Barry Jason Mauer

Barry Jason Mauer, Ph.D.

Biography

Barry Jason Mauer is Associate Professor of English at the University of Central Florida, and served as director of the Texts and Technology doctoral program from 2016 to 2019. He researches citizen curating, which aims to bring ordinary people into the production of exhibits, both online and in public spaces, using archival materials available in museums, libraries, public history centers, and personal collections. Mauer publishes comics about delusion and denial, particularly as they affect politics and is the author of Deadly Delusions: Right-Wing Death Cult (2020) and co-author, with John Venecek, of Strategies for Conducting Literary Research (2022). He is the co-editor, with Anastasia Salter, of Reimagining the Humanities (2023). Mauer is also a songwriter and recording artist. He lives in Orlando with his wife, Claire, his two dogs, and his cat.

Education

  • Ph.D. in English (Cultural Studies) from University of Florida (1999)
  • M.A. in English (Cultural Studies) from University of Florida (1995)
  • B.A. in Film Theory and Cultural Politics from University of Minnesota (1990)

Research Interests

Film and Media Studies, Cultural Studies, Rhetoric and Composition, Literary Theory, Memory and Monuments, Digital Humanities, Citizen Curating, Delusion and Denialism, Right-Wing Discourse.

Recent Research Activities

Film and Media Studies, Cultural Studies, Rhetoric and Composition, Literary Theory, Memory and Monuments, Digital Humanities, Citizen Curating, Delusion and Denialism, Right-Wing Discourse


Selected Publications

Books

  • Reimagining the Humanities. Co-edited with Anastasia Salter. Parlor Press.

  • Strategies for Conducting Literary Research. Co-authored with John Venecek. Pressbook. https://pressbooks.online.ucf.edu/strategies2e
  • Deadly Delusions: Right-Wing Death Cult

Television Episodes

  • Music and Found Photographs. Half-hour televised interview about my research projects and creative work.  UCF Profiles. The UCF Channel, WBCC-DT.  https://youtu.be/YvyX4Vszl14 
  • Monument to Lost Data.  Half-hour televised interview about my research project on lost data. UCF Profiles. The UCF Channel, WBCC-DT.  https://youtu.be/tuVKetm7810

     

Articles/Essays

Artwork

  • The Invisible Parameter. “Do It!” Exhibition at UCF Art Gallery. Includes work by Barry Mauer and by 10 students in his ENG 6810: “Theories of Texts and Technology” seminar. Feb. 23, 2016 – Mar. 4, 2016.    
  • “Curating the Mystory: Ideology and Invention in the Theory Classroom.” Slide presentation/Video exhibit piece introducing three student-produced mystories.  The Encounter: Baalu Girma and Zora Neale Hurston, UCF Art Gallery, Jan. 11-Feb 18.

     

Book Sections/Chapters

  • “Citizen Curation.” Reimagining the Humanities. Eds: Barry Mauer and Anastasia Salter. Parlor Press.

  • “The Cognitive Immune System: The Mind’s Ability to Dispel Pathological Beliefs.” Global Modernity in the Shadow of Pandemic: A Cross-Disciplinary Update. Eds. Hatem Akil and Simone Maddanu. Amsterdam University Press.

  • "Curating the Mystory: Ideology and Invention in the Theory Classroom," Putting Theory into Practice in the Contemporary Classroom: Theory Lessons. Becky McLaughlin. Cambridge Scholars Publishing

  • “Teaching the Repulsive Memorial.” Co-authored with John Venecek, Patricia Carlton, Marcy Galbreath, Amy Larner Giroux, and Valerie Kasper. Producing Public Memory: Museums, Memorials, and Archives as Sites for Teaching “Writing.” Eds. Jane Greer and Laurie Grobman. Routledge. https://www.researchgate.net/publication/281105966_Teaching_the_Repulsive_Memorial

