Lines

We’re smoking again when my mother calls. Clothed in the bare minimum on Dean’s balcony, we’ve got on just enough to look decent. Even at night, the stucco behind our backs is still hot from a full day of direct sun. The few stars that manage to penetrate the sky through the lights of the distant Vegas Strip shine faintly above us, but under the balcony lights Dean’s neighbors might see us, might be watching us right now through their blinds. And why wouldn’t they? We’re young and fit, with just enough muscle and just enough cushion in the right places that we’re sure anyone past their prime would stare at us, envious. But we’re not really thinking of his neighbors—our neighbors, he sometimes calls them, and when he does, I don’t correct him—when my mother calls again. We’re thinking about the lights bouncing off our freshly re-filled wine glasses, and how satisfying the post-orgasm breathlessness feels when exacerbated by the smoke we draw deep into our lungs.

 

On the phone, my mother sounds out of breath, too. “Can I come over?” She asks me this in Hungarian, our shared language that is as natural to me inside our house as seeing my father in his bathrobe on the couch, but in public, our mother tongue is like a neon orange raincoat: it keeps what my parents and I share with each other secret while also making the sounds that leave our mouths painfully visible.

 

“Come here? Why?” I respond in Hungarian.

 

“Your father just left to go drinking with his buddies, and I can’t stand to be left at home alone like this anymore,” she says, a plea, a demand, anything but a statement. “I have work in the morning. I’ll be gone by then.”

 

I sigh.

 

Dean’s words don’t falter when he tells me my mother can stay the night, but I can see the hesitation in his eyes. He’s only shook hands with my parents, never really spoken to them. We haven’t been together long, just a few months really, and it’s never felt like the right time to bring the four of us together, especially with my dad so often gone. Why should Dean have to host my mother just because I practically live here now? But he takes my chin in his hand and says, “It’s fine, I swear,” and pecks me on the lips. Then we scrub our stains off the couch before my mother sits on it and draw the curtains closed over the sliding glass door, so she won’t have to see the mound of cigarette butts on the plate out there.

 

My mother’s known I smoke for a few years, but she doesn’t like to see evidence of it. Rather, I don’t like for her to see the evidence, because it provokes her to search my face and tell me that my skin is aging from the nicotine, or that my teeth are yellowing, or that I’ll be infertile if I keep it up. She often emails me articles on the harmful effects of tobacco, but she crowds my inbox less frequently when I don’t leave my cigarettes lying around the house.

 

My mother calls once more on her way over, and I raise my voice trying to get her to listen to my directions, aware how harsh Hungarian can sound to an American ear at such a volume, while Dean straightens up around me. Eventually, my mother shows at Dean’s front door, which I have a key to that hasn’t made its way onto my keychain yet. Somehow that would make it all too real.

 

Sweat tracks my mother’s blond hairline. She sports a multicolored backpack that was once mine and has a bottle of ginger kombucha tucked into her arm. She kisses Dean on both of his cheeks like they’re familiar and must register shock on his face because she says, “No worry, my husband don’t know where I am.” Then she laughs. “I joke, he don’t care where I am.”

 

I don’t dare look to see what Dean makes of this. I wonder where my dad thinks my mother is, whether he has her on his mind at all right now. I suddenly realize how long it’s been since I worried about my parents like this, like how hearing an old song brings back memories you forgot you had. And like how hearing that old song makes you realize that the music you’ve listened to in the past few years is so different now, a stark contrast to your past tastes.

 

My mother sits on the futon while Dean and I settle on the carpet. We set our wine glasses on the scratched coffee table before us. Dean offers my mother wine, but she declines.

 

“When did you quit drinking?” I ask.

 

“When Dad start smoking,” she says. And there it is: she hasn’t even taken off her shoes yet and already she’s told me more than I wanted to know. I push her comment away like you do with the pain of a pulsing ankle after stumbling on the sidewalk. As a smoker myself, she might regard me an accomplice. It’s territory I’d rather steer clear of.

 

“Did you just come from the gym?” I ask, referencing the sweat.

 

She shakes her straight bangs across her forehead, curtains swaying in the wind. “I do Zumba on YouTube after he leave. Before I call you.”

 

Because my mother always speaks Hungarian with me, it’s a constant surprise to hear her English. Her accent is harsher than my father’s. She chops English syllables into angular squares, whereas my father’s English is more garbled. If he speaks too fast, he trips over liquid consonants. My mother never speaks fast in English, weighing each word as it tumbles out her thin lips. Once, when we were at a drive-thru a few years ago, the cashier told her she would have to learn English before she orders at their establishment. She told him, “English is my fifth language. How many language you know? You think you smart? Ask some order in Hungarian. Try.”

 

My mother rests her elbows on her knees and says, “The class I am taking at The Center, you know, our teacher say sweat clean emotions, chakras, and alcohol clog them, so I don’t drink while I finish this level of class. The kombucha,” she points to the glass bottle on the coffee table, “is okay.”

 

“What kind of class is this?” Dean asks, and I want to kiss him for entertaining my mother on a night she interrupted our plans. I already sense he’s sniffing down the wrong trail though.

 

My mother discovered The Center through a friend at the all-you-can-eat buffet where she works. The Center is actually more like an adobe-style house in a residential neighborhood in Spring Valley. The woman who runs it, a retired showgirl named Sherry, is about my mother’s age and lives there alone. I attended some of their by-donation sessions on meditation and positive thinking with my mother before I met Dean.

 

My mother dragged my father along to a group session once, too, after which he apparently complained about “the stench of those dirty hippies.” The fact that he hasn’t returned to The Center may not be the worst thing, because for the first time since we moved to the States my mother at least gets together with people who aren’t my father’s friends.

 

“We’re learning much, much things,” my mother says. “Right now, we learn palm reading.”

 

I glance at Dean, expecting to catch him rolling his eyes at this hippy-dippy stuff, because when I asked him what his horoscope was back when we met in Intro to Psych last semester, he scrunched up his shoulders and said, “Don’t know. Don’t care.” I later found out he’s a Taurus. Now the wine glass is to his mouth, his head tilted back, his eyebrows high on his face. Curious is preferable to haughty. I’ll take what I can get.

 

My mother retrieves a white textbook from her backpack and deposits it on the coffee table with a thud. The cover bears a hand drawn in black with a series of lines crossing the palms, like a messy intersection of freeways.

 

“You know basics,” my mother says to me. “Heart line, head line, life line.” She points to each corresponding black line on the book cover.

 

Dean puts his hand on my knee, like he might want to hold me back from dark forces. Beads of sweat form instantly between our skin.

 

“But do you know line of marriage?” my mother asks.

 

I shake my head, certain I can feel the wine sloshing around in my brain. I look to Dean, excited.

 

“I don’t know about any of this,” he says. Now he sounds more cautious than curious.

 

“Number of marriage lines is number of marriages,” my mother says. “But not only line is important, also how deep. It show how good.” My mother holds up her hand and points somewhere below the crook of her pinkie and ring fingers. She sits too far away for me to make out the lines. Or else the wine is blurring my vision. She reaches for Dean’s hand, and he leans closer. “See,” she points, “you will do one good marriage.”

 

I scoot in to see the deep, red line, no longer than a pin, and I’m amazed I never noticed it before. It’s so dark. I’m hesitant to look him in the eye, seeing as how we’ve never talked about marriage, and all this vaguely implies me, but when I look up, he’s wiggling his fingers at me like I’ve just proposed to him. I want to tell him he’s going to make a beautiful bride someday, but before I can, my mother grabs my hand.

 

She squints, then holds it out far before drawing it close again. “You don’t have.” She looks at me, practically disappointed, the corners of her mouth drooping.

 

“Thanks,” I say.

 

Dean pats my arm. “I’m sure that’s not true. May just take a while for it to come in,” he says, and I think he’s taking a jab at me about my age again. We’ve got six years between us. Dean had already lived a whole other life dealing cards at the MGM Grand before he decided to go back to school, where we met. My parents weren’t elated about the age difference until they rationalized that having an older man by my side might mean I’d become financially independent a lot sooner. They swear they’re not trying to push me out of the house, but the air is so still when they’re both home that it’s enough to keep me at Dean’s for weeks on end.

 

“You don’t believe in this anyway,” I say to Dean, suddenly protective. Of what, I don’t know.

 

He stares a hole into my cheek, then pours the remaining drops from the bottle into his glass and disappears into the kitchen with it.

 

“What about you?” I ask my mother.

 

She holds her palms against each other.

 

I scoot along the carpet and settle at her knees. “Come on.”

 

She shows me her right hand. Her line is much lighter than Dean’s and more frayed. It fans out at the edge of her hand into smaller, even less pronounced lines. She shows me her left to compare. It’s got two thick, pronounced lines.

 

“What does this mean? How come they don’t look the same?”

 

My mother flips to one of the yellow sticky notes that marks a passage in her book. “According to this,” she says in Hungarian, “the left hand shows the potential while the right hand shows what you’ve done with that potential.”

 

I sidestep the obvious remark, silently note my awe at how our relationships leave tracks on our bodies, wonder what it might mean for us that Dean hasn’t left a visible impression on me yet. Instead, I ask, “So, who’s the other line on your left?”

 

“Your father is the only man I’ve ever been with,” my mother says evenly, almost sternly, as if I’ve hinted at infidelity. If I had, it wasn’t intentional. I want to correct myself, tell her that I was insinuating the future, not the past, but I don’t want to dig myself any deeper than I already am.

 

My mother has often recounted the story of how she’d been one of few girls in town with a suitor from the city. My father would roll in on his shiny motorcycle and whisk her away to various tourist destinations around Hungary, and once, even to Italy. She says that his ride and his pilot’s jacket hooked her, but what got her to marry him was how much farther he could see than any other man she’d met. He was always looking for ways to get beyond the cards he’d been dealt, striking up conversations with the smartest looking men, always amiable and gracious, but always with the latent intent of finding the ticket to achieving more. Once the Iron Curtain fell, he stacked these connections like dominoes to come to America. It happened one day to the next apparently. He showed up unannounced at her parents’ house on his motorcycle and declared she had two days to pack if he wanted to join her in Los Angeles. It took them five years and a series of odd jobs before they settled in Las Vegas.

 

Dean turns off the lights in the kitchen and strolls out to the living room, hands empty of his wine glass. He grabs bedding and a towel from the linen closet and hands them to my mother. “Make yourself comfortable,” he says. “I’m headed to bed.”

 

I get up from the carpet, my ass sore. “We don’t have class tomorrow, so we’ll probably be sleeping when you get up.” We tell my mother good night and head into Dean’s bedroom.

 

I collapse on his bed atop the sheets and blankets carelessly strewn about. I check my phone for notifications from my dad but don’t find any. I can’t articulate why I’m surprised that my mother was right: he’s not looking for her.
Dean closes the door carefully, takes off his shirt, and lays down next to me. A plane flies overhead and rattles the walls, and once again I feel like we’re in a flimsy doll house. Dean positions my head on his chest. I know the move; I used it last week to get him to forgive me for staying out late with friends without answering any of his texts or calls. I’d told him I couldn’t feel it vibrate, but the truth is I just wanted something from my life before him that still felt entirely my own. I felt like I’d gained hours in which to be a formal self.

 

He strokes my hair. His fingers are soft, but every so often he gets tangled in a knot. By the third time, we’re laughing about it, little bursts of laughter that make us tremble.

 

I take his hand off my head and place it on the crease where my hip meets my waist. He moves down my back and caresses me in circles, like polishing a crystal ball. I give in to the motion, try to imagine what hazy future scene of my life he might be seeing on my crystal-ball-back. When a clear scene doesn’t come to my head, I lean onto my elbow and slide his basketball shorts down his thighs, take him in. He fills the anxious space inside me. What quivers, he makes still. When I rock on top of him, I picture for a moment that we share the organs where our bodies meet. What blood pumps through me pumps through him too.

 

When we are done, I notice that there is no light from the living room seeping through the crack under the door. Dean gets up and dresses. While he pulls his shirt over his head, I ponder dates. The last time my father picked up smoking, was it before, after, or during the time he commuted to Phoenix for his newest business venture, the next big thing that’d make us rich: screen printing T-shirts? And when was it, exactly, that my mother and I spent those weeks looking for an apartment for the two of us to move into? Dean’s hand is on the doorknob and he’s just asked me, I think, about whether I’m going to join him for a smoke when I say, “You know, I was a sophomore in high school when my mother tried moving me and her out of the house.”

 

Dean sits down on the edge of the bed, silent. I’m only aware of the weight being redistributed on the mattress, and the top of the brown hairs on his head, where I’m looking. “I mean, not really move us out. It felt serious when we’d drive around to different apartment complexes. She’d handed me a stack paper with stats about each apartment that she’d found online. We never went inside any of them. Never met with anyone to show us around. It was kind of as if she was in some—”

 

“—like a fantasy,” Dean says.

 

“Yeah,” I look into his green eyes finally. What I don’t want to admit, though, is how much I started to revel in the fantasy, too, and not only because living in an apartment just my mother and me would’ve meant not waking up to my parents’ yelling in the middle of the night anymore. There were other, juvenile reasons why I was excited. Like that many of the apartment complexes we were looking at were closer to my friends’ houses. Or that while driving around a neighborhood there’d be a boy on his skateboard who’d catch my eye, and I’d imagine climbing a ladder to his bedroom while my mother was working the graveyard shift.

 

“That was around the time I started smoking, actually.”

 

Dean looks at me in surprise. “I didn’t pick it up until I started dealing cards. It made being enveloped in cigarette smoke all day a lot more enjoyable. I actually forced myself to get addicted just to keep the job.”

 

I laugh at the ludicrousness of that. “I’d steal smokes from the packs my dad would hide in his jacket or in his car on the weekends he’d be home. I don’t think he knew about it, but it kind of felt good to have a secret with him too.”

 

“To even the scales,” Dean says.

 

“Something like that. I don’t know what got my mom to stay in the end. I doubt she ever told my dad about her plan to leave. If she left him today, I don’t even know if she would stay in America. But moving back to Hungary alone after being here so long, I have trouble picturing it.” I don’t, actually. I picture her in her hometown, taking care of her aging parents. I picture meeting her in ankle-deep snow for Christmas. I picture myself taking a junior year abroad in Budapest. It’s Dean that I have trouble picturing there with me.

 

Dean places his hand on my foot over the blanket. He’ll inch closer any minute and hold me without saying anything. What could he say anyway? I’d probably cut him off and just keep blabbering. And I don’t wanna blabber. I want a cigarette.

 

We tiptoe past the thick comforter on the futon. I lift the latch to unlock the sliding glass door slowly. Then we scoot it open just enough to fit our bodies through it sideways.

 

Outside, an empty bottle of kombucha rests beside the pack of cigarettes on the end table. I glance to my left, momentarily shocked to see someone sitting in the lawn chair beside the messy ashtray. My mother suddenly looks to me like a teenager at a music festival. By the light of the neighbor’s lamp, her hair looks orange. She rocks her head ever so slightly to a beat only she can hear. I have to remind myself that this is my mother so that I can see the woman sitting on the lawn chair as I’ve known her all my life. And I have to remind myself of her age so that I know how to speak to her and so that this unfamiliar feeling can leave me.

 

“You smoking, too?” I follow my words with a chuckle.

 

She chuckles along with me. “I never understand smoking,” she says. And with that, my mother has returned. I brace myself, ready to take whatever she’ll throw at me next while Dean and I light our cigarettes, feeling weightless from the initial hit of nicotine. I’m conscious of her looking at my face as I do.

 

“You can try it,” Dean says to her, his mouth slanted with a smirk. “Might help you get what it’s all about.”

 

“I try it in high school at the disco,” my mother says. “I holded it in my hand the whole time because when I put it to my mouth my eyes burning.”

 

“That happens,” I say, doing my best to sound natural, “but then you just close your eyes.”

 

She closes her eyes now, and I wonder if she’s misunderstood my English. Then, it almost looks as if she’s reaching for the smokes on the table beside her. Instead, she grabs the handle of the armchair and says, “Okay, I really sleep now,” and goes inside.

 

I cross the balcony to snag her chair. A white cigarette stands out against the blue canvas of the seat. I can’t know if she grabbed it from the pack or if it fell out before she sat down and she just never noticed it, but I sit down anyway, and take another drag to pacify myself.

 

“What did she come out here for, I wonder?” Dean says.

 

“I don’t know.” I stare at the overflowing ashtray beside me. Stacks of white and gray ash rest at its rim, flecks mark the cracking wood below it.

 

“I imagine she’s having a hard time shutting her brain off.”

 

“Maybe.” The ashtray smells more stale than smoky. Now that I’ve looked at it, I can’t un-smell it. “I’m surprised she didn’t say anything about us smoking.”

 

“Well, she must know that she can’t do anything about it. She can’t force you to quit.” He’s got his elbows up and behind him, resting on the handrail, so that he’s facing me.

 

“You don’t understand,” I say. “She never lets up. If she so much as catches a glimpse of my lighter, she’ll start going on about how she can see the skin around my eyes turning yellow or how my grandfather died of emphysema.”

 

“So why didn’t she say anything now? Because I’m here?”

 

“No, that’s not it,” I say.

 

“Then what is it?”

 

“That’s what I’m wondering.”

 

Between the blinds, I spot her feeling her way around the kitchen, looking for the light switch. I almost get up to help her, but then I see her find the handle of the fridge, open it up, and use the light of it to guide her way to the cupboard with the cups. Her movements are quick, almost careless, like she could be drunk. Like she’s finished off the rest of our wine in the time I haven’t been looking. Then I take a deep drag, let it fill my lungs to capacity, tilt my head back so my neck muscles are taut, and blow the smoke high above my head, waiting for the rumble of the next plane.

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Armadillo Island

Colt said that to make up for it he’d take me on a trip. I chose Savannah because I’d always loved the name; I remember sitting in AP U.S. History (“ey push,” as my American classmates called it) and learning about Sherman’s pyromaniacal March to the Sea. How he’d spared just one city, the one called Savannah.

 

In my mind Savannah was golden grasslands, arid heat, and hazy turquoise seas, some hybrid between National Geographic footage and biblical resort town. It was all wrong, of course—the fantasy of an immigrant teen stuck in gray northeastern suburbs. By now, because of work, I’d stayed in many a small-town Marriott in the southeast industrial belt, and my understanding of the South had taken on the dripping gloom of True Detective. Still, I’d never made it to Savannah, and held onto it as some kind of metaphor for exceptional salvation. Savannah, too beautiful to burn.

 

After landing and renting the car, we’d barely gotten on the highway when Colt said he was hungry. We stopped at a three-lane-wide Chick-Fil-A drive-thru. I saw Colt checking out the teenager handing over orders in the rearview mirror. We ate our Chick-Fil-A sandwiches in the parking lot of a nearby gas station, overlooking a Walmart.

 

“You want the rest of your Polynesian sauce?” Colt asked, mouth full. He’d torn off half his sandwich in one bite.

 

“I do,” I said.

 

He gave me a funny look. The sauce was red and sticky around the corners of his mouth. I counted to three—the clenches of his jaw. Then he was up, slamming the car door. “Taking a piss,” I heard through the glass. I threw my half-full packet of Polynesian sauce into the grease-soaked bag.

 

I stared out the windshield and counted the number of camouflage outfits. People wishing to be one with and undetected in nature, decked out in pixelated brown-green vests and baseball caps, sticking out like eyesores on the sun-baked concrete of the Walmart parking lot. Even an idling Domino’s pizza truck was sheathed in camo print.

I was once a tree in a middle school play, and all I remember from the performance was the gratitude I felt looking at the back of the glossy blond heads of the children who played lead roles. I wasn’t them. I wasn’t needed; I could slip offstage, and nothing would have changed.

 

Colt said he played Brick in a high school production of Cat on a Hot Tin Roof. “Wrong production. I’d have been a better Stanley Kowalski,” he said. He was right. Colt was tall, dense, always hungry, more Stanley than melancholy Brick. His appetites and moods changed quickly. Not an hour after we’d stopped for food, he was already chugging a plastic pouch of TastyBites from Costco. He clenched the pouch so it was tube-shaped in his fist, and when he squeezed, the brown beany mixtures shot up and the smell of chana masala permeated the car. “Indian gogurt,” he laughed. A dribble of it ran down his knuckles. “Funny, right?”

 

I squinted at the skinny pines that stood like hair from swampy waters by the highway. The swamp was covered with a thin sheen that, in the slanted light, reflected the swirling iridescence of petroleum.

 

“Yeah,” I said. “Funny.”

 

 

Colt and I lived in New York. We’d met at a recruiting event, when he was an associate and I was a college senior. He later confessed that he’d pulled strings so I’d be hired onto his team, which specialized in automotives, which meant endless business trips together to the South. We always flew into Atlanta, dabbed sweat off our foreheads as we pulled our suitcases across the rental car lot, checked into separate hotel rooms. We never flirted in front of our colleagues.

 

Those were the happy times. Now I was no longer at the firm, and travel was no longer business class on domestic airlines, secretly thrilling. I had a Van Cleef and Arpels ring, and Colt had been named VP and was “dealing with a lot of stress.” We spent a lot and drank a lot. After the first time it happened, Colt took me to Turks and Caicos. The second time, to Venice. And this time I said why not Savannah, why not the South, why not just go and see if it does us good. The South was special for us.

 

We checked into a victorian house a block off Forsyth Park, and Colt said he’d take me to a pre-dinner drink. “You’re so tense,” he said, his thumb digging into the hollow of the bone behind my ear. He liked to hold my face when we kissed, a forceful grip cradling the length of my jawline and the base of my skull. I once described this to my girlfriends as sexy, and they’d nodded uncertainly. Colt and I are happy, I’d said defensively, and showed them the ring.

 

The Savannah guesthouse was one Jackie O. once stayed in. I prided myself on being a good trip researcher, on making informed choices. “Colt, I read about this bar on the rooftop of the Perry Lane Hotel,” I said. “We could go there.”

 

“Where did you read about it?”

 

“Condé Nast Traveler.”

 

“Baby, speak English.”

 

I knew he was being funny again. His smile in the mirror was huge as he watched me tap the concealer along the bridge of my nose, around the edges of my mouth, and underneath my eyes, two taps underneath the right eye and five taps underneath the left eye, where the bruise was still fading, then smooth it over like a game of connect the dots, only it was my face I was outlining into existence.

 

 

From the rooftop bar, dusk was a splendid gradient of burnt orange to dark red, and I tried to notice the lights the way an old painting teacher told me to: the lit-up white of the church steeple, the neon lights spelling out SAVANNAH on the side of a windowless concrete building, the red blinks of cranes and oil refineries, the interior of a brightly lit Pottery Barn. I could take a picture and post it for our New York friends to see, caption it something arty. The trip had been last-minute; they didn’t know we were here. Impromptu, just us, a getaway from the stress that was getting to him, Colt had whispered the morning after that awful night.

 

I put my phone away. It had gotten chilly, night falling too suddenly over Savannah. It was as if someone had hit a switch and everything suddenly became banal, the string lights, the Latin jazz music from the rooftop speakers, the Corpse Reviver cocktails in our hands.

 

We ate at a restaurant with starched tablecloths that specialized in exotic meats. Colt ordered antelope steak. The antelopes were raised on a farm in Texas, we were told, so they wouldn’t be gamey, but more like lean red beef. This didn’t deter Colt—if there was antelope, Colt would get antelope. I imagined this farm, a flat grassland amidst oil rigs, the delicate horned creatures imported and bred for slaughter.

 

Colt had a habit of chatting up waiters about “the good stuff only locals know,” a line of questioning that, in our consulting days, usually yielded recommendations to roadside BBQ joints or seedy strip clubs. I used to smile politely while he did this, as the men around the table belched and grinned. It was on a business trip in St. Louis that Colt and I first got together. He’d stayed after our colleagues left to close out the round with his corporate Amex. As always, after I’d gotten drunk, I’d started crying. Colt had pulled me into his arms in the deserted lobby bar, whispered into my hair: “I know. I know you had to work harder than anybody else.”

 

I always thought back to that moment. The moment I kissed the man who’d given me my job, the man whose Murray Hill apartment I now lived in, the man who said he’d take care of me, of everything.

 

The waiter, having delivered Colt’s antelope and my scallops, answered Colt with no hesitation: “Go to Armadillo Island. You’ve gotta take the ferry from Euclid. It’s got all these abandoned mansions and wild horses.”

 

“Wild horses?” Colt perked up.

 

“Is it safe?” I asked.

 

“Oh yes, ma’am,” the waiter said. He was a tall, elderly man with a slight hunch. “Run by the National Park Service as a wildlife refuge. Pack in, pack out.”

 

“Let’s go tomorrow,” Colt said, turning to me.

 

“I already booked a tour of the Mercer house for tomorrow,” I said. “We can go Sunday.”

 

“You know yourself. If we wait there’ll be a reason not to go.” Colt pulled out his phone. “I’ll buy the ferry tickets online right now.”

 

“It really is worth it, sir.” The waiter said. “Would you like another glass of wine?” The old man turned abruptly toward me.

 

I massaged the patch of skin underneath my left eye. The vein there was throbbing. “What about the Mercer house?” I asked Colt.

 

The waiter averted his gaze. “She’ll have another.” Colt told him jovially.

 

I crossed my arms and said nothing. Colt ate his antelope. The new glass of wine sat there, untouched, until Colt snapped the leather bill-holder shut over a pair of crisp twenties. He was always big-hearted with waiters.

 

 

Euclid had only a smattering of kitschy seafood cafés that wouldn’t open until lunch, and there was nowhere to get coffee, not even a vending machine. My temples were hurting. We’d driven down the Georgia coast in the dark in order to make the morning ferry, and a boy in a park ranger outfit greeted us outside the NPS visitor center. “The ferry will be leaving from the dock in half an hour.” He addressed Colt but was obviously trying not to stare at me. He really looked so young, like a boy scout. “Make sure not to miss it, there’s only one.”

 

“Got it,” Colt said. “And there’s no food on the island?”

 

“No food for retail, sir.” The boy scout blinked. “It’s pack-in, pack-out.”

 

“We’ve got sandwiches,” I said. We’d stopped by a Kroger the previous night for Boar’s Head gouda and deli meat and some Hawaiian rolls. Colt didn’t like sweet bread, but the store was closing and so that’s what I picked up while he waited in the car.

 

“Good,” the boy scout said, still not looking at my face. “And remember, don’t feed the wild horses. Best to keep a distance.”

 

“Sure,” Colt said. He squinted at the marshes. There was a thick cloud layer hanging low over the water, giving the morning a gray glare. “Weather gonna clear up?”

 

“It’s coastal weather, sir. Could shift easily.”

 

There was an old couple on the ferry and no other passengers. The captain was a man with dirty blond strands and a plaid shirt. It wasn’t a pretty ride. The mouth of the river split open into marshes and industrial refineries clotted over the horizon. Colt started talking loudly about the time he took the Provincetown Ferry and it hit and killed a great white shark. I’d heard the story before. I think he wanted to impress the captain, but the captain only stared ahead dead-eyed. The woman in the old couple was studying Colt with pursed lips, but when I made eye contact, she looked down.

 

I took out my phone and tapped the camera icon so it became a mirror. Then I saw. Colt looked away as I discreetly reapplied the foundation that must’ve rubbed off when I was dozing in the car. He hadn’t made any comments. Of course, he couldn’t bring himself to. Ironically, he’d always been the kind of man who claimed he liked his women “natural,” not caked with concealer.

 

We slowed as we approached a dock jutting out of an enormous landmass of low palms and dense oaks. The old couple didn’t get up. I wondered if they were retired, riding the ferry back-and-forth just to wait out their days in this Georgia town.

 

“Four p.m.’s the last ferry, right?” I asked the captain as Colt and I stepped off the boat.

 

“The only one,” he said. “And we don’t wait.”

 

“But we’re the only passengers getting off,” I said. The captain was already untying the rope from the post. He shrugged. “Are there more people on the island?” I pressed. “Camping?”

 

“No overnights allowed,” he said. “Everybody who comes needs to go. One in, one out.” And with that he was back into the boat cabin, and I watched as the ferry pulled away, puttering in the gray water until it disappeared into the marshes. So we really were alone.

 

Colt had gone beyond the dock to inspect a pile of rusty bicycles. The wind by the shore whipped the trees wildly, and a clump of Spanish moss landed on the ground right next to him, nearly hitting his head. He didn’t notice. “Check out these bikes!” He was calling.

 

“Are there trails?” I asked. Colt had stayed up stalking the internet about this island, his face carved upside-down in the cellphone’s glow. I’d done the same, and I knew there were trails, but Colt liked to think he was in control.

 

“Sure,” he said. “Here’s a bike with a decent chain; take it.”

 

I took a step toward the rattling thing he had propped up for me. It had no brake. “You trust it?”

 

Colt was already astride his own bike, his long legs deploying in slow motion as he pedaled around me in a circle. “I’ll carry you if it breaks down. How about that?”

