Sadly Enough

We could start the story here: Phillipa Pirrip at thirteen, walking into her eighth-grade dorm room for the first time. In the middle of this room stands Phillipa’s roommate—Minji—who introduces herself with a slight bow. Over the next five years, Minji will nickname Phillipa Pip, and she’ll pass Pip Korean lessons written on graph paper between bell rings in the main school building. At night in their room, Pip will teach Minji how to cornrow hair like Pip does for all of the other Black girls in their dorm, and Minji will cook Shin Ramyun on Pip’s desk as she grades those Korean lessons, gesturing with her chopsticks and splashing spicy, orange soup across Pip’s awkwardly scrawled Hangul letters. Here, on this campus, Pip and Minji will run through horse pastures in the black of November nights, warm their hands in each other’s pockets, and pantomime smoking with their ashy breaths. Perched on splintered, wooden fences, Minji will teach Pip the word for family, the word for death, the word for love, the word for ghost.

 

Then senior year hits like a flashbang. In the abandoned barn at the edge of campus, they will lie on sawdust floors. Watching the clouds of their breaths mushroom together, Pip will say in accented Korean, “I want to live in Seoul one day.”

 

Minji will hook arms with Pip and say, “Let’s do it! Let’s live there together.” And then six months after that December day, somewhere in the desolation of Delaware, Minji will die in a Dodge Durango. Three days after the memorial, Pip will sit on a stage in a cap and gown, feeling Minji’s absence in the empty seat next to her as hot as an open oven.

 

 

Or maybe we’ll begin here: Pip at twenty-two, running from security guards in France. Inside the Palais—the convention center at the heart of the Cannes Film Festival—Pip carries her screenplay in her hands. Surrounded by hi-tech booths for film distribution companies like Sony, Film4, and Lionsgate, Pip darts through the crowd in the Distributor’s Market. Her low-level festival pass swings from her neck, announcing to anyone who knows better that she is somewhere she does not belong. She catches her breath behind a white pillar that conceals her from the large men in khaki suits coming for her. If these men take away her badge, she will be barred from the remaining festival screenings. Already this deep in the Palais, escaping is not an option; she has to hide. Pip looks at the elaborate booths with their promo-playing television screens and the logos that she has only seen in theaters before movie trailers. Her gaze stops on the tri-colored logo for CJ Entertainment—a South Korean distribution company. At this booth, a young woman in an expensive suit organizes the flyers on the table, and a man in his fifties flips through an art book behind her.

 

It’s wild, but Pip has to give it a shot.

 

She peeks around the pillar to make sure the guards aren’t looking. Her heart beating in her throat, she walks up to the woman at the CJ Entertainment booth, bows, and says in the language she has been studying for the last ten years, “Annyeonghaseyo? I’m sorry to bother you. But there are bad people looking for me. May I hide here for just a minute?”

 

The woman’s mouth drops open, and the stack of flyers fall from her hands. Maybe that lie was a little too serious. Or maybe her shock came from the fact that she has never seen a Black person speak Korean as well as Pip does.

 

The woman doesn’t respond right away, but the man behind her walks over with his disheveled, curly hair and square, frameless glasses. “What’s going on?”

 

“She says she needs to hide from nappeun saramdeul,” the woman says.

 

“Nappeun saramdeul?” The man looks out at the crowd to find these “bad people,” and Pip follows his gaze to the security guards talking into their radios. He then glances down at Pip’s badge, and she covers it too late with her script. Laughing, he says in English, “So, by bad people you mean the men doing their jobs?”

 

Pip gives him a deflated smile and nods. “Ne, I’m sorry. I’ll leave.”

 

The man shakes his head. “Jamkkanman.” He waves her into the booth and gestures for her to hide under the table. “It’s okay. Come in.

 

Pip bows again in thanks. Gamsahabnida.” She crawls under the table and sits with her knees to her chest.

 

“How did you get in here without the proper badge?”

 

“I just walked in.”

 

“You just walked in?”

 

“Ne, if you pretend like you belong, people will think that you do.”

 

He laughs and says to himself, “Ah, this girl. Really?” He looks up and puts a finger to his lips.

 

In the shadows under the table, Pip hears one of the French guards say in uncertain English, “Pardon, have you seen a suspicious Black girl come by?”

 

The man pauses as if to really consider the question. “Yes, I saw her. She went downstairs towards the exit.”

 

“Ah, merci.”

 

The man watches the guards walk away for a long minute before giving Pip the okay-sign. “Coast is clear,” he says in English and then in Korean: “You speak Korean well. How did you learn?”

