreed, met Sandra’s friendly, searching eyes.

            “She,” Sanié began.

            “Sanié,” Sandra interjected.

            “Yes?”

            “No, that’s her name. Sanié.”
Sanié paused a moment. “Strange,” she managed.

            Sandra gave Sanié a confused stare, “Is it?”

            “Maybe?”

            Sandra pointed out that there were multiple Rachel’s in the office, and this was true, but the equivalency felt like a stretch.

            “Maybe not,” Sanié said anyway. “Will she get my calls if she’s at my desk?” she asked, finding a reason to be where she was.

            Sandra frowned, unimpressed by any sense of competition in the room—this was a friendly workplace. She told Sanié the calls don’t belong to anyone, that they were a community.

            Sanié saw the upset in front of her, tried to negotiate. “Yeah of course. I was just thinking I have regular clients who contact me. How will they—”

            Sandra interrupted. “Don’t get short with me, please. I’m just working the desk. Your regulars, if they ask for you, will be transferred to you. Until then, we distribute calls evenly between the desks. Now if you don’t mind.” Sandra’s hands gestured to the desk around her, and Sanié was reminded of the other woman’s similar gesture.

            “Alright,” Sanié said, beginning to step away, not wanting to ask how Sandra would know the difference between the two Sanié’s. She thanked Sandra and walked to her new desk. On her way, she passed the other Sanié sitting at her desk, laughing with Andrea two desks down. When they met eyes, the other Sanié smiled and gave her a wave over.

            Sanié obliged. Her discomfort was palpable, but the other Sanié seemed not to notice.

            “Hi hi! Andrea was just telling me that everyone is getting drinks tonight, are you coming?” This other Sanié had an eagerness to her. She smiled bright and kept her posture upright.

            Andrea gave the other Sanié a warning look, while Sanié looked at Andrea in surprise. “Oh, really? I didn’t realize. I must not have gotten the text.”
Andrea shrugged, admitted that she hadn’t texted because Sanié rarely joined anymore. Sanié knew that it was true. The other Sanié remained adamant.

            “Woah, why not?” she exclaimed. “You should totally come. I’m new to the city and would love to hang out with you.” She had the countenance of a cheerleader. Sanié hated to see it on her own face.

            “New to the city, huh?”

A phone started ringing one desk over, and the other Sanié gasped. “That’s me! Sorry, guys!”

            “Sorry about that,” Andrea said as the other Sanié left, “My phone’s been weird, you know.” Then, “Don’t you have calls or something?”

            Sanié understood she was dismissed. She overheard the other Sanié’s call, her giggling voice. Artless, really. No creativity to the storyline, just “What else do you want me to do, Daddy?” They’d see how the call averages came out.

            Back at her desk, the phone was silent. Sanié sat only a moment before going back to the elevator.

            “I’ll be right back, Sandra.”

            She entered the elevator, went to the lobby, and at the front desk, said to David, “I had someone try to deliver a pizza to me yesterday, but gave the wrong directions. Do you have the number they signed in with so I can give them a call?”

            “Sure, mija,” David said, handing her a binder beneath the desk. The old man liked Sanié, who brought him coffee every Monday from the spot by the train.

            Retrieving the number, Sanié thanked David and went outside to make a call.

            “Hey, creep,” said Sanié when the phone picked up. Of course, he recognized her voice. Began a hopeful greeting before Sanié interrupted. “Listen, where did you say you met me? The other night?”

            The voice on the other line attempted alertness though it seemed to barely flash through the haze of what Sanié imagined was a midday high. “Yeah totally,” he said, “if you want to meet again just say the word, we don’t even have to go back there.”

            Sanié rolled her eyes, impatient. “No, it was not me,” she reminded him. “Where did you meet the other person?”
“Isn’t it your job to be nice to strangers on the phone, jeez.” The man who gets no ass becomes instantly macho when their pinky so much as grazes one. “We met when I was scalping tickets outside the circus. Remember? Trampolines.”

            Sanié hung up. Realizing this man had no information for her. She returned upstairs, and when the doors opened on the 14th floor, the other Sanié was waiting.

            “Oh hey, look at that! Long time no see.” The pink-haired, tooth-smiling woman had Sanié’s face, stood at her height, and yet it was clear that the woman vibrated on a very different frequency. “Thanks for letting me use your desk today. I felt super welcomed. The job was kind of easy! Men really just want one thing, huh?” The grin never left her face.

            “Are you leaving? Didn’t the day just start?”

            The other Sanié nodded enthusiastically. “I just have so many things to do today, getting settled and all. You know how it is.”

            Sanié knew she had a distinct desire to cut through whatever tub of frosting had landed on her life in the form of this woman. She grabbed her unsuspecting doppelganger by the elbow and steered her to an empty corner.

            “Whatever joke you’re playing has gone too far, okay. Tell me what the hell you’re doing here.” Sanié had spent years cultivating a persona to intimidate. As a teenager, she practiced snarling in the mirror. She pierced her own ears to prove that she didn’t mind pain. She was out of practice now–she called herself old and tired–but the instinct was there.

            The other Sanié’s smile left as the questions tripped forward. “I don’t know what you mean, I—”

            “Why are you here?” Sanié interrupted, and the other woman looked genuinely surprised at the tone, as though she didn’t see the mirror she was looking into.

            “Honestly, I just needed a job. I figured since you were so successful here, you know, maybe I could just work until I landed on my feet.” The smile slowly returned, lifting the corners of the woman’s concerned eyes toward her dark eyebrows.
Sanié registered the words. Tried to follow up with a how did you know, but as Sanié began to ask, a phone started ringing. Looking back, a small red light at the desk she now occupied blinked blankly at her.

            “I think your phone is ringing,” said the other woman, suddenly looking brighter-eyed and somehow, distinct. “Good timing, too! I have a lunch date.” She waved a pert goodbye and walked to the elevator. Sanié, dazed, hurried to her desk.

“Hello,” she answered, her voice demurring into a purr. All of her instinctive selves making their appearances as they needed to.

            The voice on the other line was panting, and she realized she needed to cool him down for the call to last more than five minutes. She asked him logistical questions about what he wanted, who he wanted her to be. He wanted her to treat him like a baby, and so she asked about his diaper, offered to put a lolly in his butt, soothed him when he threw a tantrum. She told him to spend time with blocks and describe what he was building. It bought time. As an only child, Sanié never had younger siblings to care for, but she babysat for her parents’ friends in high school. At least she knew how to play at childcare.

            When he started on a long tantrum, which seemed to revolve mainly on the injustice of the world treating him as an adult, Sanié remembered the conversation she’d been called from. The man spoke and she googled doppelgängers. She found a list of TV tropes: evil twins, selves from parallel universes, androids, illegally developed clones, impersonators. These were her options for what was happening. The man would notice if Sanié went too deep into these, so she returned to the call, trying not to think about the possibility that pink-haired Sanié could be trying to kill her and take over her life.

            The man hung up abruptly after coming in his diaper twenty minutes later. Solid time, she noted.

            Sanié sat at her desk, the low hum of dirty talk around her, wondering at the appearance of this doppelgänger who less than an hour ago sat in this seat. She left the thoughts unresolved. She entered the self she needed to get her work done.

In the afternoon, her mother texted her asking her to pick up parsley and mozzarella for a baked ziti her baba particularly loved. Ten minutes passed and still no calls. It wasn’t surprising. It was only 4:30, and a weekday. The good thing about this office was that she could act as though she had a day job. Her parents thought she was in sales and were happier for it. She packed up her things and headed home, wordlessly waving goodbye to Sandra and David on her way out. She averted her eyes from everything pink, keeping her eyes to the ground on the commute.

            When she walked in she smelled the familiarity of pre-shredded cheese bubbling over tomato sauce in the oven, the sound of Baba’s TV humming. She often resented coming home to this apartment. Hated the furniture they’d had since she was a child. The old white wallpaper laying a border of ivy near the ceiling. But in that moment, it was comforting to be at home. She went in and sat down next to him, the pleather squelching beneath her.

            “Where’s Mama?” It was a demand more than a question.
He smiled. “Salaam, bete.”

            “Walaikum as-Salaam. Where’s Mama?” she repeated.

            “I think next door. Miss Pettis offered her a loaf of that banana bread.”
That banana bread was infamous. The crust. The center. It would never last more than an hour in the house. Sanié smiled for the first time that day.

            “You have a good day, janum?”
“No, Baba.”

            He hummed. His eyes stayed on the TV. Sanié let hers glaze over as a bald, white man onscreen showed them how to spatchcock a chicken.

            Mama came in a few minutes later, walking straight up to the armchair, and grabbed the remote out of her husband’s hands, turning off the TV.

            Sanié laid the table, as Mama tossed a salad. When Miss Pettis knocked at the door, Baba, with his walker, opened it for her with a smile. Miss Deniece Pettis, now an old lady, but once a spry babysitter, a lender of books, a keeper of calm in more tumultuous years of this household simply by the nature of her internal calm, diffused the tension Sanié had been feeling at her neck since seeing whoever that pink-haired person was at her desk.

            “Hey sweetie,” said Miss Pettis, gliding up to give the twenty-two year old a swift kiss on the cheek. “You ain’t never stop by these days, where’ve you been?” Miss Pettis’s family came from Mobile to Chicago when she was thirteen.
Sanié evaded the question, returning to the kitchen to grab four glasses. “You know. Here and there, working. How’ve you been?”
Pleasantries were exchanged, the family sat together with their guest, and ziti was served. Miss Pettis led the conversation, talking about her grandkids and the block party happening next month. Sanié waited for the inevitable turn towards her.

            “How’s work, Sanié?”

            “Oh, you know. It is what it is.” Sanié took a large spoonful of pasta and cheese to her mouth, hoping it could end there.

            “I don’t even remember what you do,” Miss Pettis said, searching. <p

            “You said sales?”

Sanié hummed her affirmation.

            “Ignore her, Deniece. She doesn’t like to share details,” Mama said.

            “That’s not right. Who can you talk to if not your family?” said the other woman.

            Anyone else, Sanié thought. And then realized she hadn’t been talking to anyone at all. “Well, a really weird thing happened today,” she said, surprising herself.

            “Did it now,” said Miss Pettis.

            “A girl started working with us. She looks just like me. She sat at my desk.” Sanié looked around, expectations low for any meaningful response.

            “Interesting timing,” said Miss Pettis, looking toward Mama with a glint in her eye. “Khuya, doesn’t that sound just like those qareen you were telling me about just now?”

            Mama chuckled into her napkin, “Could be. You’re more superstitious than me now, aren’t you?” Mama was smiling at her friend.

            Sanié looked confused. “Qareen?”
“Djinn, sweetie. I shouldn’t know your culture better than you.” She laughed. “Your Mom was just telling me today about that story with your grandmother.”
“Mama, what?”

            Her mama waved off the concern with two swishes of her hand. “You never listen Sanié or you’d know. I’m sure I’ve told you.”

            “I’m sure you’ve not,” Sanié interjected.

            “Tell her, Khuya,” Miss Pettis said as Baba laughed into his napkin.

            “Djinn, like genies?” Sanié asked.

            Baba laughed harder.
“Don’t laugh, Baba!” insisted Sanié. “It’s your guys’ fault I don’t know anything about our culture, damn.”

            “Uff Allah, Sanié, so dramatic,” Mama said. She told the room to quiet and it did. She sipped her water. “Djinn are beings made from fire that has no smoke,” she began. “They can be good or bad. You would’ve known if you hadn’t skipped your Quran lessons.”
“Okay, and what’s a qareen?”
“Everyone has a qareen. It is the shadow of yourself. A djinn spirit attached to your soul.”

            “Okay, and they’re also human?”

            “Nahin, of course not,” said Baba.

            “Well now, Ahmed. Your wife was just telling me something different. What about your mother-in-law?”
“Amma?” asked Sanié.

            Mama clarified. “Yes, well Amma says that her grandmother was visited by her djinn. It looked just like her. A qareen, there to take over her life, is what she said.”

            “Well what happened? What’d she do?”

            Her mother looked at her a moment, then grabbed the knife on the placemat. She pointed it straight toward Sanié. “Stabbed it in the heart.”

            Baba made a gesture with his hands as if a ghost entered the room, before laughing. Ever the realist. “If you believe any of these things, of course.”
“You don’t,” his daughter asked.

            “Eh, I’m sure she met some long-lost twin or some whatnot and this was a good story to tell the children” he replied.

            “I believe it,” said Miss Pettis. “We don’t know about the spirits that follow us. A soul is a powerful thing. Who’s to say one of the spirits we carry with us couldn’t become real? That we don’t have to kill off some of our demons every once in awhile?”
Sanié echoed. The conversation drifted, and Sanié silently began collecting dishes. They ate slices of banana bread for dessert, and Sanié listened as her parents and their friend talked about the growing sense of doom in today’s politics, ultimately saying it’s no worse than it ever was before moving on to the need for renovations in the building.

            In bed that night, Sanié tried to watch TV but was too distracted. She googled qareen, found an obscure forum in Urdu where people were reportedly sharing stories of their hauntings.

            “Ridiculous,” she told herself. But as she fell asleep, the vision of the other Sanié bloomed pink at the forefront of her mind.

Sanié had not remembered her dreams in years, though sometimes she wished she would wake up screaming if only to be heard. Instead, she woke up soundlessly, first with the finches nested outside her window, then second a few hours later as the sound of the morning news filtered through the space beneath her door. Her eyes still felt heavy, but she needed to be. She debated whether it was a need.

            Returning to her bed, her feet now cold, she had made up her mind not to go into work today, instead determining by some strange reasoning that she’d find a landmark on the train. Not an escape, but an adventure. And why not?

            Running her hands along the map, she found her way to green, then to the conservatory at Garfield Park. When she told her mother where she was going, she was given a confused stare. “Really? For what?” to which Sanié snapped, “Am I not allowed to go anywhere besides here and work?”