 

We set forth on the main path, a bumpy trail of dredged sand and shell bits and shark teeth. The island really did feel primordial, the old growth forests joining branches above the path, draped with gray-green moss strands that swayed lightly in the wind. It was winter and the greenery was faded save for the vibrant palmettos, their leaves like blades of green fanned out over the low canopy. I pumped my pedals hard after Colt, who was speeding ahead with childlike glee. “Let’s go find the wild horses!” he shouted.

 

For miles and miles we cycled. The nature became monotonous along the straight path. At one point we passed by what looked like an abandoned airfield, where the forest had been razed. But there were no horses. Colt stopped to drink some water and pointed to something in the bushes. “There’s a trail there,” he said. “A horse trail, probably. Maybe they don’t like to hang out by the main path. They can smell the human presence.”

 

The wild grass in the airfield bristled in the wind. The air smelled of something rotten, and it made me light-headed. “Okay,” I said, “but not far.” We tossed our bicycles onto the razed field and followed the trail into the forest. The ground was covered with bristly pine needles and gnarled roots. Colt walked ahead, pushing thorny stems aside with his fingers and holding them until I passed so they wouldn’t snag at me. After a few minutes, I touched his arm. “Let’s turn around,” I said. “There are no horses here. I don’t like being this far off-path.”

 

“But we’re almost by the water. I can smell it.”

 

It was true—the soil was looser, moister. The water reached inland with tentacular streams; it was all swamp, no beach. We were standing on a clearing next to a big oak tree and there was nowhere farther to go. “Let’s have lunch,” Colt said. I took the cheese and deli meat and bread out of my backpack and lay them on a flat rock. “Make them fast, before the ants get to them,” Colt said. I started slicing a tomato with the knife I’d taken from the rental. Colt was still staring at the spread.

 

“You know I don’t like Hawaiian rolls,” he said.

 

“The ants,” I said. “Hurry.”

 

“Every goddamn time.”

 

I ignored him. I assembled a sandwich and handed it to Colt, then made my own. He was like a big child, or rather a sulking teenager, scrolling on his phone as he chewed. But there was no data; I’d just checked.

 

“Apparently there’s an abandoned church along the path,” I said after a while. “I saw it on the map at the dock. But maybe there won’t be enough time to see it.”

 

“We have to be back for the ferry at 4:00 p.m. Plenty of time.”

 

“If you say so,” I said.

 

Colt was dragging at the ground with the tip of his boot, unearthing an oyster shell. “It’s funny,” he said. “The shells make a big circle around this tree. It’s like someone was here. Shucking and eating oysters. You think it’s one of the island’s secret residents?” He scooted closer to me on the rock, giving me a nudge of the hip. “A ritiual of these horses we can’t see?”

 

I busied myself with putting the food back into ziplock bags. “They’re probably just a myth made up to lure tourists.”

 

“You wanna bet?” His fingers were loosening my scarf, his mouth nuzzling my neck. I sighed and let myself go soft, pliable. He pulled me onto his lap, facing him and the old growth forest behind him. He undid our zippers and pulled down my pants. I closed my eyes. He clenched my hips and the pain was sharper than I expected. He’d spit on his hands but it wasn’t enough, it was not like before, a tangle of organs slick with lust. Sweetbread also means thymus and pancreas, I thought. When I opened my eyes again the Spanish moss was swaying overhead like prayer flags, and I had the acute sense that someone was watching us.

 

“Colt,” I said. “Colt, stop.”

 

“What?” His breath was short against my ear.

 

“I heard something.” And indeed there was a louder rustling of leaves, and I jumped off Colt’s lap, pulling my pants up, and he sprung to his feet as well.

 

“Is that a horse?” he shouted, but we couldn’t see anything. The rustling started up again, and he pointed at a bush. “There!”

 

It was a very large rat with an insect’s scaly carapace, digging its snout into the fecund soil.

 

“Armadillo. It doesn’t care about us,” Colt said with amazement. “It’s not even aware that we’re these big scary animals.”

 

“Or maybe it’s used to it,” I said, strapping my backpack on. “Let’s get back to the bikes.” I wanted to get far away from the armored rat, for us to keep moving.

 

“I read about them online,” Colt said. “You know why it’s covered with scales? So if a predator attacks, the armadillo can jump into a thornbush, and the predator can’t follow.”

 

The creature hobbled away, a mutant from the Jurassic era. “Let’s go,” I repeated. This time I ploughed ahead along the horse trail, not caring about thorns. I felt the prickle of tears, but Colt hated it when I cried. I wondered if the old couple would still be on the ferry. It was only when the airfield came back into view that I turned around to see if Colt was following. He was, and he held something misshapen in his hand.

 

“Guess what,” he said.

 

He shoved the misshapen object closer to my face. It was soiled and scaly, with a wet rat-like snout. A small armadillo, an infant. I shrieked and he dropped the thing, laughing.

 

“What did you do?” I gasped. “Did you kill it?”

 

“I did nothing,” he said. “It was there on the trail. You walked right over it.”

 

“Why did you pick it up?” I couldn’t even look at the carcass. “That thing is dirty. The bacteria. Why did you touch it?”

 

He stretched out his arms and lumbered toward me, grunting, trying to wipe his fingers on my shirt. “Leprosy!” he grimaced. “Armadillos carry leprosy!”

 

“Stop!” I said. I didn’t realize I’d actually started crying until I saw that familiar contrite look on his face.

 

“Come on. It’s funny.”

 

I tried to steady my breath. “It’s not funny.”

 

Colt kicked the dead armadillo aside like a deflated soccer ball. “Hey,” he said. “Why did you ask me if I killed it?”

 

“The air on this island—” I said. “It’s so humid it’s giving me a headache. I know you didn’t kill it. I’m sorry.”

 

He got back on his bike, not looking at me. “I would never kill a living thing.”

 

“I know. I’m sorry.”

 

“I’m just trying to make you laugh. You never laugh, not anymore.” He was still talking, head-down, to his pedals.

 

“It’s okay, Colt,” I said. I flung my leg over the bike, and my pelvis felt sore and raw over the seat.

 

He sighed and plowed forward. “If you say so,” I heard him sing-song.

 

The white path stretched ahead, potholed with deep puddles from a recent rain. When we rode across them it was like gravity itself was slowing us down, dragging us into the mud. We would never make it to that abandoned church, I thought. But suddenly Colt came to a hard brake ahead of me.

 

“I saw something,” he said. “It was definitely tall enough to be a horse.” He got off his bike. “Let’s follow it.”

 

“Colt, no. Let’s just stick to the path.”

 

But he’d already taken a few steps into the bushes. “There!” he called out with excitement. “I see the steeple! Didn’t you want to see the church? Right over there.”

 

I followed close after him. The trail opened up to a depressed clearing, like the ground had sunk ever so slightly, and in the middle of it was an enormous white building with wide steps and columns and porches and a tall steeple. Colt ran toward it. The white paint looked unchipped and fresh, so fresh it had a minty tint to it. The live oaks surrounding the church were enormous, their branches low and horizontal. There was an old picnic table underneath one of them, not far from the church entrance, and I sat there while Colt circled the building. “Doesn’t look abandoned at all,” he said. He was pressing his face against one of the windows. “Can’t see inside though. The windows are treated with some kind of black tint.”

 

“You can’t see them, but they can see you,” I said.

 

He didn’t hear me. He circled toward the front porch. “There’s an announcement on the door.” He leaned in to read, then shook his head and came back to the picnic table. “Funny. Says there are two services a day. One at three thirty and one at midnight. Maybe the horses come here for midnight mass.”

 

I checked my watch. It was 3:29 p.m.

 

Right then the church bell chimed. Colt’s eyes opened wide, and at first I thought it was the eeriness of wondering who was striking the bell, but then I saw he was staring at something beyond my head. “Don’t move,” he said. “Or move slowly. There’s one. There’s one right behind you.”

 

I froze. My fingers clutched my backpack. “It’s so skinny,” Colt said. “It doesn’t look healthy. Something wrong with its eyes.”

 

Slowly I turned my head. There was a horse, coming around the church, its coat black and patchy, like it had fought and was barely healing. It was small, so emaciated it looked skeletal. Its eyes were a cloudy white.

 

“Give me your backpack,” Colt said.

 

“Colt, no.” My voice was barely above a whisper.

 

“It’s starving. It wants something.” He wasn’t bothering to be quiet. He ripped the backpack from my hands and turned it upside down, emptying out its contents on the picnic table. His hands were shaking, fumbling around the objects, then he found the Boar’s Head ham and started tearing at the meat. “Bet that’s why they killed the armadillo. Starving to death.”

 

“Colt, you know it didn’t kill the armadillo.”

 

The horse slowly turned its head toward us, hearing the noise. But with its cloudy eyes it was impossible to tell whether it was looking at us. Colt flung a shred of meat toward it.

 

The horse’s nostrils flared. “You’re going to make it angry,” I said. “The ranger told us not to feed them. We’re going to miss the ferry.”

 

“We’re going to miss the ferry!” He repeated, nasally. The horse was sniffing at the piece of meat on the ground. The horse was eating the meat. It can’t be, I thought. Its jowls clenched, and its eyes stayed open, staring at us or not at all, impossibly white. When it finished chewing it reared its head in our direction.

 

“My hands are all slimy,” Colt said. He picked up another shred of meat, dangling it. A muscle in the horse’s neck spasmed. It took a small step closer.

 

“Put it down,” I pleaded, my eyes on the horse. Its tongue was lolling. “We’ve got to go. Something’s wrong with this horse.”

 

Colt let the shredded meat drop to the floor, then turned slowly to me. There was that glint in his eyes that I knew well. “Something’s wrong? Something’s always wrong.”

 

“Colt, don’t,” I begged.

 

“Something’s wrong with you for thinking I fucking killed that armadillo.”

 

The horse was advancing toward us now. It wanted more meat. Like a reflex my hands shot up to my face.

 

“The horse!” I screamed, trying to fight out of Colt’s grip. The knife was on the table, next to the half-tomato shaped like a red heart, and Colt screamed too, and the horse was ghostlike behind him, teeth out. It wanted more meat. There was no one around for miles, and this time it would be death, I thought. For a split second Colt loosened his grip and I leapt free, scrambling for the knife. Then survival was the only white hot force pitting me against the ghostly, snarling horse. I stabbed the blade deep into the horse’s flanks, slicing a long gash along its protruding rib, and it let out a terrible noise, so shrill and anguished that it shook the moss and pierced through the canopy of oaks and reverberated around the entire island, so shrill and anguished it sounded almost human. Its cloudy eyes rolled in its skull, thick red blood oozing from the gash, but my arm came down again, and again, slashing into its coat. It was all bones. Its hind legs buckled as it let out another noise, more of a whimper this time, and I kept slashing because I knew it was me or him, I slashed until its entire flank was a mess of lacerated muscle and blood, until it was just a carcass on the ground, fur and bones and ribs. Its eyes never closed, white as the sky.

 

When I came to Colt was on the grass, next to the knife, his big robust limbs limp yet twitching like jelly. Tears streaked down his cheeks. He was reaching out for me. “He wanted more meat,” I said, my voice hoarse and alien. “We’ve got to go. It’s four.”

 

I sank down next to Colt, the palmetto and oak forest around us bristling and bending in the wind. His shirt was stained crimson by blood, all the blood that ghostly emaciated horse had shed, but when I looked for the horse I couldn’t find it, and instead, through the oaks and the low afternoon fog that had seeped from the sea, I saw the dock. Somehow we had cycled back to the dock. The ferry was at the dock’s end, engine rumbling, and I could see the two huddled white heads of the old couple through the condensation on the cabin window. The captain was on the deck, rope in one hand, ready to unmoor. He checked his watch, squinted, then waved impatiently. One in, one out, he’d said.

 

“Go,” I told Colt.

 

Colt’s eyes were wide and unblinking. I remembered how he always used the hand he’d raised and ran his thumb gently along my left cheekbone, where the concealer had long eroded, and I could tell he was always really sorry.

The ferry blew its horn again. I knew it would take him. Dusk was approaching and the old growth forest stirred with shadows. The horse carcass was gone from its pool of blood. One in, one out. One push, one pull. Like the pulsations of arteries that feed into the million broken pieces of an organ that nonetheless keeps pumping. I picked myself up. I started, arduously at first, back up the path, then broke into a trot, eyes set on the church steeple amidst the darkening foliage. I knew the wild horses were waiting.

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Review: Home in Florida: Latinx Writers and the Literature of Uprootedness

Edited by Anjanette Delgado
University of Florida Press, 2021
Hardcover, $25.00, 270 pages

 

 

¿De dónde eres? Where are you from? It’s a simple question that’s difficult for some of us to answer. A new anthology, Home in Florida: Latinx Writers and the Literature of Uprootedness, considers the question and offers responses from Latinx authors who have made the Sunshine State home. Edited by Anjanette Delgado, the collection features original and previously published fiction, nonfiction, and poetry by award-winning writers like Jennine Capó Crucet, Jaquira Díaz, and Richard Blanco; luminaries like Judith Ortiz Cofer and Reinaldo Arenas; and other emerging talents. In Home in Florida, these writers construct a literary identity—one that simultaneously inhabits and traverses cultural and geographic borders.

 

Home in Florida shares forty-two works from thirty-three writers across the Latin American diaspora who have been uprooted from their homes for personal and political reasons. The anthology is grounded in this concept of “uprootedness,” or the experience of living in an environment that isn’t your own. “As with so many things,” says Delgado, the term resonates differently in Spanish and English. In Spanish-language literary culture, “la literatura del desarraigo” is prolific; in English, it’s rarely addressed. “Even the word carries inside the tension of seeming to mean one thing in Spanish and something never quite the same in English, the word itself with its dual meaning the very essence of the world in which a Latinx immigrant lives,” she observes.

 

The works in the collection speak to this duality. Though Home in Florida is mostly an English-language anthology, it includes Spanish works in translation and texts that switch, sometimes self-consciously, between languages. In Richard Blanco’s poem “Translation for Mamá,” the speaker considers what it means to write about his Cuban mother’s experiences in English. When he translates her life into artistic expressions she can’t access, whom is he writing for? What gets lost in translation when an immigrant’s experience becomes art? Blanco embeds Spanish translations of his English verses below each stanza, until the last stanza, where Spanish becomes the primary language and English is the language in translation. “En inglés / has aprendido a adorar tus pérdidas igual que yo,” concludes the speaker. These pérdidas, or losses, have dual meanings: the mother’s loss of her homeland and the son’s loss of his mother’s tongue. The poem articulates the disconnect felt by two people living in between languages.

 

That disconnect isn’t just linguistic. It’s cultural, too. In Natalie Scenters-Zapico’s poem “Notes on My Present: A Contrapuntal,” two opposing voices are juxtaposed in parallel texts with offset lines that literally and metaphorically break. “I write my body, as border between / this rock & the absence of water,” says the speaker on the left. “We have some bad hombres here / & we’re going to get them out,” says the speaker on the right. The first speaker’s self-image contradicts the second speaker’s grotesque distortion of her community. Even the punctuation is wonky. Read in tandem, the two voices reveal more than the sum of their parts.

 

This is true, too, of how Delgado curates Home in Florida, grouping pieces in suggestive combinations. She contrasts Raúl Dopico’s essay “Miami Is Cuban,” for instance, with Mia Leonin’s essay “How to Name a City,” which begins with Barack Obama’s claim that “‘[Miami] is a profoundly American city.’” Here, Delgado presents two tales of a city—Dopico’s Miami that “beats with a decidedly Cuban soul,” and Leonin’s Miami, where “miniature flags from thirteen different islands wave at you from rearview mirrors.” In other places, Delgado’s arrangement illustrates likeness. She pairs Frances Negrón-Muntaner’s short story “The Ugly Dyckling” with Jaquira Díaz’s essay “Monster Story,” for example. Both are fairy tale retellings with a Latinx spin—Negrón-Muntaner reimagines a European classic as a queer, Caribbean fable, and Díaz tells an American coming-of-age story inspired by Latin American folklore.

 

Immigrant narratives intersect in revealing ways throughout Home in Florida. In Ana Menéndez’s short story “The Apartment,” the narrator returns to Miami after her apartment tenant dies by suicide. She meets the neighbors to learn his story and hears, instead, their own tales of uprootedness, trauma, and isolation. The haunting stories of these lonely Cuban, Argentinian, Afghan, and Lebanese refugees mirror each other, revealing how often immigrants’ experiences overlap, even when they build imaginary walls to keep each other out. This self-imposed distance is echoed in Caridad Moro-Gronlier’s poem “Wet Foot, Dry Foot, 2002,” where the speaker’s Cuban-American family silently watches Haitian refugees arrive in Miami on TV, ignoring how they, too, once sought asylum here. “We do not speak of travesties,” says the speaker. “Only human when it comes to our own.” Their stories of uprootedness chart a similar course but end in different destinations thanks to America’s asymmetrical immigration policy, which privileges certain people above others.

 

Whose humanity do we acknowledge? Whose stories get told? In many ways, Home in Florida represents a diverse spectrum of Latinx experience. The book is a rich sancocho of culture—a blend of writers from different national, generational, socioeconomic, and language backgrounds, as well as those who identify as BIPOC and LGTBQ+. The collection’s diversity is deliberate. Delgado includes the work of recent immigrants whose “stories are the ones not often found in English-language anthologies” because too often these “writers are surviving and not writing.” She takes care to prioritize writers’ lived experiences, choosing to organize the collection “in the same experiential way in which rerootedness might occur, the emotional weight of each piece guiding the way,” instead of chronologically. And she mixes new voices with established writers, creating refreshing and unexpected flavor combinations.

 

For all Home in Florida includes, there are some things left behind. This may be inevitable in an anthology that is the first and only one of its kind. A single vessel can’t possibly hold everyone. While the collection features writers from across the Latin American diaspora, the majority of its contributors are Cuban or Cuban American. The anthology elucidates their lived experiences and history in luminous detail. Stories like Guillermo Rosales’ “The Halfway House” show what life in Florida was like for Cuban exiles who fled Castro’s regime in the 1970s, while essays like Chantel Acevedo’s “Piercing My Daughter’s Ears in Alabama” reveal how those families have evolved a generation or two later. The space the book gives these stories isn’t equally distributed, though, creating an imbalance that can sometimes feel like an exclusion. In Home in Florida, we witness the aftermath of the Mariel boatlift but not Hurricane Maria, for instance.

 

Curiously, for a book titled Home in Florida, not every piece is rooted in Florida. Occasionally the state disappears entirely before re-emerging in the next story. When Florida shows up, it’s drawn sharply and brightly, though, realistically rendered even if it’s magically imagined. Mercifully, the collection is careful to avoid the Disney caricatures of this place and its people that too often sap the popular imagination.

 

Instead, we get a view of Florida—where more than a quarter of the population is Latinx—that is usually obscured. We savor Liz Balmaseda’s Hialeah, where the distinctive flavors of Cuba refuse “to melt into any damn pot.” We experience the suburban wilderness of Yaddyra Peralta’s Carol City, “the verdancy of weeds, the bougainvillea overtaking the wobbly chain link fence.” And we see Patricia Engel’s “La Ciudad Mágica” sparkle brilliantly—from the manicured avenues of Coral Gables where bejeweled ladies lunch and bemoan their Latinx nannies, to the unnamed streets a few miles south, where you can “find people selling fruit out of tin shacks” and have “a spell cast by a brujo so you’ll be lucky in money and in love.”

 

The anthology doesn’t illuminate all parts of the Sunshine State with the same clarity, however. Miami shines brightest. So bright its light casts a shadow on the rest of the state. Home in Florida rarely ventures outside of Miami-Dade County, and when it does, it’s from a distance. Cities with large Latinx populations like Tampa and Orlando are mentioned only briefly, as the writers speed past on their way to somewhere else. The rest of the state is invisible. In an anthology that is otherwise so clear-eyed and attentive, this silence is loud. Where are the writers who have planted roots in majority-minority, Central Florida suburbs like Kissimmee or Latinx-populous, agricultural towns like Haines City and Belle Glade? What about their experiences?

 

Representation matters, and yet within the intimate space this anthology imagines, place and culture are less important than the writers’ lived experience of place and culture. Florida is a useful terrain to map out these experiences, but—as the collection repeatedly reminds us—its borders are fluid. In Home in Florida, Florida is more a state of mind than an actual state. It is the yearning for home, the hunger of hardship, and, eventually, the hard-earned hope of Nilsa Ada Rivera, who reflects in “I Write to Mami about Florida”: “Slowly, I’m realizing Florida is my home too. Despite all the years of trying to leave, I’m still here, adapting, evolving, and surviving. The fight to survive and the constant evolution are common themes for almost everyone in Florida, a constant reinvention of who we are.”

 

Impermeable identities don’t last long in a place where the tides are always changing. What endures instead are the experiential bonds connecting the people who call, and have called, this place home. This anthology’s writers—and potential readers—may be homesick and heartbroken, but they aren’t alone. From this literary landscape sown with tales of loss, grief, and loneliness, a community blossoms. After all, that’s what a collection is: a place where individual stories can converse, where the odd piece suddenly seems to fit, and where two different idioms understand each other. The book becomes a kind of communal plot, where these writers’ experiences of uprootedness vine together and grow toward the light. In Home in Florida, Delgado and the writers of this inventive anthology have cultivated a home of their own making—one that can go anywhere and never lose its roots.

 

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Interview: Kim Adrian

 

Kim Adrian is the author of The Twenty Seventh Letter of the Alphabet: A Memoir and the editor of The Shell Game, Writers Play with Borrowed Forms, an anthology of hybrid essays (both University of Nebraska Press, 2018). She has published two books of lyric criticism: Dear Knausgaard and Sock, which is part of Bloomsbury’s Object Lessons Series. Her essays and short stories have appeared in AGNI, Tin House, O Magazine, The Gettysburg Review, among others. She has taught creative writing at Brown University and Grub Street.

 

The Twenty-Seventh Letter of the Alphabet is an unconventional, wildly disturbing, and hugely innovative book. It is an intimate portrait of family dysfunction, addiction, and mental illness that grabs the reader immediately. The story is told in razor-sharp vignettes—what Adrian refers to as a “glossary,” saying it’s a “reckoning, a love letter.”

 

Adrian has a gift for pinpointing—and extracting—precise, emotionally potent stories from her experiences and those of her family. Each fragment in The Twenty-Seventh Letter of the Alphabet is crisp and wide-eyed and seamlessly provides a subtext of the story, almost a meditation on the structure. Here, she imposes order on a rather chaotic upbringing by assigning a letter to each snapshot, while simultaneously developing compassion for herself—and her mother.

 

As a daughter of a severely mentally ill mother myself, I felt a particular kinship with Adrian. While conducting this interview, we exchanged emails in which Adrian shared, “The whole time I was writing [The Twenty-Seventh Letter of the Alphabet], I had this feeling of wanting to connect to other individuals who’d grown up in similar situations—kind of like ‘ghost siblings.’” As I read Adrian’s account, this was palpable. It was remarkably validating—yet disturbing—to read of some of the uncanny similarities between our experiences.

 

Both Adrian’s mother and mine were sexually abused as children. Both married young and had children before their twentieth birthdays. Adrian and I are both firstborns. We each have a younger sister. Both of our mothers were diagnosed with a slew of psychiatric disorders and spent considerable time in psychiatric hospitals. Our mothers both had a penchant for sewing, shredded our father’s suits with shears, had issues with their teeth, and felt the government was “out to get them” or the phone was “bugged.”

 

“It can feel so isolating to grow up with a parent with mental illness, especially when you don’t understand that they’re mentally ill,” says Adrian. “The world just feels so squishy and unpredictable.” And she’s right, especially about the unpredictability, the isolation.

 

Leslie Lindsay for The Florida Review:
The title, The Twenty-Seventh Letter of the Alphabet, sort of intimates this idea of a glossary, but it’s more than that. We don’t immediately know what the book is about. The title doesn’t give anything away. Until the mid-nineteenth century, the ampersand was considered the twenty-seventh letter of the alphabet. It wasn’t a sound unit, but a word—and. As a reader, I felt we were continually marching on, starting with A and ending with XYZ . . . &. There was a clear-cut path, maybe even a sense of urgency or doom. Can you talk about that, please?

 

Kim Adrian:
I’m glad you felt a sense of urgency. That’s part of what I was going for. Because The Twenty-Seventh Letter of the Alphabet isn’t just about my relationship to my mother, and my experience of her mental illness, but also about a feeling of compulsion—the compulsion to tell this story. At the same time, I had no idea how to tell it, because storytelling had always been my mother’s domain. She’s a highly verbal person, a real magician with words. When I was a kid, I often felt incapable of expressing myself because she somehow managed to define my reality, my experience, with her words. She did this in a colorful and confusing way. I try to describe this in a few entries in the book, for example, the one called “Ice-Skating,” where she narrates how she thinks an ice-skating outing I’m about to go on will unfold from my point of view. It was uncanny when she did this. I could almost feel myself getting erased. The Twenty-Seventh Letter of the Alphabet came out of a deep need to articulate my own experience using my own words. But readers who looked at early drafts always said the same thing: “You’re not in it.” It was so frustrating. Now, looking back, I think I was just so used to sublimating my own experience—when it came to interactions with my mother—that I did exactly the same thing when I tried to write about our relationship. I somehow went underground. When I finally found the form of the glossary, it opened everything up. Tackling the story in bits and pieces let me access my own experience in a very immediate way. It’s a lot easier to keep your voice present for the length of a fragment than it is for a long narrative line. With the glossary structure, I was suddenly able to tell the story. And the pressure that had built up inside me over the years of writing prior to landing on the glossary form, that pressure comes across, I think, in that sense of urgency.

 

TFR:
I find the linked collection—the glossary of fragments—endlessly fascinating. It allows a good deal of freedom, while affording a sort of distillation. One can shine a light on specific moments without necessarily needing to create connective tissue between them. It’s precise and expansive. Would you agree? What did you find liberating about this form—what was challenging?

 

KA:
For me, the glossary structure removed the necessity to “tell a story” in the classic, conventional sense (which in any case never sat right with me in regard to this particular material). To create a classically linear narrative would have been to betray the confusion inherent in the experience I was writing about. But there’s also something intensely intimate about fragments. A fragmented text enlists a reader’s participation in a very real way. Readers have to connect the dots, create that “connective tissue” in their own minds. I don’t think that’s asking too much of a reader. Engaged readers actually enjoy being challenged. Fragmented texts offer something almost like a mystery to solve.

 

TFR:
The book moves largely chronologically, but not entirely. I’m sure the structure required a bit of thought and experimentation. It’s flexible: events can weave in and out. Did you impose/assign letters to the vignettes first, or write and then piece together?

 

KA:
I’m glad you brought up chronology. There are actually three chronological strands moving through the alphabetical arrangement. The first is pretty basic, just the chronology of my growing up; the second unfolds in the “present day” —my current interactions with my mother, and my own domestic life as a mother of two young children; the third—which is a bit rougher—tries to trace my mother’s childhood and give insight into her family of origin. It took a lot of refining of entry titles to work it all out chronologically because, with this structure, the chronology obviously also has to be alphabetical. Some of the entries happened to land right where they needed to be, but others required some shoe-horning. Take “Ice-Skating,” for instance, which I just mentioned. That’s a perfectly fine title for that entry. I used it because the Letter “I” is exactly where that entry needs to be in the flow of the chronology. But it’s not a very poetic or evocative title. Originally, I think I called it “Tall,” which has much more emotional resonance with the material. So, yeah, I shoe-horned some of the headers, and lost some of the original poetry or power of my first-choice titles. But that seemed like an okay price to pay for the overall glossary structure, which has its own metaphorical value.

 

TFR:
At one point in the story, your mother says something like—and I’m paraphrasing—“It’s okay. You can write about me. I know I am your material.” What was the emotional process of writing like for you? Were there things you feared putting in the memoir?

 

KA:
There were lots of scenes and details that I worried I shouldn’t put into this book: my mother’s “booger board”; my father stabbing a man; my mother throwing me on the ground or across the room when I was little; my father beating her unconscious in front of me. The Twenty-Seventh Letter of the Alphabet took me twelve years to write, on and off, mostly on (though in a quasi-paralyzed state). Part of that long gestation period, that quasi-paralysis, had to do with what I was talking about before—the drive to tell this story coupled with an inability—or, perhaps, an unwillingness—to tell it in a conventional way. But the other thing that slowed me down was worrying about spilling so many shameful family secrets. It seemed obvious that my words might hurt people—my parents—but that was confusing, because I only wanted to reveal things that were part of me, part of my history, my lived experience. I know a lot of writers come down on the other side of this decision. They reconcile themselves to holding off on writing a story like this until their parents are dead. But I went the other way. The fact that my mother said that she knew she was my “material,” and I could write about her if I wanted to, meant a lot to me at the time. It was very generous of her, in a sense. But even these words made me feel trapped, because when she said them, I realized I didn’t want her to be my material forever. I wanted to get this story out and be done with it. More than that, I didn’t want her to be the one to tell me what I could and couldn’t write. In the end, I had to give myself permission to tell the story. And, actually, that was probably the hardest part of all.

 

TFR:
Has your mother read it?

