Two Poems

Witness Statement

And, behold, in the year
of unencumbered plague

 

those who trafficked in wickedness
did so on palatial golf courses.

 

An orphan cried for succor
and received spit.

 

Nothing of this was new
or profound, only more naked.

 

And, lo, I fed my son a breakfast
bar on a dying planet.

 

And on a dying planet
the wicked watered

 

my son’s playground with poisons.
They hallowed his oceans with lead.

 

Tell me what should I have done
but bathe bread in peanut butter

 

mince Flintstones in a cup of cola.
And, lo, the wicked thought only

 

of my boy as a horsetail dreams
of flies. His chest rose and fell

 

as we both tacked the garbage
truck rumbling its track.

 

In this was no sin.
In this was only another

 

form of hunger: the truckness
of the truck begetting wonder

 

begetting want. Oh, felt my boy
with every rattling atom.

 

And the wicked kenneled
a brown boy so like my son.

 

I said, I am sickened.
I said, I will maim you

 

with my claws before you
take their boy, my boy whose laugh

 

turns this truck ripe with refuse
to some radiant blessing.

 

Anubis at the DMV

Let me be blunt:

            fate is no whim.

 

It is the voice of

            a thousand bureaucrats intoning

                        now serving 554.

 

If diligence is a knife

            you are our bread.

 

if service is a repeating decimal

            a herd of digits flashed to life

                        you’re dead last.

            Ultimo.

                        The sarcophagal cero.

 

Each attendant is a monolith

                        in a desert you wander

                                    an hour, a lifetime.

 

Who can know?

            The intervals grow

                        immeasurable.

 

Think of a cat

            toying mindlessly with a string

                        an entire day

            bored

                        somnambular.

 

Past the grave

            vice or virtue is simply

                        the dust we brush off.

 

Let it accumulate.

            Let the carpet fiber

                        crack beneath your feet

 

Now you want to know

            how much longer

                        a day, a year, a league.

 

Like all dictators

            I simply push the beads

                        across, then back.

 

Who am I

            to enumerate

                        your wait time?

 

Who to tell you

            how to spend your death?

 

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Did You Miss Your Saturn Return

There is a spectrum of brightness. You might not have realized
that gleam is stronger than glimmer. The latter suggests movement,
like when sunlight hits an unstill surface and we call it dancing.
Similarly, I know water isn’t blue, it just reflects the colors
around it. And I know it isn’t solid—it just invites being touched.
Yes, I’m talking about hope again, and you are in your bed all day.
I’m googling the concept of a Saturn return because, thematically,
I like the idea of reaching an age where it’s acceptable to change
my mind. You don’t believe in astrology. I’m not sure you believe
in anything, and I worry you missed the chance to see it all fresh.
I’m worried it’s easier to try to fix your problems instead
of sitting and feeling mine. I’m not a good swimmer because
I struggle to breathe through my panic. I struggle to let my chest
loosen when I walk down the street. My chest, surely it was tight
any time you touched me and we pretended water was solid, blue.

 

 

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Hog Suit

One morning, I found one of my pigs outside the pen. He wanted to get back inside; he was tapping on the fence with his snout and his grunts sounded distressed to me. When I let him back into the pen with the others, he seemed pleased. A weird little episode, but I didn’t think much about it.

            The next day two pigs were outside the pen. I checked the fence again; the fence was just fine. I put the two pigs back. Easy.

            The day after that, there were two pigs missing. One of the pigs was right outside the fence wanting to get in like on the other days. But the other pig could not be located. There were no hoof prints. He was just gone.

            So, I looked around my property until I heard some oinking. But the oinking was coming from above me. High up. I’ll stress that oinking ought not come from above. I looked up and there was my pig in a damn oak tree, looking worried. I got the ladder and brought him down—which wasn’t easy, he was a heavy boy—and put him back in the pen. He was relieved to be back with his buddies. But I didn’t sleep well that night. I was up late thinking about the moment I saw him on that branch like a nightmare bird.

            The next day a sow was outside the pen, and she was in bad shape. She had injuries on her ears, little cuts. They almost looked like words, but I couldn’t make them out. I looked for predators. There were none, and there were tracks, either.

            The next day, a sow was outside the pen, and she was hurt—she had cuts on her back and on her ears. I patched her up and set her back with the others. I looked around and found some tracks, but they vanished right at the edge of a pond. I thought whatever had done this might be in the pond, but it was a shallow pond, and I didn’t see anything in there worth noticing.

            That tracks looked like bear prints, but then they also didn’t look like bear prints, not at all, because there was something humanoid about them. The arch, the narrowness. But it wasn’t human either. In the end, I concluded that the tracks were of an indeterminate character.

            The next day, the pigs were inside the pen but there were three pigs stacked up on each other. What it was was a tower of pigs: a little tower, but still. They were in some sort of hypnotic state, standing on each other. When I gasped, they snapped out of it and fell. The tower crumbled. It took an hour to get them to trust me again and to get back into the pen.

            The next day a pig was in a tree, the same tree as before, and another was dead, pale from being drained of all blood, missing its ears. There were no footprints: no boot heels, no wolf tracks, no bear tracks. I thought what in God’s name.

            I had a vet come over. Same vet I been using for years. Good man. Bad divorce recently but knew lots about swine.

            What do you think? I said, as he was examining the corpse.

            Weird shit, he said.

            He said the ears had been removed with surgical precision. They didn’t have any teeth marks on them. They weren’t torn or ripped. They had been removed with a sharp blade and a straight edge of some kind.

            No animal did this, he said.

            The next day I had two pigs outside the pen, each drained of blood and missing eyes and ears. The eyes and ears were nowhere to be found. They had been removed from the premises and carried to God knows where. This must have been traumatizing for the other pigs. I knew it was for me—I had nightmares.

            There was no blood in the pigs. Not a drop. It was like someone vacuumed in there. I showed my wife; she was in disbelief. She accused me of doing it. Are you sleepwalking, Harold? Are you sleepwalking and performing savage acts?

            Later we found blood in our lemonade pitcher. As in, the lemons, water, and sugar mixture had been replaced (or transubstantiated) into blood. You better believe we didn’t drink a drop of that concoction.

            I called a scientist over to do some tests on the blood. The scientist knew his pigs inside and out. It was pig blood sure enough, he said. But he said there was a some magnetic field around the blood.

            What does that mean? I asked.

            He didn’t know.

            He did a battery of other tests. These were inconclusive. I asked him if he had any advice for what we should do. He said the missus and I should try to love the pigs while I still had them, because you never knew what was going to happen. This seemed like decent advice, though not scientific like I was hoping.

            Word got out and soon the Hortonville Gazette was talking about my swine displacements and mutilations. Nobody believed me; they believed the events had occurred, but they disputed the cause and minimized the impact on me. They said it was predators or teenage vandals. They said there was a rational explanation for everything. They published a hurtful cartoon in which I am sneaking into the field and night and putting my own hogs in a tree and cackling about insurance fraud. I wrote a letter to the editor complaining about the cartoon and the tenor of their coverage. But they didn’t print it. They thought I was a loon, and why would you publish the words of a loon in your paper? I wouldn’t. The only thing is, I wasn’t a loon, at the time.

            I was in a quandary: some unseen force was removing my animals from their pen, without harming my fence, and placing them in trees or mutilating them and, in addition, swapping out my lemonade with real blood. Who or what would do these things? And who or what could?

            I installed a security camera and pointed it at the pen. My wife was sure that we’d see footage of me sleepwalking out there, some dark part of my personality expressing itself all over my pigs in the middle of the night. I thought maybe we’d see a new kind of wolf. But the camera kept shutting off before it got anything good. Upon investigating, I discovered that the wires were frayed. I bought another camera and the same thing happened. None of the cameras picked up the other pigs that got lifted out of the pen, treed, or mutilated. None of the cameras survived the night.

            I bought another camera and pointed it at the cameras that were pointing into the pen, so I could at least see what was happening with the mutilated cameras. In that footage, you could see the lights go off in the pig-pen-directed cameras, and that was about it. A figure was seen by my wife in one of the frames. A hand coming out of the darkness. I didn’t see any hand no matter how hard I looked at the footage, but my wife said it was a hand and I believe her. At least she no longer thinks I sleepwalk in an evil way.

            Next, I bought myself a hog suit online. It wasn’t cheap. It was the best-looking hog suit I could find via the Google search engine. The suit was extremely life-like—the skin texture, the bristle hair, the snout, the ears. I donned it and I felt like one of my animals.

            That night I went inside the pen. I wanted to be with my pigs when the malevolent force arrived so I would have an opportunity to confront it and, hopefully, shoot it in its head with my .38, which I had covertly duct taped to my realistic-looking underside/teats region.

            The first night nothing happened: I just oinked around and got weird looks from the other pigs. And man did it smell bad in there. The second night I was tired. I was asleep on my haunches. I knew I had to stay vigilant, but I couldn’t help it. I laid down next due to some sows and it was quite comfortable. Here I am among my pigs, getting a brand-new perspective on life, I thought. I dozed with the pigs and dreamed their dreams.

            I was awakened several hours later by a breeze playing at my hooves. I looked down and noticed that the ground was many feet below me. I was being levitated in the night air, and I could see the moon shining clearly above me as I made my way to the top of a forty-foot oak tree. I could not see the thing that was lifting me into the air. I was placed on a branch in the tree. And then I watched as the other pigs were lifted, one by one, over the fence and into the tree. But I couldn’t get down. I fired off my thirty-eight, but it didn’t stop the force from getting the pigs out. I decided I’d make a jump for the branch right below mine. I figured I could move from branch to branch if I was careful. However, the pig costume was cumbersome and did not allow for the acrobatic maneuvers I was envisioning. I fell.

            I woke up in the hospital. My wife showed me a picture of strange, cramped handwriting on tiny parchment. What is this from? I asked. She said it was from the back of my ears. I felt my ears and there were cuts already scabbing over, raised like a braille. Then the nurse came in and told me I’d been drained of blood and spinal fluid. Not the whole way, but a little. But she didn’t have to tell me. I felt different, lighter, lesser. I didn’t even ask about the fate of my pigs.

          I believe the cuts on my ears spell out a message, though from who or what I have no idea. Are they legible to you?

 

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Dawn of the New Age

Three hours after learning the museum has secured a major grant, based largely—the Director assured her—on Luisa’s late night, visionary sketches of a wing for the new space age exhibits, this phone call, or something like it, was due. Bringing the world back in balance: a reporter, asking questions about her husband, about his participation in a reality show called Astronaut Academy. Luisa asks the woman to explain the show to her, though she read an article on it just that morning. It is being produced in partnership with the Space Force, the reporter says. A dozen competitors from around the country, going through the challenges any astronaut would encounter on their training: stints in the Buoyancy Lab, in zero gravity, in Earth-bound models of the shuttle they will ride if victorious. The winner will receive a seat on the Mars shuttle, and the same pay and benefits and stature as the traditionally trained astronauts. “How do you feel,” the reporter asks, “about your husband pursuing what would likely be a one-way mission?”

            “Proud,” Luisa says. “How else should I feel?”

            “But you weren’t familiar with the show?”

            Luisa is silent until the reporter weakens and explains that this is all for a human-interest story. She wants Luisa to share more insight into her mental state, which is a thing Luisa privately feels incapable of sharing even with herself. “Maybe it’s better if we speak in person,” Luisa says, not wanting to volunteer for this additional torment but not knowing how else to extricate herself. “I’ve never been very comfortable speaking across distance.”

            “That will make things difficult, won’t—”

            “I’ll talk to Jon,” Luisa says. “We can find a good time for it.”

 

            Against her wishes, he is on the sofa when she arrives home. “Go celebrate!” Robert, the Director, told her when she asked to leave before lunch—to which she could only offer a faint, gummy smile, allowing him to think the grant was the cause of her distraction. Sitting on the ottoman, bag between her feet, she waits for Jon to explain the show. Instead he describes meeting the neighbor’s dog that morning; the persistent slow drain of the bathroom sink.

            “Is there anything else?” she asks. A part of her wants him to say there isn’t, so she can catch him in the lie.

            “I do have news,” Jon says. He seems to believe that more detail will absolve him of any wrongs, and so he talks her through the joke of his application. The physical trial and mental assessment, a process that lasted months and which he performed without her notice, taking advantage of her lengthening workdays. “I thought I would flunk out sooner or later.”