            No one saw the room blacken with her frustration, but they felt it. Her mother said nothing, the wrinkles at her throat reaching toward her chin. She sighed deeply, letting go of her hold on her daughter’s gaze. “Do what you want, Sanié. I’m not trying to fight you today.” She turned away, putting a piece of toast in the toaster.

            Sanié she walked past her mother, not seeing her, the bag on her shoulder bumping loudly against a dining table chair too close to the door.

            The L would take an hour to get there, she discovered. The last time she’d gone there was in high school, and she thought that they must have driven. She put on her headphones, stark white against her red hair. She put her library on shuffle, listening to mostly house shit, remnants from the times she spent pregaming for nights out. Taking out a small bottle of nail polish from her bag, she coated her nails in a chameleon sort of green. When the train arrived at the Garfield Park stop, she jumped out, leaving her headphones on as she entered the conservatory.

            She liked the way the air felt—warm and humid, sinking into her skin. She took off her coat, draping it over her forearm as she walked past the tall banana trees toward the fern room. Inside, she heard running water, everything was green, the air heavy enough to taste. She stopped for a moment. She wondered if her parents had ever come here together. If they ever went as a family. Something there felt familiar, but memories had a way of collapsing. Maybe they’d been here, or maybe she was just recalling a one-time trip to Florida. Regardless, she felt herself unsure of how to move. Whether to go fast as though she were just on a walk or slow like there was something to see. The trees called her to pause before each fern, but the fear of seeming odd tugged her forward like a child on a parent’s shirttail. Around her, people in groups chatted as they walked, stopping by the edge of the pond in the center of the room. She would stay but she didn’t know how to stand still. She left the room and found a bench.

            Her phone was in her hands, which were in her lap, folded. Her shoulders were hunched, and then she straightened them. She thought about posting a photo of the flowers in front of her then changed her mind. She got up, began walking again, found herself in a room full of tropical fruit trees. The placard in front of her told her this was a sour cherry tree. Accordingly there were bright red patches of small red berries in front of her. No one else was in the room. She plucked one off the tree, putting it in her mouth. She gagged, the taste chemical on her tongue.

            “I think all of these trees are really heavily coated in pesticides,” a voice said behind her. She turned and nearly jumped when she saw the head of pink hair. She spat the mashed red fruit out onto the concrete path.

            “What the fuck!” she exclaimed, the taste of the chemicals migrating to the back of her throat. “Are you following me?”
“Not intentionally, no. But it’s nice to see you here. I wouldn’t have thought you’d like a place like this.”

            “A place like this,” Sanié repeated.

            “You know, somewhere peaceful and quiet. There are so many beautiful things here.” The look on her counterparts face was kind—genuinely so, as though she were truly curious about the happenstance of running into her new coworker. Sanié paused. Her coat was growing hot on her arm, so she shifted it to the other one.

            “Your name is Sanié,” she said after the moment.

            “So is yours,” laughed the woman with the pink hair. Sanié watched as her eyes, more awake on the other woman’s face, drifted overhead to the canopy shading them. “Do you want to walk around?”

            She didn’t know why she said yes, but she nodded. They found their way to a room full of cacti. The air was warm, dry. The cacti sat patient as cats in the sun.

            “Wow, look at how gorgeous,” said the other Sanié, pointing to a small succulent in bloom. “Look at how it matches my hair!”

            Sanié did not laugh, but she did see the comparison. The other woman’s smile reached her eyes, and Sanié tried to see if she could do the same, seeking some kind of joy somewhere to channel. She couldn’t. She felt restless, paused there only a few feet into the long room.

            “How long have you been in Chicago?” she asked.

            The woman’s response was nonchalant, pleasantly distracted. “Oh, as long as I can remember.”

            “Well, were you born here?” Sanié was determined to know the specifics.

            She received a smile in return. “Sure.”

            They walked in silence, every so often pausing as pink hair swooshed down toward broad leaves to excitedly examine the perfect holes cut into giant monstera or particularly lovely flowers blooming from the fruit trees.

            “Do you ever wish you were a flower?” asked the other Sanié.

            “The fuck kind of question is that?” Sanié asked, her eyes tense on the soil beds beside the path.

            The other woman smiled kindly. “Just trying to get to know you. Some people wish they could live different lives, you know.”

            Sanié laughed, really a scoff. “Not me.”
“No?”

            She hesitated, her eyes looking toward a couple holding hands on a bench taking a selfie together. “I mean, sometimes, I guess.”

            “Not a flower though?”

            Sanié felt discomfort scratch between her shoulders. “Is that what you’d want to be?”

            “Maybe. It seems peaceful. Bloom for a short while, give joy to the passersby. By November, you lay back down in the soil and get eaten by worms.”

            A laugh again, now genuine but surprised at that fact. “That’s an ideal?”
“No,” the other woman replied, her voice sing song. “The ideal is to be the best version of myself, I guess. It’s nice to walk around in the snow and have good sex and eat good food, etcetera.”

            The two of them walked past the couple on the bench. “Maybe for some people.”

            “Not for you?” The other Sanié turned to face her, eyes questioning. She was wearing a long sleeve white shirt tucked into a gray skirt that floated beneath her knees. She looked beautiful. Sanié wore all black. She saw how messily her nails had been painted. She spoke quietly.

            “It’s not like my life has been perfect.”

            “So who’s would you have? What would be better?”

            “I mean, it would be cool to be rich. Not famous or anything, but like enough money to go on vacations and get manicures and shit.”

            “That’s it?” the other woman asked.

            Sanié was surprised at the response. “What else?”

            “Love? Purpose? Fulfillment?”

            “I’m happy without them,” Sanié said looking at the ground and smirking.

            “You don’t sound happy,” the other woman replied, something approximating kindness in her eyes.

            Sanié thought at this. Was she? Happy? Sometimes, not always, but who was this woman to tell her anything about that. “You sound like a bitch.” She rose. She started walking away.

            “Aw, wait,” said the other woman, jogging to catch up. “Wait, stop.” She put her hand on Sanié’s shoulder and from nowhere, Sanié felt her face get hot, her throat seize up. “I’m sorry, I was too blunt.”

            “Don’t you have somewhere else to be?” Sanié would not make eye contact.

            “I think I’ll leave for the office soon. Do you?”

            Sanié didn’t answer.

            “You know, Sanié, I wonder why you stay here at all,” said the pink-haired woman, solemn for the first time in their conversation.

            “I like the way the air feels,” she murmured.

            The other woman continued as though she hadn’t heard her. “No one asks you to, everyone would be fine without you. Maybe you could be happy.”

            When Sanié raised her gaze, the other Sanié’s pink lips were still smiling. “I should go now,” she said. “One of us has to work, right?” She stood to walk away.

            Suddenly aware of the heaviness of the air, Sanié found words, “Hey, have you been sleeping around? People think I’m you, and it’s not cool.” She tried to be angry.

            The other Sanié’s mouth stretched cartoonishly, its edges pulling towards her jaw. “Oh no! What a mess,” she called back, turning on her heels and continuing to walk away. “I’ll try to let them know we are not the same.”

            Sanié stood near the entrance for a moment, watching as the other woman turned toward the train station. She put her coat back on slowly, barely noticing the drop in temperature as she left the greenhouse for the lobby, the dryness of the air. She waited for her bus, then boarded it, looking out the window the entire ride.

            It was rare to be asked why one stays in the life they are handed, perhaps even more rare to recognize that one even has a choice. Imagine Sanié—twenty-three, having barely left the house, her only conception of herself what others have told her or seen in her. And of course, she could claim that she knew herself. She could point to the music she liked to listen to, the kind of lover that attracted her, the taste she had in clothes. What would be more difficult would be trying to answer what the lyrics of her favorite grunge songs said about the thoughts she was drawn to, or what exactly attracted her to the lank men, half-okay men, half-bad men, half-men who disappear after a few nights of rough, impersonal sex, harder to say what was covered when she bleached the roots of her hair. One might say that Sanié had only ever sought to know herself by constructing how others could see her, by shading over the parts of herself she did not want to know.

            When she arrived home, her key slid noiselessly into the door, which cracked open equally silently. This had always been of benefit to Sanié, who needed the aid sneaking out for many years of her life. As the door opened, she heard her name, her parents’ voices coming from the living room.

            “How would I know where she’s gone, Yasser? She talks to me as infrequently as she does you.”
Sanié paused, recognizing that she hadn’t been heard.

            “You’re her mother, Khuya. How can you not find a way to relate?”

            Sanié heard her mother’s voice rise, then soften. “I’ve tried! Allah knows I’ve tried.”

            They were silent for a moment. Sanié still. “I know, janum. I’m sorry. We’ve both tried as we could. How she can disappear and ignore and yell like we never gave her anything, all of it is beyond me.” Sanié felt black behind her eyes, heard the hum of the TV murmuring beneath the voices.

            Her mother said it in a whisper, in Urdu, a mother-tongue Sanié always recognized and turned away from until one day her tongue couldn’t form it. Do you think we’ve failed? The question felt like an admission that felt like it should never have been said.

            A choking, the sense that the air was thickening. No tears, never tears. Silently, Sanié moved away from the door, pulling it closed with the smallest of clicks. She walked down the stairs of the old building toward the front entrance, her head moving in on itself.

            Her parents never knew how to raise her—an American-born teenager with black nails and a cursing mouth, a rupture in what they expected of a girl. It was their misfortune to have only created one opportunity for the child they dreamed. When she failed out of school, they didn’t understand what happened. They opened the letter that came to the house saying she was on academic probation, and Baba yelled at her for not valuing the opportunities she’d been given. Mama fumed in the corner, wondering how her little gap-toothed girl who’d wanted nothing more than to be a veterinarian became a young woman with a series of shit boyfriends she’d hide from her parents and no sense of who she wanted to be.

            She didn’t know where she was going but found her way to the office.

            “I don’t have my badge, David.”

            “No worries, mija. Go on up,” he nodded, then, calling after her. “You okay?”

            “Yeah.”

            She rode the elevator up, picking at the clumping nail polish at her cuticles. When she arrived she nodded to Sandra, went to her desk. It was empty. So empty she understood how another person could occupy it with no one saying a thing. No Sanié anywhere, not a pink strand in sight. She sat. Ten minutes passed and no one spoke to her. She received a call. Simple. A man who wanted to be called Daddy, who wanted to be told how she wanted to be fucked. But as she prepared to take on the character, her voice was empty, as though the person she’d been on every call before this had found a door out of her mind and exited, soundless. The call ended after six minutes. Six. She imagined a visible ticking down of her call average.

            Sanié got up from her desk and went to the bathroom. She sat in the stall, pants still on, moving as though this were the moment she’d break. She heard the sink begin to run, sat still for a moment, then flushed the toilet. Walking out, she saw the familiar cascade of pink down the woman’s back. She approached the sink next to her, looking into her face doubled in the mirror. The other Sanié smiled.

            “Hey there.”

            “I know you’re a djinn,” said Sanié.

            “Oh?” the other woman turned off the tap and walked toward the roll of paper towels near the door. She began wiping her hands.

            “Yes. I am not afraid to do what needs to be done.”

            “Hm.” The other Sanié laughed. “That must be new for you.” All hints of her innocence dissipated like sugar into tea. She finished wiping her hands. “I suppose the question remains of what needs to be done, then.” She smiled and left the bathroom.

            Sanié looked at her face in the mirror. She saw the beginning of a long crease making its way across her forehead, saw her mother’s long straight nose bisecting her face, the black-lined eyes so brown they could be black. She left the bathroom too, returning to her desk. When she looked around, the other woman seemed to have left. Sanié knew it was time to return home. To prepare. Her life could not be dismantled this easily.

            The apartment felt unfamiliar when she walked in. Her parents sat silently in front of the TV, as though they had been there since the conversation she’d overheard. She took off her boots by the entrance and walked into the room. “As-salaam-u-alaikum.”

            They both looked up, wished peace upon her as well. They looked old to her in that moment, though they were both just over fifty. Their eyes were tired, bagged down toward their chins. Even their robes were somehow more faded than before. Mama’s back started to show signs of a permanent bend, a leaning over toward kitchen countertops and her husband’s chairs and the ground in prayers. Sanié never saw her pray.

            “I’ll be in my room. Let me know when dinner is on the table,” she said in a voice not quite her own. She went to her room. She set down the bag she’d packed in the morning, sat fully clothed on her bed. Sanié imagined if not-her walked in. She imagined her double bringing joy to the darkly lit, near windowless space. Imagined her learning Mama’s recipes for ras gullahs and pyaaz gosht, watching the History channel with Baba, sharing his love for the documentaries on the Elizabethan era. If the other Sanié was a shadow of herself, could she not too do those things? It felt too late. Too much had happened. That part of herself existed outside of her, beyond her choices by now, surely.

            Sanié remembered the question posed to her at the conservatory. “Why do you stay here at all?” She thought she’d known. Remembered feeling that she was needed. But in what universe was someone who made their parent’s feel they had failed needed in their home. She thought she’d done it for them—her one redeeming feature. And yet, she’d always known they’d rather her build a life apart from theirs, better than theirs. Could she still do that, she wondered?

            That night, they ate a silent dinner together. Sanié’s mother began to ask her why she painted her nails such an awful color, but Sanié looked at her with a silencing glare. She immediately felt guilty. After ten minutes, Sanié offered to do the dishes.

            “Nahin, bete. I’ll do them. I have a particular way,” Mama replied, her voice tired.

            “You could show me,” she offered, trying. “It’s not fair to do it alone.”

            “I’m happy to, janum.”

            It was the end of the conversation. Her mother gathered the plates and rose. Sanié sat with Baba at the table silent for a moment before rising herself.

            “I’m going out,” she said, as though to herself.

            “Where?” asked Baba from the table.

            Sanié ignored the question. Went to her room and packed her bags. On her way out, she went through the kitchen. Put her hand on Mama’s back. Mama looked around a moment but did not say anything, turning back to the dishes she was loading in the dishwasher. She grabbed a knife from the wooden holder, placing it in her bag. She would change. Of course she could change.