 

KA:
When it came out, I told her not to read it unless she was seeing a therapist, which she wasn’t, and still isn’t. At the time, she said that she wouldn’t ever read it because she didn’t want it to damage our relationship, and I thought that was smart. But since then, she’s said a few things in ways that seem informed by what I wrote in the book. So, I think she probably has, and just hasn’t told me.

 

TFR:
I felt the way this story was told, it mirrored a real relationship; we got to deeper wounds as we spent more time with you, your mother, father, sister, even your husband—the characters—in this memoir. There was a slow peeling back of layers. Plus, the structure lends to the episodic aspect of mental illness. Can you talk more about that, please?

 

KA:
I’m so glad you felt that way. One thing I struggled with at the beginning of the writing process (and by that, I mean the first ten years—ha) is something I see a lot of my memoir students struggle with, too, and that’s the almost irresistible urge to say all the important stuff up front, especially about very complicated characters. One of the reasons I had such a hard time getting past the first fifty pages or so of the early drafts was because I was trying to show my mother in all her complicated glory, all at once. My mother can be incredibly selfish, cruel, really abusive, gas-lighty, manipulative, and, frankly, gross, but she can also be the opposite of all these things: empathetic and sensitive, elegant, funny, creative. She’s a great reader. Super smart. Super insightful. And she’s a fabulous cook and gardener. If her spirit hadn’t been so deeply damaged by the sexual abuse she suffered as a child, I think she would be doing amazing work in this world. Because, despite everything, she is one of those extra-alive kind of people. Unfortunately, because of her trauma and mental illness, she winds up bending most of her formidable energy toward destructive ends. In any case, back to your question . . . When I started writing this book, I tried to get all of that kind of information about her on the page, right away. I described my mother more or less the way I just did, though more elaborately. I figured that, in this way, I was being fair to her character. But writing like that is simply doling out information. And information doesn’t convey a sense of lived experience. Figuring out how to let the characters in this book, especially my mother, unfold in their own time, over the course of sentences, paragraphs, and pages, was a steep learning curve for me, but it was very liberating, once I got the hang of it. I was able to let the prose be more gentle, less rushed, less informational, and, most importantly, I think, non-judgmental because I wasn’t summing anybody up, or quickly sketching anyone with editorializing strokes.

 

TFR:
I think it’s important to talk about personal mental health, too. You’re an avid yogi (another similarity we share), plus you knit, bake, and write. You must maintain your own artistic development, your own . . . can we say, sanity? Did it feel important for you to let the reader into that part of your life?

 

KA:
I knew I had to show some of those self-help activities on the page in order to be a reliable narrator. Because it’s happened so often, in “real life,” that when I get to know someone new, and eventually tell them a story or two from my childhood, they almost inevitably express disbelief. “But how did you get so normal?” is the usual question. Billions of hours of yoga, is the answer. Also, some fairly manic knitting and baking. And, let’s not forget, bubble baths. It sounds so ridiculous, but bubble baths have been very healing for me. I wanted to show at least some of that activity, even though, on some level, I feel embarrassed by it (thus the entry title “Embarrassingly Large Collection of Self-Help Books”). But you can’t come out of a childhood like mine, or maintain a relationship with a mother like mine, and just “be normal,” whatever that is. Healthy-ish. You have to work on your own mental/emotional state, and I have. I do. It takes a lot of time, a lot of energy. It also takes a certain amount of anger. And a certain degree of selfishness, to be honest. There’s an avid edge to these activities, at least when I do them. I’m not the world’s most peaceful, copacetic person. But I strive to be peaceful and copacetic. LOL. It’s how I funnel a lot of the ragged, sad, frightened energy that still circulates inside me into something more or less positive. I actually learned how to do this kind of work from my mother, who’s always been big on “self-improvement.” Not so much with things like yoga, but she’s constantly making all these little micro improvements to everything in her life—from jerry-rigging the bird-feeder in some ingenious way to trying to straighten out her crooked pinkies with popsicle sticks. There is, of course, a tremendous difference between doing these kinds of practices in the spirit of self-improvement versus doing them in the spirit of self-acceptance. It’s only when I understood that difference that I started healing in a real way. Unfortunately, I don’t think my mother’s ever quite grasped the distinction, which breaks my heart.

 

TFR:
I want to end on hope. Because there’s so much of that within these pages, too. The last two years have tested us all—in different ways—and really, at the end of the day, what gets us through is cookies and warm socks. And a good book. Maybe a lotus blossom from the muddy depths of a lake.

 

KA:
Your phrasing is interesting, the way hope gets entangled with comfort in that question. Which I get. Hope can be as much of a comfort as warm socks and good books and cookies, all of which I love. But frankly, these days, my relationship with hope feels pretty strained. I find myself seeking out more . . . prickly . . . forms of comfort, too. I’m reading Theodor Adorno, right now, for instance. Minima Moralia. It’s excruciating, honestly—it’s just so painfully insightful about the pathological structures of the capitalist, consumerist system in which we’re all so deeply embedded. I know I was just talking about bubble baths. And I’ll never give those up. Not if I can help it. I read Adorno in the tub. But hope and comfort feel very—I don’t know—cheap, these days? Everything just feels so dark. Because of Covid, yes, but also the war in Ukraine, the environment, the extremism everywhere you turn, the way democracy seems to be evaporating in front of our eyes. One of the reasons I wrote this memoir is because I think mental illness isn’t given enough attention, considering how prevalent it actually is. It’s not treated with enough honesty or seriousness or urgency. And without those things, a bad situation won’t improve, no matter how hopeful we may be. Without those things, hope is just a fantasy. Collectively speaking, I don’t think it’s a stretch to say that humanity is dealing with something that looks a lot like mental illness writ large. We’re suffering. And the planet is suffering because of us. Hope sounds lovely, but far away. All I can manage, at the moment, is to try to be more honest and serious and urgent about the things I would someday like to be hopeful about.

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Mother Tongue

“Mommy, you sound strange.” My five-year-old looks at me curiously as I sing in Hindi to her. “It sounds funny,” she says again. I smile and nod and try to explain to her the meaning of my words. But then she is distracted and runs away. This has happened a lot recently as I am trying harder to speak in Hindi with and around my children. I play Kishore Kumar songs from the 1950s to them in the car, and I read them Hindi comics that I used to enjoy as a child, bought for an eye-watering price over the internet. But then words often fail me, as I try to grasp wispy words and feathery nuances that sound alien to my own ears.

 

I am the only one who speaks and understands Hindi in my house. My husband’s repertoire is limited to the words he has learned while ordering takeaway from the local Indian “curry” place: samosa, aaloo, chana. I laugh at his accent and then sometimes find myself repeating the same accent when I make the call to the curry place, impersonating the pronunciation of words, confusedly meandering between the sound that I heard as a child and the ones I hear all around me now. I worry that with this I am losing a part of my childhood and my mother tongue, and my anxiety drowns my words when I worry that my children will never be able to speak Hindi, communicate with their grandmother in India, or watch Hindi movies without subtitles. Sometimes I try and watch Hindi movies alone late at night just to remind myself where I come from, to hear the sounds that are missing from my life. For those few minutes, hours, I feel like the person who used to watch Bollywood movies obsessively as a teenager, singing out loud, playing antakshari with my friends. Often the incongruity of the meaning expressed in the dialogue and its brutal translation that smoothes out all the subtleties and gradations make me laugh, sometimes cringe. But I also feel like an impersonator, an imposter who is pretending to be something I am not. Not anymore. At times I turn the subtitles on. I feel like I am fighting to own a language that is not mine anymore, as if the memory of that language is only an illusion. That person was me, of course. But this is me, too. Where does one end and the other start?

 

 

It is strange how language shapes our identity. Am I a different person when I speak in different languages, and are my thoughts mapped by the language that I use to think and to speak in? My eldest daughter has often told me that I resort to Hindi when I am angry. Even though I switch between Hindi and English fluidly without a flicker of a thought or hesitation, no doubt there are things I cannot think or feel in either. Do I take on a different persona, another shift of identity as English becomes my way of communicating in writing and in speech? And in dreams, which are never in Hindi anymore? The rhythm of each language works in different meters, and I slow down when I speak Hindi. There isn’t that rush to get the words out before I forget, the precariousness exacerbated by the ever-present awareness that my accent will always belie my notion of being at home in this English language. But does the core of myself change with these shifts? Do I become less funny, more opinionated, more at ease in one than the other?

 

I went to a school run by Irish Catholic nuns, all through my primary and secondary education, where we were penalized for speaking in Hindi, the deeply ingrained colonial hangover persisting. We were better if we spoke in a language that wasn’t our own, that marked the gentile from the ordinary. English was the only language that could help us make our way in a world where we were never the desirables. I realize the irony of this as I write now in English. My parents wanted me to be good at English because that was how I would make a place for myself in this world. My mother wanted me to be good at English because she didn’t think she was, and she wanted me to spread my wings in a world that wasn’t designed for women. My father would take me to the only bookshop in town, where they had a tiny selection of books in English: some Enid Blytons and Stephen Kings, occasionally classics such as Gone with the Wind. It was our ritual every month. I wanted to be good at English so that I could read all the books that showed me a world far beyond my own, those books with green pastures and Little Women who were fierce, independent, and strong-willed, the female protagonists of their own life. I wanted to drink elderflower juice and have afternoon tea, not knowing what it tasted like. I loved this window into a new world even as I felt my face flush with embarrassment when my father would proclaim with fatherly pride that “she only reads English books.” This felt like betrayal at times as I read about the imperial rule, the Jallianwala Bagh massacre, and the centuries of British oppression in India. The marks left by colonial rule and partition had seared into our consciousness, and there was no escaping it.

 

This push and pull persisted as this language of our oppressors slowly became my home, even as Hindi was still the language that bridged the gap between my parents and me.

 

I still find it fascinating that we studied Hindi as a second language, even though it was our first: it was the language of the first word that I heard, the language of my ancestors, the one that our stories were written in. I keep wondering what the world would have looked like if it hadn’t been like this, if we did not grow up with this shame. And I wonder when I started dreaming and thinking in shapes and patterns that were alien and uncomfortable to my own mother.

 

My ma felt ashamed all her life that her spoken English wasn’t that good, an inferiority that she carried because my father could speak better English than she could. I have never thought about this deeply: how this shame marred her view of herself and her own place in society; of those times that she would stay quiet, only smiling shyly when she thought that she didn’t know how to talk in public or was anxious that she would say the wrong thing, come across as ignorant and uncouth. So much of that anxiety shaped her mothering, her lack of recognition of her talents. And perhaps that is why it took me so long to acknowledge all that is so luminous about her, as she hid her resplendence from everyone including herself.

 

 

Choosing the language we speak is also linked to our autonomy; our view of our body is shaped by the words we speak, the thoughts we think, the space we occupy, and the way our mind inhabits our body.

 

Growing up with this discomfort around a language that is your own mother’s tongue, hiding it as a dirty secret at home, while only speaking in English at school, creates a split personality, where one has to keep shifting between two worlds of thoughts, words, and dreams, at home in one, in both, and sometimes in neither. Most people I know speak in Hinglish, an amalgamation of both languages, stepping inside both worlds at the same time, equally comfortable with Premchand and Amrita Kaur as with Hilary Mantel or Margaret Atwood. But people carry this unconscious bias that those who can write or speak better English are also better people, this halo spilling over their other attributes, giving them opportunity and privilege, while making others tongue-tied and even more inhibited in their thoughts.

 

Would our stories be different if this comfort around our own language had not been seeded and planted from a young age, and would the stories we write and tell our children be any different? These switches have become part of my identity, and they are how I belong in both worlds. But sometimes I can feel like an alien in both.

 

I remember when my eldest daughter came back irate from school, saying that they had pronounced geography incorrectly because that is how they had always heard me say it: “jaw-gruphy.” I laughed, but they didn’t find it amusing at all, though now they have outgrown that adolescent shame of a mother who has accented English, compounded by their classmates giggling at their quirky pronunciation of words that they had grown up with. I still catch myself worrying about how to pronounce words, and whether the way I speak marks me out as other, often searching for the right expression to say what I feel. It takes a while to shift this persona when I am in India, a few days to overthrow this worry about speaking the wrong word or in the wrong accent. Instead, I find myself searching for the right word in Hindi, which has been buried deep inside the mists of my time away from this place. I find myself stuttering over expressions, feverishly searching for the word that would stop me from being marked as a foreigner, and slowly it comes back. I worry less about switching between languages, and it becomes second nature once again, jolting me into a recognition of myself that I keep abandoning as soon as I leave India and fly back to the UK, reminding me how much I miss these words, this language, the poetic sensibilities of expressions that say so much.

 

I worry about how we can give words to our children when we ourselves feel wobbly around the edges of our languages.

 

 

And then I find the five-year-old singing the lullaby that I sing to them on most nights, in her Scouse accent, words that sound jumbled up, but she stands up tall up on the table and performs for us. I clap not just because it is utterly adorable but because hearing her speak those few words of Hindi makes me feel like coming back home, as if I never left, as if the thread from my mother to her is still unbroken, as if my mother tongue might not be hers completely or even mine anymore, but it is still a language that shapes so much of who I am, and hopefully will shape her too. And even though I have fought for my right to belong here in this place and this language, to assimilate and fit in, and I have also struggled to continue to belong to my mother tongue, I can be both or none. My mother tongue still belongs to me even though its edges are tinted with exasperation and frustration at not knowing all the words or at my accent belying my origins. It is seared and etched into my very self and my skin, and I worry less about making my children feel at home with it, because I have to remember that they are never far from home when they are close to me.

 

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Faith Test

When the counselor asked her
disciples to gather around the bucket,
her head crowned in clover stems,
we all wanted to be anointed.
The Pentecost of chapel steps and snakes
expelled from little cabins
lined against the trees:
this was our church, our induction
into something greater
than youth group on Wednesday nights
where a teen with a bible taught us
to renounce sex, rated R movies,
the devil in a hot pink romper.
When the counselor dipped her hand
in the water we thought baptism, the bonfire
lit with praise hymns and acoustic guitar.
None of us imagined the goldfish,
its body of shingled scales,
such orange iridescent delight.
To be brave for the lord is to
combat any fear
How do you say no to a soulless tail,
the hand reaching out to say
you could be special too?
How she called on us
to grab the soft round and place it
on our tongues like communion,
like the body we cannibalized
week after week. This is the memory:
feeling the heart rate pulse
against my thumb,
the way my throat closed up
then pushed the belly down.

 

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Analog

Last October my mother clipped out
an article from the New York Times

 

about why millennials love plants and
I mocked her for the old-fashion. She

 

sent me a letter every week in the
month of June, although I had since

 

left the city, because I didn’t
pick up the phone. My mother

 

writes things on paper that she
would never say out loud. Her

 

letters read like the Book of Proverbs
and she always doodles on

 

the envelope. She says things like No I wouldn’t
take care of your cats but if you have babies

 

then give them to me. I grow older and further
from her portrait of my future

 

life lived. Too far to see
the disappointment crinkle

 

on her eye corners. Close
enough to hear a sigh over radio waves.

 

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Value-added

“Tree-huggers refuse to admit
Mother Nature can be
a bitch, or very blind
or simply is,” my father insists,

 

though he hikes
the Appalachian every weekend.
I’ve never gone with him.
“We are always at the mercy

 

of our environment,” he claims,
tells me he outraced a prairie fire
in the Sooner state, more hurricanes
than he can list,

 

though he’s always been tempted
to get caught up in some disaster,
miss delivering whichever speech
he’d been on his way to give. “Nature is,

 

I suppose, efficient,” he says, a word
that shows up more than any other
in his writing except “trash,” “waste”
or “recycling.” His boss will use

 

his rhetoric against him.
He and I argue about anything,
spring, its length, time
and lusciousness after a brief cold spell

 

as opposed to a short orgasm of color
after a long thaw. Storm-chasing.
A tornado will turn and stare
right at you, rain come down so hard

 

you can’t see the shoulder, but once,
and I believe the sentiment’s appropriate,
he saw a triple rainbow with my sister,
who shot an entire roll of film

 

beyond the Panhandle.
They were alone. Dramatic, yes,
even at home, even after a long night
of ordinary thunder and wind,

 

a tree uproots and smashes
my parents’ bedroom.
It must have all night tossed
violently in the storm,

 

and they slept through it,
except that once they woke
and saw it swaying, and swaying
was still the word they used

 

in the morning to describe
it was an accident they lived.

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Relative Risk

—A Golden Shovel after Katie Englehart’s “We Are Going to Keep You Safe Even if It Kills Your Spirit,” The New York Times, Feb. 19, 2021

 

No matter what the therapists say about dementia, how we
should know our half-blind mother can’t live alone, how they are
clear she can’t afford to fall—the only way to keep her going
on her own (not risk-free) is a scooter or a four-wheel walker, or to
move her to a place, they won’t say where—best to keep
the care type vague—helpful doctors will tell you
recommended choices: memory pills, life locked inside, a safe
space, always a mask, no rugs or dancing, hugs, even
if your loved one, if Mom, is vaccinated, if
we instead allow her finger-walking walls, her wandering, it
wouldn’t be the worst to drop and die at home, we’ll say—what kills
is a voice silenced or a vision atrophied, when all your
good intention stymies dignity, what we recall of spirit.

 

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Poisons and Medicines

“All things are poisons, and nothing is without poison; only the dose makes a thing not a poison.”
–Paracelsus

During rituals of divination,
Mayan sorcerers and healers
induced risky hallucinations
with Brugmansia candida,
angel’s trumpet. The poison
in its white, waxy flowers
and dark green leaves,
ingested or absorbed through
the body’s mucous membranes,
causes convulsions, paralysis,
coma, and death.

 

To dilate the pupils of their eyes
and bring a flush to their cheeks,
fashionable ladies in medieval Europe
drank juice pressed from the berries
and leaves of Atropa belladonna,
the deadly nightshade.
To enhance their beauty,
they risked their lives with a poison
used since antiquity to alter potions
and tip arrows with lethal results.

 

Our ancestors felt more closely
than we the embrace
of science and mystery.
We are still looking
for the boundary.
Chemicals crossing
the blood-brain barrier
create effects in the brain
that achieve results in the body,
altering perceptions
of pleasure and pain.
Reliever of illness
or harbinger of death
is a matter of degree.

 

Digitalis from foxglove,
lily of the valley, and oleander
strengthens the heart’s contractions
while causing blurred and double vision
and hallucinations.
Taxol from the bark of the Pacific yew
destroys cancers of the breast
and ovaries but harms the liver.
Although it induces nausea,
vincristine, an alkaloid
from Madagascar periwinkle,
is the reason why most children
with leukemia now survive.

 

For the stomach spasms
I suffered as a child,
I was prescribed a daily dose
of a chalky green medicine
containing belladonna alkaloids
and phenobarbital
to prevent nausea and relax me.

 

Derived from salicin
in willow bark and meadowsweet,
aspirin reduces inflammation,
eases headache, and lowers fever.
Years ago, my great-aunt, sick of life,
swallowed the entire contents
of a bottle and bled to death.

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Grief Is a Sudden Room

Grief is a sudden room.
After flailing around, breaking
all the furniture inside it for years,
you can think you’ve shut
the ancient door behind you,
but the latch hasn’t worked for aeons,
it will just pop open anytime
you open a window, elsewhere
in your mind. No matter. The room
will arrange itself in your absence
and wait for your return.
You’ve never seen such patience.

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Two poems

A Robin at the Bus Station

Newly loose with death,
I can imagine her stomach, the give.
I bring her an oyster shell from the shore,
prop her head. A pine branch blanket.
You taught me how to care for the dead like this,
how to get quiet in their moment,
early January, no other willing witness.
It’s big work. And even I step away,
whisked back to life by the bus,
where in front of me a young man
video chats his girlfriend, who cries
the entire hour-long ride as he slumps
further into his seat, humming short responses.
A whole bus of us listen to her pleas,
and despite her foreign tongue
I can feel the ruptures, the cold valleys.
I press a warm thumb into the sea
spinning past the window. Bleached shell,
pine branch, stuttering connection.
With these tired hands, we can only
build beds, soft spaces to land.

 

Fall in Languedoc

Officials in Japan are running out
of storage space for the ocean water
used to cool down Fukushima’s
nuclear cores. Tens of thousands
of tons, all newly radioactive,
with talks of releasing it all back
into the ocean. Across the globe,

 

we fill a tractor load—two or three
tons of grapes—in four hours
with a team of eight. What would
a hundred tons of our juice look like;
a thousand? I try to measure the ruined
water in tractorfuls, but run out of room
in my mental valley. How diluted
does a radioactive ocean have to be
before it stops killing everything
it laps up? How much longer
will the waters stand us?

 

Here, the Hérault’s been low
all summer, thirsty, only two storms
filling her throat. The gorges dried,
scratchy. Her rocky bottom cuts
into my kayak’s belly, though
the carp are fat, the seaweed
an impenetrable forest. Here, slung

 

between the map’s bright red pins
that mark each nuclear throne,
I imagine the steel drums planted
beneath us, beating out a cold,
toxic tune. The foxes are hungry.
Tourist-trained, they visit us
at picnic hour, panting, patient,
catching grapes in their skinny mouths
swarmed by flies, fleas trampolining
from their fur as they polish
avocado peels of their fatty linings.

 

From a too-hot summer, the vines
have fried, harvest light this year.
The last fat bulbs were stripped
in the night by wild boars, though
Christian is diligent in his midnight
rounds, has caught half a dozen
perpetrators already. At lunch time,
he brings me their pink meat
in a small Tupperware, cut
neatly into strips.

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Roundabout

It’s his son’s first time driving a roundabout. It’s a Friday just before rush hour, and Nate has drawn the short straw of showing Liam how to do it. Leah was so anxious that she made them go by themselves, saying that she was tired, that the forecast wasn’t great, that she’d stay home. It does look like rain, the sky blown into stone, the air on the verge of slick. As they back out of the drive, Nate stares at the house, thinking of the desiccated remnants of his latest apology. He thinks of Leah leaning over their daughter, Sylvia, of Sadie, their standard-issue goldendoodle, with her tongue lolling stupidly. He thinks of what more he could possibly say.

 

 

Then there they are, at the edge of the roundabout, and when it’s Liam’s turn, he freezes. Behind them, a car honks its dissonant horn. Nate can see a man in sunglasses with both hands in the air.  He tries to keep his voice level, a nervous heat quavering in his throat.

 

“Liam, go,” Nate says.

 

“I can’t,” Liam says.

 

“Just wait for this one to pass.”

 

Nate watches Liam’s leg stiffen on the brake.

 

Leah had said he wasn’t ready, asked Nate if he was sure he wanted to do this. And Nate had said that he needs to learn, that she might want some time alone anyway. She’d said fine. On this fundamental point it seemed they were agreed, that it would be best if he weren’t around.

 

“Liam, you gotta go,” Nate says, his voice dusted with exasperation. Behind them, the line of cars grows from one to two. Then two to five, the honking monotone, laced with invective. “Do you want to switch?” Nate asks.

 

It’s nearing rush hour. The traffic is only going to get worse.

 

“No,” Liam says. “I want to do it.”

 

“Alright,”  Nate says, looking back at a gigantic truck on a menacing lift kit. The first note of rain hits the windshield.

 

“You sure?”

 

“Yeah,” Liam says shakily.

 

Finally, a break in the traffic. It’s clear. The allegro of rain pounds as Nate watches his son’s foot ease off the break and onto the accelerator.  He can almost feel the relief in the other cars even as thunder slides past the clouds overhead.

 

Now they’re in it. Hand slaps of rain peppering the windshield. Nate is trying not to shake, as he finally understands Leah’s trepidation in full. His hand slips into his pocket for his phone, the entire world swirling in watercolor as they round the first bend.

 

 

Then the roads leading into and out of the roundabout are gone, along with the line of cars behind them. They’re at what used to be the second exit arcing around, but it’s gone as well, as though the earth had opened to absorb it. The darkness of the storm presses.

 

“Just keep going,” Nate says, thumb jamming the phone, dialing Leah.

 

The streets are gone. There’s a nothingness outside the roundabout, father and son locked inside.

 

“Dad,” Liam says.

 

“Drive,” Nate says, not wanting to give away that this was, in fact, worse than any fear Leah could have possibly dreamed up.

 

Finally, Leah picks up. She’s on speaker.

 

“Hey,” she says flatly. Unperturbed. Always on solid ground.

 

“Hey,” Nate says. They drift around for a second lap in the rain.

 

“What?” she asks.

 

“I don’t know,” Nate says. “It’s just…”

 

“What, Nate?” she asks.

 

“We’re stuck,” Liam blurts.

 

Nate observes his own knuckles, the alien strings of the tendons in his hands tensing. In the background there’s the lilting sounds of Sylvia humming an indistinct tune.

 

“What do you mean?” she asks. “Like in a ditch?”

 

“106th street roundabout,” Nate says. “We can’t get out.”

 

They round the same, manicured median for another pass. In the middle juts a pristine concrete sundial engraved with the silhouette of a blue heron.

 

“You need to tell someone,” Nate says.

 

“The fuck, Nate?” she gasps.

 

He can feel her voice growing distant as they continue to circle. He can tell she doesn’t believe him. Again. Probably for good reason. They have their normal problems, their middle-America woes. As they make yet another lap, Nate realizes this is the beginning of a whole new set of troubles. Yet he can’t help imagining, as he has so many other times, their heads close together, a damp defense drifting from him into her, a breathy, tentative reconciliation.

 

“I know how it sounds,” Nate says.

 

“Who the hell would I even call? Goddammit, Nate,” she yells. “For real?” Sylvia’s humming extinguishes.

 

It’s only been a couple weeks. He should have gathered this would sound like a lie. Everything for a while will sound like a lie. Maybe it is.

 

“I don’t know how long my phone will hold a charge. Liam, turn yours off. We’re going to slow down and think about this. I’m sorry, sweetheart,” Nate says.

 

On the other end ethereal static.

 

“I love you,” Nate says.

 

“Yeah, I love you too,” Leah whispers. “Be careful.”

 

The rain slows.

 

“Slow down,” Nate says.

 

“Dad,” says Liam. “What the fuck are we gonna do?”

 

“I don’t know.”

 

All of the strip mall corners are gone, all the whitewashed brick and towering billboards, the crush of conformity. It’s just them, circling. Around them a new sameness of boundless meadow where there once were streets crisscrossing and winding toward the highway. Everything flat and gouged out by ancient glacier. Green and tepid, flowing monochromatic. The sky above still gray. Luckily, Nate notes, a full tank, charged phones.

 

Goddammit, Nate, he can’t stop thinking in his wife’s voice.

 

He lets Liam keep driving, watching the landscape ripple, the world spin smaller into the absurd ease with which they now sat in silence, winding around the circle, thinking of what to do next. It’s been nearly an hour of silence and revolving. He can tell Liam is afraid.

 

“Should we call Mom again?” Liam asks.

 

“Nah,” Nate says.

 

He knows this is the last thing they need here, and in their own way, they seem to be adjusting already. The concrete circle. The smooth grass. Except Nate’s arms and torso feeling bounded and tight, lower back knotting up against the upholstery. He strains his eyes toward the horizon line, looking for anything.

 

“Are you and Mom okay?” Liam asks.

 

“We’re fine. Just one of those things.”

 

The rain stops, the lie gliding out of his mouth so easily. As he says this, the world seems to shift around them, a low luminescence brimming at the edges of the gloom left from the brief storm. Just the promise of shimmer.

 

“Maybe we should stop the car,” Nate says.

 

“Why?” Liam asks.

 

“To save gas,” Nate says.

 

“We have a full tank,” Liam says.

 

“I don’t know, bud,” Nate says. “Just stop. I need to get out and walk for a minute.”

 

He watches Liam pull over. However, behind his son’s straight face Nate can sense the roiling fear pooling in his jaw muscles.

 

“Turn the car off,” Nate says.

 

“I want to listen to the radio,” he says.

 

“Liam,” Nate says, thinking of his next set of lies, the way he might maneuver things back to normal, the way he might be able to get things back to the way before.

 

They stop. Liam gets out of the car, pulls out his phone, and holds it arm’s length in front of him. Nate watches him walking to the median then back across the concrete and out into the meadow, watches the steady light of his phone screen.

 

Nate’s phone goes off. A text.

 

Leah: Liam is streaming. What happened

 

Nate: No idea.

 

Leah: Call someone.

 

Nate: Why? They can’t get here. There’s no road.

 

He knows their marriage can’t take something like this. She’s typing again, the three dots holding his sanity. The sun breaks through the clouds.

 

Leah: I don’t know what to do

 

Nate: Me either

 

Leah: I’m sorry

 

Nate: Me too.

 

 

“Just tell me. What’s going on between you and Mom?” Liam asks when he returns.

 

“Nothing,” Nate says. He thinks of the slinking ease of his wife’s laughter.

 

In the distance, a chunk of meadowland rends itself from gravity, shoots upward into the sky. A green and tan mess zooming up. He watches it into the sky, hearing his son shouting behind him. Liam is there with his phone outstretched, breathing wildly, capturing the whole thing.

 

Then the shakes are over, his phone rings. It’s Leah, and he doesn’t know what he’ll say, so he lets it ring. In his mind he can still hear his justification, feel the heat of his face during the fight. The resignation of her limp arms as she sat on the bed, tearless. How he’d begged and pleaded with no real hope.