            “A reporter wants to interview us,” Luisa says. “She’s writing a human- interest piece.” She doesn’t want to touch Jon or even look at him. It is tempting to label her feelings the inevitable result of his subterfuge, though in truth she cannot recall the last time she wanted to let her body be near his. For the last few years of their marriage she has had the vague sense of them being broken in some elemental way, the thread of attraction that existed between them having snapped while she was looking in a different direction.

            “You spoke with someone? You knew?” He reaches for her, then shakes his head. “Never mind. Okay.”

            “When does filming start?”

            “Two weeks. But we’re due out sooner, for publicity.” He picks at a zit that has scabbed to the surface near his Adam’s apple.

            “Why didn’t you ever tell me you wanted to do something like this?” Luisa asks, but then she remembers: he has. On one of their first dates, crowded into a two-seater in a taqueria, a lime-green margarita sweating between her hands, licking salt from her lips. She laughed when he began talking about the prospect of a one-way journey into space, how he would happily volunteer himself for such a mission. He was a biologist, the most earthbound profession she could imagine, but he spoke of “the greater good” like a man with conviction. “Anyone can see we’ve taken things too far on this planet,” he said, and maybe that much was true: the western half of the country had already been abandoned to forest fires, and the southeastern states to the hurricanes and rising tides. Life was pressing in closer and closer every day, it needed an outlet.

            Anyone would have laughed, she tells herself now as she leaves her bag slumped on the floor, walks to the bedroom and shuts the door. He was twenty-five, a boy in a world that seemed unlikely to ever offer the opportunities he imagined for himself. So she laughed, and was endeared, and slept with him even though it would be months before she felt really compelled in his direction. By the time they married she had forgotten that conversation. She had no concept that he might one day reform himself into this person he had imagined, this person she is now unable to follow.

 

            Checks are signed, champagne uncorked. The donors to the space age wing, invited to the museum for an exclusive tour-slash-soirée, all want to meet Luisa—not because she imagined so many of the exhibits their money will fund but because they have all seen the interview and know her husband may be one of the men who supplies these artifacts. Suits and goggles, Martian rocks, a replica of a shuttle that will never land on Earthen soil. All of this a departure for a museum that to date is best known for its textile exhibits.

            “I couldn’t believe what they made them do on the last episode,” says Muffy Van der Barg, a woman with a rumored inheritance over a quarter- billion dollars. A fist-sized stone, strung on near-invisible links, rests on her creped chest.

            Luisa has to apologize. She doesn’t watch the television show—

            “My poor dear,” the woman says, “of course you don’t. Who would want to?”

            About forty million households thus far, if the ratings are to be believed. Luisa excuses herself before Muffy can launch into a description of this show she has been studiously avoiding. She retreats farther and farther, until she is outside the museum, cigarette trailing from her hand, watching the parking lot that will be one day be her new wing. Sweat gathers in her elbows and the small of her back. Heat waves rise from the pavement, distorting the streetlamps’ glow.

            Robert appears at her side, his soft-soled loafers having silenced his walk down the marble steps. “It must be hard,” he says, handing her a fresh glass of champagne.

            Luisa sips, the bubbles fizzing unpleasantly at her nose. “We weren’t doing well, before he left. But I can’t say that.”

            “No,” he says, “I suppose you couldn’t.”

            She twirls the glass, watches sweat bead to its surface.

            “You really don’t watch?” he asks.

            “I feel like I’m watching a character.” The first episode is the only she’s attempted so far, and she didn’t make it further than the first challenge before shutting it off. The way Jon described himself in his introduction, the way he smiled for the camera, even the way he held his shoulders back as he walked to the suit room, where they competed to select the correctly- sized outfit—none of it felt familiar to her. The man on screen looked like Jon, but at such a remove that she couldn’t connect him to the person she’s known for the last decade.

            “For what it’s worth, I think one of the women will win. The crew is only a third female right now.”

            “Sure.” She can guess at his reading: an op-ed from just that morning, decrying the sissified nanny state that led the Space Force to refer to “crewed” rather than “manned” space flights.

            “Political correctness usually wins. Natasha would be my bet.” Robert offers a hand and Luisa ignores it.

            “I was joking. She’s the most capable, clearly—come on.”

            And, because Robert signs her paychecks, Luisa lifts a hand to his. “I don’t think I’ll mind if he wins,” she says. “We can call it the Jon Gonders Memorial Hall. We can put a wax figure of him in the entrance.”

            “A statue out front. Maybe a fountain, throw in your coins. Subtle fundraising.”

            “We can offer a widow-led tour for our major donors.”

            “There’s an idea.” Robert’s gaze vanishes into the parking lot for a minute, the streetlights bolting off his glasses, before he leads her back to the party, the donors, all the things he likes to label the “dirty business of philanthropy.” The widow’s tour, Luisa thinks as they step inside. She is almost pleased with her idea, and with the thought that this event is her first opportunity to practice the role.

 

            The week after the fundraiser, Jon begins to call at night. “Is this being recorded?” Luisa asks. “Is this going to end up as footage to make you seem more compelling?”

            “No,” says Jon. “I mean, they’re filming on my end. But the call isn’t being recorded.”

            Luisa doesn’t believe him. But she can sit on the line, she figures, and wait him out. “How do you feel?”

            “Not bad. The rations are getting old, but that’s part of it, I guess. And I’m worried about the isolation challenges.”

            “You should be good at that.”

            Jon’s exhalation is almost violent against the receiver. “They’re telling me I have to go,” he says. “I love you.”

            To Luisa’s surprise his calls continue, every night between seven and eight. To her surprise, she looks forward to them. When they cease after a few weeks, when she realizes he must now be in the isolation phase of the competition, she is adrift and unsure how to move through their apartment. It isn’t the feeling that she’s lost him, because she’s felt apart from him for so long; it’s just that the loss now feels somehow reiterated.

            The second night without a call, Luisa doesn’t resist tuning in to the now-constant stream of the competitors’ activities. Each astronaut sits in a dimly-lit capsule so small they could stretch out their arms and press their hands to opposing walls. A chyron at the bottom of the screen encourages viewers to vote for their favorite astronaut, and to text donations to the Space Force. On the righthand side of the screen, a public comment stream flows too quickly for Luisa to make out more than a word here or there: love, WOW, Jon! When the feed shifts to Jon, she moves closer to the screen, trying to sense in his hunched shoulders, the book open on his lap, whether he is struggling, or thinking of her, or thinking of anything at all. She can’t tell, and when the feed moves to the next contestant she turns off the television. She does not cast a vote.

 

            Luisa does not in her heart believe the Space Force will succeed. NASA hasn’t launched a mission in decades, and a rebranding seems insufficient to staunch its woes, however popular Astronaut Academy may be. She suspects Robert doesn’t believe, either, but is pleased that their unspoken doubts don’t stop either of them from pursuing the museum’s new wing. Reality need not place any limits on their ambitions.

            The parking lot vanishes, replaced by billowing dust and torn asphalt. One of the junior curators sources a basketball-sized meteorite, which Luisa exhibits alongside a glass case in which patrons can stuff dollar bills. She plots an exhibit around the textiles of space: fireproof astronaut uniforms, and waffle-weaved long johns, and the inflatable living capsules promised to be part of the Martian mission. Trying to form a bridge between the present-day textile museum and Robert’s imagined rival to the National Air & Space.

            It is Jon’s tenth day in isolation when Robert asks Luisa to stay late. “We might have a new funder,” he says, “and this man has some ideas.” She thinks, at first, that the funder is only a figment Robert has crafted to distract her—but the man is real, a major yarn manufacturer interested in donating if they can assure him the woolen arts will be properly highlighted in the new wing.

            “We can do a case on merino t-shirts,” Luisa says. “Wool air filters. I’ve already been working on long johns.”

            Robert writes this: merino, air filters, long johns.

            “How much are they donating?” she asks.

            “We’re looking at a million.”

            “From wool?”

            “And a gift shop partnership. Stuffed astronaut sheep. Wool keychains that look like comets. That sort of thing.”

            Luisa leans her chin into her fist and watches Robert. She has worked for him almost as long as she has known Jon, a fact that has never previously occurred to her—how much of her life tracks alongside these two men. “Do you think people really want to see these things?”

            He stops writing. “Maybe they aren’t so interested in seeing it,” he admits. “But make it interactive—let them touch the suits, or wear an astronaut’s t-shirt—that’s different. People want to feel like they’re a part of something.”

            Luisa tries to recall what type of shirt Jon was wearing, the last time she watched Astronaut Academy. It’s been over a week, and her memory of him is vague. Just the top of his head, his hand turning a page. The show has slogged into a stretch with no obvious challenges, only the interminable wait for four of eight contestants to declare themselves unfit for the lonely rigors of space. Instead of their usual gossip, Luisa’s colleagues have begun to complain about the unbroken, indistinguishable nature of time on Astronaut Academy. “They could just be showing the same day again and again,” her assistant said that morning.

            “Maybe I can get us one of Jon’s shirts,” Luisa says. “From the show.” As soon as the suggestion emerges she regrets it. She is not sure what compelled these words from her. But then Robert smiles. He reaches across the desk and for just a moment rests his hand on top of hers, not in a way that feels romantic—Luisa assures herself of this, when she thinks of it later—but in a way that only feels human, and comforting, and necessary.

 

            Jon is not sent home. For two weeks it seems none of the contestants will fall and then, all of a sudden, they do: the strain of isolation is heightened as their televisions and books are taken away, as lights turn on and off at random hours, as an oppressive and total silence is piped into their private chambers. The producers have broken their own promise to not revise challenges once they’ve begun, but no one seems to mind—there is general agreement that mere isolation cannot break this pandemic-reared generation, and a relief that the show is once again progressing. In an article debating the chances for each remaining candidate, Jon is described as possessing “a quiet, monk-like strength.”

            The million-dollar check from the yarn manufacturer is signed. A banner unfurls on the chain-link fence surrounding the former parking lot, with doctored photographs of children wearing merino “space t-shirts,” asteroids flashing across their chests. Jon calls the night after the fourth contestant has left, surprising Luisa at her desk.

            “It isn’t that hard to be alone with your thoughts,” he says. “Which I was worried about.”

            Luisa toggles between a few uncharitable responses, settling at last on, “No, I guess it isn’t.” Thinking of a conversation she once tried to have with him, her fear that her body had toggled off a switch without permission, leaving her with the barest memory of how desire had once unspooled through her, touching him. The loss a thing she had never known to anticipate. “Is that so different, really, from before?” he’d said, before claiming it was a joke—as if that was somehow better, to make a joke of her.

            The office is empty and feels private, with the motion-sensing hall lights switched off. She sets the phone to speaker and rests it on her desk, staring at her second monitor and deleting emails as Jon talks. He describes his tongue’s adjustment to the bland food, how over two weeks in solitary the minutes and hours and days turned into an amorphous span of time that he was unable to separate out into its component pieces. He talks for so long that Luisa believes him on this point, that he has lost the ability to measure time or his place in it. “It sounds like you’re ready to go to Mars,” she says. “There isn’t anything holding you back now.”

            “I still have to do the zero-gravity test. That’s tomorrow—where we go up in the plane.”

            “Right,” Luisa says.

            “They call it the ‘vomit comet.’”

            “Right.” She deletes three more emails. When she looks up, the hall lights have clicked on and Robert is in the door. “I have to go,” she tells Jon. “Good luck with tomorrow.” She feels a need to cover herself, despite her sweater and suit jacket.

            “Do you have someone to talk to?” Robert asks. He is still in the doorway. “About all of that?”

            Luisa is tempted to tell the truth, which is that she talks to him; but to say that feels like opening herself a degree too far. “I don’t know what I’d say.”

            He pulls a chair to her desk. Her phone screen fades to gray, and then black. “He’s got a one-in-four chance now. You should have someone to support you. A therapist. Family.”

            But what would Luisa say to them? That the thought of her husband leaving in this way is almost a relief, because it frees her from the slower work of understanding and then extricating herself from the husk of their relationship? That she has felt closer to him in the month of his absence than in the three preceding years? That a part of her wants him to succeed? “I’ve been thinking,” she says, and tells Robert how they might build on the textile exhibit to focus more broadly on materials in space. “I have so many ideas,” she tells him, hoping that he will listen—to her ideas, and nothing else.

 

            Two contestants are so violently ill, vomit unspooling through the air before it slicks, in the increasing gravity, down the front of their suits, that they are both eliminated from Astronaut Academy. One contestant, a man the rough size and shape of a professional linebacker, is not ill at all. Jon vomits in a restrained fashion following the final flight, and is allowed to continue to the final challenges.

