Biography
Raised in Atlanta and Columbus, Georgia, Kianna Greene is a poet and writer living in Orlando, Florida. She earned her MFA in Creative Writing from the University of Central Florida. Her work has appeared or is forthcoming in Salt Hill Journal, The Penn Review, Bellingham Review, Maudlin House, 3Elements Review, and other journals. She has been nominated twice for a Pushcart Prize and was named a finalist for Frontier Poetry’s 2025 Misfit Poem Prize. Kianna is an alumna of The Kenyon Review’s Writers Workshop and currently serves as an Associate Poetry Editor for The Florida Review.
Research Interests
Contemporary poetry, prose poetry, creative nonfiction, hybrid work, flash prose, multilingual works, and literary editing
Courses
| Course # | Course | Title | Mode | Days/Times | Syllabus | |
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| 12274 | CRW3120 | Fiction Writing Workshop Ⅰ | Web-Based (W) | 12:00 AM - 12:00 AM | Unavailable | |
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In this course, students will gain a deeper understanding of contemporary fiction through analyzing short stories and participating in workshop. This course will place equal emphasis on generative writing and close reading. In the first weeks of the semester, we will work on “scaffolding” exercises, taking time to review and bolster our knowledge of the basic components of fiction. The bulk of the course will be workshop, in which students will read and constructively critique each other’s stories, and online discussions of assigned short stories, prompted by a student-led presentation. The semester will culminate in a final portfolio with a revision statement. |
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| 12842 | CRW3120 | Fiction Writing Workshop Ⅰ | Web-Based (W) | 12:00 AM - 12:00 AM | Unavailable | |
|
In this course, students will gain a deeper understanding of contemporary fiction through analyzing short stories and participating in workshop. This course will place equal emphasis on generative writing and close reading. In the first weeks of the semester, we will work on “scaffolding” exercises, taking time to review and bolster our knowledge of the basic components of fiction. The bulk of the course will be workshop, in which students will read and constructively critique each other’s stories, and online discussions of assigned short stories, prompted by a student-led presentation. The semester will culminate in a final portfolio with a revision statement. |
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| 12154 | CRW3950 | Cypress Dome Editorship | Mixed Mode (M) | Tu 1:30 PM - 2:45 PM | Unavailable | |
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This is a two-semester internship class that produces the student literary journal. You may enroll for the second semester (spring 2026) only if you’ve participated in the first semester (fall 2025). The next application process will open in early Spring 2026 for the Fall 2026/Spring 2027 editorship. In this collaborative internship, we’ll learn how to read and edit well. We’ll begin by determining the type of publication that we want, and then we’ll brainstorm ways to boost quality submissions, promote events to raise publication funds, create marketing materials, and ultimately curate, design, and produce the 37th edition of The Cypress Dome, a journal of UCF student writing and art. |
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| 20558 | CRW4770 | Short Form Flash Prose | In Person (P) | Tu,Th 10:30 AM - 11:45 AM | Unavailable | |
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In this course, students will explore flash prose (work written in 500 to 1,500 words) as a subgenre of fiction and creative nonfiction, studying its mechanics and comparing its function and effectiveness to its longform counterparts. Students will also compare flash prose to prose poetry, understanding the bridges between “lyric” and “narrative.” This course will encourage hybridity and experimentation, pushing our definitions of genre and deepening our understanding of what we can do with lack, thus informing how students engage with other genres. Students will engage with flash prose through assigned readings, annotations, and creative imitations, a craft analysis paper, and workshop. At the culmination of the semester, students will submit a final portfolio of work drafted throughout the semester, along with an artist statement detailing their understanding of flash prose and its impact on their work. |
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| Course # | Course | Title | Mode | Days/Times | Syllabus |
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