  • “Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard.” Sampling across the Spectrum. Oxford University Press.  https://www.researchgate.net/publication/260187493_Rigorous_Infidelity_Whole_Text_Sampling_in_the_Curatorial_Work_of_Henri_Langlois_Dewey_Phillips_and_Jean-Francois_Lyotard
  • "Asynchronous Documentary: Buñuel’s Land Without Bread." Book chapter for Lowering the Boom: New Essays on the History, Theory and Practice of Film Sound, edited by Anthony Grajeda and Jay Beck. University of Illinois Press.
  • "Nietzsche at the Apollo: An Experiment in Clipography." Book chapter for New Media/New Methods: The Turn from Literacy to Electracy, edited by Jeff Rice and Marcel O’Gorman. Parlor Press.
  • "Proposal for a Monument to Lost Data." Book chapter for Studies In Writing, volume 17, Writing and Digital Media, edited by Luuk van Waes, Mariëlle Leijten, Christine M. Neuwirth. Elsevier Press.

Recordings

Creative Publications

Book Reviews

  • “Paul Clements, The Outsider, Art and Humour.” Rhizomes: Cultural Studies in Emerging Knowledge, no. 37, 2021, doi:10.20415/rhiz/037.r0 http://www.rhizomes.net/issue37/mauer.html

  • "Review of Georges Bataille: A Critical Introduction, by Benjamin Noys." Cultural Analysis: Volume 3.

Miscellaneous Publications

  • “What Holds Us Back From Achieving a Better Society?” UCF Forum and Huffington Post. July 13. Also broadcast as a radio piece on WUCF, July 17, 2016.    

  • “Censorship Is Not All Bad.” UCF Forum and Huffington Post. March 9, 2016. Also broadcast as a radio piece on WUCF, March 14, 2016.    
  • “The United States Could Use a ‘Therapist General’” UCF Forum and Huffington Post. November 4, 2015. Also broadcast as a radio piece on WUCF, November 8, 2015.    
  • “Rock and Roll and the Amateur Aesthetic.” Texts and Technology Blog.    

Awards

 2021

“Strategies for Conducting Inquiry-Based Literary Research.” Digital Learning Course Redesign Initiative Extension. Barry Mauer, PI. $20,000. Funded. PI.

“Fables versus Urban Legends: Storytelling about Vaccines at the Intersection of Ethnography and Epidemiology.” 2020 Pabst Steinmetz Foundation Arts and Wellness Innovation Awards. Tyler Fisher, PI. $25,000 grant.

“Flickering Landscapes 2019 Conference.” UCF College of Graduate Study grant. $5000

2018

“Flickering Landscapes 2019 Conference.” UCF Office of Research and Commercialization grant. $2000

“Deep Agent: A Framework for Information Spread and Evolution in Social Networks.” Defense Advanced Research Projects Agency. PI: Ivan Garibay. $6,200,000

2017

QEP What’s Next Grant, “Interdisciplinary Curating and Museum Studies Minor.” Awarded April 2017. $3500. 

2016

“Curating across the Curriculum.” QEP Enhancement Award. $3500.

Rose Library Fellowship for the “Repulsive Monuments” project at the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University. $500.

"The Big Read" awarded 6/2/15. National Endowment for the Arts (NEA). Awarded Amount(s): C&G External: $20,000.35, C&G Internal Cost Share Required: $18,900.00. PI: Keri Watson Co-PIs(s): Dr. Maria Santana, Dr. Barry Mauer, Larry Cooper, Connie Lester, Meredith Tweed, Scot French, Anastasia Salter, Yulia Tikhonova

2015

CAH Research Incentive Seed Funding Program. “The Citizen Curator Project” (PI: Barry Mauer). 

2014

CAH Summer Research Development Program. 

2013

“Writing Assignments for LIT 3714: Literary Modernism.” WAC Starter Grant.

2012

“Critical Thinking Modules for Lower Division English and CAH Courses.” Information Fluency Grant. 