            Leaving the building, she did not know where she was going. Her body told her it did not matter. The sun had set, the air was cool. She zipped up her coat. Walked to the train and took it south, finding herself at a dive bar in Lincoln Park near the lake. She went in, sat down at the counter, and waited.

            It took fifteen minutes for her double to come and sit next to her. The other woman squeezed her forearm as she sat, giving her a smile, before raising the arm to wave over the bartender.

            “You didn’t get a drink yet?”
“Not yet.”

            When the bartender came over, the other Sanié asked for a menu. He obliged, smiling at her and walking away.

            “I know what you are,” Sanié said to her double when he was at a distance.

            “You already said that, silly.”

            “You need to leave.”

            “Aw, Sanié—” she began to say.

            “I’m serious. I don’t want to have to kill you.” Sanié had decided she could. She imagined the weight of the knife in her bag.

            “Stab me in the heart?”

            “If that’s what it takes.”
“Ah, Sanié. I thought we were becoming friends.” Her eyes seemed genuinely sad. “I’m only here because you needed me, you called me.”

            A pause. “I never called you,” Sanié said. “You show up wherever I am, I never ask anything of you, but you’re out here sleeping with random fuckboys like my body is just yours, my memories just yours.” There had been no preparation for this apparition, no incline before the drop of the cliff.

            “Didn’t you, though? Didn’t you want another version of yourself? One to talk on the phone for you when you wanted to be somewhere else? One to talk to your parents when being in the apartment made you feel spaceless?” A cocktail menu arrived, and the double glanced at it. All the drinks were named after the zodiac.

            A memory. Sanié, drunk after work at a happy hour. Asking Andrea if she ever wished someone else could come and live the boring parts of life for her. “Like a stunt double?” her coworker asked.

            “Yes exactly.”

            “Sure, and you get to have sex and eat brunch and watch TV. Sounds like a dream.”

            A dream.

            “The Gemini please,” the other Sanié said to the bartender, flipping her hair. “I love rum,” she said to Sanié. “Anyways, you did didn’t you? Want another version of yourself?” It seemed as if the woman’s body had come into greater focus, her eyes brighter, her presence enlarged. “I only came to give you the option. Go sink into whatever you want to sink into.” She smiled, the smile flashing like a knife. A knife in her bag. Her mind too scattered to think to grab it.

            Sanié’s voice was weak. “I don’t want anything else.” The cocktail arrived, a pale orange garnished with a sprig of mint. Sanié took a sip.

            “Maybe that’s the issue, hm? You don’t seem to want anything. That would confuse anyone. You haven’t wanted anything since,” a pause, a raised eyebrow, “well, since that situation with Uncle Umar in high school. But there are so many things I want! Wouldn’t it just be better if I took over?”

            Sanié sat horrified for a moment, then said, “And I would, what? Just walk away?”

            “Maybe you’d actually start your life. Do what you said you’d do if you could escape.

            Sanié’s breath stilled, her hand rested on the bar counter. She let a finger find its way to a drag of condensation that marked where the double’s glass had sat for a moment. She felt its wet. She forgot the knife.

Two days passed. Sanié sat in her room pondering the pile of clothes still left by the wardrobe. She should pack them, she thought to herself. Though, the other Sanié might find use for them. She skipped work that day. She wondered if Sandra would notice. David? Did she want them to care? She thought she did. It was a fair point that there were things she knew she have could tried to want the way she wanted the people at the office to think about where she was, even though the reality of her line of work was to be invisible. Maybe she wanted, though, to find love somewhere, to live on her own—maybe she was meant to be an artist. She would go straight to the airport. She’d book a flight to LA. Landing on the sun, she would call a friend she hadn’t seen in four years to stay on their couch. She was having the thoughts. What would she even do in another life? Wouldn’t she be the same? Or would the new place change her. Would she stop working phones? But there was nothing wrong with working a phone. Telling stories that meant something to someone even if they weren’t shared with the world. At least she could tell when she was appreciated. But she could do that from anywhere. And when she was honest, she had not been in a place to devote herself to that work either, no matter how natural it had felt to begin it.

            Mama and Baba—they would be fine. The other Sanié was more loving, would be kinder to them. More patient with their expectations and wants. Sandra, David, Andrea—they’d be fine too. David liked anyone. Sandra seemed to prefer the other Sanié. Andrea—were they really even friends? The other Sanié wouldn’t stay on the phones long, regardless. Maybe she’d go into sales for real. Start a marketing gig. Whatever people who are attractive and smart enough do. The other Sanié would find love—she was be more open to love than Sanié—even unconventional love—as willing as she was to be intimate with the men Sanié spun lies for. The other Sanié would find truth in the life that Sanié built in deception. And Sanié would try to build something true elsewhere. She could, right? Because anyone could. And even if she had decided to stay, would anything change? She would be on the phones again tonight. She would be eating a silent breakfast with her parents again in the morning.

            She thought she could cry, but Sanié did not cry. She had no time to pity anyone, much less herself. Sanié heard a knock at the door. She knew it was Sanié. She picked up the canvas bag by the bed, the one she packed the night before. Phone, wallet, keys. She left the keys. She grabbed a passport. The knife was still in the bag. She hesitated, seeing it there. Another knock at the door. Baba groaned. “I’ll get it, Baba.” The knife was dull, never once sharpened in twenty-five years in this building. She was still holding it when she opens the door.

            “Hey there, stranger.”

            Sanié gave herself another day in her world. She spent most of it watching TV with Baba and ignoring the calls from the health food store wondering why she hadn’t shown up for her shift. Mama made dal chawal for dinner, and they talked about a cousin’s wedding set for December.

            She welcomed the other person into the house. “Take off your shoes. Baba, this is Sanié, she’ll be staying here for awhile,” she said to her father.

            “Wow, another Sanié. Hello, bete.”

            “Arrhe,” said Mama, coming in from the dining room where she’d been working on her computer. “Who’s your friend, Sanié. What a beautiful girl.” Both parents had smiles on their faces.

            “I’ll be leaving now,” Sanié said to empty ears as Sanié greets her parents. She gave them kisses on each cheek.

            She walked toward the door, shut it silently behind her.

            Standing on the landing, she heard laughter from inside. The knife was still in her bag. The door was still unlocked. She couldn’t hear the birds or the traffic but she could see them from the hallway window. She took a step on the carpeted floor and rubbed her boot into its weave. There was not much to turn back for, her mind told her. Go, said her legs. But she didn’t. She turned around and lifted a hand to the door.

            Sanié opened it, the question lingering on her smile. Grasping the knife, Sanié thrusted upwards, heartwards, wondering if it would reach the double’s or her own. When the moment passed, a plume of smoke hovered before Sanié. The single remnant of a choice dissipating into the air, inevitable.

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Portal

“What about these?” Lucy said, holding up a pair of deep blue pants. We were surrounded by pants—there must’ve been hundreds of them, in all colors and sizes, all stacked in tidy piles on the tables around us, a true pants emporium. It had been over a year since the last time we were in a department store and I couldn’t stop myself from touching the fabric. I held the pants at my waist, and it appeared they might be the right size. My girlfriend had a knack for picking out clothes for me, so I took the pair to the dressing room.

 

Every part of the mall felt cooled and brightly lit, like a dream. The attendant checked how many items I had, gave me a plastic card with a black 1 on both sides, and showed me to my stall, near the back of the room by a triptych of mirrors.

 

I searched for a lock on the door, but evidently it was one that locked automatically. I was halfway through taking off my jeans when I heard a faint sound from the stall next to mine. It sounded like a woman’s voice, familiar but too distant for me to place. It was probably just interference coming from the speakers that piped in wordless pop hits. “Say you love me,” she said. There was a murmured response and then a rustling, like covers or bed sheets. This time it really sounded like it came from the stall next to mine. Maybe I’d somehow ended up in the women’s dressing room by accident. I tried to ignore it and finished taking off my pants.

 

“Say you love me,” she moaned, and this time I recognized the woman’s voice as belonging to my mother, which was, of course, impossible, and so I guided my foot down the right leg of the pants my girlfriend had picked out.

 

“I love you,” a soft voice said. “I love you for all time.” There was no mistaking it: the voice was my father’s, which was, of course, also impossible due to several obvious reasons but chiefly among them the fact that my parents divorced two years after I was born, although I’d never quite understood why. Never feeling close enough to either to ask why, I carried it with all the other unknowns of my life that I’d accepted, unknowns like what were my ancestors doing in 783 A.D.? Or how much do my memories weigh? Unfortunately, there was only one way to know what was happening over there. As quietly as I could, I stepped up onto the bench where I’d set my belt and keys and phone. On my tiptoes, I’d be tall enough to peer over, which I’d only need to do for a second. Then came the click of a lighter and a deep exhale. I took a deep breath and braced myself for whatever was on the other side. The most notable thing about the stall next to mine was how large it was, big enough to hold a bed, and indeed, there was a bed in there with two people rolling around in it. The man, who looked just like the man in the photos of my father holding me as a baby, was smoking a cigarette and looked directly at me with his green eyes. I ducked back onto my side.

 

Had I been spotted? Would they call security? What would Lucy think? Not good, I thought, not good and very dumb move on my part! I remained totally motionless, like some sad animal whose only remaining defense was to play dead. I listened. “I don’t feel so good,” the woman said. “Oh god not good I think I’m going to—” But then another person was there soothing her, telling her she’d be fine and that a doctor was on the way. “It’s been months of this,” she said. “I hate it.”

 

There was a knock on the door. I struggled to slide my other leg into the pants. My calf squeezed, thighs felt like sausages, butt cheeks pressed together. “Just a second!” I yelled. There’d been no new sounds from next door.

 

“You doing okay in there?” Lucy asked. “Taking forever. Let me see.”

 

I’d barely zippered up when I opened the door and stumbled out.

 

“Oh,” Lucy said, disappointed. “They’re…definitely too small.”

 

“What if they’re high-waisted,” I said and tried hiking them up, remembering an episode of The Twilight Zone where some fellas had their trousers up past their belly buttons.

 

“No,” Lucy said, with a concerned look. “Stop that. Do you want to try another pair?”

 

“Thanks, that’s alright,” I said. “I’m getting hungry.”

 

Lucy left, and I closed the door so I could squirt myself out of the pants like toothpaste, but as soon as the door closed I heard wailing. Back at my post on the bench, I knew I had to peer over one last time. Down below me, on a couch in a sparse apartment, sat a woman that looked just like my mother, trying to get a baby to latch on her breast. “Ow!” she said. “Fuck. Carl, he bit me. Carl? Where are you? Carl, I’m bleeding.” And while she fed the baby she started to cry, and then said, “No. Nope, no,” and brushed her cheeks with the back of her hand.

 

It could have been that I was standing on my toes for too long, or that the pants had cut off the blood to my feet, but I felt them sparkle and tingle. I got down and peeled off the pants as quickly as I could. On my way out of the dressing rooms I peeked under the stall next to mine. No one was there.

 

Back on the floor, Lucy had another pair of pants in her hand and sized them up on me.

 

“What about these?” she said.

 

They were very nice pants, there was no disputing that: a nice cut, not too baggy, nothing pre-distressed, demanding to be broken-in, glowing with potential. I told her they were great but not for me. Someone else would love them, I could already see it.

 

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Holiday 2

Winner of the 2021 Humboldt Poetry Prize; originally published in TFR 44.2

 

On this day that in my childhood we celebrated Christmas

I found myself this year on the Gulf of Mexico

with the sea gone as leaden as clay. It seemed to heave

with an inner dislike—at least from where I stood, three stories up

from the beach, a few expensive yards in

from the sand, the humid spray blocked

by the floor-to-ceiling windows,

and the barely moving palms. I was making

a dinner from my childhood. An egg batter you poured

in hot oil and closed inside the oven for a full

twenty minutes till inflated to crisp gold,

plus a wad of beef crosshatched and pressed with flour and salt.

As it cooked, I read my son the story of Midas, how

he wanted the idea of everything, and the lesson was

that everything was dangerous. Darwin wrote that late

in life he’d lost his taste for poetry, for the fat copy of Milton

he was said to take with him on that first trip, still particular

for all the living parts of earth and mind. The couch

I sat on thinking this was as long as the yachts

we’d seen that day at the marina. In their moorings

they were lined so tight and tidily they hardly bobbed, each the same

synthetic just-washed white and dark blue lettering.

We looked at all their given names. We saw some people walk their dog,

step off their bleached wood deck, onto the plastic dock,

as their small thing scampered merrily into the nearby grass,

the people calling after, calling after. Our boys ran ahead.

What is it to live at this cushioned here and now, these privileged

boundaries where everything that could be said, remembered,

can yet still lie ill or unexpressed: the page I read about the girls

who shaved their teacher’s head and stabbed at it with scissors,

the ink they poured upon it, I was scared to tell my husband

how it haunted me, it followed me all day, such cruelty,

and then the nothingness of ocean and the light’s jewels rippling on it,

at least on these high days when the sun shines.

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Review: Girl by Camille Laurens

Translated by Adriana Hunter
Other Press, April, 2022
$17.00, 256 pages

 

 

Of all the great engines of fiction, from voice and setting to character and plot, point-of-view is surely the most misunderstood and overlooked. It is the current of fiction, the hidden energy that propels the waves of story crashing to a landed conclusion. Even the terminology is perplexing—for most readers, writers, and thinkers, point-of-view refers to an indication of which character’s eyes see the fictive world or whose movements the action follows. However, that term is perhaps more properly applied to the techniques—broadly, first-, third-, or even second-person—employed to render such a narrative lens, which itself can better be called perspective. Regardless, however, of nomenclature, this force is the most powerful and mysterious in fiction, and untold hours of writing workshops have been given over to deciding on which point-of-view to use for story X or novel Y. The choice is determinative of all that follows in a work, from pathos to plot to, yes, perspective. The workshop will soberly inform the young writer that only one of the three is suitable for use in a single project, a dictum largely followed. It is fitting, then, that in her intrepid and bold Girl, translated from the French by Adriana Hunter, Camille Laurens throws over this rule entirely, employing all three in her depiction of the spectrum of experiences faced by twentieth-century women.