            There isn’t any doubt now, not for Luisa. “It’s going to be him,” she tells Robert, after watching the clip at his desk. “The other one, he’s just too big.” She has a vague idea that astronauts are a compact class of humans, not on the same scale as jockeys but certainly not so far away, either. Jon, who has always exaggerated his height to 5’10”, is the correct size for interplanetary travel. His competitor is not, and she wonders that he was even allowed to join the show in the first place.

            In that case, Robert says, they should begin planning in earnest for Jon’s departure. “I don’t mean to be insensitive,” he says, before describing Jon’s mission as a coup. “It’s only that no other museum can promise such a close view of the rigors and costs of space travel.”

            When Jon calls that night, Luisa doesn’t mention his increasing role in the museum’s new wing. Robert is envisioning a rocket suspended from the ceiling in direct imitation of the Kennedy Space Center’s Atlantis shuttle, a video of Jon—“our own civilian astronaut”—on loop. She doesn’t want to expose Jon to any of these ideas, to the suspicion that she might use their relationship for her own gain. She thinks the imagined exhibits are too expensive to ever produce, and in any case Jon will be well-flung toward Mars before they come to fruition. Instead, for the first time, she tells him a different truth: “It’s going to be you.”

            “No,” Jon says. “Rick is at just another level of fitness. He’s clearly better.” But even as he speaks, Luisa can locate the lie threading his words. Knows that he feels it as clearly as she does.

            “Do you remember when we met?” she asks.

            “Tell me,” he says.

            “I was at the coffee shop. I went there every Saturday to apply for jobs. And this one day, you sat at the table next to me. You asked if I would drink a coffee with you, and I said I already had one. So you asked if I would get a drink with you instead.” It is hard for her to recall Jon’s face from this day, back when it was only a face with no real significance. A collection of ears, eyes, nose. Mouth. She can more clearly remember the burnt cardboard taste of the coffee.

            “You left some things out.”

            “I know,” Luisa says.

            “I couldn’t think of a way to talk to you. And then this Saturday, I’d finally decided, but every seat was taken. I just sat at the bar, watching in the mirror the whole time for when I could sit with you. And I still didn’t know what to say.”

            “Do you ever wonder,” she asks, “what if that man hadn’t left his table?”

            “No.”

            Luisa has. They met a month before she accepted the job at the museum, a time when she felt faced only with possibility, when it felt like a comfort to close off some of her paths. She wonders at this now, why she felt so sure in dismissing her body’s cues, at how easy it is to accede to a person, a job, a life, knowing they aren’t right. “I’m going to miss you,” she says.

            He is silent.

            “Tell me about your next challenge.”

            He tells her how in the morning they will be repeating mental challenges to exhaustion. They’ll be suited in the pool to simulate zero- gravity, and beneath the water they’ll manipulate torso-sized Rubik’s Cubes, they’ll draw foam puzzle pieces into position on the tiled floor. Challenges with enough of a visual element that viewers won’t complain again of boredom.

            “Do you feel prepared?”

            “Sure,” Jon says.

            She doesn’t think he is being honest. She doesn’t think he really feels prepared. How could anyone? When they hang up she sees they have talked for twenty minutes, their longest conversation since he left for the show and possibly their longest conversation in years. He is leaving, Luisa reminds herself. He is leaving for a year’s flight, he is leaving for a planet so cold that she is only able to comprehend it as a kind of heat—as a cold that burns. He is leaving for a planet where he will, suddenly, weigh seventy pounds instead of nearly two hundred. But these are only facts, and though she cannot stop herself accounting for them, she is no longer sure whether they mean anything at all.

 

            The wool manufacturer sends a box of micro-fiber merino shirts. The enclosed letter details their resistance to odor, allowing them to be worn for weeks on end. “There’s no laundry in space” is underlined twice, a fact which Luisa stores for use in a future exhibit. She tucks one of the shirts into her purse and later, in the bathroom, slips it on beneath her sweater. The fabric is silken and cool. “What about selling these in the gift shop?” she asks Robert when she brings the remaining garments for his inspection. Each one costs hundreds of dollars, money woven into the moisture-resistant wool and stitched into doubled seams. He likes the idea enough that Luisa’s assistant spends the afternoon on the phone with the manufacturer.

            When Jon calls that night, Luisa doesn’t want to hear about the challenges. He describes them anyway. She is at their apartment, holding the hem of her shirt between thumb and forefinger as Jon talks about trying to slot puzzle pieces into place with the weight of all that water pressing down on him. “It won’t feel like that in space,” he says. “None of this is anything like what it’ll be in space.”

            What he is saying, but isn’t saying: that he made it through. That it’s going to be him. “You’ll figure it out,” Luisa says. “They’ll put you through the normal training program, with everyone else.”

            “But they won’t.” He explains one of the puzzles, how he couldn’t figure it out. Which way to turn the pieces, the water’s weight, how he could hear his own breath percolating through the suit. He will be home tomorrow.

            Luisa smooths the shirt’s fabric. For so many days she has told herself the story of his going, and now she is unsure how to compose herself to this new reality. Perhaps it is not so different from the old reality, how things were before he left. “I’m sorry,” she says, first because she thinks she should and then because it is true. “I’m so sorry. You must feel—”

            “They’ll still want to do some interviews,” he says, “since I was a finalist.” He tells her to expect a call from one of the producers, they’ll want to interview her solo, and then together. A special episode rounding out the contestants’ lives.

            She wears the shirt to bed. Before lying down she opens the closet and each dresser drawer, thinks of how they would have looked half-emptied. Not bad.

 

            Jon’s loss is big news. It is the only news. Former astronauts appear on television to discuss the difficulty the winner, such an oddly-sized crew member, will present—how he won’t be able to share in the store of standard-sized suits the astronauts normally use. There’s an exhibit in that, Luisa thinks, and when she shares the thought with Robert he touches the back of her hand in what she now recognizes as his only available gesture of sympathy. It is a move, she suspects, that she will one day find illustrated in the dog-eared managerial handbook wedged amidst the knitting books shelved behind his desk. A page labeled “consensual non-sexual touch,” she thinks, sliding her hand back to her lap.

            She leaves work early to be home when Jon arrives with the producers. The cameras appear first, armed with questions: “How did you feel when you imagined your husband was going to be a hero of the space age? Did you always see Jon’s interest in space travel? What do you think he might have contributed, as the first Martian biologist? How do you feel, with him coming home?” There is a role to play here: the woman rescued, at the last moment, from grievous widowhood. Though she has just left the office the producer insists they return so she can be filmed typing at her desk, and standing before the wasteland of the future wing. The makeup woman, who between every shot runs forward to powder Luisa’s forehead, hands her a jacket they say Jon wore through most of his trials. “Hold it to your face,” the woman says. “Smell it.” For minutes Luisa presses her nose to the jacket as the cameraman gathers angles. It is glossy, it smells like detergent. They blot wet Q-tips around her eyes, “for the shot,” and when they drive back to the apartment and Jon is waiting for her Luisa is surprised to find herself crying, really crying. Her face blotching but the producer happy.

            “I guess I should apologize,” is the first thing Jon says, brushing her ear so the mics can’t pick it up, and she doesn’t know how to answer—how to explain that even she isn’t sure why the tears.

            “I was ready to donate all your things,” she says, but this isn’t right. There is no way to reach the place she wants to go—to imprint her story on him in the way he has her. For the rest of her life, she thinks, she will be only the wife of the man who nearly went to Mars; for the rest of his life he will remain himself, Jon Gonders.

            The crew follows them inside, to see them side by side on the sofa, hands clutched. Leaning into each other and sharing a beer, Jon’s first in months. After they leave, Luisa is unsure how to behave or even where to look. To speak to Jon’s face feels unnatural after so many weeks with the phone pressed to her ear. “Are they going to air it?” she asks. “All our conversations?”

            “Maybe,” says Jon, and then, “Yes.”

            He pats the sofa, as if trying to remember it. The top button of his shirt is still undone from when they unclipped his microphone. Luisa cannot feel her face beneath the layers of powder.

            “I can sleep out here tonight,” he says.

            “Robert will probably want you to come out for the exhibit. You’ll be such a big draw. It’ll be a real boost for the museum.”

            By eight they are both feigning exhaustion. Nothing more to say. Luisa starts to collect the extra blankets and pillows for him, but of course he knows where these are, it’s his home as well, and finally she retreats herself to the bedroom where she can listen, from this safe distance, as he readies himself for sleep.

 

            The launch is confirmed for early June, only six weeks away. The new wing won’t be complete, but Robert decides they can still open the exhibit to coincide with the launch: they will use temporary cases, it will be a final fundraising push. Astronaut Academy airs updates on the winner’s training, and updates on the losers, and because of this—because of all their conversations packaged for public consumption—Luisa feels no guilt at driving boxes of Jon’s clothes and video games and books to the museum. “On temporary loan” is how the pieces will be labeled, but they could stay forever, that is her thinking. She and Jon move around the apartment like wrong-sided magnets, always bumping away from each other, and there must be an action to perform or a decision to make but there is so much work at the museum—and Jon has so much to do as well, figuring out his next step in life, calling his former employer, submitting dozens of job applications, managing interview requests about the show.

            Luisa outsources most of the launch planning to her assistant, billing it as “a great development opportunity.” This a piece of trickery she recalls from her own early days at the museum, when for eight hours a day she sat before the door of Robert’s predecessor and would seize on any non- administrative task offered. The girl reports her progress daily, telling Luisa all about the loaned screens on which they will stream the launch (“life- size,” supposedly) and the plastic champagne flutes with clots of starred black galaxy trailing down their stems. “It sounds amazing,” Luisa says, and “You’re doing great work.” Increasingly she finds that she wants only to rest her face on the desk and remain there, prone, until all these responsibilities have passed her by. She thinks all the things she cannot yet muster the strength to say: I don’t care about wool, and I’m tired of this exhibit, and I want a divorce.

            With two weeks to go, in late May, the apartment’s air conditioning breaks. It is already broaching a hundred degrees, and watching Jon prod at the unit like he’s equipped to repair it, Luisa has this moment—just a moment—when she thinks of the alternate version of his life. How close he came to being someone with a bolded name buried in a history book, the first man to raise potatoes and crickets on Martian soil. “I can figure it out,” he insists, and for days Luisa swelters in her space-capable merino shirt before he admits defeat and calls the landlord. How is it possible, she wonders, that this man was nearly declared humanity’s future, and all because he can sit quietly in a room by himself. She can do this as well as him and all their days feel like they are trying to prove this to each other, their ken for silence, the minutes and hours dragging uncomfortably behind them until they arrive at launch day, when they stitch themselves into their black tie wear and make the apposite remarks on how nice they look.

            Her recent involvement has been so slight that Luisa is able to feel something like awe, seeing the exhibit. All the construction equipment is gone, and the watered ground has a Martian tendency, dirt tinted red by the temporary lights staked around the site. Blue-lit Lucite boxes hold ribbed gloves and boots and helmets, just one item per box both to stretch the collection and, she thinks, to give more room for reflection. “This is what we’ve made.” One broad rectangular box holds twenty Merino shirts, all facing forward above a drawing of the rocket’s path to Mars. Waiters in white jumpsuits circulate with glasses of wine, and despite the evening swelter and the crowd, all their questions and babble, Luisa admits that her assistant has done a good job. More than a good job, she has done a better job than Luisa would have. She couldn’t picture any of this, and now here it all is, the launch screen positioned so it’s framed by the museum’s white columns just across the street, so that at no point in the evening can their guests forget where they are, who made this night possible. She holds a glass of wine, Jon has vanished into a cluster of potential donors, the wool manufacturer is at her elbow wanting to discuss the gift shop partnership. A collective gasp, hundreds of breaths as one, when the screen flickers on to the launchpad, its trembling rocket.

            Robert finds Luisa before she can think herself invisible: already, he has a fifty thousand-dollar check folded in his pocket. “And more where that came from!” he exclaims, toasting her. She recalls her first days at the museum, when Robert was a Special Projects Manager and would walk her through his exhibits, hand brushing her lower back, guiding her.