 

“Dad,” Liam shouts.

 

The earth shakes. He feels heavy, replete with an exhaustion so absolute that he crumbles and sinks to his knees, a sense of loss careening into his stomach, his collarbones.

 

“I’m calling Mom,” Liam says.

 

“No,” Nate shouts back.

 

“Why? What the hell is going on?”

 

“It’s just one of those things. We had a fight.”

 

“That’s not—” Liam says.

 

“Let’s get back in the car.”

 

“And go where?” Liam yells. “Dad!”

 

“I don’t know,” Nate says.

 

The ground trembles yet again, and another chunk of earth splits in the distance, rockets upward.

 

A new text.

 

Leah: It’s all over the news. Everyone saw you disappear.

 

Nate: Did you feel the earthquake?

 

Leah: What?

 

Nate: Nvm. I’m sorry

 

 

They’ve found there is a limit, an ethereal plane extending into the heavens near where the earth had blown itself upward at the very beginning.

 

But eventually those outside find a way in, at least to get them supplies. Gas cans appear. Razors and bottles of water, non-perishables. Car batteries and tools to install them. They pile what comes in heaps, Liam constantly reorganizing the boxy remnants like firewood. Reams of business cards and half-complete first-aid kits. They’ve found that they can’t send anything out, but they can receive. They still have cell service, but Leah hasn’t called to talk directly to Nate since their last conversation. Instead, she texts to tell him that she can’t get through on Liam’s phone anymore because of his constant streaming. He braces himself against the car. He’s tried to call, but she won’t pick up. He can feel the dispossession in his toes, the creeping ankle pain as he limps around the sundial when they hang up. He monitors Liam in the distance as he patrols the meadow, arms and phone locked in place, his head bobbing excitedly.

 

The narrative drags on in the media. It’s t like a hostage situation.

 

Liam gains millions of viewers on his live stream.

 

“Dad,” he says in an increasingly rare moment without his phone. “Please. Just tell me.”

 

“We’ve been through this, son,” Nate says. He’s taken to calling him son instead of bud or buddy or his name. The formality between them a growing cavern.

 

“Dad.”

 

The earth rumbles beneath them, and they both crouch next to the car, cover their heads as the sound of moving earth envelops them in a fetal white noise, threatening to break the very air they breathe as it moves through their open, screaming mouths.

 

Then it stops.

 

When they emerge, there’s a fully grown, ancient-looking forest crowning hills off in the distance, the same direction of where the ground seemed to threaten to come apart and shoot into the sky all at once.

 

Nate’s phone goes off.

 

Leah: We felt that one.

 

Nate: Can we talk?

 

Leah: No.

 

Nate: What about Liam?

 

Leah: We’ve been through this. I’m working on it.

 

 

Eventually they stop tracking the passage of days and are just glued to their phones, watching the coverage of their situation. On screen, the barrier shows itself as a resplendent cylinder around the 106th Street roundabout, gossamer cells of writhing light. The crowds swell by the day. Nate and Liam eat what they can, save their batteries, turn on the car only to charge their phones. They’ve traversed the entire meadow, explored the forest, breathed in all the scents of the wood, climbed to the top of the tallest trees they dared. Nate’s back is starting to hurt all the time, his muscles seeming to pile up on themselves in a way they never did even just a few years ago. Liam has all but stopped speaking to him, and yet Nate is glad he has his son with him.

 

He’s sitting in the passenger side of the car with the seat leaned all the way back when Liam comes up to the door and taps on the window. It’s gotten unseasonably hot outside. The air seems to be dripping.

 

“Dad, what happened?” Liam says. The pleading in his eyes, the longing to return to his half-open, sixteen-year-old life.

 

And yet a mysterious glint. His son’s hand gingerly wrapped around his phone.

 

“I told you it’s best not to talk about it.”

 

 

They’re sitting together in the car with the A/C cranked.

 

“Dad, please,” Liam says.

 

The sun beats down.

 

“Honestly, son, I don’t even know anymore,” Nate says. He ventures the half-lie into the stale air between them. The heat languid to the point the air glimmers outside the car. Sweat tingling on his collarbone.

 

A tremor beneath them. Nate closes his eyes. It’s over quickly. Nate raises his head, looks around the meadow, over the tops of the trees. Fire. Black soot seeps over top of the treeline, spiraling up in great smiles of smoke.

 

His phone goes off.

 

Leah: Some people think there’s a way.

 

Nate: Do you even want me to come?

 

Leah: I’m not doing this.

 

The fire burns the entire forest, but it’s been contained by something, leaving a stark, black line of ash in the grass. Deer, hawks, a cavalcade of insects run out of the blaze and vanish into thin air; as soon as they hit the barrier, there’s nothing left, not even a sound. Conversely, piles of fire extinguishers, USB chargers, takeout boxes grow into three small hillocks. It’s a one-way. Nate watches his son’s face lighting up when he turns the camera around with an effortless tap. Watches him casually pick over the latest food offerings and come up to the driver’s side door just as the moon glides into the sky.

 

 

The next night, his phone goes off as he’s on a walk back from the barrier. In the distance, Nate can see the oceanic light of Liam’s phone beaming from the driver’s side window.

 

Leah: They think there’s an opening. Are you coming?

 

Nate: I’m sorry.

 

Leah: Me too. I just can’t do this anymore.

 

Nate: What?

 

Leah: All of it. I’m so tired.

 

Nate: Do you think I wanted this?

 

As he nears the roundabout, Nate sees the light of Liam’s phone go out, hears the car ignition sputter. Then the car drops into gear, begins going in circles, headlights rotating at steady pace. Then the engine flares, a squeal of tires as Liam picks up speed.

 

“Hey,” Nate shouts. The light of Liam’s cell phone still flashing in his mind, the finality of his marriage brewing. His back burning as he runs. Perhaps this rift is too great to cross, too absolute. He can’t imagine a scenario in which they go back to the way things used to be.

 

The engine revs to deafening power just as he gets to the edge of the roundabout, and Nate is sure Liam will lose control. He has all the intention of just standing in the way, of just putting his entire body on the line, as he’s unable to offer much else. But as the screaming tires pass, he can’t bring himself to take the final step.

 

He screams at his son, unloading his guilt in great heaves as his breath tumbles out, his shoulders shake. Around him, he can feel wind pick up. Liam keeps driving around at speed. As Nate screams, the truth roars inside him. He can’t even remember what happened, now, what the origin of the rift was, how he’d been able to so utterly obliterate the life he’d fallen into, the family they’d made. All he knows is that the damage is irrevocable, that his cowardice is so complete. He screams and screams, the wind picking up, his skin roiling. He wants to shed himself, to just simply step outside himself and float into a billion particles without intention of reassembly.

 

The car is tilting dangerously. He still can’t bring himself to step in front of it. His legs won’t work, and he wonders if he secretly has no desire to do so, tries to convince himself that he would, yes, of course, do anything to stop his son harming himself. But this wondering breaks him and he falls to his knees, his throat seemingly on the verge of tearing as he just keeps on yelling.

 

Without warning, the car quiets and slows, pulls over into the grass. He hauls himself up from the damp ground and runs to the door, sees his son doubled over the steering wheel, the most magnificent tears he’s ever seen budding in Liam’s eyes.

 

 

The world around them shimmers into a vibrato of sobs. Liam keeps asking what happened, and Nate’s mind is murky as creek water. All he knows is that the memory is sliding, burning the base of his skull as he holds his son through the coming storm.

 

“Why won’t you tell me?” Liam asks, the quakes subsiding past anger into resignation. Nate sees the film over his son’s eyes through his own crying.

 

“I truly don’t know,” Nate says.

 

“That’s bullshit,” Liam says.

 

“I know,” Nate says.

 

“Just tell me, Dad,” Liam says.

 

Hearing the word ‘dad’ come out of his mouth sends a tremor through him. Nate’s arms slip from behind his son’s neck as he falls to his knees yet again, looking in the distance at what looks like a tear in the barrier. For a moment, he can see thousands of camera flashes, hear the twittering sounds of a crowd floating on the hot wind.

 

His phone goes off.

 

Leah: Did you see?

 

Nate: Yeah.

 

Leah: They say they’re ready.

 

“Dad,” Liam shouts above the tumult gathering on the wind.

 

“Let’s go,” Nate shouts back. “Move.”

 

The tear has grown wider, and the crowd is a mass of faces swaying in the oncoming storm. The whole scene wreathed in static light, the barrier finally giving way.

 

Nate takes the wheel. Whatever his sins, he will get his son out of this.

 

He checks his phone.

 

Leah: Are you coming?

 

Nate: On the way.

 

They clamber tearily into the car, and Nate slams the gas, drives around the pile of supplies just as the earth starts to shake again, gigantic stones floating upward just as they had that first day. In the rearview mirror, he can see an opening in the ground swallow all their provisions, mountains of sustenance and novelty tumbling down. The rain sheets as the world throws itself upward. As he drives, he realizes that he can barely remember his life up to this point, much less how all this started.

 

They’re past the copse of trees and wheeling toward the barrier opening. There are armored trucks, toneless voices booming through speakers, untold numbers of uniformed people walking in silhouette. He’s looking for Leah and Sylvia, remembering their presence, the lightness of their hands. The wind picks up and threatens to topple them just as they reach the technicolor opening, barging through into a bizarre mirror of the roundabout they’ve been living in. The same, all the signs of suburbia intact, reassembled from memory and solid as bone.

 

Liam opens the door and crashes to the pavement, lying flat. Paramedics rush in, and their voices are so quiet in the suddenly dry air, barely able to penetrate Nate’s senses. He can see a fist knocking on his window, mouths moving, but he clutches the steering wheel, trying to remember. He looks at his phone. Nothing. There’s a throbbing in his ears.

 

Sylvia and Leah are being ushered through the crowd, and when they emerge, they fall upon Liam in a mess of limbs. Boom mics are everywhere, it seems, vans and other vehicles, a crowd with a crush of voices stretching for what seems like miles. The knocking on his window grows louder, more insistent. Nate keeps checking his phone, waiting for the next message, the resolution, then watches his family embrace, the relief palpable in the way their shoulders move freely as they cry. His arms are heavy, laced with the faint tug of weeping exhaustion. His back burns. Coiled in his chest a smoky iteration of his guilt. He can’t grasp it, can’t get out and join them.

 

Then his family is falling away, a new barrier piling on top of itself around the car, a gilded web forming. The fists and knocks dissipating, the low hum of voices casting off into a watery silence as the rain returns to a plain highway lined with green. When everything settles, he’s on a straightaway with no end in sight.

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the reckoning

CPH said, “too many” can be as few as three—

the magic number exposing how the trick is done,

light shifting from the blonde assistant to hands

concealed in the dark. the advertiser’s golden ratio

of aggregate melanin. the progressive tipping point

where the cool is lost from chic restaurants, the polish

from AP classroom. where they no longer feel

embarrassed for confusing Eunice for Jackie

for Miki. Julio for Erik for Hugo. where “diverse”

slippery slopes to “awkward,” “ghetto,” “overrun,” or

silent blue-eyed glances. the not flaxen straw

breaking the tolerant’s back. it’s a quaint thought.

but experience shows “too many” can be as few as

one.

 

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Review: Boyfriend Perspective by Michael Chang

Really Serious Literature, Sept. 9, 2021

Paperback. $14.95.

 

Cover of Boyfriend Perspective

 

Reading Michael Chang’s Boyfriend Perspective is like flipping through a fashion mag while reading a revolutionary’s diary. The poems celebrate their own arrival, their own awesomeness, sometimes slipping in the center to admit their limitations and vulnerability, only to resurrect themselves with wit and biting self-awareness. Incorporating poems from Chang’s 2021 chapbooks, Drakkar Noir (Bateau Press) and Chinatown Romeo (Ursus Americanus 2021), along with some new and previously uncollected work, Boyfriend Perspective is queer, Asian American, observant, fun, critical, urgent, and knows more than you.

 

The space provided by a full-length collection allows Chang’s work to explore a wider range of emotions and tones (bombastic to quiet), idea expansion (objects to emotions), and formal experimentation (free verse to haibun). Some of the best poems from each chapbook continue to function as anchors or whirlpool pieces that other poems in the collection get sucked toward or are stabilized by with linguistic or emotional resonance. The work is also a celebration of pop culture, queer life, queer sex, and the body as a sponge. The work situates itself in the world of Lindsay Lohan, mid-2000’s internet blind items about closeted celebs, Sonia Sanchez, Alice Notley, Sean Lennon, Frank O’Hara, Rick Ross, Bruce Weber’s photography, Annie Prouxl’s Brokeback Mountain, Wayne Koestenbaum, Cornel West, and ultra-famous queer ’80’s supermodel and icon, Gia Carangi.

 

Chang’s voice remains true to itself, at once contemptuous, teasing, and capricious, with moments of deep insight that feel like the cracking of an egg. One of the best qualities about their voice is its duality: a haughtiness and know-it-all attitude that rides shotgun with vulnerability, an anxiety that nothing will change despite the voice’s commands. The true emotion of the collection lies in the manic vacillation between ego and ego death. What is the modern experience but daily assaults of multiple validations and humiliations? Chang’s speaker is in all of us.

 

The collection offers a range of styles and forms—haibun, zuihitsu, short free-verse, all-caps list poems—but long lines and more essayistic or block prose poems are at the heart of this collection. These long lines tell us something: the speaker is not interested in cutting themselves off. Stylistic capitalization choices feel right in poems where power, hierarchy, class, race, capitalism, and value systems are examined and thrown up against one another. A sometimes lowercasing of the lyric “i” speaks to the vulnerability of our normally bullet-proof speaker. In “Two Shakes of a Lamb’s Tail,” Chang writes, “i’ll miss him, i’m sure, but / doesn’t it just eat at you when a boy is too perfect?”

 

“Yankee Yellow” is a prose block poem that looks to the reader to discern its patterns and associations. It’s no accident that the poem’s title is built from such loaded words; as the poem unfolds, the definitions of “Yankee” and “Yellow” start to expand, contract, or unravel as Chang places food, brand names, literature, and public figures alongside them, modifying their meaning. The repetition functions as a reminder that as far away as we wander from the phrase we are pushed back to its commanding presence. Maybe most importantly, Chang references the poet George Oppen: “Yankee Yellow Oppen’s G-string” and “Yankee Yellow New Rochelle” (Oppen’s hometown). Oppen, from the school of Objectivist poetry, provides a lens through which to think about Chang’s work. Louis Zukofsky defined Objectivism in terms of its focus on sincerity and approach to poems as objects; however, that definition may be less helpful than looking at the work as a link between modernism and language poets. The Objectivist movement was staunchly left-leaning, interested in ethical poetry, and Oppen famously joined the communist party: “Yankee Yellow commie scum.”

 

Chang’s work hovers around the influences of Objectivism, language poetry, and the coolest, wisest graffiti you’ve ever seen scrawled under a bridge: “There are two wolves named Dolce & Gabbana. First disarm them with / a compliment, defuse their racist anger.” Chang’s work becomes its own phenomenon complete with the peaks and valleys of vacillating popular trends. Each poem reads like a fashion fad or society spectating its own rise and fall, whipping in and out of style so violently that the somber truths that lie beneath emerge in gasping one-liners. In “Squeeze,” Chang writes, “Sometimes I feel like our relationship is two con artists trying to / con one another.”

 

“Incendiary Chxnxmxn” is a political language poem that appears as a code poem. When you solve for X, the first line of the poem—“AX XNGLXSH-CHXNXSX PHRXSXBXXK (1875)—becomes “AN ENGLISH AND CHINESE PHRASEBOOK (1875).” The date is important, as it’s not only the source of the found text below but also the date of the enactment of The Page Act (a precursor to the Chinese Exclusion Act of 1882), which outlawed the entry of Chinese women to the U.S. The Page Act is often cited as sexually motivated, a way to stop women of color from entering the U.S. and becoming “sexual threats” across racial lines. Chang ends the poem with a purposeful mixing of commerce and sex: “SXME MXN LXVX CXPXTXL / & SXMX MXN GXT PRXFXTS / BXY XS MXNY XS YXX LXKX / CXN YXX LXT MX SXX XT? / YXXR CXCK, X MXXN” (“SOME MEN LOVE CAPITAL / & SOME MEN GET PROFITS / BUY AS MANY AS YOU LIKE / CAN YOU LET ME SEE IT? / YOUR COCK I MEAN”).

 

“America’s Sweetheart” underscores this tension regarding objectification, dangerous power differentials, and politics in sexual and romantic relationships. “Is Brett a human boy…” the prose poem begins, and though it’s not punctuated as a question, it is one. It goes on to describe all the objects that surround Brett, the achievements he’s earned, “his hand up the skirt of some unsuspecting girl who thinks she has found the one.…” By these descriptors, we know Brett’s class, race, and gender, and we’re still questioning if he’s human. We question it because at the end Chang warns, “Brett is so happy though he never throws a tantrum in public but she doesn’t know that Brett is an undecided voter.” How can we be so close to someone and not know them politically? Who benefits from that separation? Cis, white, hetero women and privilege are clearly under scrutiny here; who else would have the “luxury” of not knowing their partner’s politics?

 

In “Rage is Just a Number,” the speaker again approaches themes of sex and objectification but this time places themself more in the spotlight: “He lets me touch him till he shudders. / I’ve learned to feed the ducks within / me. They’re always hungry. / I’m the bag of old crusts, a vessel for / your hate: flip me over, turn me inside / Out. / You can journal your disappointment/ later.”

 

The speaker sees themself as something to be used, hated even, and in this moment our speaker is naming themself the object, “I’m the bag of old crusts,” and giving permission to be objectified, “flip me over, turn me inside/out.” Chang’s work and speaker is showing us here how consent functions, how sex sometimes works as permissive momentary objectification—how that’s different than the other exchanges and objectification taking place in the collection.

 

No one is safe from this speaker’s criticism, not even poets. In “Adverse Possession,” Chang writes, “Nobody: / Absolutely nobody: / Poets: SELF-PORTRAIT AS.” Critique is a form of protest, and Chang is asking for more—more from poets, more from lovers, more from America, more from a failing society, more from you, dear reader: “sex is good, but have you ever fucked the system?”

 

Chang’s work, not unlike the abstract art it references, finds resonance in what’s universal and yet is specific in its expression and vision. Questions that arise while reading Boyfriend Perspective stay with the reader long after finishing the text: What happens when you live in a disposable culture? Do you dispose of yourself before anyone else can dispose of you? If everything is an object, should we objectify ourselves before anyone else does? In order to safeguard oneself from disappointment or disappointing others, should you state out loud you’re disappointing or will disappoint? If we observe pop culture, will we become embedded in it? If we have sex do we become embedded in our lover? Is everything an exchange? or some kind of sale, or deal, including relationships? Is everything a trend or a moment, how do we know what moments are meaningful, or is that the point? None of it is more important? What if what or who you desire (by its very nature) will or wants to destroy you? Or what if who you love will never recognize your humanity? If your lover is shallow, should you be more shallow? Is your lover’s racism, ethnocentrism, misogyny as certain as their indifference to your pleasure? Or is this complicatedly part of the pleasure? Is your lover’s kiss no more valuable, no more intimate, than watching them shit? In the title poem, Chang writes, “sometimes it’s freeing to love someone/take off ur life jacket & plunge.” With these instructions, we just might.

 

After all the questions, the Lindsay Lohan references, the Brokeback Mountain quotes, the rifling through and examining of culture and objects, we might wonder what is left? Chang writes on the last page of their collection, “here is happiness / more or less / what saves us.”

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Gravida 3 para 1

When the nurse asks if I have a surgical history

I begin to form the word of my uterus and its

 

drawing out, consider inviting her into the recovery room

filled with women giddy from their return to somatic

 

solitude, then into the smoke-filled apartment with its

futon mattress and warm bottle of retsina, reward

 

just for time, passing from before to after

it. I begin to form the word, but the word—its roundness, its flat vacuum

 

of a face—swallows its own tail. After the medical abortion

I imagined a fish, small fry flapping, and still in some Boston Harbor

 

it haunts a stand of seagrass, is haunted in turn by its half-sibling

the surgically aborted, ripped from stories

 

too. Sibling’s sibling I do not speak of, my double-standard shame, my

ill-gotten fishlet, in my mind I hold you in loving kindness and say no

 

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When I Am Dorothy Gale

The curtain comes crashing down

and there I am, ruby-footed and murderous,

doing it all for the bloated shadow

of a little man. How foolish I have been

again and again, poppy-cocked

and clumsy, letting the boom of a voice, the cast

of a giant, tease me into storming

the castle to take what I never lacked. What is

more incarnadine: the glitter of these

shoes or the myth of blood now on my hands.

I look at the man and he looks back,

the fury of being caught pinking his cheeks.

I am not the heroine, and I know that

too late. He has no power to give me, after all,

the fading of his theatrics, and if he did,

I understand he’d keep it. We all fell for green,

called it real. There’s no place like money.

There’s no seduction like a beast of sewn-up skins,

a cotton ball on fire, a thrown voice

that tells us what we want to hear. Which of us

escapes? He told the lie; I did the killing.

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The Herbalist

Before we met up in Rome, I hadn’t seen Samuel in ten years, and most of what I recalled from our conversations on smoke breaks and at parties were details about his girlfriends—the one with the long nipples whom he had loved and who’d eventually left him for her high school sweetheart; the one with a dead little brother and a penchant for being choked; the one who was ethically non-monogamous yet completely obsessed with him. Did I remember these stories because I’d been a little in love with him? Or had he simply repeated them so many times?

 

During my library fellowship in Padua, I had spent my days in the dark of the archives taking photographs of very old books about plants and my nights walking back to my apartment through the rain to eat pasta and sausage and drink vino sfuso from the two-liter plastic bottles that I had refilled every Wednesday. I knew my last week in Italy would be greener as I ventured south to Rome, but I wanted it to be different, too. I had visions of myself like Timothée Chalamet in Call Me by Your Name, suddenly young and trembling underneath someone’s hands. Why not Samuel’s? He was the only person I knew who lived in Europe, and I hadn’t been with anyone since my last relationship, the one that had made me want to flee my life in the first place. When I messaged him on Facebook, I didn’t explicitly say it was a fuck trip, but he agreed to meet me there and accepted the offer to stay in my Airbnb.

 

His flight from Berlin got in before my train, so he met me at Termini, where I was disorientated by all the flashing billboards and signs, reminding me of Times Square in a way that made me feel both comfortable and homesick. And then there was him, another flash of the familiar, a face I’d known so many years before. His blond curls were shorn, and he had a man’s face now, the boyish softness I’d once liked supplanted by a network of fine lines that extended out from the corner of his eyes toward his temples and down along his cheeks—many more lines than I had, in fact. His blue eyes lit up with his smile, and soon he was hugging me and telling me that I looked “great, really great,” which was a relief to hear after all the pasta and wine. “You too,” I told him, and then I asked if he’d ever been to Rome.

 

“Four or five times,” he said.

 

“Oh. So this is familiar.”

 

“It’s been a while. Actually, one of my best mates lives here, George, and I haven’t seen him in three years. I don’t know where the time goes.”

 

“Yeah? Did you two make plans?”

 

“Nothing concrete. I figured I’d see what you had in mind.”

 

I told him somewhat abashedly that it was my first time, and I wanted to see the sights—but he didn’t have to come with me, of course.

 

“I’d love to tag along,” he said. “The Colosseum never gets old.” The dad joke pleased me, as did the ease of speaking in English again, even though he had a bit of an affected European accent now, as vague and placeless as I suddenly felt.

 

I planned to take a cab to the Airbnb, but being less intimidated by the public transit system than I was, Samuel directed us to the proper machine to buy tickets, and then to the right bus, and after thirty minutes of swaying and conversation about the book I was writing on herbal remedies for grief and what he’d been doing in Germany—he was a sommelier, it turned out—we arrived in a one-bedroom apartment in Trieste, smaller than it had looked in the photographs, but not too small. We put our things in the entryway and explored the unit, recently remodeled to look like an Ikea showroom, white and ordinary. The only signs of life were the corn plant in the bathroom and the succulents in the bedroom window, although even they were only visible when the blinds were open. I was relieved when he suggested we go for a drink right away.

 

As we walked to the restaurants on the closest piazza, the sun broke out from behind the rain clouds that had followed me for most of the fall. No longer trapped inside a bus or underneath the arc of an umbrella, I turned my eyes toward the palm trees and umbrella pines that arced above the tops of ochre buildings up to the sky. If we were brave enough, we could sit on a patio beneath them, tempting the rain to come again.

 

We were.

 

Samuel made everything easy by speaking to the waiters in English, making no effort to go through the charade of attempting Italian after the first obligatory ciao. Focaccia and hummus arrived along with our wine, and I didn’t feel hungry, but within twenty minutes, everything before us was gone, so we ordered more.

 

It turned out that Samuel remembered more than I did from the nine months we’d worked at the same restaurant. He asked me about my brother, my parents, and of course our manager Mark, who I’d been dating at the time. “There was always something off with that guy,” he said. And there had been, but I didn’t want to tell him about the time Mark shook me so hard I bit my tongue, spitting blood out in his sink, the pink stream mingling with his beard trimmings. I should’ve quit right away, but I’d just gone on with life and the effort of loving him until it became too much. I’d kept my graduate school admission a secret, staying until the day my father drove up to help me move, and then I left forever.

 

As Samuel asked me questions, images came back to me in uncertain flashes. Besides the alley behind the restaurant, we had once talked on a brown sofa, and once on a staircase strung with Christmas lights. I’d forgotten almost everything about that time, but he remembered so much of me and who I had been then, a person I almost never thought of, and a person who was in many ways lost to me. I felt bees take up residence in my chest. I didn’t even want to remember those years when I was living them.

 

Another memory floated to the surface. Samuel had once gone to the airport without his passport and asked me to bring it from his apartment. I had searched through boxes and drawers, then sat on his white comforter in the morning light. I must have found it—it was on that trip, after all, that he’d met the girlfriend he followed to Berlin. So I asked Samuel about her.

 

He let out a long sigh and looked up at the sky, blue except for a cluster of gray clouds crowding together in the distance. He shook his head. “Fuck this,” he muttered.

 

I didn’t know what to say. “Sorry?” I asked, trying not to be offended.

 

“No, no, it’s not you. I just can’t keep talking about this shit.”

 

“If it makes you feel better, I don’t really want to, either.”

 

“God! Thank you!” he said, relieved. He lowered his eyes to mine again. “When you see old friends, there’s always this ritual, as if we can’t enjoy ourselves now without resurrecting our memories first, trying to crawl back into who we were.”

 

I knew what he meant, yet I now felt annoyed and a little embarrassed. I could feel my face hot, probably red. If we weren’t going to talk about the past, what was left? Maybe this had all been a mistake.

 

I could feel Samuel looking at me. Then, he half-stood, leaning over the table and bracing himself with one hand as he kissed me. It was a long kiss, and I could taste the wine in his mouth, rich and leathery. He pulled back and sat down again, his stained lips still slightly parted.

 

“Sorry,” he said.

 

I laughed and told him, “Don’t be sorry.”

 

We could have gone back to the apartment right away and taken off our clothes, but I think both of us knew that that would be less satisfying than prolonging the feeling between us and the question of whether or not we would sleep together—although of course we would. Really the question was whether it would be full of passion and desire, the urge to wring something out of each other, or whether it would be ugly and awkward, the simultaneous consummation and death of another part of our youth. The longer we waited, the more the desire would grow. So we walked toward the Borghese gardens.

 

Now, there was a levity to our conversation. I could feel the laughter bubbling out of my throat as we walked side by side, or sometimes, through a crowd, with him slightly ahead of me. His phone was out as he navigated the streets, so I didn’t have his full attention, but I wasn’t sure I could bear it if I did.

 

When we got to the gardens, he stopped at a picturesque cart to get us two plastic cups of wine, and then we were wandering past the Villa Borghese, which I’d bought tickets to visit the following Saturday. We walked down a long, wide sidewalk with cloud-like pine clusters above it. Soon, the sound of harp music was in the air, and we were navigating around puddles to get a view of the Temple of Aesculapius, the water reflecting the purple-streaked sky and the gathering clouds. We stood at the fence and gazed out toward the figure obscured behind the columns, but my eyes kept flitting back to my own reflection, our reflection. I remembered one particular photograph of us together at twenty-two, his arm around my shoulders. The last few hours revealed that I’d barely known him, but something had inspired that embrace and my bright gaze within it, perhaps precisely the same things that inspired the image I was looking at now in the water. Perhaps there was really something there, here.

 

Samuel looked down, and then he kissed me again, his hand on the back of my neck, and I used my free arm to pull him as close as I could, to feel the realness of him, nearly dropping my wine in the process. After a minute, though, he seemed to remember our surroundings. There were other tourists clumped around the harp player, children splashing in the puddles in their little yellow boots.

 

It started to rain. We ran back toward the museum, where there were men selling umbrellas for two euros a piece. We each got one and then, for the walk back, we were forced to stay in our own circles of protection. It wasn’t a romantic rain but a miserable one—I was wearing my suede boots with the little heels for the occasion, and they were soon soaked. I could feel my socks getting wet underneath them, my feet becoming cold, then numb.