 

This question—as it always does—lances through the scar tissue in Pip’s heart where all the memories of Minji live. “My roommate in boarding school taught me. And then I studied in college.”

 

He makes a sound like he finds this information interesting. “What’s this?” he asks, nodding to the script in her hands.

 

“My screenplay. I’m here to network.”

 

“Juseyo.”

 

Pip hands him the script, and he flips through it. “You wrote this?” She nods. “It’s too bad I don’t read English well. What do you want to become?”

 

Pip translates this poorly in her head, and it takes her a second to understand that he is asking what she wants to be when she grows up. “I want to become a writer and director.”

 

“Geuraeyo? Do you have a demo reel?”

 

She pulls a silver flash drive out of her festival tote and hands it to him. He leads her to a table at the back of the booth where he sits and plugs the flash drive into a laptop. Pip guides him through the folders until a QuickTime Window pops up, and he presses play. There are a couple of shots that Pip could have color corrected better, but she is proud of her work and stands by it as a representation of what she can do, will do, as a filmmaker.

 

When the player stops and the screen goes black, the man sits in silence with his chin in his hand for the longest minute of Pip’s life. Pip, of course, expects nothing from this man; he has already shown her a great deal of kindness by letting her hide under his table, by lying to get the guards off her back. But still, to watch even a compilation of her films is to see inside her mind, deeper than she would ever consciously allow. There is a nakedness to sharing your art that is both frightening and addicting. No, Pip doesn’t need validation from a stranger, but she also doesn’t need cruelty from one either. Just when she is about to snatch back her flash drive and go about her day, the man looks up and says, “I’m impressed.”

 

“Jinjjayo?”

 

“Ne, very impressed. How old are you?”

 

“Twenty-two American years.”

 

“Have you graduated from college?”

 

“Yes, two weeks ago.”

 

“Job isseoyo?”

 

She shakes her head. “Anio. I haven’t found a job yet.”

 

“Good.” He takes a ticket and business card out of a messenger bag on the table and gives them to Pip. “My film premieres tomorrow night at 8:00 p.m. You should come. I’ll bring a better badge for you.”

 

Pip runs her thumb over his name and title engraved on the business card: 배영철 감독. Bae Young-chul. Director.

 

Two days later, at a cafe overlooking the Bay of Cannes, Director Bae offers Pip a job. A week after the festival ends, Pip boards a plane to Seoul, thinking about Minji’s arm hooked in hers, and how—in this small way—she can keep the promise they made to each other.

 

 

Or start here: seven years later, on the precipice of a marriage proposal in an aquarium in Seoul. There, in Coex Aquarium, Pip follows Hong-gi into the tunnel where stingrays wide as cars glide over them in serene, simulated underwater silence. Then, standing in a black gallery before a theater of sharks and fish, Hong-gi laces his fingers in hers and says, “Let’s go to Busan tomorrow. I want you to meet our Umma.” Pip has lived in Korea long enough to know that meeting Hong-gi’s mother would be no ordinary meeting. The two of them had talked about marriage, and Pip—for the most part—was open to the idea. Although whenever Hong-gi wanted to talk specifics, talk timeline, talk concrete plans for the future, Pip always pushed off those conversations with sex as a distraction. It wasn’t that she didn’t love Hong-gi; she just loved her own dreams a little more.

 

When she first came to Korea all those years ago to crew on Director Bae’s film, she was twenty-two and couldn’t see that starting a film career in Korea, that working on eight films in five years, that forging a name for herself in this industry as the heukin—Black—camera director would delay the start of her film career in the US. After five years of hopping film to film and supplementing her income by tutoring outrageously wealthy children in Seoul, Pip grew tired of the hustle and job instability. In retrospect, this was when she should have gone back to the US. But what was waiting for her back in America? Two dead parents and a drunk sister meaner than a junkyard dog. As hard as it was to be a waygookin filmmaker in Korea, moving to LA with no connections, no prospects, no Director Bae to help her find her footing seemed all the more difficult. Just when Pip was about to give up and try her luck again in America, she met Hong-gi on the subway platform in Dogok, a place he would normally never be but his car happened to have broken down next to the station. On the train, they talked so long and enthusiastically about which Taika Waititi and Bong Joon Ho films were the best that she missed her chance to transfer at Yaksu and his at Jongno, and they have been inseparable ever since. And so Pip asked Director Bae for help finding more stable work, and he got her a job as a camera director on a Kpop group’s reality television show. Assigned to the maknae—the youngest member of the group—Pip has spent the last two years in Korea chasing a teenage boy around with a camera and occasionally joining the group on tour to document their backstage shenanigans for their cleverly named fanbase.