            “That’s amazing,” she says, and reminds him that it was her assistant who did all this work. A glimpse of Jon, encircled and enthralled, it looks, by his own story. Everyone is gathering, as if by instinct, before the screen, and then the audio comes on—there is a moment of silence and then the sound of all that future, thrudding beneath their feet. “Excuse me, excuse me,” Luisa whispers to people who are not listening, overcome by the need to not be in this crowd, to not be among them in the moment.

            On the street, the sound falls away. No one is out, everyone is watching the launch; no cars or buses pass. Luisa finds herself on the wrong side of the screen, but gazing at it she can find the outlines of the ship and imagine its trajectory. The faint tap of heels to her left, at the other end of the screen: Jon. For a minute they look at each other, she looks at him and marks all his features she must by now know: ears, nose, mouth. They are beginning the countdown. Ten, nine, eight… She turns away to face the screen. It is beginning, now.

 

*This story originally appeared in The Florida Review 46.2.

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Accidental Selfie in the Photo of a Window Quote

West Hollywood, 2019

Who should I look to be when AIDS took a generation of leaders & artists & mentors & thinkers & lovers from me…

 

But the photo is a ghost: reflected boy who takes the picture, boy becoming thread. Boy sick again, undiagnosed, to whom these words will ring divine. Paint to pane, this sigil for departed, lives held in the glare against this glass. The photo is a ghost: boy not a boy but body double with rejection. Somehow, living then; a wasting king left wanting for long curls and smoother cheeks. The blue dress that will save boy still years off. Boy then is short hair and a loose black tee, scruffed face behind the camera. Above, branches off the sidewalk trees part and drop down midday light. Sun-skinned here, boy gospels with a generation. And that night, perched upon a tub’s ledge soaking feet and tonguing cankers, legions call again. Will wash boy’s wounds with sweetened salves, will offer up salvation through new life. Today that boy is gone but isn’t to be mourned. The sun still knows this spirit, how bright to light her walk below the trees.

 

*This poem appears in The Florida Review 46.2, Winter 2022.

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Christmas Eve

A small tree leans against a wall. The windows, frozen over

lakes. There is no sky. Day and night.

 

Somewhere, grief is a place

no one is dying from. Heavy organ music. A cathedral, hymning the half-dark.

 

If you know anything, it is that a child dies at least once

in childhood.

 

You remember snow. Its quiet. How no one came.

 

How time can make small that which is no longer small.

 

Still. Imagine it is just another night. A cocktail and a cigarette in hand. A friend

saying, take care, before putting on a coat and getting in a cab. The snow, flitting

under streetlights. The moon laid across the lake by the park.

 

Imagine a life that you wanted to be yours. How you asked

to deserve it. Blue oars. A boat on a lake clear as harm.

 

Imagine some forever no one has named

heaven. Where loneliness is a mask

one is forgiven when it is taken off.

 

The last thing said or not said. Its sudden importance.

 

And all is blue. Day and night.

And all is blue. Day and night.

 

 

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Passengers

The day I met Bryce I could’ve given everything to him, let him take me over completely.

            Kentucky greenery flashed in my windows, a tint of blue as I cruised the Western Kentucky Parkway, a four-hour slot. I was in between: school and another life, the small town where I had spent four years getting a degree and whatever Louisville promised. A cousin named Debbie had moved to Louisville a few years ago, guaranteed me a couch while I found a job and saved money to find my own place. The Saturday night of graduation weekend, a friend, Andrea, had a going-away slash end-of-semester house party. I was leaving for Louisville the next morning. We’ll miss you, but at least you’re getting the fuck out of here. I usually avoid these parties, but Andrea said, You have to come. It’s your party. When I arrived I barely knew anyone. The vacancy deadline on my financial aid housing had passed. Crash on the couch, she offered. By the end of the night three people layered on top of each other, passed out from cheap vodka. I took a good look at myself, where I was: my life here had long been over. I revved my sixteen-year-old Corolla and left, then saw how late it was, thought about how much I had to drink. I couldn’t afford the cheapest of motels, so the highway rest stop was the best option.

            My neck had wrenched from sleeping in the backseat the previous night, curled in a spine-mangled ball on the lumpy, upholstery-shredded cushioning. I was hungover, too. When I got on the road, I didn’t make it far before I realized I needed gas and food, so I took the next exit, Calvert City. I pulled into the Love’s, bought a sandwich from the chain inside and ate slowly in a booth, savoring the food, which was all I expected to eat for most of the day.

            It was then that I saw him. Through the window, in the parking lot. He was by himself. He looked late twenties, wearing black shorts cut off at the knee, a sweaty t-shirt, a pack hoisted on his back like he planned on camping for days. The image of his body lithe against the morning sun. He was talking to a woman who shook her head, shooing him away, and he caught another woman. He walked backwards as she walked forward. He talked to her fast, but she didn’t acknowledge him until he gave up. He put his hands on his hips, his beautiful body, an ease in how he carried himself. I turned away to take another bite of the sandwich and when I looked back he was gone.

            When I finished I refilled my water bottle at the fountain–no need to pay for water—and splurged on some chips for later. I had just enough money for gas to Louisville. As I fueled the car, I watched the people coming and going from the travel store, families and truckers, and I wondered where they were headed. A mom yelled at a screaming child who, if I overheard correctly, had been refused some kind of candy. A group of truckers, do-ragged heads, some so scrawny their shirts flapped in the wind, others with large bellies, carrying on with one another.

            I exited the Love’s and, caught up in thought, where I was going, Debbie’s couch, I missed the turn for the highway and didn’t realize until I hit the point where the backroads heading into town started. I was waiting for the next offshoot road to roundabout, and then, in my side mirror, a figure in my periphery. I turned over my shoulder, and there he was, treading along the road as he lugged his pack, his frame so thin and the bag so monstrous.

            He noticed me driving and stuck out his arm, thumb upturned as he paced along. I hadn’t seen anyone hitch in years, dangerous I was always told, you never know who you’re picking up or who would give a ride. But those incidents were likely the exception, the chances low. And me, I was a wreck myself.

            I turned-about into a side road and headed toward his direction, pulled off the street, and hit the flashers to signal him. He clapped his hands together and jogged toward my car. He came into fuller view as he stood in front of the passenger door. His shirt hung loose, stains and rips at the shoulder and sides. I rolled down the window, and he peered in, his face striking, apple shaped, tanned with faded freckles at his nose, jaw thick, cheeks thin, eyes intense. He said, Hey, thanks man. He assessed, rolling his eyes over me as I said, Sure. No problem. I was struck with this pleasure. A man like him: beautiful. He said, Which way you going? I had to remember all over again, searching for the answer. Louisville, I said. Headed toward the Western Kentucky Parkway. He said, That’s perfect. He spoke with a drawl similar to the kind I grew up around. He was from the state, I could tell, or close to it. There was a time I was ashamed of my accent, tried to phase it out of my speech, but hearing it on him, it became endearing, made desirable a quality I once didn’t desire. He said, You going to let me in or what? I had forgotten this was required, opened his door.

            Where can I put this? he asked, motioning toward his bag. All I packed were three duffels of clothes and one box with personal items, so there was still room for his pack. I said, The back seat is fine if it’ll fit. I unlocked the back door, and he unloaded the clunky pack. He opened the passenger door, smiling as he said, It does. He slid into the front seat. He had ropey braids in his hair, twisted and ragged, his body emitting a sun-sweat smell. He likely hadn’t had a proper bath or shower in a number of days, and I breathed him in deeply, his natural scent powerful. So, where are you going? I asked. He drummed his knee up-down in my lower periphery. I sensed that thigh. He said, Meeting some friends of mine. A campsite at Red River Gorge. You ever been? I told him I hadn’t. Well you should, he said. I don’t get outdoors too much, I said. That knee drumming. Sounds like you need to get out, he said. We go rock climbing. The thought of climbing a mountain, so far from anything I would ever consider. He pulled his leg up, propping it against the dash, in my side eye-line. I looked, the inside of his leg, hair speckling the meaty flesh something gorgeous. But I took care to not look too long, the right amount to catch a glimpse but not too much so it’s obvious you’re admiring, because if anyone noticed you would be caught, exposed.

            I’m Bryce, he said. He lent his hand to me, and I cupped it, warm palm. And you are? I had forgotten myself again. I told him my name. Thanks for stopping for me, he said. Just drop me off in Louisville and I can make it to the gorge from there. That feeling of pleasure in providing for him came back to me. No problem, I said. He said, So, are we gonna get going? I was so caught up in taking all of him in – his scent, voice, body, face, lips, throat, hands, his thighs and legs – I forgot this was the next step, actually driving us. I turned onto the road and veered to the ramp.

            Hey, you got anything to eat? he said. I remembered the chips. I said, Yeah, in the bag there. He ruffled into it and pulled them out, ripping the top and munching a handful. So I told you where I’m going, he said between crunches. What’s taking you to Louisville, mister? This title struck me as odd. I was clearly younger than he was by a few years, and it suggested respect, like I had authority, but I didn’t. I said, I’m meeting up with my cousin. He said, Oh yeah? Louisville’s nice, man. Real nice. Lots to do. You live there? He tilted the bag to slide crumbs into his mouth. I said, No, then realized that wasn’t true so I said, Well, sort of. I’m moving there. A lapping sound as he inserted each finger into his mouth to suck the chip dust. He said, Where you moving from? I told him. He said, You go to that university, don’t you? Yeah, I said. I just graduated. He turned to me, wagging his index. I thought so, he said. You look like the school type. I was flattered he had given thought to the kind of person I was, but what did that mean exactly? He said, I always wanted to do that, go to school and all. I couldn’t though, ya know? He continued pacing his leg up and down, and I continued to not glance at it, the skin leading to underneath his clothes. He said, But I had to take care of my grandma. She raised me, ya know. I nodded along. He was generous in what he was offering about himself, endearing me to him. He continued, Mom and Dad were no good dead beats. I don’t even know where they are now, if they’re alive or not, and I don’t give a shit. Passion in his voice but matter-of-fact. He said, My grandma, she got that cancer. I said, I’m sorry to hear. He shrugged. It is what it is, he said. I took care of her best I could. This story made me feel bad for him. I wanted to say, I’m so sorry, but a sorry wouldn’t change anything, so I said nothing.

            Does this go back any? he said, motioning to his seat. I told him how to adjust it, and he pushed back. He tried settling but had a difficult time sitting still. He fiddled with the radio, not pleased with the pre-sets so he scanned each station, listening intently, even the static, before deciding to move to the next. He gave up and closed his eyes, so I could give a quick glance to see his face again, supple and stubbled skin, some acne, red splotches making him even more attractive, imperfections, flaking sun burn, serene face. He sat upright and sighed. He didn’t seem to have noticed me looking, and I was relieved. He grabbed a pile of CDs from the side pocket, fanning them out. Got any Hendrix? I said I didn’t. Damn, I could go for some Hendrix right now, he said. He examined each disc, displeased with the selection, until he picked one at random and pushed it into the slot, a mix of bluegrass an ex-boyfriend made for me even though I didn’t care for bluegrass. Bryce said, This is nice. But he kept switching the tracks.

            I’m so fucking starving, he said. You got anything else? I’m sorry, I said. I was disappointing him again. Could we…, he said, hesitating. Could we stop somewhere? Like he was ashamed at the question, his hunger, the circumstances that lead to his state of hunger, which were still vague. I assumed he was a camper, meeting his friends like he said. But that hunger, his unwashed clothes, that story about his grandma and neglectful parents. Yeah, we can stop somewhere, I said. I left home when I was a teenager with no support from my own parents. I hadn’t seen or talked to them since. If it wasn’t for the scholarship to school, which a high school teacher clued me in on and helped me with, I could be like Bryce. I asked him, Where do you want to go? He considered for a moment. There had been signs for fast food at upcoming exits. You know what? he said. Did you see there’s a Cracker Barrel coming up?

            I tried to remember how far. We had passed Dawson Springs, and I figured it was about fifteen minutes out of the way. Also, he said, and he kept rubbing the back of his head because he didn’t want to say the next words. Could you lend me a few bucks for it? I considered my money. I thought Bryce might have picked from the assortment of drive thru chains, which would be cheaper. I forgot how much Cracker Barrel meals cost. No more than ten dollars, right? I could buy Bryce’s meal, and I didn’t need to eat. Next time I stopped for gas I wouldn’t fill the whole tank. There was Bryce waiting for my reply. Shaving off ten dollars would be okay. Don’t worry, I said. I can get it for you. The relief in his Thanks man gave me satisfaction.