 

When we got back, we were both drenched from the shoulders down. Samuel broke the coldness that had crept between us, taking off his jacket, his shoes and socks, all while still standing in the foyer, and then turning toward me as he took off his shirt. I saw the expanse of his chest, his lungs heaving beneath his bony ribcage, and then he picked me up and carried me to the bed in my wet layers, which he peeled off one by one. I giggled, I laughed, I tried to protest that I could do it myself, but he was in a serious mood as he warmed up each of my hands between his palms, lifted my shirt, and started to drag his hot breath down my ribs, down past the waistband of my jeans as he helped me shimmy them off.

 

You come back to that first time with someone again and again. The moment when desire was at its peak and you held yourself taut, waiting to see if it could be fulfilled. That time, it was. I realized I had wanted this for a decade. With him, I became my younger self again, but not naïve or open to abuse—just unashamed, ready to grasp what pleasure I could take without worrying overmuch about the consequences.

 

“Wow,” he said afterward. “I didn’t expect this.”

 

“Then why’d you bring condoms?” I asked jokingly.

 

“Well, I thought it would take more effort to seduce you, at least.”

 

We kissed, and I asked for him to warm me up again.

 

The first night was lost to love. I didn’t leave the room again, although he briefly put on his raincoat and pants, too rushed to get fully dressed before dashing down to buy a few slices of pizza and another bottle of wine. We went to sleep in the wee hours of the morning, and I kept startling awake from dreams. In one, we were making love on the floor of the Basilica of St. Anthony, the saint’s preserved tongue falling from its reliquary to get between us. In another, we were apart, me trapped in the belly of a strawberry bush, Samuel eating the fruit rather than cutting me out. After each, I woke and found him next to me, wound my arms around him. I couldn’t get close enough.

 

The next day, we reemerged into the world. We walked to see the obvious sites. Each one seemed less beautiful than the prospect of losing myself with him again. But Samuel had made reservations for lunch on the opposite side of the city, so we spent all day out in the bright cold, kissing in front of strangers and staring at each other and laughing at the surprise of it all. What was art next to this? All of culture, really, existed simply to try and capture the feeling that was in our chests, waiting to be looked at and stoked into flames again and again. The next day in Vatican City, I looked up at the Sistine Chapel and thought, meh.

 

By the fifth day, we had given up on the world. We tried to order in pizza, but instead we got two plastic containers of burrata, each with different accoutrement—peppers, pieces of basil, a whole tomato. We ate them laughing. I wanted to stay inside those moments forever, but of course, another urge was rising, too. I wanted to ask him, What next? He wasn’t going back to the States for the holidays, he told me—his parents were coming to Germany. And a small, irrational part of me thought that perhaps I could come, too. Nothing was waiting for me in my apartment back home, except for the gift my subletter had left on my counter. She’d sent me a photo of it along with the keys, and from the size of the box, I guessed it was a mug. Perhaps—definitely—it was too soon to meet his family, but I was willing to pay the ticket change fee for even another day, another night.

 

When the sun fell that evening, I was ravenous. Samuel had a restaurant in mind, and after a three-course meal down the street from the Pantheon—a building I had still not set foot inside—we ran through the cold to the bus stop to wait for the vehicle that would take us back to our temporary home. We found two seats, one in front of the other. Samuel sat down behind me. As the bus drove past the glorious fountains, the ancient architecture done up in wreaths and ribbon and lights, all I could think about was how to voice the whispers in my heart.

 

He leaned over my shoulder. “Hey. What do you think about going over to George’s tonight?”

 

“George?”

 

“You know, my friend who lives in Rome.”

 

“Oh. Where does he live again?”

 

He told me the neighborhood was on the other side of the river, in the opposite direction from the one we were heading in. It was past 10:00 p.m. already—not that we’d been going to bed early—and going back out into the cold was the last thing on my mind. If Samuel sensed my hesitance, he pushed right through it. He told me about meeting his friend in Berlin, and the crazy nights they’d had together in their twenties, and the fact that he’d been feeling guilty because George’s fiancée had just left him. With just two nights left in the city, he wanted to get the visit over with. That way, he and I could enjoy the rest of our time together. I didn’t have to come if I didn’t want to.

 

“No, no,” I said. “I can come.” The truth was that I couldn’t bear to be away from him.

 

We got off the bus at the next stop and hailed a cab. We held hands in the back seat, and I asked Samuel what to expect. He told me George was “a riot.” When we arrived, he leaned on the doorbell, and then we stood in the cold outside an ancient stucco building. We waited for so long I started to doubt we had the right address, but just before I asked Samuel to call, a man came down. He was short with a little bushy beard and a beanie pushed over his brow.

 

“Look what the cat dragged in,” he said to Samuel. I expected George to be American, but no, he was British. “This wanker!” he exclaimed, standing on his tiptoes to ruffle Samuel’s thinning hair.

 

“And you must be Hannah.”

 

He walked us through the lobby and up the five flights of stairs, past peeling paint and the sounds of television sets coming through the doors. Panting, we arrived at a tiny, split-level apartment with a sofa and a kitchenette beneath a spiral staircase that led, I assume, to a lofted bed. There was so little in the apartment that it was hard not to notice everything in it—the dishes in the sink, the Clockwork Orange poster on the wall, the coke on the table. I wasn’t aware it would be that kind of night, but almost as soon as we sat down, both men had done lines.

 

I hesitated, and then told them I’d have just the tiniest bit. George offered us wine, too, and I accepted, then perched opposite the sofa on a little, leather, heart-shaped ottoman while the two men caught up.

 

George told the story of his jilting with a certain hysteria, as if he couldn’t quite believe what had happened. He and Anna had known each other for a year, been engaged for six months. He’d never thought he’d get married at all, but she’d been so jealous, and in June, when he’d gone on a trip to Marseilles, she’d been convinced he was cheating. Knowing this tale was not meant, really, for my ears, I made myself small. I looked at my phone, scrolling through the photos we’d taken. George was telling Samuel how Anna had left him the first time, via text, and he’d flown back right away to swear his love and win her back. She’d thrown the ring he’d bought onto the ground. It hadn’t been good enough for her, she told him, it was a fucking piece of crap. And it had been—he’d just grabbed something pretty from a vintage store in the neighborhood; he’d thought it was about the gesture. In one of my photos, Samuel was in front of the Trevi Fountain. In another, I was in front of a blooming oak leaf hydrangea. There were none of us together. As I scrolled, I half-heard the tale of George and Anna’s reunion, how they’d finally bought a proper ring and she’d moved into his flat—this one, although it was hard to imagine a second person’s possessions inside it—and they had started actually planning the wedding, her mom visiting from Naples and sleeping on the sofa, as if there were room for that.

 

“Fuck. Women,” George said.

 

“I know it,” Samuel said.

 

“Is she your girlfriend?” George asked, and I realized he was talking about me. Trying not to look too interested in Samuel’s response, I stood up and started looking for a glass. Samuel didn’t say anything, and when I sat back down with my water, George pressed him.

 

“Well, is she or not? Would you share her?”

 

Samuel just smiled and rolled his eyes. When we made eye contact again, he winked at me. It was true that even I could see George was just heated up, but I wished someone would try and tamp it down.

 

My new love and his old friend drank more, did lines, talked. Mostly George talked, going on and on about Anna’s mom’s visits. I drank water; I drank wine. We heard about the way she kept the house, the things she made and didn’t make for breakfast, the way she made it impossible to fuck with her snores and sighs. Maybe there were signs earlier, something he’d missed.

 

“Signs of what?” Samuel asked.

 

His ex-future mother-in-law had had a dream a few weeks prior to Anna’s departure. In it, the family dog had been pregnant with puppies, but she hadn’t ultimately given birth to them. Her swollen stomach disappeared, and Anna was the one who had the litter. There were four of them, tiny and brown, and the dog was so jealous she could barely be kept out of the nursery. She scratched and scratched at the door, the paint peeling up underneath her claws, and the puppies whimpering behind it. Anna didn’t have enough milk, the right milk, and the dogs began to grow up thin and angry, their cries an unceasing, hideous peal.

 

At first, George had thought it was funny. They didn’t have a nursery, and Anna wasn’t going to have puppies, or kids, or anything. She had an IUD. Slowly, he started to understand that she was actually upset about it. She thought it was some portent of what they would give birth to together. He’d tried to make light of it, tell her he could wear a condom. Or if there was something wrong with their kids, so what? They could raise a differently abled child together, couldn’t they? As long as it wasn’t actually a dog. Hell, even if it was. But Anna couldn’t let it go. For a week, she wouldn’t have sex with him, and then when she finally did, she spent the whole time staring up at the ceiling. She cried afterwards, making him feel guilty as shit. A week later, she moved out of the apartment without warning. He didn’t know where she’d gone, George told Samuel. He hadn’t looked, yet, but maybe he should start with her parents’ place in the south.

 

Underneath the tannins of the wine, I could still feel the numb drip at the back of my throat. I wanted to relax—just an hour before, I had felt so stupidly happy—but now, the bees were back again.

 

“I don’t think you should do that, man,” Samuel counseled. “It sounds like all you can do is move on.” He tried to get me involved in the conversation, to tell George about my research. “Is there an herb he could take?”

 

“I’m a historian, not an herbalist,” I said.

 

George leaned across the table toward me and told me, “I bet you could help me forget.” Then he turned back and asked Samuel, “Seriously, is she fair game?”

 

“Ask her,” Samuel said. “She speaks for herself.” I went into the bathroom and shut the door.

 

Sitting on the toilet with my tights around my ankles, I messaged him from my phone, which I’d had the foresight to keep in my hand. I’m ready to go, I typed. I listened to the muffled talking—George was on again—and waited for a response.

 

It didn’t come.

 

I went back out and took my seat on the ottoman. I kept my phone in my hand. Now, George was leaning back against the sofa, his red face jutting toward the sloped ceiling and the square pane of glass set into it. When Samuel glanced in my direction, I widened my eyes, can we go? and he gave me a subtle shake of his head, no, not now. Or maybe we didn’t know each other well enough to silently communicate. Maybe he had no clue what I was saying. Instead of trying to figure it out, he laughed at George’s stories. He offered me more wine, and I refused.

 

“She’s not very fun,” George said.

 

And Samuel looked at me brightly and said, “She can be.”

 

“Well, what’s her fucking problem tonight?”

 

I had had enough. I stood up. “I think I’m ready to leave,” I said. And then I put on my coat and went down the stairs, my legs trembling.

 

On the ground floor, I messaged Samuel again, but he hadn’t even seen the last two. Maybe his phone was in his coat pocket. Or maybe he knew that as soon as he took it out, George would grab it.

 

I stood there and looked through my email. I read the news. I gave Samuel all the time in the world to come down and get me, but he didn’t. So I went back out into the night and tried to remember the path the car had taken. I’d been relying on Samuel to know where I was, and now I was as good as lost. I looked at my phone again and again, toggling between my messages and the map that would get me to the appropriate bus stop, but I kept taking wrong turns onto narrow, darkened little streets. What was wrong with me? Why did I feel like this? It was late, now, but as I wandered on, I began to pass couples, to see orbs of light suspended above the street. And soon, I realized I was by the American University, young people still milling around at the end of the semester. They came in groups of twos and threes and fours, everyone a part of something—as I had always hoped to be, as I had always failed to have been.

 

Finally, I gave up and called an Uber.

 

Back in the Airbnb, I took off my shoes and crawled into bed with my coat on. I clutched my phone in front of me, reading through our whole exchange on WhatsApp since October. But since we’d spent every moment together for five days, there was no record of our affair in text. I tried to think through it from beginning to end, from the first kiss to the last one just before we’d gotten on the bus. As I wrapped myself in these recollections, I first worried that Samuel would be angry at me when he came back. Or maybe he wouldn’t come back at all. Then, remembering the suitcase spilling open just to the side of mine, I began to dread the certainty that he would. I fell asleep composing a speech in my head.

 

At six that morning, the doorbell rang. It took me several minutes to find the light switch, my shoes, and the key. I took my coat off. When I arrived at the front door, Samuel had an apologetic little smile on his face. A smirk, some would say.

 

“Did you have fun?” I asked.

 

“I did. Sorry George bugged you, though.”

 

“I wanted to leave.”

 

“And you left.”

 

What was there to say after that?

 

We had only one more full day together, and he spent most of it asleep in bed.

 

Late that afternoon, we went to the Villa Borghese at our appointed time despite the fact that Samuel was hungover, actually wrecked. A part of me wanted to confront him, but another part felt pity for the way he winced in the sunlight, the lines etched more deeply on his face than the day before. And another part knew that all confrontation would accomplish was the utter destruction of the bright, sparkling feeling that had breathed between us for five days. There was still a glimmer of it as we stood side by side looking at Bernini’s Daphne and Apollo, more beautiful than I had imagined. This was the stuff of myth—pursuit and desire so intense that they make us inhuman.

 

Samuel’s flight left in the early hours of the morning, and I don’t think he woke me up before he left. If he did, the moment receded into the landscape of my dreams, which had become boring again. In them, I was arranging my photographs into files, trying to decipher lines of curling text, checking my email. When I woke up, I remembered that I preferred them to be that way. I cleaned the apartment. I packed my bags with my clothes, my souvenirs, my toiletries, and a clip from the Haworthia that grew by the window.

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Your Name in F# Major

A flamingo of a man in a pink-blush tux

plunked a single piano key repeatedly

 

for nearly an hour.

By the end of the evening

 

I heard such gorgeous silence

and sobbed. My mind

 

was in brambles and the notes he pecked

all hatched like eggs at once.

 

Every flap, every cheep

became your name and I became

 

a mockingbird. I said your name

as if I were your brother and just caught

 

you snooping in my desk

for the cigarettes I kept hidden.

 

Then I said your name

with the reverence of a child

 

learning his mother existed

as before-mother for the first time,

 

reconciling one identity with another.

Now I say it like we just met,

 

introduced by a mutual friend

we later admit we never liked.

 

I’m trying to commit

the syllables to memory

 

without making it obvious. Hi,

it’s nice to meet you. It’s nice

 

to see you again. Hi. It’s so nice. Your name.

I say it so often it loses meaning

 

the way cotton candy dissolves

so humbly and quickly

 

into a glass of water but the water

is delightfully altered, and I don’t remember

 

your face anymore

but you’re in the swirl,

 

and I drink and drink and

stay, please, with me, I am chapped,

 

chirping, I’m spun, oh sugar, oh

sweet, your

 

name, oh your name, your

sweet, invisible name.

 

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Don’t Mistake Human Remains for Cocaine

Aunt Glenda gave me and Cricket $200 to buy an urn for the ashes, and we fled. After suffering our closest (and richest) relations’ disdain and neglect from a thousand miles away our whole childhood, suddenly having them inside our small, shabby southwest Florida home micromanaging our mom’s last arrangements was a lot. But they thought we were too young to figure it all out on our own. We were twenty-two (Irish twins, eleven months apart) and fairly fucked up, so they may have been right.

 

Still.

 

Cricket and I had barely spoken since I ran away to college. Cricket and I had barely spoken before I ran away to college. Cricket and I had had little to do with each other, in fact, since we were around six years old and still building pillow forts in the over-abundant living room in the house that it turned out we couldn’t afford so we’d moved away after our mom (who was technically our grandmother) divorced her alcoholic second husband and buried her two real daughters. Having little left to give, our mom had split herself in two and given each of us half: I got her respect, but Cricket got her love.

 

So the two of us, likewise, split the universe in two and agreed to keep to our side. I drowned my adolescence in a pile of books; Cricket went with the more traditional sex and drugs. Cricket dropped out of high school; I escaped to college. But we were both burnt out by our aunt and uncle’s cloyingly perfect manners and good-breeding that day, so we were doing fine with each other for once.

 

We took the $200 and drove down to Fancy Street by the beach to find a container they would deem acceptable to inter with our mother’s ashes in the venerable family plot in Virginia. The day was moist and desolate. Hurricane Wilma had stopped by that weekend, downing nearly all the power and telephone lines, and the streets were strewn with flotsam. One whole tree had been plucked from the ground and lay on its side, its roots flipping off the sky.

 

We parked our mom’s indecorous yellow Toyota Matrix and wove our way into and out of stuffy boutiques, picking up hollow blown-glass artisanal pieces, fine, porcelain basins, and deceptively simple boxes imported all the way from Japan; in each, I tried to picture the woman who’d manhandled every moment of our childhoods, mostly from the comfort of her depression-bed, shutting up long enough to be called “at rest.” The well-coifed sales ladies looked at us askance, as well they should—we were obviously up to the worst kind of mischief—but they asked if they could help us, anyway. This sent us into peals of laughter. Could they help us? Could anyone help us? Were we even worth helping? Not according to most of our relations. What kind of help would have helped us, anyway?

 

Having no answers to these and other questions, we left before the cops could be called.

 

Cases, canisters, vessels, casks, repositories, barrels, bowls, tankards, pitchers, bins, and drums. We tried them all, but nothing was vibrant enough, irreverent enough, spiteful or woeful enough. We’d been at it for hours when our fractured nerves and our natural distrust for each other resurfaced. There were no contenders. We were at the end of Fancy Street, and it was clear that none of those ostentatious ladies believed our white-trash asses could pay for what they were selling.

 

We ended up by the pier where our mom used to bring us to play as kids, having escaped the respectable relations herself when she was much younger and Florida was still a string of quirky fishing villages. There was a kitschy tourist shack. We went in and immediately spotted a hideous pink-plastic flamingo vase for ten bucks. We bought it without conferring. Pocketed the rest of the money.

 

We brought the pink-plastic flamingo vase back to our aunt who was comme il faut in this and all things. Completely straight-faced, we handed it to her, knowing this would have made Mommy cackle. Watching Aunt Glenda’s perfectly manicured fingers shrink back, we pretended we were the idiots she thought we were.

 

“Perfect,” she said nobly.

 

 

In lieu of a funeral—our mom had been a rabid atheist—we had a gathering in the home. Even if the traditional news outlets had been functioning full-force, it would have been small. She spent her last decade razing bridges. One of her former friends, who we used to spend Christmas with, told us straight off she was there only to support me and Cricket. Our mom’s favorite cousin, in contrast, did not come because we were “two ungrateful bitches.” Neither our mom’s students nor the people she’d taught with for nearly forty years showed up. But the brassy old biddies with bad teeth and backs she’d slung fabric with at Jo-Ann’s when her retirement money wasn’t enough came out en masse toward the end of the night.

 

Aunt Glenda, bless her well-bred heart, greeted them with all the grace a Southern Lady could muster. I sat on the piano bench in the living room and tried to make small talk with everyone. It was Halloween. My one-year anniversary, exactly, with my girlfriend back at college. My brain kept catching on this fact. (When I asked her to come with me, she informed me the request was improper.)

 

Uncle Aaron said something disparaging about Provincetown.

 

“I love P-town,” I said, having gone there recently and discovered that women walked hand in hand all over town without anyone batting an eye.

 

“I bet you do,” he said, vehemently. And so my evening went.

 

Cricket got wasted instead.

 

Cricket is 4’11 and elfin—fair hair, green eyes, pointy ears, with a wyrd-witchy style. Besides our age for one month every year, and our birthright of intergenerational trauma, the only thing we share is our chest size. Though I’d never admitted this, in high school I had admired Cricket’s ability to try just enough of every drug to experience it and be liked, but never enough to get truly messed up. It was a sort of self-possession I never had. But this was not one of those nights. While Cricket was in the living room getting drunker and drunker, judgment oozed from our aunt and uncle. So Cricket sad “fuck it,” took several bottles, and went out to what used to be a garage but had more recently been our drug-dealer cousin’s room before he ostensibly killed himself in a shoot out with the police-who-never-fired-a-shot.

 

Cricket was staggering around beyond blackout drunk, so I called Little Crystal, one of Cricket’s best friends, to come over for support. She suggested Cricket try on the Pez dispenser costume that Cricket had put so much work into, and now wasn’t going to get to wear to any Halloween parties, after all. Cricket had collected Pez dispensers (and other small things) for years and had really done a great job with the Cricket-sized Big Bird Pez dispenser.

 

It fit perfectly.

 

Unfortunately, it had no arm holes.

 

And Cricket was hammered.

 

And the floor was concrete.

 

Cricket crashed down head-first. And then refused to go to the hospital. Cricket could barely speak through the alcohol and concussion but was adamant on that point. NO HOSPITAL. In hindsight, I suspect it was a fear about health insurance now that our mom had died. Even though Aunt Glenda and Uncle Aaron probably would have covered any hospital bill from that night, that would, obviously, have come with its own baggage.

 

But over the past four years, I had lost my mom, my cousin, the alcoholic second-husband, one of my best friends from high school, and even my childhood cat, who was eaten by the next door neighbor’s bull mastiff. Now Cricket, the last person I had left, was lying on the ground with a head-knot growing bigger than a grapefruit.

 

I flipped out and called an ambulance.

 

The paramedics came and examined Cricket. They told us that there was about a 50% chance of internal bleeding and long-term brain damage and a 50% chance everything would be fine. They also pointed out that Cricket’s stomach should probably be pumped. But they said they couldn’t legally force someone to go to the hospital, even if it would save their life.

 

 

Apparently, it takes more than alcohol poisoning and a concussion to kill a Watts.

 

Cricket hasn’t died yet.

 

Aunt Glenda and Uncle Aaron packed up and left—thank God—the next day. They took the flamingo and the bag of ashes, sans the little bit sealed up in a small wooden box that Cricket kept. (Though the flamingo had mysteriously disappeared a year later when they interred her in a muted marble urn.) I had taken the month off school to help pack up our mom’s things and deal with the details. But we didn’t do any of that. Cricket moved into our mom’s bedroom and then just went to sleep, like our mom had when her daughters died.

 

Week after week.

 

It had never actually been my house. They’d moved there after I went off to college to try to get our cousin away from his drug contacts, not that it worked. There wasn’t even a single drawing or stuffed animal of mine from grade school, let alone a bedroom—I slept in the fabric closet. I tried to get Cricket to do things that I thought would be helpful in the long-run, while I was there to be helpful. Cricket did not want to. Any more than our mom had wanted to. My whole life at home had been one interminable cycle of trying to make people do things they didn’t want to do so that I could survive and be happy.

 

I quit.

 

I went back to Wellesley. That semester was a mess. I took an incomplete in all my classes at my dean’s suggestion. My quantum mechanics professor demanded that I still come to lectures, so I told him I never got anything from his lectures and walked out. My girlfriend informed me that it had been very hard on her to have me gone for so long. As though I had timed my mother’s unexpected death of a cancer she’d been diagnosed with three weeks before she died in order to inconvenience my girlfriend.

 

And Cricket, who had never lived alone and unsupported, was left to figure it all out. A friend of a friend knew a friend who needed a place—a young guy around twenty—so he moved in to help cover the bills. A week later, Cricket went on a road trip. Maybe the air of depression lingered in the house when we were all gone. Maybe the guy chose that house because he was depressed.

 

Or maybe it was haunted.

 

Not long before our mom died, she reconnected with a man she’d had a crush on when they were kids. Nearly sixty years later, he was coming to visit to see if they might kindle something. Before he arrived, Mommy made Cricket take the decal of the squirrel with gigantic balls off the toilet seat. She said, “We wouldn’t want him to get the right impression of us.”

 

So Mommy would have found what happened next hilarious. And Cricket and I, well, we didn’t not. It wasn’t that the new roommate killed himself—that part, of course, was tragic. Cricket found him in the living room. But beside him, Cricket found the box of Mommy’s ashes pried open. A little was dribbled out on the floor beside him. Cricket realized he must have thought Mommy was cocaine. And tried to snort her.

 

 

Cricket and I sorted ourselves out, more or less, as the years went by. I earned three degrees, was baptized into the Episcopal church, and now live in California where I tutor rich kids, thereby assuring that those who have keep on having. Cricket moved to Atlanta and waited tables for a decade before moving to Portland and establishing a house-cleaning business that they work at when they aren’t rioting for political causes. Years later doctors found some neurological issues that may have been from that night or may have come from the beating Cricket took during more than a decade playing roller derby.

 

Cricket is the only person from my old life still alive. This is both a blessing and a curse. Otherwise, I could pretend that life never happened. Could pretend I have always been what the people here see when they look at me: a well-educated, middle-class writer and teacher, church leader, cat mother, singer, and friend. With perhaps a few more stories than average.

 

But Cricket calls and sounds like giving up, so I drop everything, in the midst of a pandemic, in the midst of wild fire season, and drive up to Oregon, even now. And try to get them to do things that would be helpful, while they lie in bed and refuse.

 

 

Cricket kept our mom’s Toyota Matrix for years as it decayed. Someone busted in the passenger’s side door. The last time I saw it, there was no window, just a rainbow-colored fleece blanket duct-taped over where a window should have been. Despite that, someone bothered to “break in.”

 

The only thing they stole?

 

That box of Mommy’s ashes.

 

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The Burnt Floor

Bronski and Janet saved for three years but could only afford a room on the burnt floor. The hotel was a fifteen-minute drive from the amusement park, all those lanky spotted mammals behind high fences, the wavelike rollercoasters plummeting from frozen peaks. The first two floors were four-star accommodations. The third, one point five.

 

The room contained two beds, frames scarred black. The ceiling was veined charcoal, the rugs blossoming with scorch marks, black ripples on a white pond. Only one wall retained its original green-and-white wallpaper. The rest curled, blackened, exposing pale sheetrock beneath.

 

At least the beds had clean sheets. They looked clean, anyway—Bronski couldn’t smell much of anything through the respirator. Each of the kids wore one, too, in a child’s size. The clear plastic window obscured little Becky’s face, dimming her eyes, swallowing her cheeks beneath twin filters. Jeremy’s was too small; the rubber straps sank into his neck, reddening his pale skin.

 

When they first started planning this vacation, years ago, Bronski and Janet had smiled at each other over the

freedom it would bring, the shrugging off of responsibilities and anxieties. But then Janet’s hours were reduced and Bronski’s company stopped handing out Christmas bonuses, and by the time they checked the online box for the burnt room, they were no longer smiling.

 

Jeremy attempted to view the park from their window, but the smoked haze of the pane was too clotted. There was a spot at the corner where a previous guest had tried to scrape away the singed layer with a razor blade. It was the only clear spot, a window within a window. Jeremy bent, removing his respirator, unburdening his irritated skin, pressing his bare cheek to the pane, squinting.

 

Bronski sprinted to his son’s side, snapping the mask back in place. “What did we say?” he asked.

 

“Sorry, Dad,” his son replied.

 

“You can take it off outside. In here, you’ve got to be safe.”

 

Then Bronski lowered himself to the small clear pane, searching for the castles of plastic and synthetic stone, those birthday cake lights strung along turrets. But he could only see his own reflection, framed by that ring of black char.

 

 

On the first day, they rode the roller coasters. Afterward, little Becky attempted to pet the lanky spotted mammals, a smile painted on her face. Bronski kept raising her up over his head, helping her get those extra feet. A staff member in a safari hat and cargo shorts scolded them, threatened to have them kicked out, but their family knew something about evasion and bled back into the crowd, an estuary emptying into the open sea.

 

Jeremy said it was the best day of his life, even though he’d thrown up all over himself and Becky after round three of rollercoastering.

 

Becky agreed as she wrung out her dress over a fountain with a marble shrew at its center.

 

“At least it doesn’t smell as bad as the room,” Becky said after adjusting her sodden outfit.

 

“Did you take your mask off?” Janet asked, turning on their daughter.

 

They’d told the kids the same thing that was in the waiver they signed at the front desk: the rooms were only carcinogenic if the air wasn’t filtered.

 

“I had to itch my nose,” Becky said.

 

Bronski shook his head, careful to not unseat the animal ears his children forced him to buy. “Just don’t do it again, alright?”

 

 

Upon returning, they crossed through the immaculately draped entranceway, thick crimson carpet beneath their feet, golden curtains obscuring unblemished windows, the waft of chlorine spilling over from the indoor swimming pool. They passed two golden sphinxes on their way to the stairwell.

 

The elevator only went to the second floor.

 

Before they could push open the heavy, pneumatic door, a bellhop ran over and sprayed them down with perfumed rose water. The children coughed and wiped at their eyes. Bronski made sure to hold his breath. The hotel called the practice scent therapy, as if it were for the good of those residing on the burnt floor rather than the rest of their guests and the world at large. An employee sprayed the concoction whenever their family entered or exited the building, like passing through a carwash.

 

Bronski held open the stairwell door with one hand, drying his lips with the other.

 

Janet doled out the respirators as they climbed.

 

 

In the early morning, Bronski woke to what he thought were bird songs, maybe those swamp crows he’d read about in the guidebook. After the haze of sleep receded, the noise more closely resembled the sound of his children giggling, the elastic twang of rubber snapping into place over bare flesh. Bronski sat up, turning to where his two children lay in bed. They were still, frozen beneath the sheets, masks possibly askew. It was dark, made all the darker by the burnt sky overhead. Bronski wondered if it was his fear driving an auditory hallucination, all those whispered jokes from his coworkers about fire-retardant swimwear. The kids were probably fine.