 

The book is the story of Laurence Barraqué, a young girl born in 1959 Rouen, France, whom we follow from in utero to motherhood, from the opening salvos of second wave feminism through to the “enlightened” 1990s. Along the way, Laurens alternates her point-of-view (while maintaining the single perspective), to tell her heroine’s story in a manner that sweeps far beyond the biographical to reach the socio-cultural, scathingly commenting on gender dynamics and inequalities over the last several decades.

 

For the majority of the book, Laurens employs the first-person, her protagonist narrating her story in a swift, active voice that dances across the borderlands between interior and exterior with much mechanical grace. As we move through Laurence’s early years and into the heart of the story, it is that skill in first-person point-of-view and comfort in voice that propels Girl forward. The early sections, when Laurence is a young girl beginning to make sense of the world, are filled with the childlike idiom and shrewd observations that come at an early age. Laurens knows how best to use her protagonist’s abilities, and the ironic distance and social commentary achieved via her heroine’s youthful naïveté—here, a belief that girls are made from infant boys who have their genitals cut off—are powerful:

 

And what are they punished for, these boys made into girls? I can’t answer that, it’s beyond me. I don’t remember ever being a boy, but somewhere deep inside me I’m not surprised. I feel like a boy, sometimes. Not exactly the same, but not different, apart from pink and dresses. They show off, move around a lot, and laugh loudly. But look at me, I can do everything a boy can, apart from pee standing up (and even that . . .). It’s just I don’t want to.

 

Most especially in the first-person, Laurens is able to capture both the authentic voice of the child and subtly nod toward the absurd nature of society’s distinction over gender and sex. When refracted through the prism of Laurence’s young eyes, the angst and antagonism directed toward women and girls is thrown into full, damning relief.

 

This strong and essential narration only makes its entry, however, some thirty pages in. Girl begins in the second-person, the first chapter layered richly with wordplay and grammatical pun. It is, rather cleverly, set up as a discursive narrative entity telling Laurence’s story until, around age five, she is able to take over for herself. Inventive as the approach is, it is fair to wonder if the book overthinks itself slightly here. The second-person is a debatable choice; while it does assist in making immediate the inequalities faced by girls from the moment of birth onward, it also is somewhat at odds with Laurens’ desire to position herself in her characters’ inner worlds. Given especially the skill and aptitude of the first-person that comes later, as the book progresses, the choice to narrate it in three points-of-view becomes at times questionable.

 

One wonders, too, how much of the effectiveness of this opening chapter in the original French, especially in the skillful use of language, was lost in translation—not due to any fault in the work itself, but the vagaries of French versus English. Early on, Laurens draws attention to the fact that the French terms for girl and woman—fille and femme, respectively—are the same as those for daughter and wife, and what that says about societal views on gender roles and worth: “This single word to identify you is a constant reminder of the yoke you bear, you’re always seen in relation to someone else—your parents or your husband—while a man exists in his own right, language itself says so.”

 

It is an interesting, important point, one ably rendered and deftly employed to underscore the book’s drawing of parallel between quotidian reality and larger societal structure, but one that does not quite land in English. Hunter can only spell out the passage while using the English terms, and to any reader lacking at least an introductory command of French, both the overall coherence of the moment and the finer point will be lost. That is, of course, the nature of translations, and throughout the book one admires Hunter’s skillful diligence in what must have presented a particularly daunting challenge, given Laurens’ penchant for linguistic amusements, while envying her polyglot access to the original.

 

As Laurence grows into a teenager, Laurens pulls back to a third-person that, while still intimate, makes use of this distance to narrate the strange years of adolescence and key moments of psychological depth. In an especially unsettling scene between pubescent Laurence and her lecherous uncle, the third-person’s composed and incisive voice adroitly handles the moment. The pattern roughly repeats itself across the book, with Laurens relying on the different tools available for varying stretches of her protagonist’s story.

 

Girl is an arresting and confident work. Laurens pulls precisely zero punches in her narrative, and the risky point-of-view decision largely pays off. Although she seems the most comfortable and adroit in first-person, and her protagonist’s clever voice is a regrettable one to set aside for stretches, the effect is clear. Her employment of three angles of narration, so drastically different yet attuned to the same wavelength, works to build upon and underscore her book’s raison d’être. By exploring the thoughts, feelings, and encounters of a young girl and then a woman from an array of narrative angles, Laurens demonstrates with verisimilitude and originality the female experience in the twentieth century. To a higher degree than would be possible with a single lens, Laurence comes to represent the stories of countless women, a character transformed, via narrative triangulation of perspective, into an archetype of literary representation. Ultimately, with its inventive narration and unabashed content, Girl is an admirably courageous work, on both the story and sentence levels, one that mines experience for verisimilar pathos and relies on skill for technical innovation.

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Lines

We’re smoking again when my mother calls. Clothed in the bare minimum on Dean’s balcony, we’ve got on just enough to look decent. Even at night, the stucco behind our backs is still hot from a full day of direct sun. The few stars that manage to penetrate the sky through the lights of the distant Vegas Strip shine faintly above us, but under the balcony lights Dean’s neighbors might see us, might be watching us right now through their blinds. And why wouldn’t they? We’re young and fit, with just enough muscle and just enough cushion in the right places that we’re sure anyone past their prime would stare at us, envious. But we’re not really thinking of his neighbors—our neighbors, he sometimes calls them, and when he does, I don’t correct him—when my mother calls again. We’re thinking about the lights bouncing off our freshly re-filled wine glasses, and how satisfying the post-orgasm breathlessness feels when exacerbated by the smoke we draw deep into our lungs.

 

On the phone, my mother sounds out of breath, too. “Can I come over?” She asks me this in Hungarian, our shared language that is as natural to me inside our house as seeing my father in his bathrobe on the couch, but in public, our mother tongue is like a neon orange raincoat: it keeps what my parents and I share with each other secret while also making the sounds that leave our mouths painfully visible.

 

“Come here? Why?” I respond in Hungarian.

 

“Your father just left to go drinking with his buddies, and I can’t stand to be left at home alone like this anymore,” she says, a plea, a demand, anything but a statement. “I have work in the morning. I’ll be gone by then.”

 

I sigh.

 

Dean’s words don’t falter when he tells me my mother can stay the night, but I can see the hesitation in his eyes. He’s only shook hands with my parents, never really spoken to them. We haven’t been together long, just a few months really, and it’s never felt like the right time to bring the four of us together, especially with my dad so often gone. Why should Dean have to host my mother just because I practically live here now? But he takes my chin in his hand and says, “It’s fine, I swear,” and pecks me on the lips. Then we scrub our stains off the couch before my mother sits on it and draw the curtains closed over the sliding glass door, so she won’t have to see the mound of cigarette butts on the plate out there.

 

My mother’s known I smoke for a few years, but she doesn’t like to see evidence of it. Rather, I don’t like for her to see the evidence, because it provokes her to search my face and tell me that my skin is aging from the nicotine, or that my teeth are yellowing, or that I’ll be infertile if I keep it up. She often emails me articles on the harmful effects of tobacco, but she crowds my inbox less frequently when I don’t leave my cigarettes lying around the house.

 

My mother calls once more on her way over, and I raise my voice trying to get her to listen to my directions, aware how harsh Hungarian can sound to an American ear at such a volume, while Dean straightens up around me. Eventually, my mother shows at Dean’s front door, which I have a key to that hasn’t made its way onto my keychain yet. Somehow that would make it all too real.

 

Sweat tracks my mother’s blond hairline. She sports a multicolored backpack that was once mine and has a bottle of ginger kombucha tucked into her arm. She kisses Dean on both of his cheeks like they’re familiar and must register shock on his face because she says, “No worry, my husband don’t know where I am.” Then she laughs. “I joke, he don’t care where I am.”

 

I don’t dare look to see what Dean makes of this. I wonder where my dad thinks my mother is, whether he has her on his mind at all right now. I suddenly realize how long it’s been since I worried about my parents like this, like how hearing an old song brings back memories you forgot you had. And like how hearing that old song makes you realize that the music you’ve listened to in the past few years is so different now, a stark contrast to your past tastes.

 

My mother sits on the futon while Dean and I settle on the carpet. We set our wine glasses on the scratched coffee table before us. Dean offers my mother wine, but she declines.

 

“When did you quit drinking?” I ask.

 

“When Dad start smoking,” she says. And there it is: she hasn’t even taken off her shoes yet and already she’s told me more than I wanted to know. I push her comment away like you do with the pain of a pulsing ankle after stumbling on the sidewalk. As a smoker myself, she might regard me an accomplice. It’s territory I’d rather steer clear of.

 

“Did you just come from the gym?” I ask, referencing the sweat.

 

She shakes her straight bangs across her forehead, curtains swaying in the wind. “I do Zumba on YouTube after he leave. Before I call you.”

 

Because my mother always speaks Hungarian with me, it’s a constant surprise to hear her English. Her accent is harsher than my father’s. She chops English syllables into angular squares, whereas my father’s English is more garbled. If he speaks too fast, he trips over liquid consonants. My mother never speaks fast in English, weighing each word as it tumbles out her thin lips. Once, when we were at a drive-thru a few years ago, the cashier told her she would have to learn English before she orders at their establishment. She told him, “English is my fifth language. How many language you know? You think you smart? Ask some order in Hungarian. Try.”

 

My mother rests her elbows on her knees and says, “The class I am taking at The Center, you know, our teacher say sweat clean emotions, chakras, and alcohol clog them, so I don’t drink while I finish this level of class. The kombucha,” she points to the glass bottle on the coffee table, “is okay.”

 

“What kind of class is this?” Dean asks, and I want to kiss him for entertaining my mother on a night she interrupted our plans. I already sense he’s sniffing down the wrong trail though.

 

My mother discovered The Center through a friend at the all-you-can-eat buffet where she works. The Center is actually more like an adobe-style house in a residential neighborhood in Spring Valley. The woman who runs it, a retired showgirl named Sherry, is about my mother’s age and lives there alone. I attended some of their by-donation sessions on meditation and positive thinking with my mother before I met Dean.

 

My mother dragged my father along to a group session once, too, after which he apparently complained about “the stench of those dirty hippies.” The fact that he hasn’t returned to The Center may not be the worst thing, because for the first time since we moved to the States my mother at least gets together with people who aren’t my father’s friends.

 

“We’re learning much, much things,” my mother says. “Right now, we learn palm reading.”

 

I glance at Dean, expecting to catch him rolling his eyes at this hippy-dippy stuff, because when I asked him what his horoscope was back when we met in Intro to Psych last semester, he scrunched up his shoulders and said, “Don’t know. Don’t care.” I later found out he’s a Taurus. Now the wine glass is to his mouth, his head tilted back, his eyebrows high on his face. Curious is preferable to haughty. I’ll take what I can get.

 

My mother retrieves a white textbook from her backpack and deposits it on the coffee table with a thud. The cover bears a hand drawn in black with a series of lines crossing the palms, like a messy intersection of freeways.

 

“You know basics,” my mother says to me. “Heart line, head line, life line.” She points to each corresponding black line on the book cover.

 

Dean puts his hand on my knee, like he might want to hold me back from dark forces. Beads of sweat form instantly between our skin.

 

“But do you know line of marriage?” my mother asks.

 

I shake my head, certain I can feel the wine sloshing around in my brain. I look to Dean, excited.

 

“I don’t know about any of this,” he says. Now he sounds more cautious than curious.

 

“Number of marriage lines is number of marriages,” my mother says. “But not only line is important, also how deep. It show how good.” My mother holds up her hand and points somewhere below the crook of her pinkie and ring fingers. She sits too far away for me to make out the lines. Or else the wine is blurring my vision. She reaches for Dean’s hand, and he leans closer. “See,” she points, “you will do one good marriage.”

 

I scoot in to see the deep, red line, no longer than a pin, and I’m amazed I never noticed it before. It’s so dark. I’m hesitant to look him in the eye, seeing as how we’ve never talked about marriage, and all this vaguely implies me, but when I look up, he’s wiggling his fingers at me like I’ve just proposed to him. I want to tell him he’s going to make a beautiful bride someday, but before I can, my mother grabs my hand.

 

She squints, then holds it out far before drawing it close again. “You don’t have.” She looks at me, practically disappointed, the corners of her mouth drooping.

 

“Thanks,” I say.

 

Dean pats my arm. “I’m sure that’s not true. May just take a while for it to come in,” he says, and I think he’s taking a jab at me about my age again. We’ve got six years between us. Dean had already lived a whole other life dealing cards at the MGM Grand before he decided to go back to school, where we met. My parents weren’t elated about the age difference until they rationalized that having an older man by my side might mean I’d become financially independent a lot sooner. They swear they’re not trying to push me out of the house, but the air is so still when they’re both home that it’s enough to keep me at Dean’s for weeks on end.

 

“You don’t believe in this anyway,” I say to Dean, suddenly protective. Of what, I don’t know.

 

He stares a hole into my cheek, then pours the remaining drops from the bottle into his glass and disappears into the kitchen with it.

 

“What about you?” I ask my mother.

 

She holds her palms against each other.

 

I scoot along the carpet and settle at her knees. “Come on.”

 

She shows me her right hand. Her line is much lighter than Dean’s and more frayed. It fans out at the edge of her hand into smaller, even less pronounced lines. She shows me her left to compare. It’s got two thick, pronounced lines.

 

“What does this mean? How come they don’t look the same?”

 

My mother flips to one of the yellow sticky notes that marks a passage in her book. “According to this,” she says in Hungarian, “the left hand shows the potential while the right hand shows what you’ve done with that potential.”