            After turning onto the Pennyrile, I followed signs to Cracker Barrel. Bryce and I walked in, passing the row of rockers out front. I hadn’t been to one of these in years. When I grew up in Leitchfield the closest one was in Elizabethtown, and going there was a treat for birthdays and Easter and the rare Sunday when my dad would declare after church, How about we go to the Barrel? My mom usually cooked Sunday meals, and this was a gesture my dad offered so she could take that Sunday off. He said it with pride, giving his family a luxury, the whole trip treated as an extravagance.

            I gave them my name. The place was packed with a considerable wait, but that was the point if you wanted to peruse the store, which I was awed by as a kid, endless. Now as an adult, it seemed excessive. I stood with my arms folded, the lively crowd making me uncomfortable, children running, parents telling them to be careful. Bryce loved everything. In the time we waited for our table he riffled through all he could: clothes, movies, Fourth of July decorations, toys and games, stuffed animals, dishware, figurines, candy. He would hold something up. You want this? How about this? Look how cool this is.

            They finally called my name and seated us. I got the sense that other tables, locals, eyed us like a threat, wondering what we were doing in their town. I grew up with the type. They were probably suspicious of Bryce, rough looking. Bryce ended up ordering a classic breakfast. You’re not eating, he said to me when I ordered my coffee. I told him I just ate. You can have some of my biscuits, he said. He played that peg game while we waited for our food, and when it arrived he told me stories of his mountain climbing, animated with hand gestures. Once he got up from his seat to simulate what he described, and I didn’t care what onlookers thought. He claimed he almost died a few times. I like the rush, he said, scarfing hash browns soaked in egg yolk and ketchup. This was a treat for Bryce like it had once been a treat for me as a kid, maybe the most substantial meal he had in a few days.

            When we left, as I pulled out of the parking lot, Bryce said, Hey look what I got. He emptied his loot onto the floor. A snow globe, a cat stuffed animal, a mug, sacks of candy, a mini figurine, a small jar of jam, pouring out from under his shirt, pants, pockets, shoes. Holy shit, I said. How did you? I was amazed at how much he could fit on himself. When did you get all this? He opened the jar of jam, stuck his finger in and licked. It must’ve been when I was in the bathroom and he waited for me in the shop. I had only shoplifted once. As a teenager one of my only friends convinced me to take a cheap bracelet, the kind popular in the late 90’s made of puka shells, from the mall, a typical dumb teenage act, pretending at rebellion.

            You can’t just, I said. You can’t just do that. He tilted the snow globe and watched the glitter fall. Yes I can, he said. I just did. I considered telling him to take it all back, but what was done was done. He said, I wanted to get some souvenirs. He held up the stuffed animal. You want the cat? Or the globe? I don’t know, I said. Taking one of them would make me part of the crime. He said, Well I have to get you something for driving me, and for the food. How about the globe. I gave in and said that was okay. And I found I took pleasure in feeling complicit, a feeling I resisted but then settled into.

            As I followed signs to get back on the Western Kentucky, Bryce said, Wait, I gotta use the bathroom. He drummed his leg like he was waiting for something. I pulled into the nearest gas station, and before the car came to a full stop he flung out the door and hurried into the food mart, leaving me to wait. I shut off the car to save gas despite the heat. I thought more about Bryce’s shoplifting. He had been kind to me, non-threatening, but his unpredictability was unsettling. But then my next feeling: That was exciting. I didn’t think Bryce was dangerous, but a part of me, dark and deep, wanted him to be, and his stealing heightened this want.

            He had been taking a long time in the food mart. I wondered if he got distracted and was checking out the items in the store, and I thought that maybe he was shoplifting again. I debated whether I should check on him. I was already behind schedule for when Debbie expected me in Louisville, so I was partially annoyed with how long he was taking. Right when I was about to get out of the car, I saw him on the side of the building. How long had he been out here? He looked around, aimless like he didn’t know where he was. I approached him, and he walked toward me with big steps. His eyes different, glazed over like jewels, and as I got closer he squinted at me like I was a stranger. Hey, he said. It’s you. I knew you would come. I said, Yeah, it is me. He tugged my arm, and I was surprised at this sudden touch, and he pulled me into him, wrapping himself around me in a hug, his scent permeating into me. I considered what others around us thought, some truckers to our left, and decided I wouldn’t let that bother me. I lead him to the car, and he nestled into the passenger seat.

            When I got back on the expressway, Bryce fidgeted in his seat. His leg thumps were bigger, and now he alternated between both legs. He held his arms, generating friction as he rubbed them, but the car wasn’t cold. He had been somewhat erratic before, but there was a change in him now. I wondered what he did in that bathroom. Are you okay? I asked. He said, I thought you would never ask. I’m fucking great, man. Can’t you drive faster? I was going almost ten above the speed limit, cautious about getting pulled over. I told him this. He said, No one’s gonna pull us over. Come on. I bet you can’t go twenty over. He was testing me. Ordinarily I would brush this off as immature, but I came back to that feeling, complicit with him. I pressed my foot against the acceleration, watched the speedometer climb. Bryce delighted, laughing, clapped his hands. I was fifteen above now, at eighty-five. Bryce draped himself over me, checking to see how fast I was going, his shoulder and upper body across me. Come on, he commanded. He grabbed my shoulder, his clench rippling into my whole frame. I said twenty over. You’re not there yet. I bet you’ve never gone twenty over in your life. It was true I hadn’t. My older car couldn’t handle it, and I avoided getting a ticket because of their cost. Bryce’s hand clawed around me was my safety. We were speeding together. I went even faster, past twenty, twenty-five, the engine revving, thirty, riding the rhythms of speed and the road with him, a rush. We kept climbing. Momentum and force, his hand guiding me. He bobbed up and down, like a child thrilled at the prospect of ice cream or new toy. Fuck yeah, Bryce shouted.

            I came to my senses. I imagined how it would play out if we got pulled over, what Bryce would do if confronted by an officer, if he would be combative or if the cop would be able to tell that Bryce was fucked up and associate me with him. And I had already given Bryce a thrill. I slowed down. What are you doing? Bryce said. Slowing down, I said. He said, Come on. We were just having some fun. I brought the car back to the speed limit. Bryce slouched in disappointment. You fucking fucker, he said, looking at me like I betrayed him. I can’t believe you, he said. Then he shoved me hard, which made me swerve the car. I held my breath, scared, then gained control. If there had been a car in the other lane I would’ve rammed them. Hey, I said. Are you trying to get us killed? He laughed an uncontrollable laugh, hysterical, hunched over, and he kept going on like that, laughing. Then he sat back up. Hey, you’re going to listen to me, you hear, pointing his pointer. He reached in his pocket, and I saw it in the corner of my eye, glinting. He replaced his pointer with the point of a blade aimed at me. Hey, he said. I asked if you heard me. You hear me? I nodded my head. What was that? I want to hear you say it. He brought the knife closer, an inch away from my lower right abdomen. All of my breath felt lodged in my throat. Yes. I’ll do what you said, I stammered.

            He was satisfied with my response. Danger, I thought. This is dangerous, what I had asked for, but not like this. I didn’t think Bryce had a weapon, and I felt stupid, that I had gotten myself in this situation. But there he was next to me. I was still so attracted to him. He held my life in his hands at the end of a knife. Good, he said. That’s real good. I was relieved. I would go along with whatever he told me. Look, I said. I don’t want any trouble. I’ll do what you say. I’ll take you to wherever you need to go. Red River Gorge, right? I saw that we had passed the city of Graham, heading toward Central City. He said, What the fuck you talking about? I’m not going there. I said, But, didn’t you say you were going mountain climbing? He threw his head back and laughed that same laugh. Fuck no, he said. I got a load to sell back here, and he took the knife off me to motion to his pack in the back seat. Meeting up with some friends of mine, and we’re going to make fucking bank off it, he said. The drugs, whatever kind he had taken in the gas station bathroom. He put the knife back on me. Okay, I said. I’ll take you wherever you need to go. He brought the knife closer and said, Damn right you will. I wanted him to tell me where that was exactly, but I didn’t want to press him, afraid it might make him angry.

            You wanna come with me, don’t you, mister? he said, shifting, startling me. He gave me that title again, though I still wasn’t sure what it meant. He was holding me hostage, and this title insinuated I was in a role of authority. Or was it an affectionate term? What if I did go with him, wherever he was going? I could ditch Louisville and Debbie, the shit job I likely needed to take to get on my feet. This idea, leaving everything and following Bryce, lifted up and burrowed into my skin, heart, throat, shoulders, body, an alternate possibility. His knife on me was a thrill, my life his, for him and no one else. He said, I can tell you do. I can feel it. Come with me, he said. What do you say? That story about his parents and grandma. I could’ve been like him if things had gone differently. When I left home, my parents and family, if I hadn’t been able to go school, I might have been homeless, drifting like him. I was already on the brink of homelessness. That story about his grandma, what had endeared me to him initially, I realized now was probably a lie. He said, Are you going to answer me?, brandishing the knife closer. I don’t know, I said. My answer surprised me. It was closer to the truth. I didn’t know.

            What do you mean you don’t know? Bryce said. His eyes widened to bright bulbs. I had set him off, should have told him I would go regardless of my uncertainty. He said, You’ve looked down on me ever since you saw me, and that’s a goddamn fact. You rich bitch school boy. His assessment of me was wrong: I had no money, no job. At school I had sat in dark lecture halls, the slides in my art history courses clicking away, each instructor providing details, context, analysis. I took notes dutifully, memorized everything with mnemonic devices for the tests, retained them for the finals, and when the semester was over they emptied from my mind. This is what I did for four years, and now it was over.

            How much money you got? I was shaky, my hand wobbly on the steering wheel, as he pushed the end of the knife against my lower right abdomen, the thin fabric of my shirt the barrier between my flesh and the tip. I said, Only about twenty-five. He said, Bullshit, with a scoff. I wasn’t lying: that was all the money I had. Tell the goddamn truth, he said. The pinch of the blade against me. Would he really cut me? As I was driving? His face was slack and stern. My wallet, I said. You can look in my wallet. He said, All right then. I said, It’s in my back pocket. I need to reach in my back pocket. This suggested he needed to get the knife off me if I was going to use my free hand to reach around. His eyes narrowed, skeptical. Okay, he said. But you better not try anything. He slowly removed the knife, and I retrieved my wallet and handed it to him. He opened it and pulled out the twenty and five. He said, And this is it? Yes, I said. That’s all I have. This is bullshit, he said. This. He held up my debit card. He said, You fucking liar. There’s gotta be more on this. I had withdrawn all of my money, fearing that if I used my card I might accidentally overdraw. No, I said. My account is empty. He said, Give me a fucking break. Now you’re a goddamn liar. I want you to show me. I said, What do you mean? He thumped his leg up and down more, stuck the knife at me again. Are you questioning me? He was so serious, but then he broke out in laughter, that hysterical laughter from before, like he had been putting on an act, and was so surprised at himself it was funny. No, I said. I’m not questioning you. Like I said, there’s no money in my account. I withdrew all of it for this trip. He said, after composing himself, We’ll see about that. Next exit. Stop off.

            I thought about which exits were next. Caneyville, then Leitchfield, which is where I grew up. I hadn’t gone back since I left, five years before. This one? I said, as we were two miles from Caneyville. Bryce had taken the knife off me, I noticed, maybe when he was laughing, and that alleviated my fear. No, Bryce said. Are you kidding? Not some podunk place. We need a place with an ATM. We’ll stop at the next one. He was right. Caneyville was scarce in the way of options for gas and shops and restaurants. This meant driving into Leitchfield, which lodged a pit in my stomach, my fear all over again, but a different fear, the fear of my past. I told myself it would be fine. We would go to a gas station ATM. I would show Bryce the twenty-five cash was all I had. And then what? A vague idea of trying to escape entered my mind, but what would I do? I didn’t have any ideas. If I tried something and it failed, I worried how Bryce would react. But I was also scared of what he would do to me the longer this continued. He was telling some story about how he and some friends wanted to start a band, mimicking an air guitar, singing some song he wrote without a melody. Silences unsettled him. He always had to fill the emptiness with something.