 

Nestling back into his pillow, Bronski had flashes of what their vacation could have been if there were only more hours in the day or an eighth day of the week on which to earn overtime. But his company no longer offered overtime, just regular time, and the burnt floor was all they’d ever be able to afford. He tried to push the whispers from his mind.

 

He rolled over and slung an arm around Janet, pulling her close, letting himself believe he’d done right.

 

 

The next day was more rollercoastering. Banks of screens showed the kids as they screamed down long drops, as they screamed at boogeymen who emerged from behind fiberglass crypts, as they screamed as their spacecraft fell from orbit. Like everyone else in the park, Janet and Bronski never purchased the photos, only snapping grainy duplicates with their cellphones. A souvenir was still a souvenir.

 

Bronski hoped that was the only thing they carried home with them. He started to worry when little Becky began to cough uncontrollably after exiting a western-themed Hey-Hey sing-along cart ride. The cough went on and on, wet and dry at the same time. Harsh to the ear.

 

“Too much singing, honey?” Janet asked, stooping to Becky’s level, pulling her close.

 

“They played all my favorite songs,” Becky stammered between coughs, a ropey line of snot connecting their shirts in a spiderweb weave. “I couldn’t help it.”

 

“You sang beautifully dear,” Janet replied, catching Bronski’s eye, her brows furrowed in concern.

 

Everyone said you had to take the kids to the park before they got too old, before the magic wouldn’t be magic. The years weren’t slowing. If he had put off the trip a few more months, he would have put it off a few more months after that, and so on and so forth until he found himself crying at songs from their childhood as he dropped little Becky off at college.

 

No, now was the only time, regardless of the money, regardless of the room, regardless of the rash that was spreading around the contours of his mask where the gasket pressed tight to his cheeks. The kids deserved their three days at the park and Bronski deserved those three days where he could be present in their lives, not some blur rushing out the door at five in the morning, only reappearing after dinner had been cleared from the table.

 

 

“It’s a great deal, but not that great,” the woman behind the front desk said, a fake smile stretching her cheeks. She toyed with a pen and sketchpad, doodling little caricatures of human faces.

 

“But I thought we had access to the pool?” Bronski said, hand on Jeremy’s shirtless shoulder, his swim trunks laced tight around his stomach, towel in hand.

 

“If you selected the upgraded package, yes, the pool would be all yours, but your reservation says you chose our economy option.”

 

“Can’t you just let us in, just this once? No one will notice.”

 

“Oh, people will definitely notice, but I can bump you up to full access for another fifty dollars a night. This covers the sanitation fees for our third-floor guests. Would that work?” the woman asked, her doodle beginning to resemble Bronski, his sleep-deprived baggy eyes, the desperate frown carving his face.

 

“But we’re already paying—”

 

Bronski’s reply was cut short by a series of sneezes from Jeremy followed by a chorus of coughs. His son covered his face with his towel, bending low toward the plush carpets. The fit wouldn’t stop.

 

“You should probably get that looked at,” the woman said. “Somewhere not right in front of my desk.”

 

Bronski wanted to scream, to tear the notepad from her hands and scribble out the insult of himself etched there, replacing the drawing with his own rendition of the woman and what he thought about her subpar service, but he couldn’t ignore Jeremy’s distress. Without another word, he steered his son toward the stairwell, through the perfumed mist of rose water.

 

“We’ll just get you into the shower, right bud? A shower’s basically the same thing as a swimming pool, yeah? Just as good, I promise.”

 

 

The third day was less rollercoastering, more snapshots with park fixtures. Men and women dressed as fairytale characters. Ridiculous confectionary streets. Castles that seemed to blot out the sun. Janet wanted to get a shot of their children in front of each landmark.

 

“Just put your arms around each other,” Janet said, waving the children together before a man-made waterfall, an animatronic orangutan eternally peeling bananas to their left.

 

“Haven’t we taken enough pictures?” Jeremy asked, his sunburned cheeks glistening, a labored wheeze accompanying the question. The kids had been lethargic since breakfast.

 

“There will never be enough pictures,” Janet muttered as she snapped the shot, quiet enough only Bronski could hear her.

 

“Can we go to the pirate ship again?” Becky asked.

 

“Yeah, let’s do the pirate thing again,” Jeremy added, before a skull rattling sneeze escaped from his mouth and nose.

 

Unlike the day before, a stream of black mucus coated his shirtfront, snot mixed with coal dust and char, a river of oil dripping onto the downtown sidewalk. He raised his hands, touching his nose, inspecting the black webbing, eyes growing wider with each second. Then he was screaming, and little Becky was screaming, and Janet was screaming, and a man dressed like a pantless opossum was escorting them to a white-walled service station behind the so-called lollipop factory. A tiny rhino attendant appeared from inside, wiping at Jeremy’s face with a towel, mopping up the black mucus, smothering his screams until they faded to whimpers.

 

“Staying on the burnt floor?” the pantless opossum asked Bronski, pulling him aside as the rhino gave the children and Janet rainbow-colored lollipops the size of basketballs.

 

“How did you—”

 

“This happens all the time. We have a protocol now,” the opossum said as he scratched his distended belly.

 

“But the manager said it was safe.”

 

“Hey, I’m not casting judgement, but I need you and yours out of my clean-up room. We charge by the minute.”

 

“Are you serious?”

 

Don’t worry, the lollipops are on the house. Just get going, alright?”

 

Bronski never imagined he’d be intimidated by a giant pantless opossum, but he also never imagined he’d put his family at risk for a few blurry photos on a water slide and a shot of his kids hugging a stranger dressed like a cute, moderately stoned alien. He thanked the opossum, shook the rhino’s hand, then escorted his family back into the sweltering summer sun.

 

The pirate ride no longer held the same appeal.

 

We’re leaving,” Janet yell-whispered into Bronski’s ear, carting little Becky away toward the parking lot, Jeremy following in a half daze at their heels, gnawing on his lollipop with sluggish bites. “You need to find us somewhere to sleep.”

 

Bronski sighed. “I can do that,” he replied, unlocking their rental minivan. The respirators were piled on the back seat, those empty plastic eyes staring back at Bronski from the upholstery as if he were the world’s biggest idiot, as if he’d fallen for the oldest trick in the book.

 

“Great deal. Real great,” he muttered as he pushed the masks onto the floor, making space so Jeremy could stretch out on the seat, the A/C breathing down from twin vents in the ceiling.

 

 

That night, they didn’t return to the burnt floor. Instead, Bronski found a public park, one with a lot of trees. They’d sleep beneath the open sky, the far-off arches of the rollercoasters hidden by citrus groves and palms, the firework show muted by distance and several freeways.

 

They found a flat stretch of ground far enough from any wetlands. All the ponds and rivers in the area had signs warning of alligators, of water snakes, of parasitic fish. Bronski laid out blankets on a layer of mulch and drying fronds, smoothing out the pointed leaves before his family could take their place.

 

The night sky resembled the charred ceiling in some distant way, the eroding blackness of it, but each breath Bronski sucked down was light in his lungs, the synthetic plastic replaced by his wife and children’s sweat, the fried chicken-finger scent clinging to their mouths.

 

“Are we going back for our stuff?” Jeremy asked, half asleep.

 

I’ll go up and get the bags,” Bronski said.

 

“That place smelled,” Jeremy muttered, tucking his face into his mother’s side.    

 

Bronski could almost smell the smoke on the wind, but for the moment, the scent of char was far off, a concern for later. He sucked in another lungful of air and lay quiet, listening for something moving in the bushes, something from those warning signs with scales, sharp teeth, mouths that could easily fit a child. He’d stay awake all night if he had to. He’d been careless with his family’s safety once.

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Review: The Last Unkillable Thing by Emily Pittinos

University of Iowa Press, April 15, 2021

Paperback, $20.00, 68 pages.

 

The Last Unkillable Thing

 

Few first poetry collections dazzle with the freshness, lyrical alacrity, and tender surprise found in Emily Pittnos’s debut collection, The Last Unkillable Thing, winner of the 2020 Iowa Poetry Prize. At its center is the tragic, untimely death of the speaker’s father, with many of the poems asking how one can bear to live in the world after such loss. And while the imagery of death and the natural world forms the foundation of this collection, the poems are never afraid to venture onward, pushing past the immediate shock of grief and into the world in which one must continue. These poems ask questions a less intrepid poet might avoid. The result is dark and stunning—raw, yet crafted with undeniable guile.

 

At the heart of the collection’s opening poem, “Assuming, once again, it’s done with,” lie the lines “A lapse in grief / is another emptiness; a space, in turn, filled by the usual remembering.” This emptiness is the space in which The Last Unkillable Thing stakes out its territory, as if to say I knew to expect grief—but what comes afterward? The poem continues, “the unthinkable / made so possible as to become fact—he vanished / and she went on,” which is a dynamic that drives the poems without constraining them. What might it mean to interrogate the self in the face of all-consuming grief?

 

Yet, while the poems focus on tragedy, they still find ways to push against the establishment of genre, experimenting with punctuation, white space, the line, the sequence, the function of form. A series of poems, each titled “After,” alternates between fragments caught in justified blocks and gorgeous, italicized long lines. Other poems, such as “With Key in the Door,” use the colon as an associative tool, as in the lines “It is impossible to quit: / forecasting an alternate life : hazy glow in which : / I am brighter : kinder : unorphanable.”

 

As the different modes of language in The Last Unkillable Thing coalesce, a rich, complex interiority begins to emerge. Death may have been the catalyst for this collection, but the speaker allows her interrogations to venture beyond guilt, forgiveness, vulnerability, longing, and desire. Often, the speaker implicates herself by speaking through the lens of an animal. In this vein, “Study of a Lone Beast” oscillates between the fear of further loss and the precarious act of weaving a spider’s web, opening with the stanza “The false widow builds her web / in a chasm—the grace of risk, / her passage of silk an act / of survival,” a set of lines which holds the simultaneous beauty and danger of living clearly in front of the reader’s eye. The poem ends in a similarly haunting stanza:

 

Suppose the worst does happen—

by sunrise the web wrecked, glittering

With snowfall, and where has she gone

the queen of this realm?

 

There’s an unmistakable beauty in the destruction of the image, the spider’s home destroyed by glittering snow, the false widow implicated in disaster she couldn’t possibly have stopped. The line “Suppose the worst does happen” has haunted me since I first encountered it in this poem, though more haunting still are the moments where The Last Unkillable Thing accepts that the worst one could imagine has happened, and that the world has unforgivingly kept on.

 

Pittinos expertly uses the tool of the poetic sequence to ground the poems in this collection, holding the pieces together with bonds more powerful than mere similarities in subject. Halfway through the collection, “She Must Have Been a Bit Green to Look At” follows the speaker as “She steps into the wool of midnight,” into isolation, where she can confront the burdensome beast of grief that lurks in the shadows of the collection, reckoning with both “the menagerie inside her” and “the colorless ghost / at her bedside by morning.” Despite its length, this sequence constantly reinvents itself, taking ever-shifting angles of approach to its subject matter. “In the night hall she rises, razes / a vase to the floor,” begins one section, painting a portrait of the speaker’s psyche with the dichotomy of day. “In the morning: mice / casually rinsing / their puny hands in a puddle. // Even they, she thinks, cower not from me,” the section ends.

 

Another long sequence titled “Subnivean (or Holding Back the Year),” which is approximately the same length, serves to build the world of The Last Unkillable Thing in much the same way, though this poem thrusts us directly into the first-person perspective of the speaker, opening with “I expected the snow, but waking stuns. / A world of storm struck white—distance / collapsed by an absence of shadow,” taking in an expanse that opens endlessly outward, enveloping the speaker in the low light of loss. Here, the language is as striking as the content is shockingly honest, as the sections are unafraid to name what troubles them. One section reads:

 

I’d be lost

without my own bright footpath: tilled snow:

cloud cover: moonglow refracted: the shotgun crack

of a bough unburdened.

Could I walk off the hours

I’ve spent ashamed, attempting a life

that would make the dead proud?

What would it look like,

how much would it weigh?

 

The section shifts boldly from the image of bent moonlight to the violent roar of a shotgun into the interior. Beyond its lushness and deft command of language, these poems, particularly the sequence poems, show the reader how the speaker sees the world—one in which cloud cover might lead to shame, in which tilled snow might represent a good life.

 

Even with its consistency and generous worldbuilding, The Last Unkillable Thing leaves room for discovery and surprise, as in the reluctant eroticism of “I Grow Less Visible” (“A silhouette can sway / a person—the woman releasing / her bra behind scrim. My breath more alive / than when held in) or the violent embrace of “It Is Not Animal to Forgive” (“A man dresses a deer—quick split, blood / guttered by rainfall—before pressing a woman / to his own soft belly). Here, the emptiness of a snow-covered field belongs just as much as the possibility of “the touch of joy,” found, perhaps, in “the belly of a bridegroom” or “the oyster / even without pearl,” adding to an overall sense of fullness that gives the collection its depth.

 

There is an ever-present danger lurking on the outskirts of this collection, as “Nightjars bed down in snow” or the eye of the poem passes over “the wood duck, displaced, alone in a shadow.” Much like the poems in this marvelous first book, human experience is endlessly complex, surprising, and unexpected, as the myriad compelling images and emotionally striking landscapes in this collection so seamlessly portray. There’s a real vulnerability in The Last Unkillable Thing that gives way to so much more, almost as if to say to be human is to grieve. And while the poems themselves are unafraid to behold beauty, they never lose sight of the pain that lingers beneath them. After all, Pittinos tells us, “Doesn’t it hurt / to be human. I’m so human I could die.”

 

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On the Other Side Is Everything

Mira Ayer knew the previous owner of the house had died there. She and her husband Adam, the new owners, were not concerned with this detail—in the current market, anything that might deter other buyers was a boon. Beverly Franklin’s middle-aged daughter and a fierce-faced granddaughter turned up for the final walkthrough with the Ayer family to hand over an impossible number of keys and an ancient garage opener.

 

“Oh,” said Mira. “I’m sure we’ll replace the garage door before we move in. But thanks.” Beverly’s daughter, eyes brimming and clutching a dried bundle of herbs that left a trail of crumbs, stayed close as Mira made her way through the house with the realtor. Mira did not want to look at the bundle or the woman; the daughter’s desperation for conversation was palpable, and Mira hoped to avoid any maudlin outbursts.

 

The granddaughter pointed out the best features of the overgrown garden to Willy and Emma: an excellent climbing tree in the front yard with strong, low branches and a homemade rope swing, and two gnarled plum trees in the side yard. Emma stared steadfastly at her cell phone while her younger brother Willy attempted to listen. Mira, at once provoked and impressed by her daughter’s rudeness, said nothing; she didn’t want to give these people the impression that they would be welcome to drop in in the future.

 

There had been little to disclose: an abandoned sump pump in the crawlspace, a broken hinge on the door of the outside shed. The house was built in 1951 and had aged accordingly. It was at least built with more of an eye toward longevity than some of the former vacation homes they had viewed above Miwok Valley’s old shipyard district. The floor had a slight tilt Mira noted during their first visit, and the geologist she hired for the final walkthrough spent an hour underneath the house to inspect the foundation. When he emerged from the crawlspace, suspiciously clean, his conclusion was the house was in no danger of moving; at some point in the past it had just settled.

 

“Didn’t we all,” Mira said, but the geologist kept his gaze fixed on his clipboard as he added up the figures on his invoice. “Excuse me,” she said to Beverly’s daughter, sniffling beside her. Mira gestured to the phone in her hand as if to make a call and walked alone to the back of the house.

 

Marshlands ran beyond the back porch, a series of looping waterways that moved up and down with the tides. Mira’s eyes followed the course of the smaller straits as they wove into the largest channel, which poured into the unseen bay. She could only trace the water’s path so far until it seemed to dissolve into the dazzling hem of the sky.

 

A spasm of movement on the pavers caught Mira’s attention. It was a pair of crows—they were having difficulty flying, flapping awkwardly to gain a foot of altitude before landing roughly on the ground. They bleated at her, their pebbled eyes imploring. Mira’s realtor and Beverly’s daughter approached from the side yard, and the crows squawked and hopped away.

 

“There’s something wrong with those crows,” Mira said. “They can’t fly. They’re just stumbling around.”

 

“Maybe they’re drunk,” said the realtor, laughing uproariously at her joke. She was in a celebratory mood, bolstered by a generous helping of the champagne Adam brought.

 

“They’re fledglings,” said Beverly’s daughter. “They’re learning how to fly. The crows used to nest in the old fir tree. My mother fed them leftovers.” Her eyes moistened once more. Mira gave the realtor a look, and despite her impairment the realtor caught its significance.

 

“Mira, I have some last documents for you to sign. If you would just follow me.”

 

Adam and the children were inside the house, drinking sparkling cider. Through the sliding glass door, Mira could see Beverly’s daughter on the back porch. The granddaughter came to collect her, and Beverly’s daughter cast a final doleful glance at the house. She produced the crushed bundle of herbs once more, and with a yodeling scream that made the realtor drop her champagne glass, threw them like confetti over the back porch.

 

 

Renovating the house was Mira’s project. Earlier that year the company Mira co-founded was acquired and her position made obsolete. Representatives from the new company came in on planes from the Midwest, smooth-faced occupiers who mentally measured the ends of her office and spoke to her of their wives while Martin, her old partner, sat with the head of the new company in the conference room. It’s not a departure, it’s a transition, Martin had said, and Mira imagined for a moment how she might burn everything to the ground, not only incinerate the office but release proprietary information to their competitors, send certain photos of Martin to his wife. When they offered her a figurehead position as a non-voting board member, she declined.

 

Adam came up with the idea that buying a fixer-upper in Miwok Valley would be a fresh start, an opportunity for Mira to “funnel her executive skills into creating something of value” for their family. Mira, while unenthused at the idea, couldn’t think of a compelling reason to stay in their cramped North Beach condo where there was not enough room to politely ignore one another. She and Adam were in the throes of something neither was inclined to address.

 

Where a younger couple would have had a baby to fix the problem, they bought a house. Mira had given up resisting the waves of inevitability; Miwok Valley was where all upper middle-class families ended up.

 

Still, she had a nagging feeling that buying this property and moving into the suburbs was an irreversible mistake. There was a tightening in this house, an invisible tether being fastened. Even Mira’s body seemed foreign to her: her pants fit differently, pulling awkwardly across her stomach and hips, her chin had lost its shape and gained a down, and the hair on her head was coarser, with more silver streaks to be kept at bay.

 

She did not expect any real difficulty renovating the house: it was only a matter of updating appliances and hardware, removing the kitschy ’70s remodel details, choosing the new paint colors. Mira had ten spreadsheets for the renovation before they closed. Yet almost immediately, she and the house were at odds. Their new home was full of rude surprises below the surface—a hidden asbestos chimney, faulty wiring in the kitchen. One of the walls in the small room that adjoined the master bedroom had an inexplicable lip; when she examined it with a flashlight Mira realized the entire wall had been mirrored and then painted over. There was a sneakiness to this house, and things that should have been easy were difficult and stubborn.

 

Adam hired Ken Russo, a local contractor who had done a job for one of Adam’s co-workers, to head up the renovation. Mira disliked Ken from the start, but Adam insisted he came highly recommended; Adam wanted to “take something off her plate.” This was the dance they were stuck in, Adam and Mira: strained niceties on an eggshell floor. Mira was unsure if Ken was even licensed—Ken was vague when questioned on his credentials, referring always to Adam’s co-worker’s recommendation. This was the coven of men, Mira thought: unspoken agreements and invisible courtesies that skittered from female observation like minnows.

 

Ken was a head shorter than Mira, with bandy legs and a chest that strained against his collared shirts. He called her “Myrna” instead of Mira so often she stopped correcting him, and then began giving her jocular nicknames on the false name. Ken was a ringmaster when he showed the work from the previous day, grandiose and eager for praise, but less articulate when it came to explaining the rising cost of the construction. His wife often accompanied him, as beautiful and forbidding as a sphinx, stationed at a little round table Ken placed in the dining room.

 

The kitchen remodel began one month into general construction. The beige relic of an oven was removed and the centers of the weight-bearing walls scooped out so the kitchen would overlook the dining room, and beyond that, the marsh.

 

“See, Myrn,” Ken said to her. “I got all that wall down for you. It’s nice and open now like you wanted. And we’re ready for the countertops, ahead of schedule. Just waiting for those countertop people you hired.”

 

“Is it—does it look crooked? There, that plywood where the countertop is going to go.”

 

Ken shifted from one foot to the other, and Mira found herself staring at his shoes, polished and heeled, as diminutive as a child’s. “Oh, no. That won’t be a problem. Once the countertops go in, it’s all going to be first class. And see.” He pointed to a spot, discolored and uneven, higher on the kitchen wall. “We—I got up in the attic yesterday and went through all the venting. It’s extra work for me but I closed up that vent you don’t need and drywalled the hole. I did that extra for you, no charge.”

 

Mira frowned. “Why wouldn’t I need that vent?”

 

“Well, you know, there’s that other vent right there in the living room. And now everything’s nice and open for you.”

 

“It’s a kitchen, Ken. It gets hot and smelly. I’m not sure why you would think we wouldn’t need a vent.”

 

Ken glanced around at the workers on the periphery and his wife, glowering at her phone on the table. “You could always get a fan. Lots of good little fans you could put right on the counter there. I can pick some up for you at the hardware store.”

 

 

Mira walked the neighborhood while Ken and his workers took their lunch; she knew they needed a break from her as much as she needed one from them. She traced the children’s path to their new middle school and took photos of gardens she liked. On the sidewalk near her house a graying specter in blocky sunglasses and a faded fishing hat stood frozen, holding an equally grizzled dog at the end of a lead. Mira raised a hand in greeting, but he remained in place, as still as an egret.

 

“Who are you waiting for to die?” he called out to her.

 

“Excuse me?”

 

“Who are you waiting for to die so you can snap up their house?”

 

“I’m your next-door neighbor,” Mira said, stepping closer to him. “We bought Beverly Franklin’s old house a month ago. We’re still renovating and not quite moved in.”

 

“I thought you were a realtor,” the old man said. “They circle like vultures. Looking for dirt lawns and Cadillacs. Waiting for someone to die so they can buy a house for cheap.”

 

“I’m afraid we’re one of those,” said Mira.

 

“Oh well,” he said. “Come over for a cup of tea once you’ve moved in.”

 

 

The side room connected to the master bedroom was a vestige from the days when women did their hair and makeup in a separate space to preserve the mysteries of female beauty. Mira had had every intention of prying the mirror off the one wall and knocking out another wall to enlarge the bedroom, but her desire to rid herself of Ken outweighed anything else. The number of necessary projects was dwindling, and with no small amount of satisfaction Mira gave Ken a final deadline of two weeks to complete his work, hoping he would be done in three.

 

Ken met her that morning with a grave face. Mira had become accustomed to the underlying intent of his theatrics; she suspected he was behind schedule, or ready to show her a fresh problem that required more money.

 

“Myrna, I have something serious to tell you.”

 

“Okay.”

 

“Last night, the guys and I were working here late. Because you know, you’re on that tight schedule, and even though these things take time we’re trying to do that for you. We were sitting there in the living room, having a little dinner break, and we start hearing these noises above us in the attic. Knocks and scraping and stuff. The guys got real spooked. You know, they’re spiritual, like me.” Ken produced a cross, gold and enameled, from beneath his shirt. It looked to Mira as though it had come from a vending machine.

 

“Probably raccoons,” Mira said. “I’ll do some research and call someone.”

 

Ken’s face furrowed. “Oh, no. No, no, no. Not raccoons. I’m religious but also what you call intuitive. I can feel energy. And there’s a bad energy here. All the guys left last night after the noises started. But I can handle this for you, Myrn. No problem. I’ve done this sort of thing before.”

 

Mira regarded Ken with incredulity. The previous week she had brought him to tears when they went over the bills and his updated estimate, even as she kept her voice low and reminded him it was business, nothing personal. Ken called Adam later that night to discuss the bill, saying Mira had grown emotional when discussing it and that he hoped the two of them could work out the business end of it. And yet here he was, resilient as ever, with a new line item for ghost busting.

 

“It’s fine,” Mira said. “Let’s move on. What’s the status of the bifold door?”

 

“Myrna, this is a real problem. I don’t know if I can get the crew to stay on. And you got children moving into this house. It’s no good. But I can take care of it for you.”

 

“Give me a ladder. I’ll check it out now.”

 

The attic was oppressively airless, and Mira’s shirt soon stuck damply to her back and breasts. The low ceiling forced her to crouch as she shone the flashlight of her phone into the attic’s dusty corners. There was a tangle of electrical wiring against a wall and a single vintage mousetrap, but no fresh tracks or scat to suggest any visitors.

 

“Nothing,” she said as she climbed down the ladder. “Other than a potential fire hazard. What’s going on with those wires?” Ken gave her a look of great sadness. He worked half-heartedly for the rest of the day, emitting the occasional sigh and leaving early. Mira knew he would not call Adam about this specific issue.

 

The children were starting school in less than a month. Mira paid Ken what she hoped was his final bill and hired a locksmith to change the locks. The moving company transferred all the items from their house in the city a week later. Mira unpacked the boxes with renewed vigor, reveling in her solitude and efficiency, the broken-down cardboard out with the recycling that Friday.

 

 

On their first night in the house Willy woke up screaming for Adam in a way he had not done since he was a toddler with night terrors. Mira, restless in her own bed, ran half-awake across the hall to her son’s room. He was in a dream-like state, wailing and incoherent, vaguely dissatisfied that she was not his father. She gathered him to her chest awkwardly, his long legs hanging off the bed. Through his sobs he tried to describe a nightmare, crying harder every time he spoke of it. Mira rocked and shushed him until he fell asleep, his gentle hiccups at her back as she closed the door.

 

She paused in the living room, gazing out through the glass patio door. Outside the marsh and night sky were an inky monolith, dimly lit by an unseen moon. It was unaccountably stuffy in the living room, the air thick and pressing upon her. There was a pressure building in Mira’s chest and she realized she was holding her breath, listening for one of Ken’s phantom noises. She returned to her bedroom, musing as she got into bed that she would have to get into the usual things—yoga, meditation, acupuncture—whatever people did when they were having some sort of midlife crisis.

 

 

Mira had taken to visiting John Brodie, their ancient neighbor, in the afternoons before picking the kids up from school. He had waited for her one day on the pavement outside her house. “I’ve come to collect on our deal,” he told Mira. His dog had died and he needed someone to converse with.

 

On her initial visits Brodie served Mira tea, but they soon fell into conviviality and stiff drinks in etched tumblers. The friendship surprised Mira. She normally found the paternalism of older men irksome, but Brodie had a plain way of speaking she enjoyed, one that did not treat her as young or old or incapable of understanding or arguing with anything he said. Mira thought he must understand women in a way few men did.

 

Brodie had lived in his house for nearly sixty years and knew much of the history of the neighborhood and its inhabitants. His memory of past and present events had a certain fluidity, as if all time existed on the same plane in the boozy glow of their afternoons. He told Mira the channels in their backyards were man made. Before the township cut the channels, storms and king tides would bring the waters of the bay right up to their doorsteps. Herons and egrets overtook the backyards of the houses bordering the marsh and Brodie could fish from his patio, once even catching a small leopard shark. The constant threat of flooding made the neighborhood a wilder place, but also a more interesting one.

 

Mira offered to host some afternoons at her house, but he always refused. Brodie had a strange hostility about her house, as though it were a neighbor he had had a falling out with.

 

“Bad juju at your place,” he said. “I haven’t been since before Beverly died.”

 

“Jesus,” Mira said. “You’re as bad as that sham contractor.”

 

 

The Ayer family had been living in Miwok Valley for nearly half a year when the smaller things in their house, knickknacks and decorations, started to rearrange themselves. It was as if everything in the living room had shifted, only slightly. It was so imperceptible that Mira wondered how long it had been happening before she noticed. Her first impulse was to dismiss it as her imagination, or to credit it as the collective work of her husband and children.

But one day she realized the wall clock in the living room had moved at least six inches from its point of origin. The clock was memorable because Mira had agonized about where to place it; it required a sturdier nail for hanging, and she did not want to pockmark the wall with her mistakes. There was now no evidence or nail mark at its original position, no scrapes across the fresh paint to record its journey. Adam sometimes took it in his head to tackle a minor house project without notice, but this was not his work. This was elegantly and invisibly done.

 

The smaller objects of the house shifted fractions of centimeters each day, as if on the same plane of some gently twirling surface. Mira did not understand how the items moved; she only observed each day that they had done so. She said nothing to her family, waiting to see if one of them would comment on the changes in their home. It should have been obvious to them; they spent more time out of the house than she did. But her children were too absorbed in their new school, their activities, and their social lives. Adam also said nothing, even as he had to scoot the rolling chair in their home office to match the slowly moving desk.