 

I sidestep the obvious remark, silently note my awe at how our relationships leave tracks on our bodies, wonder what it might mean for us that Dean hasn’t left a visible impression on me yet. Instead, I ask, “So, who’s the other line on your left?”

 

“Your father is the only man I’ve ever been with,” my mother says evenly, almost sternly, as if I’ve hinted at infidelity. If I had, it wasn’t intentional. I want to correct myself, tell her that I was insinuating the future, not the past, but I don’t want to dig myself any deeper than I already am.

 

My mother has often recounted the story of how she’d been one of few girls in town with a suitor from the city. My father would roll in on his shiny motorcycle and whisk her away to various tourist destinations around Hungary, and once, even to Italy. She says that his ride and his pilot’s jacket hooked her, but what got her to marry him was how much farther he could see than any other man she’d met. He was always looking for ways to get beyond the cards he’d been dealt, striking up conversations with the smartest looking men, always amiable and gracious, but always with the latent intent of finding the ticket to achieving more. Once the Iron Curtain fell, he stacked these connections like dominoes to come to America. It happened one day to the next apparently. He showed up unannounced at her parents’ house on his motorcycle and declared she had two days to pack if he wanted to join her in Los Angeles. It took them five years and a series of odd jobs before they settled in Las Vegas.

 

Dean turns off the lights in the kitchen and strolls out to the living room, hands empty of his wine glass. He grabs bedding and a towel from the linen closet and hands them to my mother. “Make yourself comfortable,” he says. “I’m headed to bed.”

 

I get up from the carpet, my ass sore. “We don’t have class tomorrow, so we’ll probably be sleeping when you get up.” We tell my mother good night and head into Dean’s bedroom.

 

I collapse on his bed atop the sheets and blankets carelessly strewn about. I check my phone for notifications from my dad but don’t find any. I can’t articulate why I’m surprised that my mother was right: he’s not looking for her.
Dean closes the door carefully, takes off his shirt, and lays down next to me. A plane flies overhead and rattles the walls, and once again I feel like we’re in a flimsy doll house. Dean positions my head on his chest. I know the move; I used it last week to get him to forgive me for staying out late with friends without answering any of his texts or calls. I’d told him I couldn’t feel it vibrate, but the truth is I just wanted something from my life before him that still felt entirely my own. I felt like I’d gained hours in which to be a formal self.

 

He strokes my hair. His fingers are soft, but every so often he gets tangled in a knot. By the third time, we’re laughing about it, little bursts of laughter that make us tremble.

 

I take his hand off my head and place it on the crease where my hip meets my waist. He moves down my back and caresses me in circles, like polishing a crystal ball. I give in to the motion, try to imagine what hazy future scene of my life he might be seeing on my crystal-ball-back. When a clear scene doesn’t come to my head, I lean onto my elbow and slide his basketball shorts down his thighs, take him in. He fills the anxious space inside me. What quivers, he makes still. When I rock on top of him, I picture for a moment that we share the organs where our bodies meet. What blood pumps through me pumps through him too.

 

When we are done, I notice that there is no light from the living room seeping through the crack under the door. Dean gets up and dresses. While he pulls his shirt over his head, I ponder dates. The last time my father picked up smoking, was it before, after, or during the time he commuted to Phoenix for his newest business venture, the next big thing that’d make us rich: screen printing T-shirts? And when was it, exactly, that my mother and I spent those weeks looking for an apartment for the two of us to move into? Dean’s hand is on the doorknob and he’s just asked me, I think, about whether I’m going to join him for a smoke when I say, “You know, I was a sophomore in high school when my mother tried moving me and her out of the house.”

 

Dean sits down on the edge of the bed, silent. I’m only aware of the weight being redistributed on the mattress, and the top of the brown hairs on his head, where I’m looking. “I mean, not really move us out. It felt serious when we’d drive around to different apartment complexes. She’d handed me a stack paper with stats about each apartment that she’d found online. We never went inside any of them. Never met with anyone to show us around. It was kind of as if she was in some—”

 

“—like a fantasy,” Dean says.

 

“Yeah,” I look into his green eyes finally. What I don’t want to admit, though, is how much I started to revel in the fantasy, too, and not only because living in an apartment just my mother and me would’ve meant not waking up to my parents’ yelling in the middle of the night anymore. There were other, juvenile reasons why I was excited. Like that many of the apartment complexes we were looking at were closer to my friends’ houses. Or that while driving around a neighborhood there’d be a boy on his skateboard who’d catch my eye, and I’d imagine climbing a ladder to his bedroom while my mother was working the graveyard shift.

 

“That was around the time I started smoking, actually.”

 

Dean looks at me in surprise. “I didn’t pick it up until I started dealing cards. It made being enveloped in cigarette smoke all day a lot more enjoyable. I actually forced myself to get addicted just to keep the job.”

 

I laugh at the ludicrousness of that. “I’d steal smokes from the packs my dad would hide in his jacket or in his car on the weekends he’d be home. I don’t think he knew about it, but it kind of felt good to have a secret with him too.”

 

“To even the scales,” Dean says.

 

“Something like that. I don’t know what got my mom to stay in the end. I doubt she ever told my dad about her plan to leave. If she left him today, I don’t even know if she would stay in America. But moving back to Hungary alone after being here so long, I have trouble picturing it.” I don’t, actually. I picture her in her hometown, taking care of her aging parents. I picture meeting her in ankle-deep snow for Christmas. I picture myself taking a junior year abroad in Budapest. It’s Dean that I have trouble picturing there with me.

 

Dean places his hand on my foot over the blanket. He’ll inch closer any minute and hold me without saying anything. What could he say anyway? I’d probably cut him off and just keep blabbering. And I don’t wanna blabber. I want a cigarette.

 

We tiptoe past the thick comforter on the futon. I lift the latch to unlock the sliding glass door slowly. Then we scoot it open just enough to fit our bodies through it sideways.

 

Outside, an empty bottle of kombucha rests beside the pack of cigarettes on the end table. I glance to my left, momentarily shocked to see someone sitting in the lawn chair beside the messy ashtray. My mother suddenly looks to me like a teenager at a music festival. By the light of the neighbor’s lamp, her hair looks orange. She rocks her head ever so slightly to a beat only she can hear. I have to remind myself that this is my mother so that I can see the woman sitting on the lawn chair as I’ve known her all my life. And I have to remind myself of her age so that I know how to speak to her and so that this unfamiliar feeling can leave me.

 

“You smoking, too?” I follow my words with a chuckle.

 

She chuckles along with me. “I never understand smoking,” she says. And with that, my mother has returned. I brace myself, ready to take whatever she’ll throw at me next while Dean and I light our cigarettes, feeling weightless from the initial hit of nicotine. I’m conscious of her looking at my face as I do.

 

“You can try it,” Dean says to her, his mouth slanted with a smirk. “Might help you get what it’s all about.”

 

“I try it in high school at the disco,” my mother says. “I holded it in my hand the whole time because when I put it to my mouth my eyes burning.”

 

“That happens,” I say, doing my best to sound natural, “but then you just close your eyes.”

 

She closes her eyes now, and I wonder if she’s misunderstood my English. Then, it almost looks as if she’s reaching for the smokes on the table beside her. Instead, she grabs the handle of the armchair and says, “Okay, I really sleep now,” and goes inside.

 

I cross the balcony to snag her chair. A white cigarette stands out against the blue canvas of the seat. I can’t know if she grabbed it from the pack or if it fell out before she sat down and she just never noticed it, but I sit down anyway, and take another drag to pacify myself.

 

“What did she come out here for, I wonder?” Dean says.

 

“I don’t know.” I stare at the overflowing ashtray beside me. Stacks of white and gray ash rest at its rim, flecks mark the cracking wood below it.

 

“I imagine she’s having a hard time shutting her brain off.”

 

“Maybe.” The ashtray smells more stale than smoky. Now that I’ve looked at it, I can’t un-smell it. “I’m surprised she didn’t say anything about us smoking.”

 

“Well, she must know that she can’t do anything about it. She can’t force you to quit.” He’s got his elbows up and behind him, resting on the handrail, so that he’s facing me.

 

“You don’t understand,” I say. “She never lets up. If she so much as catches a glimpse of my lighter, she’ll start going on about how she can see the skin around my eyes turning yellow or how my grandfather died of emphysema.”

 

“So why didn’t she say anything now? Because I’m here?”

 

“No, that’s not it,” I say.

 

“Then what is it?”

 

“That’s what I’m wondering.”

 

Between the blinds, I spot her feeling her way around the kitchen, looking for the light switch. I almost get up to help her, but then I see her find the handle of the fridge, open it up, and use the light of it to guide her way to the cupboard with the cups. Her movements are quick, almost careless, like she could be drunk. Like she’s finished off the rest of our wine in the time I haven’t been looking. Then I take a deep drag, let it fill my lungs to capacity, tilt my head back so my neck muscles are taut, and blow the smoke high above my head, waiting for the rumble of the next plane.

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Armadillo Island

Colt said that to make up for it he’d take me on a trip. I chose Savannah because I’d always loved the name; I remember sitting in AP U.S. History (“ey push,” as my American classmates called it) and learning about Sherman’s pyromaniacal March to the Sea. How he’d spared just one city, the one called Savannah.

 

In my mind Savannah was golden grasslands, arid heat, and hazy turquoise seas, some hybrid between National Geographic footage and biblical resort town. It was all wrong, of course—the fantasy of an immigrant teen stuck in gray northeastern suburbs. By now, because of work, I’d stayed in many a small-town Marriott in the southeast industrial belt, and my understanding of the South had taken on the dripping gloom of True Detective. Still, I’d never made it to Savannah, and held onto it as some kind of metaphor for exceptional salvation. Savannah, too beautiful to burn.

 

After landing and renting the car, we’d barely gotten on the highway when Colt said he was hungry. We stopped at a three-lane-wide Chick-Fil-A drive-thru. I saw Colt checking out the teenager handing over orders in the rearview mirror. We ate our Chick-Fil-A sandwiches in the parking lot of a nearby gas station, overlooking a Walmart.

 

“You want the rest of your Polynesian sauce?” Colt asked, mouth full. He’d torn off half his sandwich in one bite.

 

“I do,” I said.

 

He gave me a funny look. The sauce was red and sticky around the corners of his mouth. I counted to three—the clenches of his jaw. Then he was up, slamming the car door. “Taking a piss,” I heard through the glass. I threw my half-full packet of Polynesian sauce into the grease-soaked bag.

 

I stared out the windshield and counted the number of camouflage outfits. People wishing to be one with and undetected in nature, decked out in pixelated brown-green vests and baseball caps, sticking out like eyesores on the sun-baked concrete of the Walmart parking lot. Even an idling Domino’s pizza truck was sheathed in camo print.

I was once a tree in a middle school play, and all I remember from the performance was the gratitude I felt looking at the back of the glossy blond heads of the children who played lead roles. I wasn’t them. I wasn’t needed; I could slip offstage, and nothing would have changed.

 

Colt said he played Brick in a high school production of Cat on a Hot Tin Roof. “Wrong production. I’d have been a better Stanley Kowalski,” he said. He was right. Colt was tall, dense, always hungry, more Stanley than melancholy Brick. His appetites and moods changed quickly. Not an hour after we’d stopped for food, he was already chugging a plastic pouch of TastyBites from Costco. He clenched the pouch so it was tube-shaped in his fist, and when he squeezed, the brown beany mixtures shot up and the smell of chana masala permeated the car. “Indian gogurt,” he laughed. A dribble of it ran down his knuckles. “Funny, right?”

 

I squinted at the skinny pines that stood like hair from swampy waters by the highway. The swamp was covered with a thin sheen that, in the slanted light, reflected the swirling iridescence of petroleum.

 

“Yeah,” I said. “Funny.”

 

 

Colt and I lived in New York. We’d met at a recruiting event, when he was an associate and I was a college senior. He later confessed that he’d pulled strings so I’d be hired onto his team, which specialized in automotives, which meant endless business trips together to the South. We always flew into Atlanta, dabbed sweat off our foreheads as we pulled our suitcases across the rental car lot, checked into separate hotel rooms. We never flirted in front of our colleagues.

 

Those were the happy times. Now I was no longer at the firm, and travel was no longer business class on domestic airlines, secretly thrilling. I had a Van Cleef and Arpels ring, and Colt had been named VP and was “dealing with a lot of stress.” We spent a lot and drank a lot. After the first time it happened, Colt took me to Turks and Caicos. The second time, to Venice. And this time I said why not Savannah, why not the South, why not just go and see if it does us good. The South was special for us.

 

We checked into a victorian house a block off Forsyth Park, and Colt said he’d take me to a pre-dinner drink. “You’re so tense,” he said, his thumb digging into the hollow of the bone behind my ear. He liked to hold my face when we kissed, a forceful grip cradling the length of my jawline and the base of my skull. I once described this to my girlfriends as sexy, and they’d nodded uncertainly. Colt and I are happy, I’d said defensively, and showed them the ring.

 

The Savannah guesthouse was one Jackie O. once stayed in. I prided myself on being a good trip researcher, on making informed choices. “Colt, I read about this bar on the rooftop of the Perry Lane Hotel,” I said. “We could go there.”

 

“Where did you read about it?”

 

“Condé Nast Traveler.”

 

“Baby, speak English.”

 

I knew he was being funny again. His smile in the mirror was huge as he watched me tap the concealer along the bridge of my nose, around the edges of my mouth, and underneath my eyes, two taps underneath the right eye and five taps underneath the left eye, where the bruise was still fading, then smooth it over like a game of connect the dots, only it was my face I was outlining into existence.