            When we came to the Leitchfield exit, he put the knife on me again. Get off here, he said. I never thought I would take this exit. I took solace knowing we weren’t going into town itself, just the strip of the gas stations next to the highway. He directed me to some Chevron or Shell, and we didn’t see the lit-up letters advertising an ATM. He told me to go to the next one, and I was grateful when I saw this station had an ATM, that we wouldn’t need to go into town to find a bank. I pulled up to the front. Bryce leaned over me, the green-red hawk of his neck tattoo swooping, his skin so delicate. I still noticed him, that desire for him present underneath the fear. He had leaned to take my keys from the ignition, cutting off the engine, and he dropped them on the ground, fumbling, the drugs in his head, and after he picked the keys up, he said, Stay here. He got out of the car and looped around to my driver’s side, opened my door for me like it was a courtesy. I got out, and from behind he tugged me into him, my back against his front. I could feel his hips securing me to him, and into my ear he said, We’re going in here. I still have the knife on you if you try anything. Act normal. Got it? His breath hot on my neck, like he was touching me without touching. He was holding me at knife point to rob me, and I was aroused. You’re going to open your account and withdraw all of your money.

            In the shop I came to the ATM and pulled up my account. He told me to check the balance, and I showed him the zero on the screen. Goddamn. Fuck, he said. I didn’t know what came next. He forced me back to the car, shoving me into the driver’s seat. He sat back in the passengers, slamming the door. He punched the dash, huffing. Then he breathed deeply and settled, placing his face in his cupped hands. His body next to me, that desire again I couldn’t help. Then it came out of me, surprising myself so much I didn’t know if I really said it or not. But here I was, saying it. I said, I could… hesitating briefly. But then. I could still come with you, I said. He turned to me suspiciously. What do you mean? Like he had forgotten when he asked me to come along with him. We still have the twenty-five, I said. We can still go wherever you’re going. I can still come with you, I said. My life was nothing, I had nothing holding me back. Following Bryce wherever he was going. I wanted someone to take me anywhere else from where I had been headed, and here he was.

            He squinted at me, examining me, and I felt exposed. You, he said, the knife waving at me, accusatory. I’ve seen you. The air conditioning was on full blast, blowing onto our bodies, and my face went hot. What? I said. What do you mean? Barely choking out the words. I’ve seen you, he said again. I’ve seen you looking at me. Watching me, he said. He un-squinted his eyes, opening them. I was caught, always my fear, looking at a man and desiring him, a man I shouldn’t. It was happening here with Bryce. My whole body was hot now, weak, heart pumping into my throat, not knowing how to respond. Yeah, I finally said. What else could I say?

            You’re like, Bryce said. You’re like, into me. He said this like he was trying it on, seeing how it felt, having to come to the realization by saying it aloud. He kept eyeing me, yet he seemed softened and still, his tear drop tattoo at the corner of his eye. Suddenly he put his arm around me, startling me at first, and he brought me into him closer, gradually like slow motion until our faces were so close I could feel his breath. He turned, exposing his neck, and what came naturally to me was to kiss, that neck. I placed my lips, seeing how he would react. He shuddered. He hadn’t been touched in a very long time. Then he settled, and I kissed more, his neck, the skin. He tasted briny and sweet, and he sighed with a quiet moan. I touched his stomach, emaciated, my hand riding his breaths. I stopped, pulled back to see what he was feeling, what he would do. I wanted his body, on me and in me.

            No, he said, changing his tone. No. Get the fuck off me. He switched from relaxed and calm at my touch to anger within a second. He gazed at the ground like he was confused. Get the fuck off me, he said again, even though I wasn’t touching him anymore. You, he said, pointing the knife. Don’t touch me. I can’t be touched. He slammed my face into the steering wheel, the horn going off, my nose bashed. I grabbed it in pain, my forehead aching. I had to comprehend what happened, couldn’t think. He punched me in the gut, winded me so I had a hard time breathing. Get out, he said. Get away from me. He opened my door and shoved me out. I was so disoriented. My body slumped to the ground of the parking lot. He walked around to my door, and he kicked me in the stomach. Get away, he shouted. Then he kicked my head. An echo in my ears, like the sensation of laying back into bathtub water. I heard a voice above us, an outsider. He was saying something like, That’s enough. Leave him alone. I could barely hear. Bryce said something, I couldn’t make out what it was. The other voice, louder, said something else, barking commands. I stood, hobbling. A ringing in my ears.

            I turned to my right, the car door opened. Where was Bryce? Sound came back, gradually, then I could hear fully again. I heard that same voice. Hey, are you okay? My head had been spinning and it stopped, and I could focus. Next to me was an older man, baggy jeans, thick set and stocky, an American flag t-shirt, gray beard on a rounded face. Looked like he clocked you pretty hard, he said. Why don’t you sit? He led me to the driver’s seat. I hunched over with my feet out the side. Here, he said. A water bottle appeared, and I drank. What? What happened? I asked. Where is he? This man, looking at me with worry and pity. Don’t know, he said. I pulled him off you. He was about to beat you more, so I pulled him off, told him to cool it, leave you alone. He yelled at me. Nonsense mostly. He was on some shit. You, he said. You fucked up, too? I shook my head. No, I’m not, I said. Okay, this man said, believing me. Anyway, I told him I would call the cops. Then he ran off. That way. This man was probably pointing in a direction, but I continued looking to the ground. My whole face hurt. Who was that guy? he asked me. Bryce, his body, his neck, skin, his smile when he talked, his leg bouncing. He was, I began. No one. He was no one. Okay, the man said. This man could’ve been my dad. My dad was here in town, only a few roads away. You want to call the cops? he asked. I pictured this scenario, and it would only add to how embarrassed I already felt. No, I said. I’ll be okay. All right then, the man said. If he comes back and gives you trouble. Or if you need anything, you let me know. I’m on a rest stop with some buddies, and we’re right over here. I said, Thanks, and sipped the water. I must’ve looked horrible. Take care now, he said, and he was gone.

            When I rested my head in my hands, my face felt enormous and swollen. I needed to clean up. I made my way into the store, tried not to streak any blood on the door handle, but some wiped off anyway. Onlookers waiting in the cash register line stared at me, some of them whispering to each other. I hurried to the restroom, luckily a private single I could lock. In the mirror, the image of my face, fissured, blood streaming out of my nose, which looked broken, my eye sockets lined with bruising. I hadn’t cried from physical pain since I was younger, but I was almost there at this point. I splashed water on my face carefully, because touching my face hurt badly, even worse when I tried to clean it with paper towels. My stomach felt like I needed to vomit, and I dry heaved. I went back to the car. I couldn’t find the keys, panicked that Bryce ran off with them, until I finally found them after searching for a good fifteen minutes, under the passenger’s. I sat back in the driver’s seat. I would call Debbie and tell her I was late. I would think of an excuse the rest of my way there. In my side view, sitting on the ground, the globe. I picked it up, upturned it, and through the hurt of my face I examined the snowy glitter falling down. Bryce. I had ignited something in him he was so scared of, that he saw in me. I half expected him to show back up, but no, he was gone. Drifting. And I was drifting, too, maybe not quite in the same way as he was, but drifting all the same. I would get on the road and drive to wherever I was headed next.

 

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On Sandy Beach

We drove the road to Sandy Beach every Saturday. First me and Grandma, and then me, Grandma, and Fetu, after he was introduced to the family and before he decided to leave it. In the morning, when the fog hung, we couldn’t tell what was land and what was ocean. If we could, we would have seen that the road was carved in sea cliffs that rose to the left and on the right fell straight down to the Pacific.

            My favorite part of the drive was when it was over, but Fetu loved the last turn. On early mornings we stopped at the lookout and watched the sunrise turn the night-black water purple and gold. Sometimes it didn’t look like water at all. It looked like a road we could run away on.

 

 

            In early summer, Grandma liked to make lei. She’d invite us over, and we came, laden with the bounty of our gardens. Though he was always welcome, my mother’s brother, Uncle Alema, rarely joined, excusing himself with his work at the police station. But that June he came, and with him he brought Fetu.

            As we parked in front of Grandma’s, I got Mom’s first attempt at an explanation.

            “Today we’re going to meet your cousin,” she said.

            I was five and not sure what she meant. “Who?” I asked.

            We stood in front of grandma’s locked wooden gate, nestled between two bay rums. Mom knocked, impatient.

            “Uncle Alema has a son,” she told me. “He’s been living with his mother.”

            I snatched a handful of the bay rum’s leaves just as Alema answered the gate.

            “Mom’s on the deck with her friends,” he said.

            The glossy leaves crushed in my fist as I followed Mom in.

            I had always disliked my uncle, even before what happened with Fetu. Dad left when I was two, and I wasn’t used to being around men. It didn’t help that everything that came out of Alema’s mouth was double-edged. I never wanted to be alone with him, and though I hadn’t told this to Mom, she knew it. She pulled me in front of her, and I dropped the bruised leaves. The air with their spicy scent as Alema shut the gate behind us.

            Grandma’s deck wasn’t actually a deck, but the converted roof of her garage. To get up there, we had to climb a wooden ladder. Worn by years of use, its wooden rungs were smooth. My hands and feet slid, rushed by Mom’s hands on my ankles.

            “My favorite girls!” Grandma said when we got to the top. She was already garlanded. “Give me a kiss.”

            We did, and Mom complimented Grandma’s mango tree, heavy with humpbacked Haydens that were just beginning to ripen. I dumped our bag of soaked flowers over the toweled table and smoothed the blossoms with my hands. Then, with Mom distracted, I escaped to my corner.

            At these lei parties, I sat at the edge of the deck. There, wedged between pots of orchids, I could avoid the questions of Grandma’s friends. But that night, a boy sat in my corner. He saw me just as I saw him.

            “I’m Fetu,” he said. He was seven years old then.

            He twisted the ribbed scythe of a mango leaf in his hands. At this gesture, I found my own nerves relax.

            “Can I sit with you?” I asked.

            He pushed the pot beside him so I could fit. A flock of parrots roosted in the tree above us. Our legs swung in time.

            “My mom says they’re escaped house pets,” I told him.

            “Do you think we would make it if we jumped?” Fetu asked.

            I looked down at the mondo grass below. “Definitely not,” I said.

            The air of early evening was steamy with summer. Half-lost in the neighbors’ trees, the sun’s compromised light made everything soft. Beads of sweat strung the skin above my upper lip. Fetu held up an immature, green mango.

            “Should I throw it?” he asked.

            “At what?”

            Just then, Alema walked out of the house, wiping his hands on his pants. Fetu pointed at my uncle, and I said no, but he was already cocking his arm back. The mango flew, spiraling through the air, imbalanced. It clocked Alema on the side of the head.

            “Fuck!”

            Alema reached up to where the mango had hit him. Behind us, the party quieted. I glanced back to see Grandma in a haku, Mom’s hand frozen mid-pour above Grandma’s wine glass. Alema’s gaze hardened when it landed on us.

            “Which one of you threw that?” he asked.

            “I did,” Fetu said.

            “Down here. Now.” Alema’s voice was clipped with anger.

            Fetu walked across the deck, and I stood to watch him. My heart pounded in time with the hollow sound of his feet on the ladder’s rungs. Mom stood beside me, and I leaned in to press my head against her bony hip.

            “What the fuck did you think you were doing?” Alema demanded. He picked the mango up and held it in his hand. “Are you an idiot?”

            Fetu didn’t answer. It was then, as he stood across from Alema, that I realized it. The long profile of their noses were shaped by the same hand. Alema tapped Fetu on the forehead with the mango. I flinched.

            “I said,” Alema tapped him again, harder, “are you an idiot?”

            “No,” Fetu said.

            I was surprised by the stability of his voice, that he was not crying as I would have. Then Alema slapped Fetu across the face with his empty hand.

            Mom gasped. “Alema!” she said.

            Alema looked up and dropped the mango. Mom was across the deck, down the ladder; she ran to them. Kneeling in front of Fetu, she held his face in her hands. A red handprint spread its five-petaled stamp on Fetu’s cheek. Behind me, someone whispered.

            Mom took Fetu into the house, and I retreated to sit next to Grandma. The gate slammed, and Alema’s truck roared outside. Grandma squeezed my hand.

            “Why don’t you start,” she said, and passed me a lei needle.

            The party thawed as everyone returned to what they’d been doing. One of Grandma’s friends strummed an ukulele. I threaded the needle like Mom had taught me, licking the tip of the string and passing it through the eye. Grabbing plumeria after plumeria, I repeatedly stabbed blossoms, thinking of the heavy sound of Alema’s hand on Fetu’s face. As the needle filled, I pushed the flowers down to hang loosely on the thread.

            By the time Mom and Fetu came back, everyone was singing again.

