Announcing the Longlist for the 15th Annual Jeanne Leiby Memorial Chapbook Award

From 183 entries, the editors of The Florida Review have chosen 10 titles as semifinalists for the Jeanne Leiby Memorial Chapbook Award. All entrants receive a year’s subscription to The Florida Review. The 2026 longlisted titles are:

Vesuvio, Patricia Q. Bidar

Red Light in the Small Hours, Angela Edward

The Oboe is a Duck, Elizabeth Erbeznik

Hum, Lucas Flatt

The Whispers of Water, Fabián González González

Everything in My Life Up Till Now, Andrea Lewis

Trés Fronteras, Chip Livingston

Holiest, Crystal Odelle

Suburban Variations, Heather Sellers

Health Care Hopscotch: 2012-2022, Julie Marie Wade

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Wednesday Trash Day Available for Purchase!

The Florida Review is happy to announce our winner for the 2025 Jeanne Leiby Chapbook Award, Wednesday Trash Day by Mary Kate Coleman is available for purchase here!

 

Mary Kate Coleman is a recent Fulbright scholar and investigator on the digital storytelling project Humanizing Deportation. She’s currently a PhD candidate in creative writing at the University of Illinois at Chicago. Her work has appeared or is forthcoming in Cimarron, Glimmer Train, Redivider, Carve Magazine, and others. Her story “HayDay” was a finalist in the 2025 Puerto Del Sol Prose Contest. She and her husband are working on renovating an 1830s log cabin on the White River in Indianapolis. They have two kids, Ruthie and Woody.

 

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2023-2024 Jeanne Leiby Memorial Chapbook Award Finalists

We are so excited to announce the finalists for our 2023-2024 Jeanne Leiby Memorial Chapbook Award!

Mary Kate Coleman, “Wednesday Trash Day”

Will Musgrove, “After Last Call”

Kate Osana Simonian, “The Screw”

Each year, The Florida Review honors former editor Jeanne Leiby with the publication of a prose or graphic narrative chapbook. To purchase one of our previous winners’ chapbooks, please see our Store, and for more information about Jeanne Leiby, the award in her honor, and previous chapbook winners and finalists, please see our Jeanne Leiby Memorial Chapbook Series page.

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Announcing the Winner of the Jeanne Leiby Memorial Chapbook Award

We are thrilled to announce the Winner and Finalists of the 2022-2023 Jeanne Leiby Memorial Chapbook Award! This award celebrates the life and work of Jeanne Leiby (1967-2007) who served as Editor of The Florida Review from 2004 to 2007. The winning entry will be published as a standalone chapbook in April, 2024. To learn more about Jeanne’s legacy, visit our pages here and here. Thank you to all who submitted pieces for consideration.

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Michael Chin Wins Leiby Chapbook Contest

The Florida Review is pleased to announce the winner of the 2017-2018 Jeanne Leiby Memorial Chapbook Award: Michael Chin, for his collection of flash fiction Autopsy and Everything After, which will be published early in 2019. As noted by final contest judge Juan Martinez:

There is so much pathos and beauty and good humor in these pieces. I loved spending time with these people, how they surprised me, how much I learned about the itinerant wrestling world and how that world contains all of ours—our dead fathers, our lost exes, our fears and hopes.

Michael Chin is an alumnus of the Oregon State University MFA program. He has previously published two hybrid chapbooks, Distance Traveled with Bent Window Books and The Leo Burke Finish with Gimmick Press, and is a contributing editor for Moss.

In addition, we would like to recognize two finalists whose work we hope to excerpt in The Florida Review next spring: Ahsa Dore for Disfigure Studies and Ethel Smith for We Ready.

As Martinez noted about these two submissions:

Disfigure Studies is a powerful and intricately constructed creative nonfiction piece that conjures resonances between art, violation, trauma, disability, and beauty. And The X-Men. The work never fails to surprise, even as it builds to an insightful meditation on gender.

The main threads in We Ready are the necessary ones of race in Alabama and the ways in which family and community can uplift us. But this collection of flash nonfiction pieces also skillfully explores the many valences of education: how it is needed, how it can be rewarding, and how its trajectory shifts. In addition, it’s a joy to spend time with some truly memorable people in these pages—Miss Pearl, the Prell sisters, and the undergrads popping up in the writer’s office.

We thank all of the many wonderful writers who submitted work last year and who made our decisions so difficult. This year’s contest is now open, and we hope to hear from many of you and many more writers again in support of the publication of prose and graphic narrative work of a certain length that doesn’t fit either bite-size or big-book size.

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