 

 

From the rooftop bar, dusk was a splendid gradient of burnt orange to dark red, and I tried to notice the lights the way an old painting teacher told me to: the lit-up white of the church steeple, the neon lights spelling out SAVANNAH on the side of a windowless concrete building, the red blinks of cranes and oil refineries, the interior of a brightly lit Pottery Barn. I could take a picture and post it for our New York friends to see, caption it something arty. The trip had been last-minute; they didn’t know we were here. Impromptu, just us, a getaway from the stress that was getting to him, Colt had whispered the morning after that awful night.

 

I put my phone away. It had gotten chilly, night falling too suddenly over Savannah. It was as if someone had hit a switch and everything suddenly became banal, the string lights, the Latin jazz music from the rooftop speakers, the Corpse Reviver cocktails in our hands.

 

We ate at a restaurant with starched tablecloths that specialized in exotic meats. Colt ordered antelope steak. The antelopes were raised on a farm in Texas, we were told, so they wouldn’t be gamey, but more like lean red beef. This didn’t deter Colt—if there was antelope, Colt would get antelope. I imagined this farm, a flat grassland amidst oil rigs, the delicate horned creatures imported and bred for slaughter.

 

Colt had a habit of chatting up waiters about “the good stuff only locals know,” a line of questioning that, in our consulting days, usually yielded recommendations to roadside BBQ joints or seedy strip clubs. I used to smile politely while he did this, as the men around the table belched and grinned. It was on a business trip in St. Louis that Colt and I first got together. He’d stayed after our colleagues left to close out the round with his corporate Amex. As always, after I’d gotten drunk, I’d started crying. Colt had pulled me into his arms in the deserted lobby bar, whispered into my hair: “I know. I know you had to work harder than anybody else.”

 

I always thought back to that moment. The moment I kissed the man who’d given me my job, the man whose Murray Hill apartment I now lived in, the man who said he’d take care of me, of everything.

 

The waiter, having delivered Colt’s antelope and my scallops, answered Colt with no hesitation: “Go to Armadillo Island. You’ve gotta take the ferry from Euclid. It’s got all these abandoned mansions and wild horses.”

 

“Wild horses?” Colt perked up.

 

“Is it safe?” I asked.

 

“Oh yes, ma’am,” the waiter said. He was a tall, elderly man with a slight hunch. “Run by the National Park Service as a wildlife refuge. Pack in, pack out.”

 

“Let’s go tomorrow,” Colt said, turning to me.

 

“I already booked a tour of the Mercer house for tomorrow,” I said. “We can go Sunday.”

 

“You know yourself. If we wait there’ll be a reason not to go.” Colt pulled out his phone. “I’ll buy the ferry tickets online right now.”

 

“It really is worth it, sir.” The waiter said. “Would you like another glass of wine?” The old man turned abruptly toward me.

 

I massaged the patch of skin underneath my left eye. The vein there was throbbing. “What about the Mercer house?” I asked Colt.

 

The waiter averted his gaze. “She’ll have another.” Colt told him jovially.

 

I crossed my arms and said nothing. Colt ate his antelope. The new glass of wine sat there, untouched, until Colt snapped the leather bill-holder shut over a pair of crisp twenties. He was always big-hearted with waiters.

 

 

Euclid had only a smattering of kitschy seafood cafés that wouldn’t open until lunch, and there was nowhere to get coffee, not even a vending machine. My temples were hurting. We’d driven down the Georgia coast in the dark in order to make the morning ferry, and a boy in a park ranger outfit greeted us outside the NPS visitor center. “The ferry will be leaving from the dock in half an hour.” He addressed Colt but was obviously trying not to stare at me. He really looked so young, like a boy scout. “Make sure not to miss it, there’s only one.”

 

“Got it,” Colt said. “And there’s no food on the island?”

 

“No food for retail, sir.” The boy scout blinked. “It’s pack-in, pack-out.”

 

“We’ve got sandwiches,” I said. We’d stopped by a Kroger the previous night for Boar’s Head gouda and deli meat and some Hawaiian rolls. Colt didn’t like sweet bread, but the store was closing and so that’s what I picked up while he waited in the car.

 

“Good,” the boy scout said, still not looking at my face. “And remember, don’t feed the wild horses. Best to keep a distance.”

 

“Sure,” Colt said. He squinted at the marshes. There was a thick cloud layer hanging low over the water, giving the morning a gray glare. “Weather gonna clear up?”

 

“It’s coastal weather, sir. Could shift easily.”

 

There was an old couple on the ferry and no other passengers. The captain was a man with dirty blond strands and a plaid shirt. It wasn’t a pretty ride. The mouth of the river split open into marshes and industrial refineries clotted over the horizon. Colt started talking loudly about the time he took the Provincetown Ferry and it hit and killed a great white shark. I’d heard the story before. I think he wanted to impress the captain, but the captain only stared ahead dead-eyed. The woman in the old couple was studying Colt with pursed lips, but when I made eye contact, she looked down.

 

I took out my phone and tapped the camera icon so it became a mirror. Then I saw. Colt looked away as I discreetly reapplied the foundation that must’ve rubbed off when I was dozing in the car. He hadn’t made any comments. Of course, he couldn’t bring himself to. Ironically, he’d always been the kind of man who claimed he liked his women “natural,” not caked with concealer.

 

We slowed as we approached a dock jutting out of an enormous landmass of low palms and dense oaks. The old couple didn’t get up. I wondered if they were retired, riding the ferry back-and-forth just to wait out their days in this Georgia town.

 

“Four p.m.’s the last ferry, right?” I asked the captain as Colt and I stepped off the boat.

 

“The only one,” he said. “And we don’t wait.”

 

“But we’re the only passengers getting off,” I said. The captain was already untying the rope from the post. He shrugged. “Are there more people on the island?” I pressed. “Camping?”

 

“No overnights allowed,” he said. “Everybody who comes needs to go. One in, one out.” And with that he was back into the boat cabin, and I watched as the ferry pulled away, puttering in the gray water until it disappeared into the marshes. So we really were alone.

 

Colt had gone beyond the dock to inspect a pile of rusty bicycles. The wind by the shore whipped the trees wildly, and a clump of Spanish moss landed on the ground right next to him, nearly hitting his head. He didn’t notice. “Check out these bikes!” He was calling.

 

“Are there trails?” I asked. Colt had stayed up stalking the internet about this island, his face carved upside-down in the cellphone’s glow. I’d done the same, and I knew there were trails, but Colt liked to think he was in control.

 

“Sure,” he said. “Here’s a bike with a decent chain; take it.”

 

I took a step toward the rattling thing he had propped up for me. It had no brake. “You trust it?”

 

Colt was already astride his own bike, his long legs deploying in slow motion as he pedaled around me in a circle. “I’ll carry you if it breaks down. How about that?”

 

We set forth on the main path, a bumpy trail of dredged sand and shell bits and shark teeth. The island really did feel primordial, the old growth forests joining branches above the path, draped with gray-green moss strands that swayed lightly in the wind. It was winter and the greenery was faded save for the vibrant palmettos, their leaves like blades of green fanned out over the low canopy. I pumped my pedals hard after Colt, who was speeding ahead with childlike glee. “Let’s go find the wild horses!” he shouted.

 

For miles and miles we cycled. The nature became monotonous along the straight path. At one point we passed by what looked like an abandoned airfield, where the forest had been razed. But there were no horses. Colt stopped to drink some water and pointed to something in the bushes. “There’s a trail there,” he said. “A horse trail, probably. Maybe they don’t like to hang out by the main path. They can smell the human presence.”

 

The wild grass in the airfield bristled in the wind. The air smelled of something rotten, and it made me light-headed. “Okay,” I said, “but not far.” We tossed our bicycles onto the razed field and followed the trail into the forest. The ground was covered with bristly pine needles and gnarled roots. Colt walked ahead, pushing thorny stems aside with his fingers and holding them until I passed so they wouldn’t snag at me. After a few minutes, I touched his arm. “Let’s turn around,” I said. “There are no horses here. I don’t like being this far off-path.”

 

“But we’re almost by the water. I can smell it.”

 

It was true—the soil was looser, moister. The water reached inland with tentacular streams; it was all swamp, no beach. We were standing on a clearing next to a big oak tree and there was nowhere farther to go. “Let’s have lunch,” Colt said. I took the cheese and deli meat and bread out of my backpack and lay them on a flat rock. “Make them fast, before the ants get to them,” Colt said. I started slicing a tomato with the knife I’d taken from the rental. Colt was still staring at the spread.

 

“You know I don’t like Hawaiian rolls,” he said.

 

“The ants,” I said. “Hurry.”

 

“Every goddamn time.”

 

I ignored him. I assembled a sandwich and handed it to Colt, then made my own. He was like a big child, or rather a sulking teenager, scrolling on his phone as he chewed. But there was no data; I’d just checked.

 

“Apparently there’s an abandoned church along the path,” I said after a while. “I saw it on the map at the dock. But maybe there won’t be enough time to see it.”

 

“We have to be back for the ferry at 4:00 p.m. Plenty of time.”

 

“If you say so,” I said.

 

Colt was dragging at the ground with the tip of his boot, unearthing an oyster shell. “It’s funny,” he said. “The shells make a big circle around this tree. It’s like someone was here. Shucking and eating oysters. You think it’s one of the island’s secret residents?” He scooted closer to me on the rock, giving me a nudge of the hip. “A ritiual of these horses we can’t see?”

 

I busied myself with putting the food back into ziplock bags. “They’re probably just a myth made up to lure tourists.”

 

“You wanna bet?” His fingers were loosening my scarf, his mouth nuzzling my neck. I sighed and let myself go soft, pliable. He pulled me onto his lap, facing him and the old growth forest behind him. He undid our zippers and pulled down my pants. I closed my eyes. He clenched my hips and the pain was sharper than I expected. He’d spit on his hands but it wasn’t enough, it was not like before, a tangle of organs slick with lust. Sweetbread also means thymus and pancreas, I thought. When I opened my eyes again the Spanish moss was swaying overhead like prayer flags, and I had the acute sense that someone was watching us.

 

“Colt,” I said. “Colt, stop.”

 

“What?” His breath was short against my ear.

 

“I heard something.” And indeed there was a louder rustling of leaves, and I jumped off Colt’s lap, pulling my pants up, and he sprung to his feet as well.

 

“Is that a horse?” he shouted, but we couldn’t see anything. The rustling started up again, and he pointed at a bush. “There!”

 

It was a very large rat with an insect’s scaly carapace, digging its snout into the fecund soil.

 

“Armadillo. It doesn’t care about us,” Colt said with amazement. “It’s not even aware that we’re these big scary animals.”

 

“Or maybe it’s used to it,” I said, strapping my backpack on. “Let’s get back to the bikes.” I wanted to get far away from the armored rat, for us to keep moving.

 

“I read about them online,” Colt said. “You know why it’s covered with scales? So if a predator attacks, the armadillo can jump into a thornbush, and the predator can’t follow.”

 

The creature hobbled away, a mutant from the Jurassic era. “Let’s go,” I repeated. This time I ploughed ahead along the horse trail, not caring about thorns. I felt the prickle of tears, but Colt hated it when I cried. I wondered if the old couple would still be on the ferry. It was only when the airfield came back into view that I turned around to see if Colt was following. He was, and he held something misshapen in his hand.

 

“Guess what,” he said.

 

He shoved the misshapen object closer to my face. It was soiled and scaly, with a wet rat-like snout. A small armadillo, an infant. I shrieked and he dropped the thing, laughing.

 

“What did you do?” I gasped. “Did you kill it?”

 

“I did nothing,” he said. “It was there on the trail. You walked right over it.”

 

“Why did you pick it up?” I couldn’t even look at the carcass. “That thing is dirty. The bacteria. Why did you touch it?”

 

He stretched out his arms and lumbered toward me, grunting, trying to wipe his fingers on my shirt. “Leprosy!” he grimaced. “Armadillos carry leprosy!”

 

“Stop!” I said. I didn’t realize I’d actually started crying until I saw that familiar contrite look on his face.

 

“Come on. It’s funny.”

 

I tried to steady my breath. “It’s not funny.”

 

Colt kicked the dead armadillo aside like a deflated soccer ball. “Hey,” he said. “Why did you ask me if I killed it?”

 

“The air on this island—” I said. “It’s so humid it’s giving me a headache. I know you didn’t kill it. I’m sorry.”

 

He got back on his bike, not looking at me. “I would never kill a living thing.”

 

“I know. I’m sorry.”

 

“I’m just trying to make you laugh. You never laugh, not anymore.” He was still talking, head-down, to his pedals.

 

“It’s okay, Colt,” I said. I flung my leg over the bike, and my pelvis felt sore and raw over the seat.

 

He sighed and plowed forward. “If you say so,” I heard him sing-song.

 

The white path stretched ahead, potholed with deep puddles from a recent rain. When we rode across them it was like gravity itself was slowing us down, dragging us into the mud. We would never make it to that abandoned church, I thought. But suddenly Colt came to a hard brake ahead of me.

 

“I saw something,” he said. “It was definitely tall enough to be a horse.” He got off his bike. “Let’s follow it.”

 

“Colt, no. Let’s just stick to the path.”

 

But he’d already taken a few steps into the bushes. “There!” he called out with excitement. “I see the steeple! Didn’t you want to see the church? Right over there.”

 

I followed close after him. The trail opened up to a depressed clearing, like the ground had sunk ever so slightly, and in the middle of it was an enormous white building with wide steps and columns and porches and a tall steeple. Colt ran toward it. The white paint looked unchipped and fresh, so fresh it had a minty tint to it. The live oaks surrounding the church were enormous, their branches low and horizontal. There was an old picnic table underneath one of them, not far from the church entrance, and I sat there while Colt circled the building. “Doesn’t look abandoned at all,” he said. He was pressing his face against one of the windows. “Can’t see inside though. The windows are treated with some kind of black tint.”

 

“You can’t see them, but they can see you,” I said.

 

He didn’t hear me. He circled toward the front porch. “There’s an announcement on the door.” He leaned in to read, then shook his head and came back to the picnic table. “Funny. Says there are two services a day. One at three thirty and one at midnight. Maybe the horses come here for midnight mass.”