 

Yes, Pip put off marriage because she didn’t want to just be a camera operator; she wanted to direct her own films, write scripts, tear her hair out over plot holes and characters that wouldn’t behave the way she wanted them to. But now, seven years into a career in a foreign country, Pip can see that a dream could be a person, and in this person holding her hand in front of a menagerie of blue lit sand sharks and tiny, zippy fish, she believes she can find a reflection of happiness. She believes this because Hong-gi, with his whole-hearted love for life, for adventure, for Pip, represents the possibility for something Pip never had: family. With a mother dead after childbirth and a father blipped from this earth by a heart attack shortly thereafter, Pip has no family to speak of. Of course there is her much older sister, Josie. But the only thing Josie loves more than liquor is coke, and when Pip was young, Josie always made sure to beat Pip’s ass when she was lacking in either. Yes, Hong-gi is her family. Pip spent so much time curating found families in boarding school dorm rooms, in college common rooms, in the casts and crews of film projects.

 

Now, she has found one in Hong-gi, and for the first time, she isn’t worried he will drop dead like Mama, like Daddy, like Minji. Yes, Pip no longer needs fame and fortune; she doesn’t need anything as long as she has a family. The only obstacle now is his mother’s approval. And then, there, in the undulating light of the aquarium, as if waking from a nice dream, Pip realizes how large of an obstacle that would be.

 

The next day, Pip and Hong-gi take an early morning KTX train to Busan, make it to their beachside Airbnb by the afternoon, and walk along the warm, late spring water, swinging their held hands as if they had given each of their hearts to truly understand the others’. But there was hesitation in Pip’s giving because there is a question she needs to ask him, a question that once asked can never be unasked.

 

Pip waits until they’re back in the Airbnb, getting dressed for this first dinner with his mother. “Oppa, hok-si,” she says, fastening one of his cufflinks. “Does your mother know that I am heukin?”

 

Hong-gi fastens the cufflink resting on his prosthetic wrist and checks his slicked-back hair in the mirror. “She knows that you’re American.”

 

Good god, this man hasn’t told his mother he wants to marry a Black woman. Pip thinks back to the three people she dated seriously in college. Two were white and one was Cuban, and Pip’s Blackness was an issue for each of their families. It didn’t matter that Pip went to Johns Hopkins, maintained a 4.0 GPA, and spoke Korean. Nothing could impress a parent at a dinner table when all they saw was a Black person—someone they saw as less than human—sitting next to their child. Though the biggest shock was when Pip met Cecilia’s mother, who didn’t seem to mind that her daughter was queer but very much minded that she was dating a Black woman.

 

“Wae? Why haven’t you told her?” Pip asks even though she very well knows why. He knew it would be a problem. He didn’t tell her because he thought he could somehow ambush her, bully her into acceptance.

 

“Why does she need to know beforehand?” He is playing dumb now, avoiding the question the same way Pip avoided asking him in the first place. “I mean what’s the worst she can do? Disinherit me? She won’t do that. I already have Appa’s company.”

 

Hong-gi’s father was the founding CEO of a video gaming company until 2001, when he died in the car crash that took Hong-gi’s right arm. The accident killed both Hong-gi’s father and his twin brother when they were ten years old. His mother was also in the car, but she walked away with just a broken arm and a face full of glass. After the crash, Hong-gi’s uncle ran the company and groomed Hong-gi to take over once he finished university.

 

Hong-gi walks over to Pip now and kisses her on the forehead. “I love you. Don’t worry. Okay? Oppa will take care of it.” And then something like the sudden realization of a thing he had always known to be true settles on his face. “She won’t disown me anyway. I’m all she has left.” He says this sadly, matter-of-factly because it is a sad, matter of fact. In this moment, Pip squeezes his hand and bears both his loss and her own, for her parents, for Minji.

 

“Have you told your uncle?”

 

“Ne, he said that I’ve had a hard life and I should be able to marry who I want.”

 

“What about your mother’s side of the family?”

 

“Our grandparents died before we were born. She has no siblings.” Even though he hasn’t been a twin in almost two decades, he still speaks as if he were one. Hong-gi slips his hand out of hers and walks to the foyer when he says, “It was her fault, you know. She picked a fight with Appa over something stupid and they were arguing. She wasn’t paying attention to the road when the truck swerved into our lane and she turned the car to protect our side while Appa and Hong-joo took the hit.” This is new information to Pip; he had never told her the specifics of the accident. Only the details of his amputation, which bones his mother had broken, and the fact that his father and brother lost more than that. No, he had never told her that—all these years later—he still blames his mother.