            Mom sat Fetu down beside me. The tips of his hair were wet, and his eyes were red. Mom sat across from us. I handed Fetu my half-strung lei.

            “Do you want to finish mine?” I asked. “I don’t like the color.”

            He took it. I grabbed another needle.

            “Here, I’ll show you,” I said.

            Mom watched as the two of us thread lei, sorted through the flowers for the best. We alternated colors. We tore petals. We pricked our fingers every now and then. Our blood mixed with the flowers’ sap. When we finished the lei, we hung them around each other’s necks.

            Later, after we’d left Fetu with Grandma, I thought of how scared Fetu must be, having been taken from his mom to live with a strange man.

            “I’m proud of you. You did good today,” Mom said.

            That was five years before the kiss.

 

 

            Sandy’s was the type of beach where necks got broken. Most dangerous were the shallows. There, where Fetu and I played, the sea floor inclined without a buffer between the break of the wave and hard-packed sand.

            Though there were dozens of safer beaches we could have gone to, Grandma couldn’t boogie board there, or stop by Costco after. She probably shouldn’t have taken us to Sandy’s, and she definitely shouldn’t have left us alone to bodysurf, but she did, and she wasn’t the only grandparent to do it.

            I stood on the shore. Goliath waves broke in front of me. I was eleven, and Fetu and I had been going to Sandy’s for six years. Feet from me, he played in the whitewater as a wave built behind him. I wanted to warn him, but didn’t, knowing he’d laugh. When the wave broke, he dove under it.

            Whitewash bubbled around my ankles. Sand covered my toes, chunky bits of coral, shell and bone that had been smoothed in the constant rhythm of the ocean. It sucked at my feet, pulling me in.

            Fetu’s head floated in the bubbles. “You’re wet.” He splashed me. “Come in.”

            He stood, water dripping from him, shining as I wished I could. Every drop of water glistened, catching the sun. It wasn’t just the water I was scared of. Sometimes I was also scared of him. He was fast, forever springing into motion, and with him I often found myself on edge. It’s not that I didn’t trust him, it’s that I was scared of most things then. And part of me was unsure about how I felt, about the weird pull I got in my gut when I thought about him.

            The next wave’s foam swirled around my knees. My fair skin burned in the sun. I longed for the relief of water surrounding me, suspending every hair on my body, but could not dive into the ocean like Fetu. I turned to run up the sand berms, to where Grandma had set up our umbrella, but before I could, Fetu was on me. He tackled me into the sand.

            When we fell, it was harder than I expected.

            At the edge of the shorebreak, we wrestled. Waves shot water up our suits, in our ears and eyes, splaying my hair around my head. Fetu laughed. Out of the ocean, his brown hair was spiky. His lashes were blond-tipped. He pinned me down, rubbing sand into my suit and face, a handful into my hair. At first, I laughed too, but soon the sand became rough. Its grains dug into my scalp, grew hard against my skin. They slipped in my mouth and when I bit down, the grains crunched. I elbowed him, and then suddenly, he was pulled off.

            A lifeguard stood over us, face shaded by a red cap.

            “You okay?” he asked.

            Instead of answering, I glanced at Fetu, who sat five feet from me, behind the lifeguard. His hand clenched around a fistful of sand. A strand of my blonde hair curled between his fingers.

            Grandma slipped up the beach, still in her fins. “I’m so sorry,” she apologized.

            The lifeguard ignored her, handing me a bottle of water. “Rinse your mouth,” he said.

            I took a sip and swished. Fetu leaned forward onto his knees as he watched me, brows pinching with nerves. The freshwater was sweet in my mouth. Spitting, I found no blood or teeth, only saliva and broken fragments of sand. The next wave whisked what I’d spit back to the depths.

            “I’m okay,” I said, and Fetu let out a long breath.

            “You shouldn’t leave them unsupervised,” the lifeguard said to Grandma. “The beach is busy, and I don’t see everything.”

            She was quiet, and he sighed.

            “Take care of yourself,” he told me. Then he walked back down the beach to his tower, raising his radio to say something I couldn’t hear as Fetu crawled across the sand to sit back next to me.

            “What were you thinking?” Grandma asked Fetu.

            He took my hand without saying anything.

            “You know what,” Grandma said. “I don’t want to know. We’re leaving.”

            Fetu and I held hands as she corralled us over the hot sand, only dropping them to help Grandma pick up the towels. It was earlier than we usually left, but we both knew not to argue. We both knew that with Grandma, like Alema, it was best not to say anything.

            Barefoot, we tip-toed across the pokie-filled grass to the beach park showers which even then were rusted and covered in algae. Smooth bars of soap and crusted shampoo bottles were shoved between pipes, left by the unhoused and beach regulars. Grandma squeezed a bit on each of our heads before disappearing into the bathroom.

            “I’m sorry about tackling you,” Fetu said.

            I massaged the shampoo. It was quiet besides the sound of suds popping.

            “It’s okay,” I said.

            Fetu took a handful of bubbles from my head and patted it to his face, shaping a beard.

            “Let’s play a game,” he said.

            I looked to see if Grandma was still in the bathroom.

            “What kind of game?” I asked.

            “Tag,” he said, and reached for me.

            Under my feet, the cement was mossy and slick. I stepped back, and fell before he could touch me. The ground was hard against my bottom. The sting of hurt and shampoo mixed. I began to cry.

            “I’m sorry.” Fetu was on his knees.

            He wiped the suds from my forehead. If Grandma saw me crying again, she would tell Alema, and we both know what that would mean for Fetu. I let Fetu wash the moss from my elbows and back. He rubbed gently, until I was no longer slimy. Something inside me warmed. I looked up at him.

            “It hurts,” I said.

            Fetu helped me up and we looked at my elbows. There were no scratches or blood, but a warm flesh had crept to the surface.

            “It’s going to bruise,” Fetu told me.

            Over our heads, kites flew, dotting the sky in green and red. My chest rose and fell in shallow breaths. Fetu poked my cheek and stuck out his tongue. I laughed. Just then, Grandma came out of the bathroom. Fetu ducked under the shower to wash the bubbles from his cheeks. At the car, we changed into clothes and from across the backseat, I watched as Fetu stripped off his suit. Outside the window, Grandma held up a towel, hiding us from the eyes of the people who passed. Fetu watched me back.

 

 

            At Costco, I helped Grandma shop. Fetu skated through the aisles, sneaking free samples and playing hide n’ seek with himself. Each item Grandma and I crossed off the grocery list was a little victory, and we barely noticed Fetu was gone until he met us at the exit. Leaving the cool of the warehouse, we unloaded the shopping cart into Grandma’s car, and when we were done, we got in.

            From Costco to Grandma’s was another half hour. I was hungry and tired from the sun. Fetu and I leaned against the locked car doors and faced each other. He pressed his feet against mine. Behind him, shower trees passed through the glass of the car window in a kaleidoscope of color. We spent the whole ride like that.

            Back at Grandma’s house, we helped bring the food in, the dogs following us as we did. Grandma made us turkey and cheese sandwiches while Fetu and I sat at the kitchen counter. I was more tired than hungry, and after half a sandwich, I was in pain, the overly toasted sourdough cutting the top of my mouth. I set the sandwich down and took a long sip of water.

            “Finish your food,” Grandma said.

            Fetu was already done and had left me alone at the counter as he played with Grandma’s shells, driving cones across the floor like cars. I forced bites down like pills, swallowing each with a gulp of water. When my plate was finally empty, Grandma took it.

            “It’s time for a nap,” she said.

            In the bedroom, we changed into pajamas as Grandma set up our mattress. She left, and I lay down, the fresh sheets crisp and cool beneath my sun-warmed skin. Fetu dozed beside me.

            Everything in that room was green. In fact, everything in the house was, from the forest of Grandma’ towels to the mint of her walls. Even the light, cracking the blinds, was filtered green through leaves. In all that green, I thought of growing. I thought of the tree outside, the grass, the garden. I thought of how Fetu had looked when I first met him, in the fading summer light. I fell into a shallow state of dreaming.

            I woke to the ceiling fan spinning. It felt like I had not slept at all. The mattress moved, rustling the sheets. When I turned, Fetu was so close I could see the sand in his scalp. Under his left eye, I noticed a triangle of freckles I’d never seen before.

            “Hey,” he whispered.

            His breath smelled of turkey. I began to sweat. Tendrils of breeze tugged at my leg hair. Outside, Grandma talked to the dogs as she fed them. Hard pellets rattled as she poured food into their metal bowls, a shot of water in each so it was soft enough to chew.

            My mouth was dry. My lips were chapped. Fetu kissed me, and I let him do it.

            His tongue explored me with a certainty I had not anticipated. He tasted sour. When he pulled away, I counted the spins of the fan, tried to make faces out of the cracks in the ceiling. I fell back to sleep with Fetu’s warm hand on my chest, but when I woke he was gone.

 

 

            A year later Amy entered our lives. She started off as a clerk at the police station where Alema worked, and then before we knew it, she had moved into Alema’s house. She brought with her a host of problems, most noticeably her dislike of me, Fetu, and my mom. But while Mom and I had it easy, had our own apartment we could escape to, Fetu was stuck there, in the house with her. I was too busy growing up then to realize how hard that was on him.

            Years passed and Fetu and I went to different schools. We made different friends. I took up volleyball. He became the starting quarterback. As we got older, I retreated into my shyness, and Fetu began practicing manhood the only way he knew how, mimicking his father’s anger and accumulating a string of girlfriends. Because of all this, I barely saw him.

            And then, Amy got pregnant. I was sixteen, Fetu seventeen then. We had stopped going to Sandy’s, and only saw each other on holidays, when my mom and I drove over the Pali to Kailua, where Alema, Amy, and Fetu lived. Their house was a single-story. Fetu slept in a room behind the kitchen. The few times I sat on his bed, it didn’t smell like him. It smelled of burnt pasta, dry chicken, the plastic of Lean Cuisine dinners Amy ate, post-pregnancy. He never complained about it.

            When Harrison was born, Amy said he’d sleep with her and Alema for the first few months, and after that he’d move to the back room with Fetu. I remember how Fetu looked when Amy said that, how he speared the turkey on his plate, how the hand in his lap clenched.

            I wasn’t there a few months after that conversation, when Fetu got arrested. It was just Amy and Harrison. But I’ve heard the story so many times that I can reconstruct it.

            It starts in the kitchen. Amy stands, reaching. She is trying to open the microwave oven. Her belly hangs over her skirt, a reminder of the body she had before Harrison. She’ll never have that body again.

            Alema is sleeping at a cot in the police station. Fetu is in his room, the door to the kitchen open. In the living room, Harrison cries. Amy leans against the counter and blows on her leftovers.

            “Go check on him,” she says.

            When Harrison sees Fetu, he stops crying. He smiles with his gums and kicks his chubby legs so hard he rocks the high chair. On the ground lies a bowl of spilt Cheerios.

            Amy stands in the doorway.

            “Pick them up,” she says.

            Fetu sweeps the Cheerios into a dustbin. He thinks he has them all and turns to empty them out. Amy stops him. She points at the corner of the room that has not been swept for months. There is a tangle of human hair, feathers, dust. There is a single Cheerio.

            “Sweep it up,” she says.

            He sweeps it up.

            In the kitchen he empties the dustbin into the trash. He puts the broom and bin away and opens the fridge. Grabbing peanut butter and jelly for a sandwich, he puts them on the counter. The fridge door is left open.

            “You’re letting the cold air out,” Amy says.

            “It wasn’t open long,” he says.

            She stomps over to the fridge and grabs the loaf of bread. “Look,” she says. “Let me show you how easy it is.” She closes the door and puts the bread on the counter, walks back to the fridge and opens it again. “See. Simple. You do it.”

            Fetu doesn’t move.

            “Do it,” she says.

            “I don’t want to,” he says.

            “Just fucking do it, Fetu.”

            She grabs his shirt. He tries to shrug her off, but her fingers are hooked into his armpit. So he pushes her. He throws her across the room. Hitting the counter, she falls to the floor.

            Fetu takes a step towards her, and she flinches. Her right wrist hangs from her arm like a bracelet should. It doesn’t look like part of her.

            “I’m sorry,” he says.

            She elbows him away with her good arm and stands, cradling her wrist.

            “I’m calling your father. I’m calling the cops,” she says.

            This is where we come in. This is when Fetu called my mother. She and I were sitting, taking a break from dancing to Frank Sinatra. We had just finished dinner and our sides were in stitches after spinning around the apartment.