 

I checked my watch. It was 3:29 p.m.

 

Right then the church bell chimed. Colt’s eyes opened wide, and at first I thought it was the eeriness of wondering who was striking the bell, but then I saw he was staring at something beyond my head. “Don’t move,” he said. “Or move slowly. There’s one. There’s one right behind you.”

 

I froze. My fingers clutched my backpack. “It’s so skinny,” Colt said. “It doesn’t look healthy. Something wrong with its eyes.”

 

Slowly I turned my head. There was a horse, coming around the church, its coat black and patchy, like it had fought and was barely healing. It was small, so emaciated it looked skeletal. Its eyes were a cloudy white.

 

“Give me your backpack,” Colt said.

 

“Colt, no.” My voice was barely above a whisper.

 

“It’s starving. It wants something.” He wasn’t bothering to be quiet. He ripped the backpack from my hands and turned it upside down, emptying out its contents on the picnic table. His hands were shaking, fumbling around the objects, then he found the Boar’s Head ham and started tearing at the meat. “Bet that’s why they killed the armadillo. Starving to death.”

 

“Colt, you know it didn’t kill the armadillo.”

 

The horse slowly turned its head toward us, hearing the noise. But with its cloudy eyes it was impossible to tell whether it was looking at us. Colt flung a shred of meat toward it.

 

The horse’s nostrils flared. “You’re going to make it angry,” I said. “The ranger told us not to feed them. We’re going to miss the ferry.”

 

“We’re going to miss the ferry!” He repeated, nasally. The horse was sniffing at the piece of meat on the ground. The horse was eating the meat. It can’t be, I thought. Its jowls clenched, and its eyes stayed open, staring at us or not at all, impossibly white. When it finished chewing it reared its head in our direction.

 

“My hands are all slimy,” Colt said. He picked up another shred of meat, dangling it. A muscle in the horse’s neck spasmed. It took a small step closer.

 

“Put it down,” I pleaded, my eyes on the horse. Its tongue was lolling. “We’ve got to go. Something’s wrong with this horse.”

 

Colt let the shredded meat drop to the floor, then turned slowly to me. There was that glint in his eyes that I knew well. “Something’s wrong? Something’s always wrong.”

 

“Colt, don’t,” I begged.

 

“Something’s wrong with you for thinking I fucking killed that armadillo.”

 

The horse was advancing toward us now. It wanted more meat. Like a reflex my hands shot up to my face.

 

“The horse!” I screamed, trying to fight out of Colt’s grip. The knife was on the table, next to the half-tomato shaped like a red heart, and Colt screamed too, and the horse was ghostlike behind him, teeth out. It wanted more meat. There was no one around for miles, and this time it would be death, I thought. For a split second Colt loosened his grip and I leapt free, scrambling for the knife. Then survival was the only white hot force pitting me against the ghostly, snarling horse. I stabbed the blade deep into the horse’s flanks, slicing a long gash along its protruding rib, and it let out a terrible noise, so shrill and anguished that it shook the moss and pierced through the canopy of oaks and reverberated around the entire island, so shrill and anguished it sounded almost human. Its cloudy eyes rolled in its skull, thick red blood oozing from the gash, but my arm came down again, and again, slashing into its coat. It was all bones. Its hind legs buckled as it let out another noise, more of a whimper this time, and I kept slashing because I knew it was me or him, I slashed until its entire flank was a mess of lacerated muscle and blood, until it was just a carcass on the ground, fur and bones and ribs. Its eyes never closed, white as the sky.

 

When I came to Colt was on the grass, next to the knife, his big robust limbs limp yet twitching like jelly. Tears streaked down his cheeks. He was reaching out for me. “He wanted more meat,” I said, my voice hoarse and alien. “We’ve got to go. It’s four.”

 

I sank down next to Colt, the palmetto and oak forest around us bristling and bending in the wind. His shirt was stained crimson by blood, all the blood that ghostly emaciated horse had shed, but when I looked for the horse I couldn’t find it, and instead, through the oaks and the low afternoon fog that had seeped from the sea, I saw the dock. Somehow we had cycled back to the dock. The ferry was at the dock’s end, engine rumbling, and I could see the two huddled white heads of the old couple through the condensation on the cabin window. The captain was on the deck, rope in one hand, ready to unmoor. He checked his watch, squinted, then waved impatiently. One in, one out, he’d said.

 

“Go,” I told Colt.

 

Colt’s eyes were wide and unblinking. I remembered how he always used the hand he’d raised and ran his thumb gently along my left cheekbone, where the concealer had long eroded, and I could tell he was always really sorry.

The ferry blew its horn again. I knew it would take him. Dusk was approaching and the old growth forest stirred with shadows. The horse carcass was gone from its pool of blood. One in, one out. One push, one pull. Like the pulsations of arteries that feed into the million broken pieces of an organ that nonetheless keeps pumping. I picked myself up. I started, arduously at first, back up the path, then broke into a trot, eyes set on the church steeple amidst the darkening foliage. I knew the wild horses were waiting.

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Review: Home in Florida: Latinx Writers and the Literature of Uprootedness

Edited by Anjanette Delgado
University of Florida Press, 2021
Hardcover, $25.00, 270 pages

 

 

¿De dónde eres? Where are you from? It’s a simple question that’s difficult for some of us to answer. A new anthology, Home in Florida: Latinx Writers and the Literature of Uprootedness, considers the question and offers responses from Latinx authors who have made the Sunshine State home. Edited by Anjanette Delgado, the collection features original and previously published fiction, nonfiction, and poetry by award-winning writers like Jennine Capó Crucet, Jaquira Díaz, and Richard Blanco; luminaries like Judith Ortiz Cofer and Reinaldo Arenas; and other emerging talents. In Home in Florida, these writers construct a literary identity—one that simultaneously inhabits and traverses cultural and geographic borders.

 

Home in Florida shares forty-two works from thirty-three writers across the Latin American diaspora who have been uprooted from their homes for personal and political reasons. The anthology is grounded in this concept of “uprootedness,” or the experience of living in an environment that isn’t your own. “As with so many things,” says Delgado, the term resonates differently in Spanish and English. In Spanish-language literary culture, “la literatura del desarraigo” is prolific; in English, it’s rarely addressed. “Even the word carries inside the tension of seeming to mean one thing in Spanish and something never quite the same in English, the word itself with its dual meaning the very essence of the world in which a Latinx immigrant lives,” she observes.

 

The works in the collection speak to this duality. Though Home in Florida is mostly an English-language anthology, it includes Spanish works in translation and texts that switch, sometimes self-consciously, between languages. In Richard Blanco’s poem “Translation for Mamá,” the speaker considers what it means to write about his Cuban mother’s experiences in English. When he translates her life into artistic expressions she can’t access, whom is he writing for? What gets lost in translation when an immigrant’s experience becomes art? Blanco embeds Spanish translations of his English verses below each stanza, until the last stanza, where Spanish becomes the primary language and English is the language in translation. “En inglés / has aprendido a adorar tus pérdidas igual que yo,” concludes the speaker. These pérdidas, or losses, have dual meanings: the mother’s loss of her homeland and the son’s loss of his mother’s tongue. The poem articulates the disconnect felt by two people living in between languages.

 

That disconnect isn’t just linguistic. It’s cultural, too. In Natalie Scenters-Zapico’s poem “Notes on My Present: A Contrapuntal,” two opposing voices are juxtaposed in parallel texts with offset lines that literally and metaphorically break. “I write my body, as border between / this rock & the absence of water,” says the speaker on the left. “We have some bad hombres here / & we’re going to get them out,” says the speaker on the right. The first speaker’s self-image contradicts the second speaker’s grotesque distortion of her community. Even the punctuation is wonky. Read in tandem, the two voices reveal more than the sum of their parts.

 

This is true, too, of how Delgado curates Home in Florida, grouping pieces in suggestive combinations. She contrasts Raúl Dopico’s essay “Miami Is Cuban,” for instance, with Mia Leonin’s essay “How to Name a City,” which begins with Barack Obama’s claim that “‘[Miami] is a profoundly American city.’” Here, Delgado presents two tales of a city—Dopico’s Miami that “beats with a decidedly Cuban soul,” and Leonin’s Miami, where “miniature flags from thirteen different islands wave at you from rearview mirrors.” In other places, Delgado’s arrangement illustrates likeness. She pairs Frances Negrón-Muntaner’s short story “The Ugly Dyckling” with Jaquira Díaz’s essay “Monster Story,” for example. Both are fairy tale retellings with a Latinx spin—Negrón-Muntaner reimagines a European classic as a queer, Caribbean fable, and Díaz tells an American coming-of-age story inspired by Latin American folklore.

 

Immigrant narratives intersect in revealing ways throughout Home in Florida. In Ana Menéndez’s short story “The Apartment,” the narrator returns to Miami after her apartment tenant dies by suicide. She meets the neighbors to learn his story and hears, instead, their own tales of uprootedness, trauma, and isolation. The haunting stories of these lonely Cuban, Argentinian, Afghan, and Lebanese refugees mirror each other, revealing how often immigrants’ experiences overlap, even when they build imaginary walls to keep each other out. This self-imposed distance is echoed in Caridad Moro-Gronlier’s poem “Wet Foot, Dry Foot, 2002,” where the speaker’s Cuban-American family silently watches Haitian refugees arrive in Miami on TV, ignoring how they, too, once sought asylum here. “We do not speak of travesties,” says the speaker. “Only human when it comes to our own.” Their stories of uprootedness chart a similar course but end in different destinations thanks to America’s asymmetrical immigration policy, which privileges certain people above others.

 

Whose humanity do we acknowledge? Whose stories get told? In many ways, Home in Florida represents a diverse spectrum of Latinx experience. The book is a rich sancocho of culture—a blend of writers from different national, generational, socioeconomic, and language backgrounds, as well as those who identify as BIPOC and LGTBQ+. The collection’s diversity is deliberate. Delgado includes the work of recent immigrants whose “stories are the ones not often found in English-language anthologies” because too often these “writers are surviving and not writing.” She takes care to prioritize writers’ lived experiences, choosing to organize the collection “in the same experiential way in which rerootedness might occur, the emotional weight of each piece guiding the way,” instead of chronologically. And she mixes new voices with established writers, creating refreshing and unexpected flavor combinations.

 

For all Home in Florida includes, there are some things left behind. This may be inevitable in an anthology that is the first and only one of its kind. A single vessel can’t possibly hold everyone. While the collection features writers from across the Latin American diaspora, the majority of its contributors are Cuban or Cuban American. The anthology elucidates their lived experiences and history in luminous detail. Stories like Guillermo Rosales’ “The Halfway House” show what life in Florida was like for Cuban exiles who fled Castro’s regime in the 1970s, while essays like Chantel Acevedo’s “Piercing My Daughter’s Ears in Alabama” reveal how those families have evolved a generation or two later. The space the book gives these stories isn’t equally distributed, though, creating an imbalance that can sometimes feel like an exclusion. In Home in Florida, we witness the aftermath of the Mariel boatlift but not Hurricane Maria, for instance.

 

Curiously, for a book titled Home in Florida, not every piece is rooted in Florida. Occasionally the state disappears entirely before re-emerging in the next story. When Florida shows up, it’s drawn sharply and brightly, though, realistically rendered even if it’s magically imagined. Mercifully, the collection is careful to avoid the Disney caricatures of this place and its people that too often sap the popular imagination.

 

Instead, we get a view of Florida—where more than a quarter of the population is Latinx—that is usually obscured. We savor Liz Balmaseda’s Hialeah, where the distinctive flavors of Cuba refuse “to melt into any damn pot.” We experience the suburban wilderness of Yaddyra Peralta’s Carol City, “the verdancy of weeds, the bougainvillea overtaking the wobbly chain link fence.” And we see Patricia Engel’s “La Ciudad Mágica” sparkle brilliantly—from the manicured avenues of Coral Gables where bejeweled ladies lunch and bemoan their Latinx nannies, to the unnamed streets a few miles south, where you can “find people selling fruit out of tin shacks” and have “a spell cast by a brujo so you’ll be lucky in money and in love.”

 

The anthology doesn’t illuminate all parts of the Sunshine State with the same clarity, however. Miami shines brightest. So bright its light casts a shadow on the rest of the state. Home in Florida rarely ventures outside of Miami-Dade County, and when it does, it’s from a distance. Cities with large Latinx populations like Tampa and Orlando are mentioned only briefly, as the writers speed past on their way to somewhere else. The rest of the state is invisible. In an anthology that is otherwise so clear-eyed and attentive, this silence is loud. Where are the writers who have planted roots in majority-minority, Central Florida suburbs like Kissimmee or Latinx-populous, agricultural towns like Haines City and Belle Glade? What about their experiences?

 

Representation matters, and yet within the intimate space this anthology imagines, place and culture are less important than the writers’ lived experience of place and culture. Florida is a useful terrain to map out these experiences, but—as the collection repeatedly reminds us—its borders are fluid. In Home in Florida, Florida is more a state of mind than an actual state. It is the yearning for home, the hunger of hardship, and, eventually, the hard-earned hope of Nilsa Ada Rivera, who reflects in “I Write to Mami about Florida”: “Slowly, I’m realizing Florida is my home too. Despite all the years of trying to leave, I’m still here, adapting, evolving, and surviving. The fight to survive and the constant evolution are common themes for almost everyone in Florida, a constant reinvention of who we are.”

 

Impermeable identities don’t last long in a place where the tides are always changing. What endures instead are the experiential bonds connecting the people who call, and have called, this place home. This anthology’s writers—and potential readers—may be homesick and heartbroken, but they aren’t alone. From this literary landscape sown with tales of loss, grief, and loneliness, a community blossoms. After all, that’s what a collection is: a place where individual stories can converse, where the odd piece suddenly seems to fit, and where two different idioms understand each other. The book becomes a kind of communal plot, where these writers’ experiences of uprootedness vine together and grow toward the light. In Home in Florida, Delgado and the writers of this inventive anthology have cultivated a home of their own making—one that can go anywhere and never lose its roots.