 

Hong-gi puts on his shoes, looks up at Pip, and says, “Are you ready?”

 

 

Hong-gi’s family home is a modern, multi-million dollar monstrosity shaped into a rectangular concrete prism with smooth, sterile curves. This place looks more like a prison than a home. The house’s gray exterior has an aura so cold, it reminds Pip of walking barefoot on winter sidewalks, of stepping in silvery seafoam on off-season shores, of watching muted rain through a clean window. Pip stands in front of a black, slatted gate, her hand in Hong-gi’s. The sea laps at the docks behind them, and private CCTV cameras glare down from above. Pip looks up past the cameras at the third-floor balcony set deep into the concrete structure of the house. The windows of a house always remind Pip of eyes; this house’s eyes are empty and dead.

 

Hong-gi lets go of her hand to ring the doorbell.

 

“Ah, Mr. President. Please come in,” a woman, presumably the housekeeper says, almost teasing.

 

Pip pokes him in the side and teases him too. “Mr. President,” she says. She is used to hearing people—his colleagues, his employees, and sometimes his friends as a joke—call him Daepyonim, Mr. President, but since she rarely sees him in a professional capacity, there is something hilarious about this goofy person she loves being addressed so formally.

 

A buzz sounds, and the black gates yawn open.

 

Inside, the house maintains its drab color scheme of slate and gray with occasional pops of dark wood. Everything about the minimalist interior design is just as disinviting as the exterior. This house has the same energy as a museum, an energy that tells you to whisper, to walk quietly, to keep your hands to yourself or it’ll cost you something dear. Though Pip has never experienced a great deal of wealth herself, between attending a rich-ass boarding school on scholarship and filming the lives of worldwide famous Kpop stars, the wealth of others no longer intimidates her, but there are small moments like this one when she wonders: What is it like to have a housekeeper? To grow up more than comfortable?

 

The housekeeper greets Pip and Hong-gi at the door. She looks at Pip and does her best to control the surprise on her face. Hong-gi gestures to Pip. “Ms. Han, this is Pip.”

 

“Pip?” she says, her voice high with surprise.

 

“Ne, bangabseubnida,” Pip says with a bow.

 

“It’s nice to meet you too.”

 

Hong-gi leans over to Pip and says as if it’s a big secret, “Ms. Han has been with our family since I was in high school.”

 

Pip smiles at Ms. Han. “Geuraeyo? Then I bet you can tell me all of the embarrassing stories about Hong-gi ssi.”

 

Ms. Han laughs. “So many embarrassing stories! Let’s see, where should I start—”

 

A door upstairs closes, and Ms. Han stops talking mid-sentence, almost as if the sound—or more specifically whoever made it—has startled her. They all turn towards the staircase, a strange, jailed thing with thin, floor-to-ceiling balustrades lining the steps like cell bars. Hong-gi’s mother appears in the cage at the top of the steps, and Hong-gi noticeably stiffens beside Pip. Pip tries to read the profile of his face for any clues of what to expect, and it occurs to her that he’s told her very little about his mother. An orphan herself, Pip didn’t think anything of it before because the absence of her own parents is both something that she constantly thinks of and seldom discusses. But that is because their deaths haunt her. Could someone be haunted in the same way by the living? Watching him watch his mother descend the steps, she can’t tell what he is thinking the way she usually can.

 

Ms. Shim enters the foyer wearing a gray dress with a severe, boxy silhouette that matches the house in both color and warmth. Even though Ms. Shim’s face is meticulously made up, Pip can see deep divots in the skin, what Pip assumes are scars from the car accident. Ms. Shim smiles widely at her son, but the corners of her mouth dip when she sees Pip. She collects her composure with a dead-eyed smile, and Pip greets her with a deep bow.

 

“Annyeonghaseyo. My name is Pip. It is such a pleasure to meet you.”

 

“Pip the American?” she says, looking at Hong-gi like he has lied to her. She looks at Pip again, her mouth tight, the wrinkles around it straining as she holds back whatever she really wants to say. Pip swallows hard to steel herself for the night to come and offers Ms. Shim a tense smile.

 

Aggressively civil, Ms. Shim turns to the housekeeper and says, “Is dinner ready?”