2011

Information Fluency Initiative Grant. “Critical Thinking: Modules on Premises, Part II.” 

“Critical Thinking Modules for Lower Division English and CAH Courses.” Information Fluency Grant. 

2009

Toni Jennings Special Initiative Award. “A Prototype for Digital Archiving in K-12.” P.I.: Barry Mauer. $6000.

2007

Information Fluency Initiative Grant. “Class Design of Learning Outcomes and Assessment.” 

2006

College of Arts and Sciences Research Award. “Simulating Mental Illness.” 

2004

“Traditions of Oral Narrative.”  Funded by the U.S. Department of Education, Title VI Program for Internationalizing the Curriculum. (Co-investigator). $2000 (my portion of the grant).

2003

Interdisciplinary Research Award.  “Electronic Monumentality: Mourning and Memory on the World Wide Web.”

2002

I-4 Corridor Research Award. “Cultural ByWays.” PIs: Christopher Stapleton, Charles Hughes. 

2001

Center for Metropolitan Studies Grant. “Interactive Digital Storytelling Festival.” PI: Sterling Van Wagenen. $10,000.

Center for Metropolitan Studies Grant. “Earth Echoes: Reinventing Community through Technology, Story and Culture” $10,000.

Interdisciplinary Research Award.  “Earth Echoes: Integrating Technology, Nature, and Narrative.”  PI: Barry Mauer 

“A Monument to Lost Data.” CREAT Curriculum Development Grant. 

2000

College of Arts & Humanities Excellence in Graduate Teaching Award

2016

UCF Open-Access Champion Award.

2015

UCF Teaching Incentive Program Award (TIP).

2010

“Academic Affairs Fellowship.” UCF.

2006

“Award for Innovative Excellence in Teaching, Learning and Technology.” UCF campus-wide award.

College of Arts and Sciences Undergraduate Teaching Excellence Award.

2005

“Monument to Lost Data.” Research and Mentoring Program (RAMP) Award.

2004

UCF Teaching Incentive Program Award (TIP).

Office of Student Scholarship and Fellowship Advisement (OSSFA) Undergraduate Research Program Award.  

2003

Office of Student Scholarship and Fellowship Advisement (OSSFA) Undergraduate Research Program Award.  

2002

McGinty Dissertation Fellowship. University of Florida. 

1999

Department of English Excellence in Teaching Awards. UF

1996

•  Department of English Excellence in Teaching Awards. UF 

1994

Courses

Course Number Course Title Mode Date and Time Syllabus
92263 ENG3014 Theories and Tech of Lit Study Web-Based (W) Unavailable
No Description Available
90843 LIT2120 World Literature Ⅱ Web-Based (W) Unavailable
No Description Available
Course Number Course Title Mode Session Date and Time Syllabus
61471 LIT6216 Issues in Literary Study Web-Based (W) C Unavailable
No Description Available
Course Number Course Title Mode Date and Time Syllabus
10560 ENG3014 Theories and Tech of Lit Study Web-Based (W) Unavailable

ENG 3014: Theories of Literature

What is theory? A theory is an account of what things are, why they are the way they are, and how and why they work. A "thing" can be a physical thing, like a person or book, or an abstract concept, like the proletariat or being or love.

From Wikipedia:

The English word theory was derived from a technical term in philosophy. in Ancient Greek. As an everyday word, theoria. θεωρία, meant "a looking at, viewing, beholding", but in more technical contexts it came to refer to contemplative. or speculative. understandings of natural things. such as those of natural philosophers. as opposed to more practical ways of knowing things, like that of skilled orators or artisans. The word has been in use in English since at least the late 16th century. Modern uses of the word "theory" are derived from the original definition, but have taken on new shades of meaning, still based on the idea that a theory is a thoughtful and rational explanation of the general nature of things.

In this course, we will explore the question of how and why literary and other texts work as they do, but also we will explore and practice thinking. Intended as a survey of critical theory, this course is about how to think about and through literature. We are learning to think because thinking for ourselves is better than having other people do our thinking for us.