 

 

“Do I look different to you?” Mira asked Emma. Adam was staying late in the city for drinks with his co-workers, and Mira and the children were waiting for dinner to finish up in the oven. Mira had subscribed to one of those meal delivery kits that condensed meal preparation to opening plastic bags and heating their contents. Tonight’s chicken parmesan was beige when it came out of the package, so Mira chopped up garlic and added the purple potatoes she bought at the farmer’s market. Emma, sitting at the dining room table, looked up from her homework and considered Mira.

 

“You look like a mom,” Emma said.

 

“Well, that’s refreshing.”

 

“Like a mom mom,” Emma clarified. “Not like one of those underage hot moms.”

 

Mira stood before the hallway mirror, the reflection of the marsh behind her. She knew she was becoming objectively less attractive. It wasn’t her imagination: Adam had difficulty looking at her directly, as if she were a too bright sun. Her entire face was different, changing in small but accelerated degrees. These things happened to women; they lost their youth and the world averted its eyes so it wouldn’t have to witness such a thing.

 

Mira felt curiously dispassionate when she considered it. She was more interested in tracking the recession of her beauty than chasing it. She was noticeably older—at once brittle and soft—but her skin was brimming with electricity. She got little shocks when she touched things: the decorations that kept moving, the children, Adam. It was the glimmering of something, a shoot pushing through resistive earth.

 

 

After discovering the house’s movement Mira spent most of her days inside, leaving only to take the children to school or to run the most necessary of errands. She stopped visiting John Brodie; it was enough of an effort to keep up with her family’s conversations. The house was still her secret, but Brodie might be able to pry it out of her. Sometimes he would pause at the pavement in front of her house, coming no closer than the farthest edge of the walkway before moving along.

 

Adam asked if she might want to do more things out of the house—join the school’s PTA, see if there were any local volunteer opportunities. He couldn’t imagine what she did all day in the house. It was fine, he stressed, after working hard for so many years. He just couldn’t believe she was satisfied with so little to do. Mira did not debate her husband on the exhaustiveness of domestic duties. She did not tell him things were moving in their house, all the time, and that it was more than enough to keep her occupied.

 

There was a spiraling structure to what was happening, the items always moving in the same counter-clockwise manner. Pictures of the Ayer family, arranged in a deliberately casual manner above the living room mantle, left their position and traveled across the bifold door. They passed over the dining room, the thin stretch of wall above the open kitchen, and orbited back to their original spot by the time the children returned from school.

 

The largest concentration of activity was in the living room and lessened as it radiated outward to the surrounding rooms, the decorations and furnishings moving at a slower pace in the kitchen and bedrooms. Mira sat for hours in the living room trying to catch the movement but she could not—not out of the corners of her eyes, not even as she was sure the couch itself had shifted while she was on it. If she had some way to graph the movement, she was certain it would have a natural symmetry, like the innate geometry of a nautilus shell.

 

The objects in the side room—the room that had evaded major renovation—did not move at all. Mira had furnished it sparsely when they first moved in, and now she brought in additional decorations to see if anything would change, but the room remained still. Mira didn’t know what to think of it, this static refuge in an ever-moving house. She ran her hands over its walls, trying to find a pulse, but instead the brimming shocks in her hands quieted.

 

Her fingers found the wall’s mirrored lip, and this seemed to be a clue, an invitation even. Mira retrieved a screwdriver from the garage and picked at the edge. A chunk of the mirror broke off, and as Mira turned the piece over in her hand she caught a glimpse of her own face. When she saw herself she felt the electricity return, whisking the blood back and forth in her veins. She was overcome with the need to see the mirror in its entirety.

 

Mira drove to the drugstore and filled her cart with nail polish remover. The checker hesitated as he rang the last bottles up but said nothing. Though she intended to start the next day once everyone was out of the house, as soon as she returned home she doused a rag with the remover and held it to a section of the wall. She scrubbed furiously with the rag and scraped at the loosened paint with her fingernails.

 

There were layers of paint—not just the warm gray Ken’s painters had applied, but a light peacock hue Beverly must have chosen. Mira was covered in sweat and slightly high from the fumes of the acetone. She scrubbed until she saw her own face in the speckled mirror, blurry, as though it had not yet found its final shape. She could see the channels of the marsh behind her in the mirror, even as she knew the marsh was in the wrong position; it would not be reflected here. Mira’s eyes followed the winding lines of the water in the mirror until she was dazzled. The room had gone humid. She scoured and scraped until she felt the walls of the room start to awaken.

 

“Mom.” Emma’s exasperated voice cut through the thickened air. “Mom, I can’t find my….” Her voice trailed off. “Dad!” she shouted. “Mom has scratched up the wall! Come and see it.”

 

Adam shuffled in, and seeing the mirrored wall, was quiet. “I thought we were going for beachy minimalist,” he finally said.

 

 

Adam’s company was having its annual employee review period, and for two weeks he would have to work extended hours. After sitting down with him and bearing his interrogations about her afternoon with the wall, Mira convinced him she had only suffered a moment of renovator’s remorse, exacerbated by the inactivity of her days.

 

Mira stayed out of the side room and volunteered at the children’s school. When she came home in the afternoons with Willy and Emma, the house’s silent admonishment pressed upon her. Mira had grown uncertain after her day in the room; she did not trust herself or the house. She remembered what Ken had said about bringing the children into the house, and it occurred to her that she had failed them on some basic maternal level of protection.

 

But the children remained blissfully unaware of anything that did not revolve around them. They were mildly embarrassed to have Mira in their classrooms, re-shelving books and filing paperwork for their teachers. Emma did not acknowledge Mira on school grounds, and Willy gently asked if she wouldn’t want a real job, like she used to have. Being in the classroom was unbearably dull, and Mira wondered what the house’s decorations were doing, if they had frozen in her absence or if they continued in their fatalistic pattern.

 

Adam left early for work Monday morning, and Mira decided she would not join the children at school that day. After dropping them off, she stood on the pavement outside the house, its half-drawn windows staring back at her. John Brodie was watching her from the window of his living room and raised a hand of greeting.

 

Two crows perched on her porch’s railing. Mira was sure they were the same crows she saw when they bought the house, but they were no longer awkward—they were fully formed and beautiful. Brodie, his face stern, beckoned to her through his window, clawing the air as though he could pull her to him. Mira’s hands, static since her afternoon in the side room, were tingling. She turned from Brodie and made her way up the stairs. As she approached, the crows launched themselves into the sky, their feathers gleaming like oil slicks.

 

Adam had kept the door to the side room closed after Mira’s incident, but now it was open, and Mira entered and sat before the mirrored wall. At first she saw only her own reflection. She stayed there so long she memorized every line of her body, even as it changed before her eyes. Mira stayed in that same place until something within her constricted, and time circled and doubled back on itself. Parts of her were trickling out, and new parts washing in.

 

 

The sounds of her family on the other side of the door, increasingly distinct, pulled at Mira. When she emerged from the side room, it was night. All the lights in the house had been turned on. The contents of their home, all the furniture and knickknacks, were in a violent circle of disarray, as though they had been placed in a giant blender with no lid.

 

Willy let out a cry when he saw her, and Emma pressed against her father’s side. Adam stared at her nakedly, unable to wrest his gaze from her face. She was irresistible now. The hallway mirror reflected what her family saw: her body had devoured the little shocks. Her face and chest were a droughted landscape, raised and scarred. But her feet—her feet were just skimming the ground. She was strong and graceful, like a dancer. Mira laughed, and that too was new: percussive, an echoing rasp of a sound. Behind her in the mirror, the waters of the marsh had broken free of their forced channels and were lapping at the back porch.

 

Her body was molten, and the cooling waters of the marsh beckoned. Mira swept past Adam and the children into the awaiting evening, her electric fingers propelling her forward through the night like a breaststroke.

 

It’s not a departure, it’s a transition, the bracing air sang. She wasn’t leaving—there was no here or there anymore. The waters of the marsh held a duplicate of the night sky. They met Mira with the grace of a practiced host, welcoming her home, and removing the rest of her burden like a cloak.

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The 125th Commandment

The week Amy got her first disciple was the same as many others that year. The morning radio talked about the eruption of Kilauea off in Hawaii, and at Glendening Elementary, Ms. Welch read the third graders Twenty-One Balloons and Lizard Music so they could better understand the nature of volcanoes. All Amy knew of them she had learned from a children’s science program on PBS where they had shown how life was returning twenty years after the last eruption of a mountain (whose name she couldn’t remember), but the pretty host of the show was wrapped in a blue duffle coat and green leg warmers, so it must have been someplace cold. Later the volcano had blown again, she couldn’t remember when, and all she could think of was how silly the gophers had been to move back, to settle in as if the danger was over. Silly, silly pocket gophers, it’s never over, she had thought. Their babies must have died too. If she was a pocket gopher she would protect all the babies from eruptions big and small, then build them houses on something quiet and sedimentary, just like sweet Jesus did.

 

The idea of Peter being Jesus’s rock had comforted her almost as much as hearing that if she put a quarter in the basket and sang on key she would eventually go to a place where there was no screaming, only harps and wings and songs with regular measures. She had looked around for a rock on which to build but had been disappointed in what she found. Her brother Michael would make a poor rock on account of him being obstinate and swearing all the time.

 

Amy certainly was with her babysitter enough for her to be a good candidate, but Diana was a shaky foundation at best, being always five seconds away from a major meltdown. Plus, the way she kept her fingernails filed to points and painted cherry red wasn’t all that church-like, and Jesus probably didn’t approve of how she treated the baby. Then again, she was making the decisions here, not Jesus, but she agreed with Jesus on this one, so, no, Diana just wouldn’t do. Ms. Welch was calm and orderly, which Amy appreciated, but after 3:00 p.m. she went her own way and Amy went hers. A part-time rock was like no rock at all. After looking most of the week, she finally broke down Thursday morning and asked her mother.

 

“I’m starting a religion, Mom. Would you be my rock after they crucify me?”

 

The rusted Mustang struggled up the incline in the 5:00 a.m. dark of the winter morning. Her mother was silent, face focused forward on the skyline of the city in the distance.

 

“Really, Mom, I need someone to do this, okay? I don’t want to go around setting up people for glory just to find out later I didn’t have the right rock so nobody cared. Okay? Okay, Mom, okay?”

 

“Amy, please, it’s early, have a little pity.”

 

Although she’d been told many times that her mother’s nerves were shot from nightly data entry classes at the vocational school; even though she’d been told that no one likes a blabbermouth like her cousin Charlie’s wife, Lynn, who, it was said, could’ve helped the boys win last year’s Labor Day raft race if only they’d used her mouth as a motor; and even though she hadn’t even written her own commandments yet, so wasn’t entirely sure what her religion would require, she continued talking.

 

“It wouldn’t take much, Mom. You’d just need to walk around telling people how great I’d been and, well, come out and meet me when I come back. That’s a big part. I’d like it if maybe you could bring some chocolate milk with you when you come meet me on the road. I’ll probably be pretty thirsty after being dead three days and all. Okay?”

 

“I’ll get you a rock all right,” Michael murmured from the back seat, “upside your head.” The summer before he had entered a new level of cool, being eleven and all. During lunch recess, he and his friends would jump the back fence and smoke by the creek. When Amy would try to follow, they’d say, “No, teachers’ll miss your mouth.” He listened to Aerosmith and Stevie Ray Vaughn and took down all his Michael Jackson and Culture Club posters.

 

“Well, you’re not going to be my rock, so there.”

 

He pushed on the back of her seat, jostling her forward and causing her neck to struggle against the seatbelt.

 

“Fuck you.” He hit the seat again.

 

“Watch that mouth.” Their mother came out of her traffic-induced haze and adjusted the heater vent, sending a blast of warm air toward the back seat.

 

“Why? What’s it gonna do? Tricks?”

 

“I mean it. Diana says she won’t take either of you anymore if you mouth off again. Says the other kids are picking it up.”

 

“What? That slut Tracy’s only 16 and’s got a kid already. There’s a bad influence around there, but it ain’t me.”

 

“Michael, hush.”

 

“You know Diana offered me macaroni and cheese for a week if I’d go throw a bag of dog shit on the dude’s porch?”
Amy perked up at the mention of macaroni and cheese. She thought she heard her mother whisper “trash.”

 

“I wish I had the money to keep you over at Judy’s, but she’s asking more than I’ve got.”

 

“Why, Mom? What’s wrong with Diana’s?” Amy asked.

 

“Huh? Oh Amy, don’t worry about it. And don’t you go saying anything to her about what I said either.”

 

Their mother went back to focusing on the traffic, waiting for it to ease up so she could make the left-hand turn into the babysitter’s driveway. The children opened their doors and said their goodbyes, and their mother pulled away into the morning traffic that would take her the half hour to the Dyserts’ fertilizer factory out on Route 33. Amy liked that her mother was working for the Dyserts now, not only because the pay was more regular than temping as a secretary, but also because all the pennies in her pockets came back green, which Amy took as a sure sign her mother was magical and indeed worthy of being her rock.

 

Once inside the coal and wood fire-scented coziness and chaos of Diana’s, they went into their regular routine. Michael headed for the new addition, where the black and orange afghan was already waiting for him, still crumpled on the edge of the couch where he’d left it the night before. There were plans to add siding sometime soon, but for now the addition was just the old back porch enclosed with Tyvek and drywall. Although the word seemed a bit much for the space, Diana liked the sound of “the addition,” like things were on their way to adding up to something grand. On most mornings there were six of them, nine if you counted Diana’s two still at home, but since the Stoudts didn’t come until nearly eight, almost time to catch the bus anyway, there was plenty of space. Michael in the addition, Amy on the brown nubby sofa in the living room, and Tracy’s baby in a pen in the kitchen.

 

“This kid ever go home?”

 

Amy leaned into the pen to get a better look at the splotch of dried pea on the baby’s cheek.

 

“You ever shut up?” Diana asked as she chopped something tough and brown on the cutting board. The voice of Dusty Rhodes on 700 WLW (The Voice of Ohio River Valley) was deep and soothing. Amy could see why Diana still listened to him even though the station was coming from down to Cincinnati. He described the smoke that warned of a coming new eruption and the evacuation of people living near, but neither Amy nor Diana paid much attention and let his voice be a comforting drone in the background.

 

“It stinks. You should clean it.”

 

“Well, thank you, Miss Blondie. I’ll make sure to get around to that.”

 

The way Diana called her Miss Blondie confused Amy since all she could think of was that singer her cousin Dustin listened to, who seemed, by all accounts, attractive and successful. She said it with a note of blame, a note of disgust, a note of disdain which led Amy to believe that where Diana was from it must have meant something else. Since she couldn’t figure it out, and Diana just walked away whenever she’d asked, Amy took it as a compliment.

 

Amy pushed herself up to see onto the counter.

 

“That looks like last night’s liver.”

 

“Because it is.”

 

Diana chopped the pieces smaller and smaller until each was only the size of a single bite, something that could almost be swallowed without chewing, something that would not go down easy, but would go down all the same.

Amy still remembered the gritty taste from the night before, how hard it had been to make herself chew it thirty-two times before forcing it the rest of the way down.

 

“For Christ sake, just swallow it,” Diana had said in response to her faces of exaggerated chewing and disgust. But Ms. Welch had said “chew 32,” so chew 32 was what she would do. There are ways things should be and ways they shouldn’t. Michael hadn’t eaten his and had nearly flung the plate on the floor, but Diana’s husband Clint had raised his hand, a warning none of the kids ignored more than once.

 

“This is shit. Cheap shit.”

 

He’d walked out to the addition to finish House of Danger, the Choose Your Own Adventure book he’d started that morning. Diana had picked up the liver with her long thick nails, real but so good looking you would have thought they were press-ons. She put it in a small orange Tupperware with a clear lid which now sat empty beside the cutting board as she chopped.

 

“This isn’t for breakfast is it? Because Commandment Number 5 of Amyanity clearly states Thou shalt eat no liver on Thursdays before noon. Now, Fruity Pebble, Fruity Pebbles would be excellent. If you have Fruity Pebbles, I would accept those as an appropriate tithe.”

 

“This is Michael’s breakfast, you’ll get yours when you wake back up. Now go on, get to your couch.”

 

“Tuck me in?”

 

“In a minute.”

 

Satisfied, Amy went to the living room to lie down. The thought of liver two days in a row would have been too much and she was glad she’d been quick enough to think to add that commandment. As she snuggled under the Dutch girl quilt, she began to hope there’d be grilled cheese sandwiches for dinner that night. Even though she knew Commodities didn’t get passed out until Saturday and the possibility of any of the cheese being left on a Thursday evening was slim, she was sure that if she hoped hard enough, it would be there. She’d get done with her homework and there on her plate would be the warm melting deliciousness, maybe even with macaroni salad made with the shells instead of the little elbow pastas, the shells that trapped the mayo and celery inside so you didn’t know you were getting some until it was in your mouth. It was comforting to know that sometimes good things were hidden, but that eventually you would bite down and have yourself a mouthful. And Coke, maybe there would be Coke still in the can too, with a little drop of water coming down the side like in the commercials. She wouldn’t share any of it with Michael. Not sharing was selfish though, she probably should share. Maybe she’d share with the baby, she liked the baby. Yes, it was settled, she would share the Coke with the baby. And maybe Clint would have to work late and Diana would let her talk during dinner. The daydream grew and grew, as daydreams do.

 

Since she couldn’t sleep, she focused on what the evening would be like with its grilled cheese and Coke, trying not to hear what was happening in the addition. The “I won’ts”, “you wills,” and “fuck yous,” soft things hitting the walls, hard things hitting the walls, and finally the sound of a mouth being held shut against its will, which is to say, stillness. Soon Diana, flustered but victorious, came to check on her and put an extra log in the fireplace. Amy didn’t ask about the noise, just stayed quiet waiting for any cue from Diana. She knew not to question, but could she talk at all? Tell her about her next commandment, which would run something like thou shalt not scuffle between sundown and sunup on the Sabbath, every day being the Sabbath in Amyanity?

 

“Good night, Diana,” she said, finally figuring this was safe enough.

 

“It’s morning, Amy.”

 

She caught a glimpse of the brown liver lodged beneath Diana’s red thumbnail.

 

“Oh, well then, good night/good morning.”

 

Diana shook her head. “Okay kid, good night/good morning,” and she walked back to the kitchen to wipe down the cutting board and listen to the radio announcer report on the distant volcano disrupting the lives of others.

 

“Diana?” Amy called.

 

“Don’t sound like you’re sleeping.”

 

Amy slid into the kitchen. “Diana, I’m worried about the volcano. Will we get evacuated?”

 

She sighed, answered anyway, “We’ll get some heavy rains our way, that’s about it.”

 

“Any ash?”

 

“Ash? How strong you think the winds are?”

 

“Ms. Welch said that when Krakatoa blew, they had ash in Connecticut and snow in July in Cleveland. Cleveland! I’m just saying I don’t want snow in July like those people got back then. I’m sick of winter already. I want to be warm when it’s supposed to be warm.”

 

“No, Amy, it’s just on the radio. It ain’t happening to you.”

 

“Then why do they keep talking about it?”

 

Diana paused and, having no answer, returned to her original stance.

 

“You don’t look like you’re sleeping.” She turned Amy toward the living room with a gentle scootch.

 

That night for dinner they had Johnny Marzetti with pintos instead of beef, even though it was better with kidneys. Dreaming of grilled cheese during arithmetic had been nice and thinking of the Coke, a pleasant distraction during recess when Michael was showing his friends the scratches on his arms and face. Michael’s badass status, for the day at least, turned the fight into a win-win. Amy’s list of commandants grew: thou shalt not build a fire when the coal furnace is running lest the smells conflict and thou shalt have no scratches. The redness of the lines on Michael’s arms worried her, like maybe they could get infected or leave a scar. He ate his dinner that night without a fuss. Then again, it wasn’t liver. The evening would have been reasonably pleasant except for the baby’s crying that drowned out everything, from the sound of T.C.’s helicopter on Magnum to the filing of Diana’s nails in the living room.

 

“Shut it up or call its mama to come get it.” Clint had little patience now that his own three were in their teens and learned their lessons long ago. Diana held the baby tightly, hoping the weight of her body would comfort it, but this did no good. The baby didn’t know that Furnace Two had gone down at the plant that day. The steel had begun to set in the vat and not in the wheel molds. The baby didn’t know that Clint was looking at a long, hot weekend, as everyone on B Crew would pull double shifts to get the vat cleared out and ready for another week of steel and fire. The baby didn’t know that Clint’s oldest girl, Shelly, had announced at dinner that she wasn’t going into the Army after graduation as planned, but instead was keeping her job at Central Hardware to be closer to her boyfriend. The baby didn’t know that it wasn’t the only one who just needed a good nap and some clean underwear.

 

“When’s Tracy getting off tonight?”

 

“Ten.”

 

“What?”

 

“Ten.” The louder she spoke, the louder the baby cried.

 

“When?”

 

“Oh, Jesus, ten o’clock, Clint. Tracy will be back around ten and Rod’s not got the sense God gave a cricket.”

Diana went into the kitchen to heft the baby into the pen and Amy followed.

 

“In my religion, babies can cry whenever they want and no one will yell. You can be my first disciple.” The baby was not comforted by this promise.

 

“You can be my disciple, too.” Amy placed her hand on Diana’s shoulders as she hunched over the Formica countertop, hands raised, eyes closed for a moment. Amy tried to reach up to pat her head, but could not quite make it.

 

“Special Commandment 73: All babysitters will have assistant babysitters. I could be your helper, Diana. Take the baby for walks, play peek-a-boo, clean her up after supper.”

 

“She don’t want to play peek-a-boo and can’t tell the difference between dirty and clean.”

 

“Oh.”

 

The solution had seemed so reasonable, Amy was unsure where to go next, so she went to her couch to sleep until nine when her mother would get out of class. To sleep meant she couldn’t hear whatever was happening in the kitchen. But she still knew. It was the same thing that happened every night and it never ended well for the baby. Diana never seemed more relaxed, but things were quieter, which was something. When she arrived, her mother said nothing about the scratches and neither Amy nor Michael brought them up.

 

The next day was Friday, which meant her mother would pick them up at six and they would have dinner at their own house sitting around the little maple table Granny Mingus had passed down after she’d gotten that government grant to update the house. It had looked so small in the new space that her kids had pitched in to buy a new one that fit better. They had gotten the old one with its years of gum stuck to the underside and its mismatched center leaf. The thought of that dinner could get Amy through the day. Commandment 87: Thou shalt eat pizza at home each Friday with milk and salad (cucumbers and radishes optional). She liked the way that sounded. Her commandments were coming together nicely. It felt good to have a list, to know that X and Y could and would add up to Z, even if she had to write the equation herself. She hadn’t decided yet what the afterlife in Amyanity would bring, but it would be more interesting than angels and harps and less time consuming than reincarnation.

 

Friday morning Amy was ready to move to this next step. “Mom, what should Heaven be like? I think I’ve got my rules, now I just need the reward. No one will do anything without a reward.”

 

Her mother cranked the engine and pulled the car out toward Diana’s.

 

“What should it be, Mom? There’ll definitely be no homework and maybe no rain or snow. What else, Mom? What else?”

 

“Quiet. Heaven will be a very quiet place.”

 

“Oh, but what about birds? Won’t there be birds in Heaven? My Heaven should definitely have birds.”

 

“Take a fucking hint you moron,” Michael pushed the base of his hand into the seatback, then once again for good measure, and the car was quiet the rest of the drive.

 

Truly, Amy hadn’t planned to steal the baby that day. After she’d said “goodnight/ goodmorning” to Diana, she lay on the couch picking at its large decorative buttons, unable to sleep. Usually the house was quiet in the morning except for the radio and small kitchen noises as Diana packed her children’s lunches and fixed their breakfasts. The evenings were the loud times, when Clint was home and the TV was on. But today the baby was crying. Diana had yelled first, then turned the radio up, then yelled again. When Amy heard the slap over the Dusty Rhodes Show, she felt a commandment she’d forgotten to write had been broken. One about mornings, and quiet, and babies getting to be babies.

 

She was tired of people not respecting Amyanity. At this rate none of them would get to Heaven. After Diana passed through the living room toward the back hallway, Amy snuck to the kitchen and lifted the baby from her pen. She hadn’t been expecting it to weigh so much, or maybe she had been expecting herself to be stronger. The baby was surprised to silence, assessing the new situation. It was too cold to walk outside without taking time to get their winter gear on, by then Diana would be back from the bathroom. So she took the baby downstairs where no one ever went except to put more coal in the furnace or to do laundry. She hunkered down under Tracy’s old clothes hanging from the water pipe, the red corduroy overalls making a cozy fort. The concrete cold seeped through her jeans making her chilled even though the furnace was not far away.

 

“It’ll be okay. Don’t you worry now.” She sat the baby, all squiggly arms and flailing legs, in her lap. It made soft guttural noises of escape and reached its arms toward the ground. She heard her name being called from above and then the sound of the backdoor opening. Attempting peek-a-boo with the baby did not distract it from reaching for the hot, bright metal of the furnace not two feet away. It was not a very good disciple; it didn’t care if she ever reappeared from behind her hands. The door reopened and she heard the quick movement of feet above her and the older children being roused from their sleep. Her name some more, doors being opened, doors being closed, the word “Hell” a few times, her name some more.

 

“Let’s go somewhere where there’s no yelling, okay? What do you think of that, baby? Not a quiet place, just no yelling. Except you, you can yell all you want. Yell your head off. And me too, I can yell. We can yell our fool heads off. What do you think of that, baby, what do you think of that?” She took the coo as an assent and smiled. Although she was still unsure where such a place was, knowing it might be out there was comforting.

 

“No, baby, that’s hot,” and she struggled to pull the baby’s arm back toward her and away from the furnace. It began to cry and push her away. The word “basement” and the scuffle of four pairs of feet came from above. No shushing or bouncing would stop it, so she held the baby loose to her chest to muffle the sound, but it squirmed even more.

 

“I don’t hear her anymore,” Michael said when he was halfway down the steps. Amy pressed the baby tighter as she’d seen Diana do, it was still. She tucked her feet under and let Tracy’s old clothes engulf them both as Michael moved around the room shifting boxes of old Barbie gear and Star Wars toys for just a minute to sound like he was giving a good search.

 

“Maybe it was coming from outside?”

 

“Keep looking.”

 

He sighed and put his hands on an old T-ball uniform and a ballerina skirt then slid the clothes back and forth, his eyes never leaving the ceiling.

 

“Nope, not down here.”

 

He huffed his way back up the steps and Amy heard four pairs of feet heading out in the winter dark. The sun was just beginning to rise over the east edge of town, catching the light off the well-meaning but not quite right skyscraper of the LeVeque Tower. They would all go to school soon and Diana would take a nap before Price Is Right. Breakfast, kids off, nap, Showcase Showdown, lunch, and Days of Our Lives with tidying during the commercials. That was the way it had gone when Amy had been home sick from school, and she was counting on that being Diana’s ritual. She could probably get the baby down the hill and to her house while Diana was sleeping. There would be the spare key to get in, and she could hide out until her mom got off work. Her mom would know what to do; otherwise she wouldn’t be the rock. She’d bring the baby chocolate milk and show Amy how to get the peas from its face and how to soothe it when it cried. After a few minutes, Amy relaxed her hold and took a deep breath. The baby reached up and patted her face. She crossed her eyes and rolled her tongue to make it giggle.

 

Unsure what else to do, she sat and waited for the baby to grow restless again, for the sound of the game show to start, for someone to realize that half-assed was the only way Michael ever did anything and come double-check the basement. While she waited she made a new commandment, one that was the best one yet. Commandment 125: Everything turns out okay in the end. It has to, it just has to.

 

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What Remains

He sat across from me at that tiny table, in that tiny apartment, gesticulating and performing for others, and how I wished it would all fade away, every pixel in the scene blank except for him and me. I was buzzed from one beer, a worrying feat, and my suspicion was that the smell of him changed my brain chemistry.

 

The first time I saw him—truly saw him—came weeks before that night in the apartment. I was at work, on my way to the bathroom, when I saw him hunched over a computer a few cubicles down. There was something in the shape of his bearded jaw, its almost leporine nature, that stopped me. In the ensuing weeks, I subsisted on crumbs: listening to him talk about his favorite books, ones I hated but assumed I just wasn’t cultured enough to understand; examining the meditative photos he took of the city’s rare natural landscapes and posted on Instagram; gushing about him to anyone who would listen and watching the disinterest build up in their eyes like cataracts.

 

That night in our mutual friend’s apartment was the first time I’d seen him outside of the office, and for that reason I had expectations. But after an hour of sharing him with others, I felt like a failure for not already getting him home with me. I excused myself to the bathroom.

 

Gazing into the mirror, I took stock of my face. There was a seriousness in it that I was unaccustomed to, a tired look that had nothing to do with my lack of sleep.

 

I’d always known that the difference between lust and love is what remains after orgasm. Many times, I tried to come and forget, to toss my intoxicating obsession with him away as easily as a wadded-up paper towel. After all, that method had proven itself depressingly effective in neutralizing my feelings for the many boys I’d bedded in New York: the gay nightclub residents and queer, “non-scene” academics I’d met in cafes or libraries alike. But it never worked with him.