 

 

One wall in the dining room is a giant window that overlooks the water and the flamed sun sinking behind hills and skyscrapers. The three of them sit at one end of a long, fourteen-person table. Leaving the head of the table open, Ms. Shim sits across from Pip and Hong-gi. Plates filled with tteok kalbi and banchan fill the table between them. There is an awkward silence that Hong-gi doesn’t jump to fill, and Pip decides it’s best to keep her mouth shut until she’s spoken to.

 

“Pip ssi,” Ms. Shim says, and Pip does her best not to flinch at the sound of her own name. “Our Hong-gi hasn’t told me much about you. He said that you work in the film industry?”

 

“Ne, I am a camera director on a Kpop group’s show.”

 

“Which group?”

 

Pip tells her, and Hong-gi sings a line from their most popular song to jog her memory.

 

“Wow, that’s a famous group. Very impressive.” Pip and Hong-gi smile at each other in this small victory, and she wonders if she is worried for nothing. Ms. Shim continues, “They must travel a lot. Do you travel with them?”

 

“Yes. Not always. But often.” Pip fills Ms. Shim’s water glass and then Hong-gi’s.

 

Ms. Shim frowns and says, “All that traveling must be very hard on you. It’s difficult to be a good wife if you travel a lot.” She side eyes Hong-gi as if she has made a great point, and something folds deep within Pip, just like it did when she was the only Black kid in her class and picked last for everything, just like it did when her class studied the Civil Rights movement and everyone turned to her for answers, just like it did when she first arrived in Seoul and people on the street would stop to take photos of her without asking. For Pip, to be Black is to fight the constant urge to shrink into yourself until you disappear.

 

Hong-gi speaks up now. “Umma, I’m not a child. I’m not looking for a babysitter. We’re partners. Equal partners.”

 

Ms. Shim breaks off a piece of her tteok kalbi with her chopsticks and changes the subject. “You speak Korean incredibly well. How long have you been living here?”

 

“Seven years.”

 

“Seven years! Wow, when do you plan to move back to America?”

 

“I don’t plan to. I like it here. I’m very happy here.” Pip and Hong-gi share another smile.

 

“Don’t your parents miss you?”

 

Hong-gi holds his breath, but Pip smiles that I’m-totally-okay smile she has rehearsed since childhood. “They passed away when I was a kid.”

 

This shakes Ms. Shim because she hesitates with her chopsticks at her mouth, sets the food down, and looks at Pip like she’s really seeing her for the first time, like they have something common to share, even if that common thing is pain. “I’m so sorry to hear that.”

 

“Gwaenchanhayo. It was a long time ago.”

 

“Do you have any brothers? Sisters?”

 

“Anio,” she lies. Josie isn’t worth mentioning. They haven’t spoken to each other in seven years.

 

Ms. Shim sighs, staring down at her plate. “You poor thing. I don’t know what I would do if I didn’t have our Hong-gi. You see, family is very important to me, to us.” She looks at Hong-gi for him to back her up, but he just narrows his eyes at her. Where is she going with this? “Family is water. Family is air. It nurtures us. How is family important to you?”

 

“Umma,” Hong-gi warns, hearing the same question under the question that Pip does: how can you join a family if you’ve never been in one?

 

“What? It’s a fair question. Family is a priority to us. I want to hear how it’s a priority to Pip ssi.”

 

The porcelain on the table clatters as Hong-gi slams down his metal chopsticks and stands. “Umma, we need to talk.”

 

Ms. Shim shakes her head. “Don’t be rude. We’re still eating.” She nods to his chair. “Anja.”

 

“No. Now.” Hong-gi says, his voice colored with a scary seriousness that Pip hasn’t heard before.

 

Hong-gi leaves the room, and his mother puts her napkin on the table and follows.

 

Alone at this enormous mahogany table, Pip dabs at her eyes. She feels her soul suck into itself, crumpling like paper in a fist. God, she loves this man more than anything she could want or dream for herself, and if it comes to it, she doesn’t want to be the thing that breaks him apart from his mother. Yes, if it comes to it Pip will lose everything to stop herself from taking the one thing from Hong-gi that she never had—a parent to fight with, a parent to love, a parent to hate, a parent to unfold you from within yourself and iron you out until you’re new again, until you’re you again.

 

At the thought of losing Hong-gi, Pip doubles over, about to retch. She’s crying now, hard, and scrambles to her feet, feeling her shrinky dink soul rattle within her like change in a tin can. Pip starts down a hallway in this titanic house, the concrete walls towering over her, threatening to fall. The hallway is dark. She cannot find a light switch, and so she runs a hand along the wall to support herself, to guide her to a bathroom where she can sit in a corner with her shrinky dink soul and wish for the nth time that no one would ever see her again.