The discourses of theory in the 20th century and into the 21st include formalist, psychological, Marxist, feminist, semiotic, structuralist, post-structuralist, gender and queer, ecocriticism, and cultural studies areas such as new historicism, postcolonialism, and multiculturalism. We will examine works of literature using each theoretical discourse as a lens through which to view and understand them. Additionally, we will take time in the middle of the semester to gain a better understanding of interpretation itself.

ENG 3014 is designated as a Research-Intensive (RI) course. This designation will be noted on your transcripts. Your active engagement in the research and/or creative scholarship process will be the core of your learning experience in this course. A significant portion of your grade for ENG 3014 will be derived from both your active participation in the research process and the tangible course-related project(s) that comes out of said project. If you have any questions about this designation, please ask your course instructor.

ENG 3014 is also a Gordon Rule course. It contains 6000 words of evaluated writing as required by the English Department. Each has the following characteristics:

1.      The writing will have a clearly defined central idea or thesis

2.      It will provide adequate support for that idea

3.      It will be organized clearly and logically

4.      It will show awareness of the conventions of standard written English

5.      It will be formatted or presented in an appropriate way

 

LIT3212-24Spring 0W61

 

Course Description

LIT 3212: Research and Writing about Literature

Catalog Description: Research and Writing about Literature (LIT 3212) This course is designed to teach literary research and writing skills. PR: Grade of “C” (2.0) or better required in ENC 1102 or C.I. Research, writing, and critical analysis skills applicable to upper-level English courses. 3 credit hours

LIT 3212 is designated as a Research-Intensive (RI) course. This designation will be noted on your transcripts. Your active engagement in the research and/or creative scholarship process will be the core of your learning experience in this course. A significant portion of your grade for LIT 3212 will be derived from both your active participation in the research process and the tangible course-related project(s) that comes out of said project. If you have any questions about this designation, please ask your course instructor.

Detailed Description: This course walks you through the process of conducting literary research while helping to refine your library skills. Along the way, we will draw from the Association of College and Research Libraries (ACRL) Information Literacy Framework. According to the ACRL, “Research is iterative and depends upon asking increasingly complex or new questions whose answers lead to additional questions or lines of inquiry in any field.” We will discuss this concept more in-depth throughout the course. Your goal in the course is to produce a research paper suitable for publication in a literary studies journal.

The course will also focus on a research project created by Jada, an English major who conducted a literary study of James Baldwin’s classic short story, “Sonny’s Blues.”

The basic textbook we will be using for our class is Strategies for Conducting Literary Research, 2eIt has loads of concepts and vocabulary, some of which you may not have encountered before. In a research-based course, your instructor will require you to write a research paper of 8-12 pages, but the knowledge you need to perform this task can fill up dozens of pages. Writing about literature is a complicated, often messy process; it needs to meet high standards while incorporating knowledge from other fields such as psychology, history, science, and other arts. It entails knowledge about language, genre, structures, styles, and more. To produce good research about literature, we need to know a lot of things about a lot of things!

Although we will discuss the research process in a linear fashion throughout this course, you’ll find that, in practice, literary research is a highly recursive process. We’re constantly circling back through the process as we write. Because writing instructors are locked into presenting the writing process in a linear way, we tend to discuss it in terms of stages such as preliminary research, drafting, revising, and so on. But writing a research paper requires us to rethink and redo our work at any stage. It’s not uncommon for writers to be in the middle of proofreading (one of the final stages) and realize they need to go back and gather more research. Though this course focuses on research about literature, the skills and knowledge in these chapters apply to many other areas and topics, especially in the humanities.

Key Objectives for This Course

·         Read disciplinary texts and develop a “toolbox” of content knowledge, core principles, and practices. 

·         Improve research, interpretation, writing, and argumentation skills about literary texts and society by obtaining, critically evaluating, and synthesizing scholarly literature and relevant data. 