 

I left the bathroom, skirting around a circle of conversation that included my close friend, the one who had expressed mere minutes ago that she was bad at meeting new people, whom I had invited under the guise of getting her to meet my coworkers when she was actually there as emotional support. Our eyes met, and I smiled. It stood to reason that if I didn’t look guilty for abandoning her, then she wouldn’t feel abandoned. She smiled back, and I found my place at the table.

 

He was quiet now, listening in that intense way of his that I had come to adore. He wasn’t simply waiting for his turn to talk, itching to give his hot take. He was reacting, supporting, absorbing. It was I who was impatient to speak. I was onstage at Madison Square Garden, and he was the only person in the audience. Every laugh was a step closer to my bed.

 

And that’s when I had to ask myself if a night with him would be water or gasoline for the flames that eagerly licked my chest. I had imagined it, of course, but only for a few seconds at a time. Images of us intertwined strobed in my brain at night when I couldn’t fall asleep. But if we went through with it, if I tasted him as hungrily as I wanted to, what would remain?

 

I tried to picture it as realistically as possible—yes, at that table, surrounded by others—and I knew my answer. After the climax, after he’d come, his monopoly on my desire would remain. His face didn’t change in my mind’s eye, it never became hollow and disfigured like the faces of so many one-night stands. The touch of his phantom limb, my tactile approximation, never failed to give me chills. My compulsive need to expel my traumas as fast as my lips could spew them to his ivory ears never lessened, it never ceased.

 

Gasoline.

 

We left the apartment, all of us, and went to a bar. I sat next to my friend, knowing I had some damage control to do. We discussed her job. How stressful it was, how rewarding and taxing and stimulating and frustrating and fitting. And I realized that loving him was exactly the same.

 

He sat at the other end of the table, once again gesturing and speaking animatedly, and I considered begging God to release me from this captivity of want. I had learned as a child in church that through Him all things are possible, that you only needed to pray with enough conviction. And He had done it before. There were boys I believed I’d never forget whom I barely thought about now: the real estate agent who lived with his boyfriend in Philly, the poet in Austin I stopped texting once I was sure he hadn’t killed himself.

 

But without my current toxic affection, what would I be left with? My feelings for him were the only valence in my life. The only time I rose above numb was when he hurt me or flattered me, always without him noticing.

 

My friend had said something to me, something to which I was supposed to respond, and I heard the slight pleading in her voice, pressing me, Be here.

 

I made a pithy comment, some offhand ironic statement that bordered on self-parody, and the response was a smatter of laughs. Had he noticed? I wondered. Did it make him wish he’d heard what I’d said?

 

I got up to get another drink.

 

A strange phenomenon had occurred the moment I stepped inside the bar. The bright flashing of sports games on TVs and the loud chatter of patrons caused an almost instantaneous rush of sobriety. I had become clearheaded, hyperaware, conscious in the most disconcerting of ways. The three whisky-somethings I had downed since our arrival did little to improve my condition.

 

There were a number of strangers whom I would have pined for on any other night, a diverse array of God’s finest creations, His divine flexing, but lowercase “he” had long supplanted my usual need for “someone.”

 

The bartender came closest to making me forget him. She was beautiful in a striking way, like time didn’t mean the same thing to her as it did to me. And I could tell that she understood me based on the slight smile on her face when she heard me order cinnamon whisky, the drink that eclipsed all others in terms of abetting bad decisions and bone-aching hangovers. She knew immediately. I was running. I wanted out, I wanted to leave. And this was my ticket.

 

Her knowing that made her all the more attractive, all the more otherworldly, and a part of me yearned to bare myself to her, to tell her how the loneliness and fear and isolation made me ravenous for love, or even a facsimile of it. I wanted her in a way I had only wanted a few women before, but there wasn’t any more room in me for not-him.

 

Glass in hand, I walked back. A few of our party announced their departures, and after the goodbyes, our group numbered few enough that we were able to begin a shared conversation. And suddenly I didn’t want to escape. This was my World Series. Here I was, stepping to the plate, pointing to him, in the stands at the other end of the field, and saying, This one’s for you.

 

I was charming. I was funny. After a group chuckle I’d lean into my friend and whisper an inside joke that would make her choke on her drink. I complimented his hair, like it had only suddenly occurred to me how beautiful his auburn ringlets were, like those strands of dead cells hadn’t made me want to pull out my own at times. He complimented the character of my nose and for the rest of the night it was my favorite part of my body.

 

But nights like these always ended too soon for me, and one person’s “Early day tomorrow…” was an impetus for everyone but myself to express similar sentiments.

 

As we walked to the train, I kept waiting for a moment when things would take flight, when a touch or a look would change my mind about the reciprocity of my obsession. But there were people between us and in front of us, and we kept pinballing past each other in the herd. I cursed the narrow, cockblocking sidewalks and stewed in the brisk, October air.

 

I said goodbye to him last and couldn’t quite catch the seconds as they ticked by, as if I were forgetting in real time. I knew this much: it was brief, too brief, tragically, horribly brief. Did we shake hands? Did we hug? Did we nod?

 

I’m standing on the corner of 110th and Broadway. I am alone and far from home, the ache in my chest my only company.

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Image Descriptions

I have 31,639 photos saved on my phone. I am a hoarder of many things: pictures, videos, trinkets, birthday cards, dead flowers, and most significantly, memory.

 

Phone

 

The Cloud has allotted me a dangerous ability to hold on to and reflect on moments more than one should be able to. My photo album eats up a large chunk of the phone’s storage. I feed it continuously with the promise of deleting, although I rarely do: what would I lose if I were to rid my phone of the thousands of images I likely don’t need? It’s a question I’ve considered but have been afraid to answer.

 

There are pictures of me in all different stages of adulthood saved to my phone. There are some from my first years of college and some from the last. Ones from graduate school and after. There are pictures of exes, friends, and family. My dog, other people’s dogs, random insects with which I’ve had portrait-mode photoshoots. There are photos of people I’ve loved and people I currently love. There are photos of people who are dead. I hold onto them as though keeping them will stop the years without those people from expanding.

 

I can look at a photo, just about any that I’ve taken or been in, and know exactly what I was feeling at the time.

See: a picture of me smiling in a bird store, a blue-and-yellow macaw perched on my arm. I see that and I remember how it feels to have been loved in all of the wrong ways. Not pictured: a man who only phones after dark; my face pressed into the carpet of his bedroom floor; a chronic stomach ache; ten months and the more I will let him take from me. The bird is a shining gold and royal blue. I am the smallest version of myself I have ever been. I keep the picture on my phone for days when I need to remember whom I have survived.

 

Macaw

 

I keep the pictures I took in my yellow-lighted bathroom of my stomach flexing in the mirror, daring abs into view. Not pictured: a fear of rice; a fear of bread; a fear of pasta; a fear of carbs; protein bars that made me sick; a near empty refrigerator; the day I ate nothing but broccoli; the urge to cry at every restaurant; crying when the toast came out buttered; heat exhaustion; dehydration; a boyfriend with an Instagram feed full of women who are not me; a boyfriend who does not love me and never will; an image of health that is anything but.

 

A picture of my best friend from college and me: a selfie we took with soft smiles, another where we are squeezed together in a hug in front of a street sign in somebody’s backyard. Not pictured: the drugs in our system, prescribed and recreational; the many midnight trips to In-N-Out via Uber; laughing so hard one of us pees; me getting cursed out for not sharing someone else’s cocaine; Saturdays at the mall; Sundays at the beach; the years to come and her last; a tweet that sounds like a suicide note; months of therapy; a lifetime of regret.

 

Mirror

 

A picture of my father and I on a trip to California from when I was in high school, both of us smiling, his head bald. Not pictured: the two years of uncertainty; the chemo that was supposed to be radiation; coming back from summer camp to find him without hair; fear of what if and a possible recurrence looming on every horizon.

 

A picture of an ex and me on vacation in Mexico. I’m wearing a long black dress with embroidered flowers. He is kissing my cheek. Not pictured: a very public elevator fight; the weeklong trip without any sex; our blatant incompatibility.

 

Kiss

 

A picture of a wall with blue-potted flowers that I took on a trip to Spain with my dad. Not pictured: me hyperventilating the entire plane ride, in the hotel room, outside of the hotel room; the realization that nothing is real; the realization that I am not real; an overwhelming sense of impending doom; the desire to throw myself off of the tallest building; panic attacks that feel like death; wanting to be anywhere else but on Earth.

 

Flowers

 

A picture of me at the county fair, smiling between two friends, stuffed unicorn prize and bag of cotton candy in hand. Behind us, the Ferris wheel rotates. Not pictured: the longest summer of my life; the third psychiatric medication in two months, the first making me unbearably dizzy; the fear that this feeling may never end; psychiatrist appointments; doctor’s appointments; therapy appointments; seventeen hours of sleep a day; taking thirty minutes just to pee because this body didn’t feel like it was mine; Xanax to keep me from crawling out of my flesh; Wellbutrin that makes me manic; the fear that I will be this way for the rest of my life; the knowledge that I will be, cyclically.

 

Ferris wheel

 

A picture of a sunset on the beach I took from my apartment window, the sky settling into an amalgam of blue and pink and orange. Not pictured: two nights before this one; a man who does not warn me before he is on top of me; a man who takes and then leaves; his remnants on my face; three showers in a row; cowardice of keeping quiet; memory that will haunt and disrupt.

 

Window

 

A picture of me and friends at a sorority formal circa 2015. Not pictured: the excessive drinking beforehand; a shortage of chicken wings and fried macaroni balls at the event; a mediocre DJ; a bus ride full of vomit and no plastic bags in sight.

 

Thousands of pictures of my dog. Not pictured: constant crying due to the realization that someday my dog will die.

 

Doggies!

 

A picture of my hand with a ring on it. Not pictured: my hand shaking with twice the speed it usually does as it is slipped on my finger; his hands also shaking; a love I have always wanted and now have.

 

Ring

 

My grandparents’ wedding photo. My father in college. A picture I took of a picture of my mother at sixteen. Random farm animals I’ve pet. My birthday cake from four years ago. A meal that changed my life. An incredible croissant I consumed in under 20 seconds. Places I’ve been. Memes that have made me smile. Memes that have made me laugh. Poems that have made me cry, or pause, or have left me with an open mouth. Places I have lived. Things that have made me say, “I need to take a picture of that.” It is both a blessing and a curse to be able to capture, to keep, to review. I hold on to both the bad and the good. I want to remember feeling of any kind. Not pictured: all of the things I wish I had taken more footage of. Not pictured: all of the life that existed before I held a camera phone. Not pictured: the life I have [yet] to experience.

 

Cake

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The Lunch Party

At the time, everyone’s partner had the same name—David.

 

There was no good reason for it. Initially, we joked that the name had been in vogue the year they were born, but that couldn’t be true: the Davids were set apart in years, the youngest being Alena’s boyfriend at nineteen, and the oldest being Audre’s secret, at fifty-eight. Perhaps the first of the sisters to procure a David—Audrey, at thirty-two, who had been courted for eight months by an age-appropriate David at the swimming club where she tuned her finely muscled thighs every weekday evening—had set some kind of subconscious example for the rest. Whatever it was, within a year of Audrey’s formal introduction of the First David to the family, Adalyn and Alena had both found Davids of their own, followed by Ayla, and then, when they all turned to Audre, the eldest, thinking wouldn’t it be funny if she found someone after so long and that person turned out to be a David, too, it came out that she’d been carrying on with a married man this entire time, their father’s wife’s orthopedist. Who, of course, was named David.

 

There were five of them, Audre, Ayla, Audrey, Alena, and Adalyn. It’d just been Audre and Ayla at first, but their father’s second wife had come packaged with the indomitable Audrey. When Wife #2 passed quite suddenly from belatedly discovered leptomeningeal disease, he brought the three girls, aged twelve, seventeen, and twenty-one, to get their meningitis vaccinations, which, no two ways about it, was where he met the woman who was to be his third wife. Me.

 

By the time the twins arrived, it’d been decided that they’d continue the tradition of names beginning with A. Myself, I thought it’d be nice to break away. Didn’t mind a Darby, or a Christine. But the older girls sensed my discomfort and pressed down hard, insisting on keeping with convention. In private, I consulted with their father. You already have an Audre and an Audrey. Are you sure? Truthfully, I was afraid he’d mix them up. He wasn’t getting any younger, and his memory had never been crystal. The thought of five similarly named girls wandering around in that big house just seemed like a trap. You want to know the worst part? Ask me my name.

 

Call me Anita, I said, before the battle lines had been drawn. I was only twenty-three, I had no peers to consult with. All my girlfriends had found men still on their first go. Later, they’d say: you should have established authority first thing. Don’t try to be their friend. Where was this advice when I was first inducted into the family? Not yet hatched, I suppose. Anyway, being authoritarian wouldn’t have worked. And the girls knew it. Anita, they’d say, we’re out of eggs. Or, You’re so cuteAnita. Wielded at a distance, as if to remind me that my presence in the house was but a passing amusement to them. Even the twins didn’t anchor me: the other wives had come and gone, too.

 

Audre, the eldest, is saying it now. Don’t mind Anita, she takes a while to process things. The way she always says it, Ah-ni-ta, the ta a harsh spit. I look to David, but he is of no help. He’s in that spot men eventually all find themselves in, between enamored and guilty. It’s the first we’re hearing of the affair, and looking at Audre, I can’t shake the feeling that there’s a smugness in her eyes, a certain challenge in the set of her chin. She crosses her legs, her hand snakes into his. I can’t believe how reckless they’re being. Life can’t be lived on a whim. And yet. David is one of my oldest friends, and I had no clue. Even though it’s been a while since I’ve had to see him for my herniated disc, I meet him and Celine at least once a month for lunch. Celine. Oh god, Celine. I look at him again. His eyes are pleading. I can tell he’s asking permission to smile, to take Audre’s side. So, it’s that fresh. A fifty-eight-year-old man, still hanging on the tail end of his mistress’s every sentence. Audre says it again: Earth, earth to Anita. And laughs. It’s the laugh that does it for me. I put a hand on my husband’s lap, turn to my old friend and orthopedist, David, and say, You know, darling, we should all have lunch.

 

 

The lunch is set for the first Friday of the following month. We can’t do weekends, because then Celine will want to know where her husband is. The other four girls and their Davids have flexible schedules and somehow make it work. In the lead up to that lunch, I often wonder if Audre regrets announcing the relationship to her father and me in that way. I turn that analytical eye on myself, too. What is it in me that drove me to propose that disaster, lay that trap?

 

Was I conscious of what I was doing? The girls think so, I’m sure.

 

Just shy of a decade later, at their father’s funeral, Audre will say, flatly, while picking at a cucumber and egg sandwich, Now you’re free, Anita. She doesn’t clarify, but we both know she’s referring to that lunch. I don’t want to look at her, so I stare at her sandwich instead. Cucumber and egg, her father’s favorite. Deceptively simple, but hard to get right. The cucumbers have to be pickled in rice vinegar, sunomono style. And the eggs boiled for ten-and-a-half minutes, then whipped with kewpie mayonnaise.

 

When Friday comes, I spend all morning perfecting the sandwiches, then arranging them on the lunch tray. When my husband tries to steal one, I send him out for fruits. It’s a last-minute decision, and I give him a list of what I want, in order of priority: mango, and if that’s not available, then jackfruit, or rambutan. I can only breathe easy when I hear the car pull out of the driveway.

 

He returns with the first set of Davids. He found the twins wandering around the market with them, trying to settle on an appropriate gift. They tumble out of the car, all limbs and laughter, and together the Davids present me a massive bouquet of wildflowers. Double the size for double the girls, they say. As for my husband, he’s found the mango, my first choice. I peel and dice it, populating the table with small dishes of yellow flesh, when Audrey walks in with her David. They’ve brought wine, and I feel defensive as I send her to decant the bottle into a carafe.

 

Then, Audre and my old friend David arrive. They come empty-handed, as if to assume the position of host and hostess, as if to claim this lunch as thrown for their benefit. The younger Davids giggle nervously; the twins must have given them the background. I don’t let it get to me. I offer them a drink, which the traitor David accepts. We all take our seats, and wait.

 

Ayla flies in half an hour late, corresponding David in tow, and looks disappointed that we’re all still civil. Anita, David, David, Anita. Dad. Ayla has a laugh like a horse. It puts you on edge. To ask her why she’s late would be to offer her an opportunity to humiliate—No. We return to the conversation at hand, which vaguely, but also clearly, includes dear, absent, hapless, betrayed, Celine.

 

I don’t even like Celine. If you asked me directly, I wouldn’t be able to name one compelling thing about her. We met in church, after my wedding, when the twins were still germinating secretly under the frou-frou of my corset. She was a friend of the family, inducted by Wife #2. So I inherited her. She’d pressed her husband’s card into my hand, told me to call if I ever needed company or orthopaedic work. What kind of woman outsources friendship to her husband? Though it’s true that Celine’s David and I got along swimmingly. From our first appointment, I knew. He had the reassuring air of an anchor, weighty and rooted, from which Celine ballooned. Even though she was absent in that treatment room, David’s steadiness conjured her; it made you, a female, feel safe. In friendship with him, you were sexless, and could release yourself from the trappings of charm. Very quickly, over the course of treatment for a pinched nerve, David and I became close friends, bedrocked on his commitment to Celine.

 

Where is she during this lunch, Celine? She is back at the church, cross-stitching bible verses on the dresses of dolls, to be distributed at the Christmas service in two weeks. Every perfect and good gift is from God above. James 1:17. Poor, boring, good Celine. She’s been doing this for years. There isn’t a family within a hundred-meter radius without one of those dolls. When children bring them home, the idea is that they’ll carry these verses with them too, and, worrying the dolls over and over, that the verses will catch, and grow. That she’ll plant these beacons of morality in homes all throughout town. That’s Celine for you. She’s been volunteering at the church for as long as I’ve known her, and even after the divorce, she will stay. But we will go. We will drive twenty minutes more to attend Sunday service at another church, which is helmed by a fire-and-brimstone sort. I look at her David, who is no longer hers, though she does not know it yet. He’s looking at Audre, my oldest. The others are all looking at me, at him, at Audre, their gazes flickering between us, as if afraid to miss the slightest blink.

 

Audrey’s David gets up to pour the wine.

 

I’m sure the twins drink, but in front of me, their faces are stone as the carafe passes them over. Everyone remarks on how similar we are, how perfectly they take after me, but already the twins must be keeping secrets from me, maybe even from each other. Their Davids will only last one and three months more, and then they will refer to this period as the Davidic era, and laugh and laugh and laugh.

 

“It’s a common enough name.” This is Audrey’s David, the wine-pouring David. He says it apologetically; he’s a therapist with a reasonable attitude toward everything. “I was in school with two other Davids, myself.”

 

“But all five!” I say. He just shrugs: everything about this situation is unusual. The twins interject. Alena, older by twelve-and-a-half minutes, punches her David in the shin.

 

“I picked you because of your name.”

 

Adalyn: “And me, because it’d be funny.”

 

The twins glance at each other, and say, perfectly synced: “We’re collecting Davids.” They dissolve into laughter.

 

I’m embarrassed. I say, “What one does, the other has to do. You should see their rooms. It’s a compulsion.” I mean to say that with them, everything is a game, but that their playfulness is simply a byproduct of a sheltered youth and shouldn’t be taken to heart. Their Davids don’t seem to mind.

 

Therapist David sets the carafe down and settles back into his seat. I can see Audrey resting a hand on his thigh, gratefully. He speaks directly to Ayla’s David, the latecomer, making general, safe inquiries about his family. I find myself leaning forward. I know nothing of Ayla’s David. I hadn’t paid him any attention.

 

“One brother. Older. Nathaniel. And then I think my mother just went down the Book, picked the most normal sounding name out of the lot. Nathaniel’s other brothers in the Bible were all things like, Shimmy, or somet’n.”

 

“Shimea.” It’s my friend David. Just like that, Celine is with us, again.

 

Ayla’s David looks at him with interest. “You a deacon, or the like?”

 

“No, an orthopaedist. But I attend.”

 

I can’t help it, I snort. It’s very funny. And I know David has said it for my benefit, establishing a private bubble between us, of warmth and banter. For a moment, I feel like nothing has changed. But when I look up, it’s Audre smirking, Audre amused. Audre, just two years my junior, with her limp, dirty hair, which she shaved off once, after I ran my hands through it, absentmindedly petting her head as I introduced her at a gathering as my oldest step-daughter.

 

David relents. He tells Ayla’s David: “It’s a good name, it means beloved.”

 

Ayla’s David looks vaguely comforted. “My mother said he was a king.”

 

“And a womanizer.” Audre is smiling now, audacious, as she leans into David’s chest. She hasn’t even touched her wine. How could they do this to Celine? To me? I reach for another sandwich, pick at it. Technically, Audre has known David for as long as I have, though they’d never spoken outside of absolute necessity. But two years back, I’d rung David and asked if he could please have a quick look at Audre’s wrist, which had been giving her trouble. Carpal tunnel was easy enough to diagnose, and she really just needed a prescription. I remember ringing him again to complain, afterward. Audre hadn’t even thanked me. She treats me like a secretary, I told him. She always has. My old friend David had hummed on the phone, then said it’d been tendonitis. Not carpal tunnel. Though the two were so similar that they were easily mistaken, one for the other.

 

We are done with lunch. The sandwiches I’ve so painstakingly labored over, demolished. The mango, gone. Audre turns to my David and squeezes his bicep, bringing it sharply into existence. I blink, stunned.

 

“The strudel,” she says.

 

He smiles at us, then goes to retrieve it from his car. So they did bring something after all. They’ve kept it in the boot, a surprise.

 

“It’s your favorite,” Audre continues, in David’s absence. She’s speaking to her father. As if I’m not there. “Dave and I drove way out of town to get it. It was his idea; he knew you’d been craving it.” Dave? I hear a waver in her voice, I look at Audre more closely.

 

But a buzz of distractible excitement has settled over the table.

 

I’m momentarily confused, until I hear Ayla explaining to her David: “It’s this place we used to go to, as kids. It’s by our first house, when we were still living with Mom. We haven’t had it in years.” She turns to her older sister. “How’d you know it’d still be good? I wouldn’t dare. I’d be so afraid it’d disappoint.”

 

Before Audre can reply, David returns with two long boxes of pale yellow. He heats it up in the oven for ten minutes, then the strudels are unveiled with ceremony, one apple, one mango. He looks at me apologetically. “We didn’t know you’d be serving mango.” Puts a slice of the apple strudel on my plate.

 

It’s warm. I can see the glazing winking at me, the brushed sugar melted slightly from the heat. Beside me, my husband digs his fork in, bringing a big wedge up to his mouth. He’s delighted and seems to have no compunction about the scene unfolding before him. We’re all adults here, he said, when I’d raised my objections in private. What they choose to get up to is their business. He chews loudly. The twins exchange glances of wonder: the strudel is very good. Still? Ayla is smiling, so it must live up to memory. A David, not my David, is exclaiming, asking for the baker’s address. I look back down at my slice.

 

 

Nobody really understood, when I married my husband. Of course, you could argue that those were different times. These days, a girl can go with a man twice her age without the world blinking, and separate just as easily. Not I. Sometimes, when you look back on your life, you think to yourself: what else could I have done with the options that I’d had? Back then, I knew how people talked, but I’d been determined to weather it through. I married for affection, but, yes, also for agency. And haven’t I played my part? I remade myself in the image of a perfect wife, I committed to becoming a step mother when I was barely past twenty myself, I’ve always been faithful, even when I’ve had occasion to stray. I stayed. People can say what they want, but I gave myself and the twins a life not otherwise possible, and there’s no shame in that.

 

A year after his funeral, Audrey will call me. My overachieving, perfectly sculpted middle child. She wants my recipe for the cucumber and egg sandwiches. She’s tried pickling the cucumbers several ways, but can never quite get it how he liked it. Of course, she admits, it could just be her memory. After all, so much time has passed. It could be that they were perfectly ordinary sandwiches, and she’s inflated them in her mind over the years, enhanced by her step-father’s enthusiastic appreciation. I give her the recipe; there is no longer reason for me to withhold. A few days after that, she calls again. They are exactly as she remembers. Perfect.

 

I invite her back to the house, where I live alone. The twins, who everyone said resembled me so, have flown the coop. Ayla married her David, and they’ve moved to Germany. Audre and I keep out of each other’s way. When Audrey shows up, I am surprised to see that she is very pregnant. It hadn’t worked out with therapist David precisely because he wanted kids and she didn’t, but I suppose the right person can correct a wrong situation. Her new husband is apparently very nurturing. As we sit together, eating sliced cucumber, Audrey asks to see the dolls again.

 

How does she know I wouldn’t have tossed them? She reads the question in my eyes and says, You’ve always been one to punish yourself, Anita. Her smile is mirthless and tired.

 

 

After the strudels are done with, there’ll be a moment of awkward limbo, a pause. Then, someone, one of the twins’ Davids, asks to see their room, picking up on an earlier thread. We all troop upstairs, my husband and I, the five girls, their Davids. Push open their door. Enter the room. The twins are vibrating with mischief, excitement. Nothing is serious to them yet, they have no skin in the game. The world bears no stakes.

 

It had once been two rooms, but we knocked the middle wall down, so the effect is that of perfect symmetry. A long room, folded in half, one side leaving a precise imprint on the other. Their beds, desks, even the random entrails of their mess, mirrored exactly on each side. I turn and see Audre’s hand on my David’s lower back, rubbing it slowly, an act of intimacy that makes me feel awfully vulnerable.

 

But by then it is already too late.

 

The twins run up to David, their eyes shining. They see him as a funny old family friend, and throughout the lunch, they’ve been watching him with growing amusement as he affects a veneer of cool, trying to keep up with the younger boyfriends. I’ve seen them exchange glances at his occasional stumble and looked away, burning from secondhand embarrassment. But David has taken it in stride, played along. He doesn’t blink until that moment. In their hands, the twins hold a pair of Celine’s dolls, worn soft from years of attachment. Do you remember, they say. Do you?

 

 

A decade later, in that same room, Audrey will turn the dolls over in her hand, flip one of their dresses up. Along the hem: James 1:17. Every perfect and good gift is from God above. She reads it out softly. They really take after you, she tells me, finally. She puts a hand on her belly, and asks: Can I have this one?

 

 

The strudel, it turns out, has gone bad. Perhaps it is the fact that it has been sitting in the car throughout lunch, cooking slowly. Perhaps it is the burden of what it was called to do. After Audre’s David, Celine’s David, my David, mine, throws up all over the doorway of the twin’s room, something shatters. My friend David sees the flash of dismay in Audre’s eyes and in it, his own pitifulness reflected. The twins snatch the dolls away.

 

By the time the mop is retrieved and the cleaning cloths wrung and sponged, it is already over. The hopefulness of the afternoon has been punctured. An air of frailty overcomes David. He puts one hand on each twin’s head heavily, first Adalyn, then Alena, without seeing them: they are the same to him. Says goodbye to the rest of us, politely. Audre climbs into the car with him and they drive off a little way, before parking behind the church and separating quietly.

 

He is a good person, my David. He returns and confesses everything to Celine, who cannot forgive him. They file for divorce shortly after, and David transfers to a different clinic, out of town, for the remainder of his practice. Neither of them speak to me again; they ignore my calls. I respect them for that, at least. And if there are any significant developments in Audre’s personal life after that, I am never privy to them. Whatever relationship we might have had is lost with that lunch party.

 

 

But all of that is later. Before the end, the apple strudel sits, untouched, on my plate. Everyone has already gone for seconds, and it’s becoming uncomfortably clear that I don’t mean to eat mine. My husband, who’s already had a slice of the apple, then the mango, then the apple again, tries to make a joke of it. “If you’re not eating that.…”

 

The only David that really exists in that room is quiet. He’s looking at me, and I know in his face I will see that same pleading expression, betraying his naive desire for everything to be okay. Despite the disaster of the affair. Despite the fact that this is a small town, that it cannot last. Despite the fact that we have an unspoken understanding, he and I, of solidity, of accountability. Our friendship built on the assurance of things being exactly as they should.

 

In that moment, if I take a bite, he thinks, it will somehow all work out. It will resolve itself. He cannot possibly believe this, but he does.

 

I am not looking at him. If I see that plea in his eyes, my resolve will tremble. I know this much about myself. I am not looking anywhere, except resolutely at my plate, where the shiny slice of pastry sits.

 

Already the twins are scheming. Already the die is cast. My hands twitch by my sides, and I grip the edges of my skirt to steady them. Audrey, my perfectly poised child, gets up and begins clearing the plates. She gestures to her David, who collects the glasses and carafe. There’s a scraping of chairs. Everyone is up, now, except me, starting the dishwasher, cracking jokes, whipping the dishcloths between them.

 

My friend David gets up too, to use the bathroom. He hesitates, then leaves a kiss on Audre’s forehead, a chaste compromise. It’s just Audre and I now. I raise my eyes, we look at each other. I am shocked to see that her gaze is fierce, fervent.

 

“Mum,” she says, her voice controlled and low, and suddenly I can see that I’ve gotten it all wrong, but that it’s too late, and has been too late for some time now, “please.”

 

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