            “Can you come get me?” he asked over speakerphone.

            I turned the music off. He was crying, his voice thick through the static.

            “I need your help,” he said.

            He tried to explain what had happened. It was a story Amy would retell and contradict.

            “I don’t know what to do,” he said.

            I grabbed the keys.

            “We’re coming,” Mom told him, and then we were driving to him.

            The cops were at the house when we got there. Their lights flashed down the quiet dead end. Fetu sat in one of the cop cars, and when he saw us, he raised his hands to the window. He was handcuffed and crying. Amy stood in front of the house, yelling at the police. Mom tried to talk to the officers, but they wouldn’t listen to her. They told her to get Alema to call. They told her to find Fetu’s mother. When the cops drove off, their sirens pierced through the rolled-up car windows, and we sat there and listened, long after they’d left.

 

 

            We were only there when Fetu got sacked because Mom had promised Fetu we’d go to his game. I was usually playing volleyball, so we rarely got the chance. The game had already started by the time we got there. The bleachers were full, but Grandma had saved us seat beside her in the third row. When she saw us looking for her, she stood and waved, a white hibiscus pinned behind her ear.

            By then, Fetu had been living with Grandma for a few months. Amy hadn’t pressed charges, but Alema had kicked Fetu out. From what Fetu told me, life with Grandma was boring but safe. In the mornings they blended smoothies, and Grandma took him to school. She did chores and saw friends until it was time for him to be picked up. Sometimes she’d watch from the parking lot while he played football. They’d go home for dinner, then take the dogs out. Each night ended in the living room, where Fetu did schoolwork and Grandma read.

            The only time Fetu said he was happy was when we picked him up to surf. Out on the water, he said he felt free. While Mom and I caught waves, he’d paddle out past the lineup to sit and look at the horizon. Sometimes he’d lie back and stare at the sky. I’d try to imagine what he was feeling, but I felt so far away from him then, like I was somewhere below the ocean while he floated in light.

            On the bleachers, Mom and I sat next to Grandma. Fetu stood on the sidelines, looking trapped.

            “How’s he playing?” Mom asked.

            “It’s been a hard game,” Grandma said. “His left tackle got hurt.”

            The opposing team’s offense was on third down. A whistle blew, and the quarterback handed the ball to runningback, who didn’t make the conversion. The ball was punted, and bodies sprinted, pivoted, cleats ripped chunks of grass.

            Fetu walked on the field, his offense following him. At the twenty yard line, he and ten other boys huddled. His hands fluttered as he called the play. They disbanded onto the line of scrimmage. A whistle blew again and the center snapped the ball. Fetu chucked it to a tight end.

            They were in the red zone when Fetu got hit. He was in the pocket, eyes on his wide receiver. He didn’t see the linebacker running around the right, but I did. I stood. I screamed, trying to warn him.

            He threw just as he was hit. The ball spun in the air, wobbly, like the mango all those years before.

            I ran down the steps and onto the field, pushing past security and coaches. Kneeling over Fetu, I pulled his helmet off, and found blood covering his forehead. He stirred. “You smell like dirt,” he said.

            Mom’s hand knelt beside me. “I know you’re trying to help, but you’ve got to give him space,” she said.

            She pulled me up and back, her fingers tight around my elbow as we stood beside Grandma. Trainers knelt in the spot I’d been, velcroing Fetu’s head into a brace. I felt my own throat constricting as they strapped him to a gurney, and we followed them over the field, and down the ramp to the training room.

            “What happened?” Fetu asked.

            One of the trainers got out a penlight to check Fetu’s eyes.

            “The ambulance is ready,” the trainer said.

            Fetu tried to sit up. “I don’t need an ambulance.” The plastic brace cut into his neck.

            “Don’t move.” I pushed myself in front of the trainer so Fetu could see me. “You’re bleeding.” My own voice rang in my ears as the training room lights washed the color from his face. I took his hand and squeezed, and he stopped struggling. When he was wheeled out to the ambulance, Grandma got in with him. Mom and I followed them in our Acura to the hospital. There, the emergency room doctor said Fetu was severely concussed.

            “According to the trainer’s notes, this is his third one this year,” she said. “He needs to take off the rest of the season.”

            “It’s my senior year,” he said.

            She clicked her pen. “You just suffered a traumatic brain injury, and if you keep playing, it could lead to permanent damage. You won’t be able to move, to speak. You might not even be able to think.”

            The waxy paper on the exam table crinkled. I started to cry. His jaw clenched.

            He didn’t speak again for the rest of the night. Not at the hospital, or the car ride home. Not as we helped him into the house or put him to bed. When he looked at me, it was like something had locked behind his eyes, like a room had shut on me. It was like the boy I’d grown up with wasn’t even there.

 

 

            Fetu spent the next week in bed. Mom was working night shifts as a waitress back then, so I was often alone in our apartment. When I didn’t have volleyball practice, I visited Fetu at Grandma’s. I thought I could distract him. I brought him gifts—pretty leaves I found on the hood of my car, candy from my school’s cafeteria, flowers I picked at lunch. We played cards. We attempted to watercolor. We baked, and on the nights Grandma left we snuck out, taking turns around the oleander-lined blocks.

            Sometimes Grandma had her friends over, and I’d stay with Fetu in the back room, listening to Grandma’s laughter through the wall. It was on one of those nights that Fetu told me about his mother. We sat in his room—me on a chair, him on the bed. The shoyu chicken Grandma had made was too hot for me, so I’d left it to cool on the dresser. Fetu ate, mouth open to let the heat out as he chewed. I whistled Blackbird to the shama thrush warbling out the window.

            “My mom used to sing that song,” Fetu said.

            “Do you ever talk to her?” I asked.

            He stopped eating. “When I was a kid, I burnt all the skin off my hands,” he said. “I was hungry, and my mom was in the bedroom with her boyfriend. I’d asked her for something to eat, but she told me to take care of it myself, so I went into the kitchen. She’d forgotten she’d left the stove on. It was one of those electric ones that you can’t tell is hot, and I put both my hands on the burner. My skin just melted.”

            He turned the steaming rice in his bowl with his fork. The bird chirped the notes I’d sung back.

            “She took me to the hospital, and at the hospital they called CPS. Before that, my dad didn’t know he had a son. She was only two months pregnant when they got divorced. Her boyfriend thought I was his,” Fetu said. He looked out the window and I looked with him, but we couldn’t see the bird. “After I burnt my hands, she told them about my dad so I wouldn’t go into the foster system. They called him and he didn’t believe it. He made them do a paternity test.”

            I stared at Fetu’s hands, noticing for the first time the scars between his fingers, remembering the leathery feel of his palms when we had walked through the beach park hand-in-hand. He began eating again. On the other side of the wall, in the living room, someone dropped a glass.

 

 

            That night I woke to moonlight stretching in rectangles across my bedroom wall. Mom was crying. When I walked into the kitchen, I found her sitting on the floor, our landline phone to her ear.

            “There must be some way to know where he’s gone,” she said.

            “What happened?” I asked. I was still sleep-dazed, everything a little round.

            “I have to go.” She stood. “Let me know if you find anything.” She hung up. “Honey, go back to bed.”

            I shook my head. “Tell me.”

            “Fetu’s gone.”

            “What do you mean?”

            “Grandma went to check on him, and he wasn’t in bed,” she said.

            “Did he leave a note?”

            She said no. I was wide awake then.

            “We have to go out,” I said. “We have to find him.”

            “Honey, it’s two in the morning.”

            I sat on a barstool. I picked up my phone, which I’d left on the kitchen counter, but there were no calls, no texts.

            “Where would he even go?” I asked her. I wanted to run out onto the street, to scream. “Why wouldn’t he tell me?”

            Mom came close. She hugged me, and I slid off the barstool and into her arms, letting her hold me up, just as she had when I was five and had fallen in the playground, skinning my knees.

            “I don’t understand,” I said.

            But a part of me must have, because I knew what Fetu had been trying to say in the last conversation we’d had. He wasn’t telling a story about his mom. He was telling a story about Alema. A story I should have known, but was too selfish to piece together. Because I had never felt the way he had. Because growing up my mom and I had days where we would not speak, days she grew frustrated with my timidness, days where I shut up like a clam after too much of her prodding. We still have days like that. But I know that she is mine and I am hers and there is no one in the world I love like her. There is no one in the world she loves like me. Fetu never had that.

            A week later we found out Fetu had run away to his mom. To Hilo, where she’d moved after Alema got custody. I’ve tried, many times, to picture what Fetu must have done, must have said, to convince his mom to let him come back. Unlike what happened with Amy, this story’s never been told to me.

            In the years since Fetu’s left, I’ve thought often of our kiss. Though it only happened once, I’ve wished, many times, that it happened again. I never told anyone about it. Sometimes I wonder if it happened at all, or if it was a dream I had, brought on by the heat of Grandma’s bedroom, by my own longing. When I’m alone I return to it, again and again.

 

 

            The beach at Sandy’s gets cold around 4 p.m. Then, with the sun blocked by Koko Head, the heat fades and the wind brings sandstorms. The naupaka, once green, turns gray. The waves break in black and white. Everything loses color.

            The last time I went to Sandy’s, I went alone. I was home from New York for the holidays. On my first night back, Mom asked me to come to a friend’s dinner party, but I was jetlagged. I wanted to relax, but when I tried I couldn’t. So I left the house. I planned to drive to Makapu`u, to look at the Mokuluas. Instead I stopped at Sandy’s.

            The parking lot was a box full of beer cans and sand. It was early evening, and the families had left, their broken boogie boards shoved into trash cans, their sandcastles crumbling in the breeze. In their place, young people sipped beer, smoked weed, laughed.

            Sitting on the curb, I ate my sushi, my bottom cold from the cement. The sand was lower than I’d ever seen, tides and storms having stolen the beach. The berms Fetu and I had wrestled on were gone.

            I didn’t see Grandma until she walked up. It was a Wednesday, so I didn’t expect her. If I’d checked the parking lot, I might have seen her car. I might have been able to avoid her. Instead I was forced to say hello, something neither of us wanted.

            Her hug smelled of sandalwood and sunscreen. She had a white hibiscus pinned in her hair, just like all those years before. I hadn’t spoken to her since I graduated from high school and moved to the East Coast.

            I told her about my apartment in Brooklyn, the freelance work I did. Grandma told me about the retirement community she’d moved into and the salsa classes she took. The conversation came to a pause too soon, and I found myself asking about Fetu.

            “Not since he left,” she said. “Well, he called once. Asked for his social security card. And his birth certificate. Said he wanted to go to college.”

            For a shining moment, I pictured Fetu at university, somewhere far away from Alema and Amy. He was walking across a green lawn, surrounded by people who loved him as I did.

            “I don’t think he made it,” Grandma said. “Last thing I heard he’d knocked up his girlfriend.”

            And with that, my dream was replaced with a small house in Hilo, with peeling walls and a screaming baby at the foot of the bed.

            “Do you have his number?” I asked.

            She shook her head.

            “His address?”

            “I sent a Christmas card, but they sent it back,” Grandma said.

            In front of us, waves pummeled the shore. Their crashing mixed with the laughter of the last beachgoers. It filled the space between us. When we said goodbye, it was without hugging. Grandma walked down the beach and climbed up to the parking lot, where I watched her dust off her feet with a towel before getting into her Prius.

            I left my food on the curb and walked to the water. Taking off my shirt, I let the foam tickle my feet. The next wave broke and I was running, up to my knees, to my hips, diving beneath. I skimmed the sandy bottom as the water massaged my back and ran through my hair, tugging at my bikini. I let it flatten me out. I let it crush me.

            When I got out, my hair was full of sand. I gathered my clothes and walked up the beach. It was even emptier than when I’d arrived—the lifeguard tower closed, just three cars left. Sitting back on the curb, I finished my sushi. Tradewinds dried my skin to goosebumps. Clouds hung on the horizon, the tops of them catching light. Through the rising fog, Moloka`i was barely visible.

            Above me, `Iwa birds flew in figure eights. I knew that beyond Moloka`i lay Maui and Lana`i. I knew that past them sat Kaho`olawe. I knew that somewhere, far to the East, miles of ocean away, was the Big Island. I couldn’t see it. I thought of Fetu in Hilo, and wondered if I would ever see him again. The swell died down. The ocean was black. I got up and when I did, I was the last person to leave Sandy Beach.

 

 

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