·         Implement appropriate methodologies to address key research problems.

·         Gain communication skills through the dissemination of the research (process and product) in appropriate formats and venues, including professional journals and platforms in literary studies.

·         A more granular breakdown of course objectives is below:

o    Understand the assignment 

o    Identify a research problem 

o    Develop audience awareness

o    Enter a scholarly conversation

o    Understand theory’s integral role within humanities research

o    Understand how theory relates to particular research methodologies and methods for gathering evidence

o    Learn to use online library catalogs, database search strategies, library services, citation management, and search alerts

o    Evaluate source credibility

o    Posit your research question

o    Posit a thesis statement

o    Compose a title

o    Define your key terms

o    Write persuasively

o    Write academic prose

o    Steer clear of plagiarism

“Research & Writing about Literature” is a Gordon Rule course, which means you will produce at least 6000 words of evaluated writing as required by the English Department. Each Gordon Rule assignment has the following characteristics:

1.      The writing will have a clearly defined central idea or thesis.

2.      It will provide adequate support for that idea

3.      It will be organized clearly and logically

4.      It will show awareness of the conventions of standard written English

5.      It will be formatted or presented in an appropriate way

Note that our course discussions will take place in Yellowdig, a social media type application.  You are free to use any of the questions there or to post your own questions and topics.


11332 ENG3014 Theories and Tech of Lit Study Mixed-Mode/Reduce Seat-Time(M) M,W 11:30 AM - 12:20 PM Unavailable

ENG 3014: Theories of Literature

What is theory? A theory is an account of what things are, why they are the way they are, and how and why they work. A "thing" can be a physical thing, like a person or book, or an abstract concept, like the proletariat or being or love.

From Wikipedia:

The English word theory was derived from a technical term in philosophy. in Ancient Greek. As an everyday word, theoria. θεωρία, meant "a looking at, viewing, beholding", but in more technical contexts it came to refer to contemplative. or speculative. understandings of natural things. such as those of natural philosophers. as opposed to more practical ways of knowing things, like that of skilled orators or artisans. The word has been in use in English since at least the late 16th century. Modern uses of the word "theory" are derived from the original definition, but have taken on new shades of meaning, still based on the idea that a theory is a thoughtful and rational explanation of the general nature of things.

In this course, we will explore the question of how and why literary and other texts work as they do, but also we will explore and practice thinking. Intended as a survey of critical theory, this course is about how to think about and through literature. We are learning to think because thinking for ourselves is better than having other people do our thinking for us.

The discourses of theory in the 20th century and into the 21st include formalist, psychological, Marxist, feminist, semiotic, structuralist, post-structuralist, gender and queer, ecocriticism, and cultural studies areas such as new historicism, postcolonialism, and multiculturalism. We will examine works of literature using each theoretical discourse as a lens through which to view and understand them. Additionally, we will take time in the middle of the semester to gain a better understanding of interpretation itself.

ENG 3014 is designated as a Research-Intensive (RI) course. This designation will be noted on your transcripts. Your active engagement in the research and/or creative scholarship process will be the core of your learning experience in this course. A significant portion of your grade for ENG 3014 will be derived from both your active participation in the research process and the tangible course-related project(s) that comes out of said project. If you have any questions about this designation, please ask your course instructor.

ENG 3014 is also a Gordon Rule course. It contains 6000 words of evaluated writing as required by the English Department. Each has the following characteristics:

1.      The writing will have a clearly defined central idea or thesis

2.      It will provide adequate support for that idea

3.      It will be organized clearly and logically

4.      It will show awareness of the conventions of standard written English

5.      It will be formatted or presented in an appropriate way

 

LIT3212-24Spring 0W61

 

Course Description

LIT 3212: Research and Writing about Literature

Catalog Description: Research and Writing about Literature (LIT 3212) This course is designed to teach literary research and writing skills. PR: Grade of “C” (2.0) or better required in ENC 1102 or C.I. Research, writing, and critical analysis skills applicable to upper-level English courses. 3 credit hours

LIT 3212 is designated as a Research-Intensive (RI) course. This designation will be noted on your transcripts. Your active engagement in the research and/or creative scholarship process will be the core of your learning experience in this course. A significant portion of your grade for LIT 3212 will be derived from both your active participation in the research process and the tangible course-related project(s) that comes out of said project. If you have any questions about this designation, please ask your course instructor.

