Biography
Dr. Geppert has presented her work internationally, including at the College Art Association annual conference, Performance Studies International, the Hemispheric Institute for Performance and Politics' Encuentro, the Latin American Studies Association annual conference, and Columbia University's Institute for the Study of Human Rights Historical Dialogues conference. She founded and co-directed a not-for-profit art space, Grammar Center, in Medford OR from 2014 through 2015, is currently co-director of Grammar Center Press artist books, and is a co-founder of Common Measure, an interdisciplinary platform for art and public ecology.
Education
- Ph.D. in Art History from University of Minnesota (2012)
- M.A. in Performance Studies from NYU Tisch School of the Arts (2003)
- B.F.A. in painting from University of Minnesota (2001)
- B.A. in Art History from University of Minnesota (2001)
Research Interests
- Contemporary art since 1960
- 20th & 21st century art of Latin America
- art and cultural globalization
- performance, video, installation, and participatory social practices
- community-based, grassroots, and 'new genre' public art
- urban/landscape studies, creative placemaking and tactical urbanism
- museum, tourism, and heritage studies
- art and its role in community development, historical memory, and human rights initiatives
Recent Research Activities
Dr. Geppert has pursued interdisciplinary research with special emphasis on the aesthetic, economic, and institutional aspects of cultural globalization. Her Ph.D. dissertation research and current book project, provisionally titled “Favela Effects: Art, Development, and Rights in the Global Periphery”, centers on specific case studies within Rio de Janeiro’s informal neighborhoods, or favelas. Geppert analyzes the mobilization of arts and cultural programs to the ends of community development (e.g. violence prevention, urban infrastructure, youth empowerment, and human rights initiatives). In addition to tracing the history through which the favela has been framed aesthetically, she identifies the global cultural networks through which these sites are invested with economic and symbolic value, investigates emergent models of cultural citizenship, and suggests new arenas for political identification and action.
Courses
| Course # | Course | Title | Mode | Days/Times | Syllabus |
|---|---|---|---|---|---|
| 93335 | ARH2050H | Honors History Western Art Ⅰ | In Person (P) | M,W 1:30 PM - 2:45 PM | Unavailable |
| 83239 | ARH3471 | Art in the Last 25 Years | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable |
| 83255 | ARH3713 | 20th Century Photo History | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable |
| 83514 | ARH5897 | Adv Seminar in Art History | In Person (P) | M 3:00 PM - 5:50 PM | Unavailable |
| Course # | Course | Title | Mode | Days/Times | Syllabus |
|---|---|---|---|---|---|
| 12346 | ARH3471 | Art in the Last 25 Years | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable |
| 19946 | ARH3670 | 20th Century Latin Amer Art | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable |
| 19947 | ARH3728 | History of Illustration | Web-Based (W) | 7:00 PM - 7:00 PM | Unavailable |
| 12957 | ARH4450 | 20th Century Art | Video Livestream (VL) | M 10:00 AM - 11:15 AM | Unavailable |