 

Then in that dark hallway, she hears Hong-gi’s voice rise above the chaos of her own mind: “I love her. I’m going to marry her. Please accept this.”

 

Pip stops in her tracks and covers her mouth to mute the sound of her own breath raking up and down her throat. She should go back to the dining room or try another hallway for a bathroom in this stupidly large house. She knows this. But for the same reasons you pick at a scab or chew your cuticles bloody raw, she stays in the shadow of the hall to wound herself.

 

“Aren’t you worried that your children won’t look Korean?” Ms. Shim says.

 

“I don’t care about that. They will look like us, and that’s what matters.”

 

“Don’t you know how hard it is for biracial children to grow up in this country? Don’t you worry that they’ll be bullied? That they won’t have friends? That they won’t be happy?”

 

“Pip and I have discussed this. Our children will go to school in America.”

 

Ms. Shim gasps. “You’re moving to America?”

 

“Ani, they will go to boarding school. They will stay here long enough to learn Korean and then they will go to boarding school like Pip did.”

 

“Hong-gi, this is a bad idea. I won’t let you do this. I forbid you from doing this.”

 

Christ, Pip can barely stand.

 

“You forbid me? Umma, this is ridiculous. Pip is—”

 

“What would your father think?”

 

Hong-gi spits his response back to her with palpable venom. “Well, he’s not here, is he?”

 

A long beat of hostile silence sits in the air stagnant like standing water until Ms. Shim says, “I won’t speak to you ever again if you do this.”

 

“Jinjjayo? You won’t speak to me.”

 

“No. I won’t.”

 

Pip hears her own breathing loud like gunshots.

 

“Fine,” Hong-gi says. “I don’t need you.” And then he pauses to consider his next few words before he says them like he means it: “At least she won’t make our son lose his arm.”

 

Truly believing she is going to vomit, Pip staggers away from the sound of their voices into another dark hallway. There, in the shadows, she feels the weight of the blackness the way she feels the weight of her own Blackness. There were few times in her life where it felt this heavy, where she thought it might crush her. Before now, that weight was at its heaviest when she was a junior at Hopkins, watching the coverage of the 2015 Baltimore Protests in her best friend’s apartment. As Pip and Jamie watched the news, Pip’s pulse choked her with its throat-high beating, and for the first time in her life, she felt true, unadulterated fear. Jamie—who was white—must have seen it on Pip’s face because she put her arms around Pip, and they just sat there on the couch as two people who knew exactly where one of their experiences began and the other’s ended.

 

Now, in the love of her life’s family home, she feels just as small and alone. Finally finding a bathroom, she locks herself in it and crawls into a marbled corner to quietly feel this horrible monster of humiliation, of hurt, of spurn, of anger—she cannot find the right name for this pain, this slight, this smart—god knows what its name is. She leans her head against the wall, craving a cry, but there is a heat to all that she feels, one that makes her stamp her feet, hit the wall, and take a hard twist of her hair, so bitter are her feelings and so sharp is this unnamed smart that makes her feel so small in her Blackness.

 

Growing up Black made Pip both hard and sensitive—hard to the small injustices you face and sensitive in the moments you face them. Yes, you are small, and the world is small, but you cannot let this small world make you smaller, make you shrinky dink, make you blip away like they want you to. Packing away her injured feelings for the time, Pip stands and wipes her eyes. At the sink, she splashes water on her face. She looks at herself in the mirror, forces a smile, and holds it until the second wind of that smart without a name blows past. Then she opens the door.

 

In the unlit hall, a warm, yellow light spills out from a doorway. Pip approaches the door. Inside the room—a beautiful study mismatched to the rest of the house with its classic, dark wood shelves and inviting leather armchairs—Ms. Shim paces with a glass of whiskey in her hand. “He doesn’t need me?” she mutters to herself. “That ungrateful little shit.” In her pacing, she steps hard and angry, her upright, dignified posture replaced with a mean slouch. “He doesn’t need me?” She scoffs and pauses in her pacing. Pip takes a step back, but from the hallway, she can still see the profile of Ms. Shim’s face, the ghostly remnants of her scars, the way the ire on her face relaxes into something else—something new that Pip can’t quite make out. Ms. Shim scoffs again, not with spite but with epiphany. She steps backward, blindly, into an armchair and collapses—the whiskey in her hands sloshing but never spilling. Ms. Shim stares into the middle distance between her and Pip, and her face softens—Pip can see it now—with pain, with devastation, with clarity. “He doesn’t need me,” she says again, the words a soft breath quietly punched out of her. A single tear streaks her cheek, and her grip on the glass goes slack. The tumbler falls from her hand. Pip closes her eyes, expecting it to shatter, but the glass clacks against the hardwood floor without breaking. Ms. Shim sniffs and wipes her face with the heels of her palm. When she stands and walks toward the door, Pip sprints back to the bathroom.