Detailed Description: This course walks you through the process of conducting literary research while helping to refine your library skills. Along the way, we will draw from the Association of College and Research Libraries (ACRL) Information Literacy Framework. According to the ACRL, “Research is iterative and depends upon asking increasingly complex or new questions whose answers lead to additional questions or lines of inquiry in any field.” We will discuss this concept more in-depth throughout the course. Your goal in the course is to produce a research paper suitable for publication in a literary studies journal.

The course will also focus on a research project created by Jada, an English major who conducted a literary study of James Baldwin’s classic short story, “Sonny’s Blues.”

The basic textbook we will be using for our class is Strategies for Conducting Literary Research, 2eIt has loads of concepts and vocabulary, some of which you may not have encountered before. In a research-based course, your instructor will require you to write a research paper of 8-12 pages, but the knowledge you need to perform this task can fill up dozens of pages. Writing about literature is a complicated, often messy process; it needs to meet high standards while incorporating knowledge from other fields such as psychology, history, science, and other arts. It entails knowledge about language, genre, structures, styles, and more. To produce good research about literature, we need to know a lot of things about a lot of things!

Although we will discuss the research process in a linear fashion throughout this course, you’ll find that, in practice, literary research is a highly recursive process. We’re constantly circling back through the process as we write. Because writing instructors are locked into presenting the writing process in a linear way, we tend to discuss it in terms of stages such as preliminary research, drafting, revising, and so on. But writing a research paper requires us to rethink and redo our work at any stage. It’s not uncommon for writers to be in the middle of proofreading (one of the final stages) and realize they need to go back and gather more research. Though this course focuses on research about literature, the skills and knowledge in these chapters apply to many other areas and topics, especially in the humanities.

Key Objectives for This Course

·         Read disciplinary texts and develop a “toolbox” of content knowledge, core principles, and practices. 

·         Improve research, interpretation, writing, and argumentation skills about literary texts and society by obtaining, critically evaluating, and synthesizing scholarly literature and relevant data. 

·         Implement appropriate methodologies to address key research problems.

·         Gain communication skills through the dissemination of the research (process and product) in appropriate formats and venues, including professional journals and platforms in literary studies.

·         A more granular breakdown of course objectives is below:

o    Understand the assignment 

o    Identify a research problem 

o    Develop audience awareness

o    Enter a scholarly conversation

o    Understand theory’s integral role within humanities research

o    Understand how theory relates to particular research methodologies and methods for gathering evidence

o    Learn to use online library catalogs, database search strategies, library services, citation management, and search alerts

o    Evaluate source credibility

o    Posit your research question

o    Posit a thesis statement

o    Compose a title

o    Define your key terms

o    Write persuasively

o    Write academic prose

o    Steer clear of plagiarism

“Research & Writing about Literature” is a Gordon Rule course, which means you will produce at least 6000 words of evaluated writing as required by the English Department. Each Gordon Rule assignment has the following characteristics:

1.      The writing will have a clearly defined central idea or thesis.

2.      It will provide adequate support for that idea

3.      It will be organized clearly and logically

4.      It will show awareness of the conventions of standard written English

5.      It will be formatted or presented in an appropriate way

Note that our course discussions will take place in Yellowdig, a social media type application.  You are free to use any of the questions there or to post your own questions and topics.