 

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Interview: Kim Adrian

 

Kim Adrian is the author of The Twenty Seventh Letter of the Alphabet: A Memoir and the editor of The Shell Game, Writers Play with Borrowed Forms, an anthology of hybrid essays (both University of Nebraska Press, 2018). She has published two books of lyric criticism: Dear Knausgaard and Sock, which is part of Bloomsbury’s Object Lessons Series. Her essays and short stories have appeared in AGNI, Tin House, O Magazine, The Gettysburg Review, among others. She has taught creative writing at Brown University and Grub Street.

 

The Twenty-Seventh Letter of the Alphabet is an unconventional, wildly disturbing, and hugely innovative book. It is an intimate portrait of family dysfunction, addiction, and mental illness that grabs the reader immediately. The story is told in razor-sharp vignettes—what Adrian refers to as a “glossary,” saying it’s a “reckoning, a love letter.”

 

Adrian has a gift for pinpointing—and extracting—precise, emotionally potent stories from her experiences and those of her family. Each fragment in The Twenty-Seventh Letter of the Alphabet is crisp and wide-eyed and seamlessly provides a subtext of the story, almost a meditation on the structure. Here, she imposes order on a rather chaotic upbringing by assigning a letter to each snapshot, while simultaneously developing compassion for herself—and her mother.

 

As a daughter of a severely mentally ill mother myself, I felt a particular kinship with Adrian. While conducting this interview, we exchanged emails in which Adrian shared, “The whole time I was writing [The Twenty-Seventh Letter of the Alphabet], I had this feeling of wanting to connect to other individuals who’d grown up in similar situations—kind of like ‘ghost siblings.’” As I read Adrian’s account, this was palpable. It was remarkably validating—yet disturbing—to read of some of the uncanny similarities between our experiences.

 

Both Adrian’s mother and mine were sexually abused as children. Both married young and had children before their twentieth birthdays. Adrian and I are both firstborns. We each have a younger sister. Both of our mothers were diagnosed with a slew of psychiatric disorders and spent considerable time in psychiatric hospitals. Our mothers both had a penchant for sewing, shredded our father’s suits with shears, had issues with their teeth, and felt the government was “out to get them” or the phone was “bugged.”

 

“It can feel so isolating to grow up with a parent with mental illness, especially when you don’t understand that they’re mentally ill,” says Adrian. “The world just feels so squishy and unpredictable.” And she’s right, especially about the unpredictability, the isolation.

 

Leslie Lindsay for The Florida Review:
The title, The Twenty-Seventh Letter of the Alphabet, sort of intimates this idea of a glossary, but it’s more than that. We don’t immediately know what the book is about. The title doesn’t give anything away. Until the mid-nineteenth century, the ampersand was considered the twenty-seventh letter of the alphabet. It wasn’t a sound unit, but a word—and. As a reader, I felt we were continually marching on, starting with A and ending with XYZ . . . &. There was a clear-cut path, maybe even a sense of urgency or doom. Can you talk about that, please?

 

Kim Adrian:
I’m glad you felt a sense of urgency. That’s part of what I was going for. Because The Twenty-Seventh Letter of the Alphabet isn’t just about my relationship to my mother, and my experience of her mental illness, but also about a feeling of compulsion—the compulsion to tell this story. At the same time, I had no idea how to tell it, because storytelling had always been my mother’s domain. She’s a highly verbal person, a real magician with words. When I was a kid, I often felt incapable of expressing myself because she somehow managed to define my reality, my experience, with her words. She did this in a colorful and confusing way. I try to describe this in a few entries in the book, for example, the one called “Ice-Skating,” where she narrates how she thinks an ice-skating outing I’m about to go on will unfold from my point of view. It was uncanny when she did this. I could almost feel myself getting erased. The Twenty-Seventh Letter of the Alphabet came out of a deep need to articulate my own experience using my own words. But readers who looked at early drafts always said the same thing: “You’re not in it.” It was so frustrating. Now, looking back, I think I was just so used to sublimating my own experience—when it came to interactions with my mother—that I did exactly the same thing when I tried to write about our relationship. I somehow went underground. When I finally found the form of the glossary, it opened everything up. Tackling the story in bits and pieces let me access my own experience in a very immediate way. It’s a lot easier to keep your voice present for the length of a fragment than it is for a long narrative line. With the glossary structure, I was suddenly able to tell the story. And the pressure that had built up inside me over the years of writing prior to landing on the glossary form, that pressure comes across, I think, in that sense of urgency.

 

TFR:
I find the linked collection—the glossary of fragments—endlessly fascinating. It allows a good deal of freedom, while affording a sort of distillation. One can shine a light on specific moments without necessarily needing to create connective tissue between them. It’s precise and expansive. Would you agree? What did you find liberating about this form—what was challenging?

 

KA:
For me, the glossary structure removed the necessity to “tell a story” in the classic, conventional sense (which in any case never sat right with me in regard to this particular material). To create a classically linear narrative would have been to betray the confusion inherent in the experience I was writing about. But there’s also something intensely intimate about fragments. A fragmented text enlists a reader’s participation in a very real way. Readers have to connect the dots, create that “connective tissue” in their own minds. I don’t think that’s asking too much of a reader. Engaged readers actually enjoy being challenged. Fragmented texts offer something almost like a mystery to solve.

 

TFR:
The book moves largely chronologically, but not entirely. I’m sure the structure required a bit of thought and experimentation. It’s flexible: events can weave in and out. Did you impose/assign letters to the vignettes first, or write and then piece together?

 

KA:
I’m glad you brought up chronology. There are actually three chronological strands moving through the alphabetical arrangement. The first is pretty basic, just the chronology of my growing up; the second unfolds in the “present day” —my current interactions with my mother, and my own domestic life as a mother of two young children; the third—which is a bit rougher—tries to trace my mother’s childhood and give insight into her family of origin. It took a lot of refining of entry titles to work it all out chronologically because, with this structure, the chronology obviously also has to be alphabetical. Some of the entries happened to land right where they needed to be, but others required some shoe-horning. Take “Ice-Skating,” for instance, which I just mentioned. That’s a perfectly fine title for that entry. I used it because the Letter “I” is exactly where that entry needs to be in the flow of the chronology. But it’s not a very poetic or evocative title. Originally, I think I called it “Tall,” which has much more emotional resonance with the material. So, yeah, I shoe-horned some of the headers, and lost some of the original poetry or power of my first-choice titles. But that seemed like an okay price to pay for the overall glossary structure, which has its own metaphorical value.

 

TFR:
At one point in the story, your mother says something like—and I’m paraphrasing—“It’s okay. You can write about me. I know I am your material.” What was the emotional process of writing like for you? Were there things you feared putting in the memoir?

 

KA:
There were lots of scenes and details that I worried I shouldn’t put into this book: my mother’s “booger board”; my father stabbing a man; my mother throwing me on the ground or across the room when I was little; my father beating her unconscious in front of me. The Twenty-Seventh Letter of the Alphabet took me twelve years to write, on and off, mostly on (though in a quasi-paralyzed state). Part of that long gestation period, that quasi-paralysis, had to do with what I was talking about before—the drive to tell this story coupled with an inability—or, perhaps, an unwillingness—to tell it in a conventional way. But the other thing that slowed me down was worrying about spilling so many shameful family secrets. It seemed obvious that my words might hurt people—my parents—but that was confusing, because I only wanted to reveal things that were part of me, part of my history, my lived experience. I know a lot of writers come down on the other side of this decision. They reconcile themselves to holding off on writing a story like this until their parents are dead. But I went the other way. The fact that my mother said that she knew she was my “material,” and I could write about her if I wanted to, meant a lot to me at the time. It was very generous of her, in a sense. But even these words made me feel trapped, because when she said them, I realized I didn’t want her to be my material forever. I wanted to get this story out and be done with it. More than that, I didn’t want her to be the one to tell me what I could and couldn’t write. In the end, I had to give myself permission to tell the story. And, actually, that was probably the hardest part of all.

 

TFR:
Has your mother read it?

 

KA:
When it came out, I told her not to read it unless she was seeing a therapist, which she wasn’t, and still isn’t. At the time, she said that she wouldn’t ever read it because she didn’t want it to damage our relationship, and I thought that was smart. But since then, she’s said a few things in ways that seem informed by what I wrote in the book. So, I think she probably has, and just hasn’t told me.

 

TFR:
I felt the way this story was told, it mirrored a real relationship; we got to deeper wounds as we spent more time with you, your mother, father, sister, even your husband—the characters—in this memoir. There was a slow peeling back of layers. Plus, the structure lends to the episodic aspect of mental illness. Can you talk more about that, please?

 

KA:
I’m so glad you felt that way. One thing I struggled with at the beginning of the writing process (and by that, I mean the first ten years—ha) is something I see a lot of my memoir students struggle with, too, and that’s the almost irresistible urge to say all the important stuff up front, especially about very complicated characters. One of the reasons I had such a hard time getting past the first fifty pages or so of the early drafts was because I was trying to show my mother in all her complicated glory, all at once. My mother can be incredibly selfish, cruel, really abusive, gas-lighty, manipulative, and, frankly, gross, but she can also be the opposite of all these things: empathetic and sensitive, elegant, funny, creative. She’s a great reader. Super smart. Super insightful. And she’s a fabulous cook and gardener. If her spirit hadn’t been so deeply damaged by the sexual abuse she suffered as a child, I think she would be doing amazing work in this world. Because, despite everything, she is one of those extra-alive kind of people. Unfortunately, because of her trauma and mental illness, she winds up bending most of her formidable energy toward destructive ends. In any case, back to your question . . . When I started writing this book, I tried to get all of that kind of information about her on the page, right away. I described my mother more or less the way I just did, though more elaborately. I figured that, in this way, I was being fair to her character. But writing like that is simply doling out information. And information doesn’t convey a sense of lived experience. Figuring out how to let the characters in this book, especially my mother, unfold in their own time, over the course of sentences, paragraphs, and pages, was a steep learning curve for me, but it was very liberating, once I got the hang of it. I was able to let the prose be more gentle, less rushed, less informational, and, most importantly, I think, non-judgmental because I wasn’t summing anybody up, or quickly sketching anyone with editorializing strokes.

 

TFR:
I think it’s important to talk about personal mental health, too. You’re an avid yogi (another similarity we share), plus you knit, bake, and write. You must maintain your own artistic development, your own . . . can we say, sanity? Did it feel important for you to let the reader into that part of your life?

 

KA:
I knew I had to show some of those self-help activities on the page in order to be a reliable narrator. Because it’s happened so often, in “real life,” that when I get to know someone new, and eventually tell them a story or two from my childhood, they almost inevitably express disbelief. “But how did you get so normal?” is the usual question. Billions of hours of yoga, is the answer. Also, some fairly manic knitting and baking. And, let’s not forget, bubble baths. It sounds so ridiculous, but bubble baths have been very healing for me. I wanted to show at least some of that activity, even though, on some level, I feel embarrassed by it (thus the entry title “Embarrassingly Large Collection of Self-Help Books”). But you can’t come out of a childhood like mine, or maintain a relationship with a mother like mine, and just “be normal,” whatever that is. Healthy-ish. You have to work on your own mental/emotional state, and I have. I do. It takes a lot of time, a lot of energy. It also takes a certain amount of anger. And a certain degree of selfishness, to be honest. There’s an avid edge to these activities, at least when I do them. I’m not the world’s most peaceful, copacetic person. But I strive to be peaceful and copacetic. LOL. It’s how I funnel a lot of the ragged, sad, frightened energy that still circulates inside me into something more or less positive. I actually learned how to do this kind of work from my mother, who’s always been big on “self-improvement.” Not so much with things like yoga, but she’s constantly making all these little micro improvements to everything in her life—from jerry-rigging the bird-feeder in some ingenious way to trying to straighten out her crooked pinkies with popsicle sticks. There is, of course, a tremendous difference between doing these kinds of practices in the spirit of self-improvement versus doing them in the spirit of self-acceptance. It’s only when I understood that difference that I started healing in a real way. Unfortunately, I don’t think my mother’s ever quite grasped the distinction, which breaks my heart.

 

TFR:
I want to end on hope. Because there’s so much of that within these pages, too. The last two years have tested us all—in different ways—and really, at the end of the day, what gets us through is cookies and warm socks. And a good book. Maybe a lotus blossom from the muddy depths of a lake.

 

KA:
Your phrasing is interesting, the way hope gets entangled with comfort in that question. Which I get. Hope can be as much of a comfort as warm socks and good books and cookies, all of which I love. But frankly, these days, my relationship with hope feels pretty strained. I find myself seeking out more . . . prickly . . . forms of comfort, too. I’m reading Theodor Adorno, right now, for instance. Minima Moralia. It’s excruciating, honestly—it’s just so painfully insightful about the pathological structures of the capitalist, consumerist system in which we’re all so deeply embedded. I know I was just talking about bubble baths. And I’ll never give those up. Not if I can help it. I read Adorno in the tub. But hope and comfort feel very—I don’t know—cheap, these days? Everything just feels so dark. Because of Covid, yes, but also the war in Ukraine, the environment, the extremism everywhere you turn, the way democracy seems to be evaporating in front of our eyes. One of the reasons I wrote this memoir is because I think mental illness isn’t given enough attention, considering how prevalent it actually is. It’s not treated with enough honesty or seriousness or urgency. And without those things, a bad situation won’t improve, no matter how hopeful we may be. Without those things, hope is just a fantasy. Collectively speaking, I don’t think it’s a stretch to say that humanity is dealing with something that looks a lot like mental illness writ large. We’re suffering. And the planet is suffering because of us. Hope sounds lovely, but far away. All I can manage, at the moment, is to try to be more honest and serious and urgent about the things I would someday like to be hopeful about.

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