 

Pip leans against the closed bathroom door, her heart thudding in her ears. She counts to fifty to calm herself, to prepare herself to find Hong-gi, to come to terms with letting him go. Taking a deep breath to still her heart, she opens the door again.

 

Ms. Shim is standing on the other side and startles Pip. “I’m sorry. I was about to knock,” she says, the wounded look on her face speaking volume to the rest of the conversation Pip didn’t overhear. She then adds with a sad smile: “Will you walk with me?”

 

Ms. Shim leads Pip through the barren house to the balcony. Outside, the night air cools whatever frustration still simmers in Pip, and she follows Ms. Shim up to the glass barrier. They both rest their hands on the railing and look out at the water. Night has fallen on the cove, and moonlight shimmers on the restless water below.

 

“It’s a nice night, isn’t it?” Ms. Shim says this like an offering, like an olive branch, like a kind of treaty to be signed between them.

 

Pip accepts this kindness for what it is: Ms. Shim trying. “It is. Busan is one of my favorite places in the world.”

 

“Really?”

 

“Ne, I always wanted to live here, but it never worked out with my work.”

 

“You said you’ve been here seven years?” Pip nods. “Such a long time. Don’t you miss America?”

 

“No, I don’t.” Pip reads her face, trying to judge the moment, trying to judge how honest she can be, how honest Ms. Shim wants her to be. “There’s nothing there for me.”

 

Ms. Shim stares out at the water and Pip does the same, the silence rooting between them so long that it becomes almost comfortable. “It never goes away, does it? The missing.”

 

An image of Minji sitting in a desk chair as Pip cornrows her hair comes to mind, and that missing Ms. Shim speaks of blooms in Pip’s chest. “No, I don’t think it does.”

 

“I just thought our lives would play out differently.”

 

Pip does her best to sidestep the hurt of her implication, that if the dead weren’t dead, Hong-gi and Pip would have never met, but Pip understands. Her life is a dark road lit by headlights that only show her so much of where she is heading. The two of them look at one another sadly enough, but there is hope—for in this blue moonlight, Ms. Shim’s face and her voice give Pip the assurance that the cause of each of their suffering will not be each other.

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Somewhat Involved

I barely remember what her cat, Coco, looked like—that’s how quickly he died after I arrived. I know he was white because in the months following his death, I would find white hairs clinging to my clothes after sitting on the living-room couch. Norma kept him in a cardboard box in the laundry room so that he couldn’t try to walk and further injure himself. He smelled like urine for the last week of his life. She woke to that odor one morning. He had used his last bit of strength to tip the box over, drag himself through the kitchen, down the hall, into her room, and under her bed to die. Though she was in mourning and felt guilty for not having taken him to the vet sooner, it only took a few days for her to start talking about replacing him.

 

Her younger daughter, Laura, was planning to move out, and her older daughter, Florencia, had moved into her own apartment years ago. Norma divorced their father, who died in the early nineties. She would soon be living alone, and I suspect this was part of why she decided—or why her daughters convinced her—to host a foreign-exchange student. She was to be my “host mother” for five months. The term makes it sound like a parasitic relationship. At bottom, it was economic: in exchange for money, she gave me a bed and served me dinner. On the housing form used to match students with families, I marked that I wanted to be “somewhat involved” in my host family’s life, rather than “very involved” or “not at all involved.” To me this meant we would eat together, converse casually, and go about our days separately. We would become minor characters in each other’s lives.

 

For the month leading up to my departure for Buenos Aires I debated whether I wanted to go at all. I managed to convince everyone, including myself, that my hesitation had nothing to do with the impending breakup with my first boyfriend. He would be away the following semester, and we decided staying together for that long at that distance would be too difficult. During the winter vacation before I was to leave, I made up a slew of perfectly sound reasons to stay, and my real mom and I mulled them over for hours at a time. We wrote long pro-con lists and forgot to change out of our pajamas. She joked that it felt like we were in some kind of absurd play. Clarity, like Godot, would never arrive. After a couple of weeks, bored by my indecision and annoyed with our circular dialogue, I decided to go.

