Introducing Creative Nonfiction Editor Terry Ann Thaxton

We’re making it official—meet Terry Ann Thaxton, a creative nonfiction editor with The Florida Review. Thaxton joined our team as an editor over the summer, but she’s no stranger to TFR.

Thaxton’s poetry and creative nonfiction–rooted in Florida landscape and history–explore the individual’s place in family and community, women’s issues, mental illness, and silenced voices of the past and present. Her books of poetry include Getaway Girl, The Terrible Wife, and Mud Song. She’s been awarded two Florida Book Awards, the Jeffrey E. smith Editors Prize at The Missouri Review for nonfiction, and the T.S. Eliot Poetry Prize. Her poems and essays have been published in Pithead Chapel, New Letters, Chattahoochee Review, Hayden’s Ferry, The Missouri Review, and other literary journals. She has an MA in English and an MFA in Creative Writing. Thaxton is a professor at the University of Central Florida and directs the graduate programs in English.

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Announcing Our 2023 Nominations for the Best of the Net Anthology

Aquifer: The Florida Review Online is thrilled to announce the nominations for the 2023 Best of the Net Anthology! The Best of the Net is an anthology created by Sundress Publications that accepts pieces first published online in the categories of poetry, fiction, nonfiction, and art. To read more about the Best of the Net anthology, check out their webpage.

Aquifer receives many wonderful pieces each year, and we are so excited to showcase our 2023 nominations. Best of luck to the nominees! 

Poetry Nominations:
“Nurture” by Jacques J. Rancourt
“Cool Side of the Pillow” by Cynthia Atkins
“Blues for King Kong” by Sihle Ntuli
“Content” by Allan Peterson
“Christmas Eve“ by Chelsea Dingman
“Witness Statement” by Kyle McCord
Fiction Nominations:
“Junior Steaks” by Anney Bolgiano
“75 Simple Steps to Positive, Growing Change” by Andreas Trolf
Nonfiction Nominations:
“Mythogenesis” by Suzanne Manizza Rosak
“What Comes in the Night” by Ariél Martinez
Visual Art Nominations:
“Heirloom” by Catherine-Esther Cowie
“The Queen of All the Dirt” by Catherine Esther-Cowie


 
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