11496 LIT3212 Research & Writing About Lit Web-Based (W) Unavailable

Catalog Description: Research and Writing about Literature (LIT 3212) This course is designed to teach literary research and writing skills. PR: Grade of “C” (2.0) or better required in ENC 1102 or C.I. Research, writing, and critical analysis skills applicable to upper-level English courses. 3 credit hours

LIT 3212 is designated as a Research-Intensive (RI) course. This designation will be noted on your transcripts. Your active engagement in the research and/or creative scholarship process will be the core of your learning experience in this course. A significant portion of your grade for LIT 3212 will be derived from both your active participation in the research process and the tangible course-related project(s) that comes out of said project. If you have any questions about this designation, please ask your course instructor.

Detailed Description: This course walks you through the process of conducting literary research while helping to refine your library skills. Along the way, we will draw from the Association of College and Research Libraries (ACRL) Information Literacy Framework. According to the ACRL, “Research is iterative and depends upon asking increasingly complex or new questions whose answers lead to additional questions or lines of inquiry in any field.” We will discuss this concept more in-depth throughout the course. Your goal in the course is to produce a research paper suitable for publication in a literary studies journal.

The course will also focus on a research project created by Jada, an English major who conducted a literary study of James Baldwin’s classic short story, “Sonny’s Blues.”

The basic textbook we will be using for our class is Strategies for Conducting Literary Research, 2eIt has loads of concepts and vocabulary, some of which you may not have encountered before. In a research-based course, your instructor will require you to write a research paper of 8-12 pages, but the knowledge you need to perform this task can fill up dozens of pages. Writing about literature is a complicated, often messy process; it needs to meet high standards while incorporating knowledge from other fields such as psychology, history, science, and other arts. It entails knowledge about language, genre, structures, styles, and more. To produce good research about literature, we need to know a lot of things about a lot of things!

Although we will discuss the research process in a linear fashion throughout this course, you’ll find that, in practice, literary research is a highly recursive process. We’re constantly circling back through the process as we write. Because writing instructors are locked into presenting the writing process in a linear way, we tend to discuss it in terms of stages such as preliminary research, drafting, revising, and so on. But writing a research paper requires us to rethink and redo our work at any stage. It’s not uncommon for writers to be in the middle of proofreading (one of the final stages) and realize they need to go back and gather more research. Though this course focuses on research about literature, the skills and knowledge in these chapters apply to many other areas and topics, especially in the humanities.

Key Objectives for This Course

·         Read disciplinary texts and develop a “toolbox” of content knowledge, core principles, and practices. 

·         Improve research, interpretation, writing, and argumentation skills about literary texts and society by obtaining, critically evaluating, and synthesizing scholarly literature and relevant data. 

·         Implement appropriate methodologies to address key research problems.

·         Gain communication skills through the dissemination of the research (process and product) in appropriate formats and venues, including professional journals and platforms in literary studies.

·         A more granular breakdown of course objectives is below:

o    Understand the assignment 

o    Identify a research problem 

o    Develop audience awareness

o    Enter a scholarly conversation

o    Understand theory’s integral role within humanities research

o    Understand how theory relates to particular research methodologies and methods for gathering evidence

o    Learn to use online library catalogs, database search strategies, library services, citation management, and search alerts

o    Evaluate source credibility

o    Posit your research question

o    Posit a thesis statement

o    Compose a title

o    Define your key terms

o    Write persuasively

o    Write academic prose

o    Steer clear of plagiarism

“Research & Writing about Literature” is a Gordon Rule course, which means you will produce at least 6000 words of evaluated writing as required by the English Department. Each Gordon Rule assignment has the following characteristics:

1.      The writing will have a clearly defined central idea or thesis.

2.      It will provide adequate support for that idea

3.      It will be organized clearly and logically

4.      It will show awareness of the conventions of standard written English

5.      It will be formatted or presented in an appropriate way

Note that our course discussions will take place in Yellowdig, a social media type application.  You are free to use any of the questions there or to post your own questions and topics.

 

 

Updated: Sep 6, 2023