 

The life Norma and I shared could have constituted the second act of the play. The costumes were the same. We often shuffled around her bright top-floor apartment in our pajamas late into the afternoon. The action would center on Matters of the Heart before branching like blood vessels into other themes, always returning to the same place. At first, my Spanish wasn’t as good as I thought it had been. Being heartbroken in a foreign language felt like doing advanced math with a migraine. She spoke in a fast, muffled twang that even her daughters sometimes struggled to decipher, while the halting train of mumbles into which my English had recently deteriorated was even less comprehensible in Spanish. I hardly registered my sighs; they had become my normal breath. But sighing around a good mother is like sighing into a megaphone. Her ears twitch at the smallest hints of anguish. Norma was especially eager to check in, probably because she had no one left to take care of, and because her daughters seemed to deprive her of any discussion of their private lives. She used these phrases that knocked me out with their poetry. “Te ves caído,” she would say. In my immediate, half-literal translation: You look fallen.

 

At first, I didn’t see what the big deal was with Buenos Aires. I decided the people were unfriendly and the empanadas were bland. I had to force myself to leave the apartment, descending twenty floors in a harshly lit elevator, where every surface except the floor and door was a mirror. There was a me standing in front of me, a me hovering upside down above, hundreds of me on either side lined up like slouching soldiers. I stared at the ground until stepping into the world.

 

I brought stories home to Norma. I recounted how an ancient, nearly toothless man in the nearby town of Tigre tried to “buy” my friend, presumably for sex, as we stood on the bank of a river. Norma sat wide-eyed as I told her about the boy who I saw dangle a puppy off the side of a tall building for several seconds before hugging it to his chest, caressing it, comforting it as if he weren’t the one who had just threatened its life. “The things that happen to you!” she would say.

 

Though a homebody like me, Norma enjoyed having people around, especially her daughters. Every once in a while, Florencia, Laura, and I would sit around the glass dining-room table to work, and Norma would walk in and just stand there, smiling, rubbing her hands, sometimes finding an excuse to talk to us (Did we need more light?) before walking back into the kitchen. While I tried to cobble together enough ungrammatical interpretations of whatever dense piece of Argentine literature my professor had assigned that week, the sisters did real work. Florencia was a human rights lawyer at a major NGO, a teacher, and was studying for a master’s degree in public accounting to boot. When police unlawfully arrested a couple dozen women at a peaceful demonstration on International Women’s Day, Florencia, who had attended the demonstration dressed as a witch, defended several of them in court. Laura was a professor and economist with a socialist streak. Once, as we were sitting down for dinner, she pointed to the television, on which a handsome reporter spoke of economic decline, and said, “Hey, those boludos screwed up the colors on my graph.” While Florencia looked exactly like her mother—tan, short, pursed mouth, chestnut hair—Laura, who was taller, pale and freckled, with coarse black hair, must have inherited all of her father’s features. I wondered if this had anything to do with the fact that Norma didn’t get along with Laura as well as she did with Florencia.

 

“Every time they leave, every time I see the door close, I die,” Norma confided after they had left one night. Florencia had come to help Laura move the last of her things into her new place. “Kids fly the nest earlier and earlier these days!” Norma said. Laura was twenty-nine and Florencia thirty, and I think if Norma had it her way they would never have left. “When we have children, we introduce infinities into all of our emotional equations,” wrote the essayist Adam Gopnick. “Nothing ever adds up quite the same again.” My first heartbreak must have looked like basic algebra to Norma, compared with the inexplicable calculus of watching her daughter—a dead ringer for her late ex-husband in drag—abandon her childhood home.

 

Norma sat for hours watching political programs. Of this fixation she once told me: “My friend says I should stop watching these shows because they make me bitter. She suggested I watch telenovelas instead. Imagine that!” At the beginning of each day, Norma would click on the boxy television in the kitchen and say, “Let’s see what death there is today.” Usually she said it gravely, other times matter-of-factly, even casually, an existential shrug. The opinions she voiced in response to these programs had only two settings: absolute agreement and hostile dissent. “Exactly!” she would shout. Or, “What a moron!” Sometimes she would talk at me about national politics, using terms I didn’t know and rattling off names that may as well have been the names of soccer players. “Exactly!” I would answer. “What a moron!”

 

She hated the president, Macri, and flung insults at him when he flashed onto the screen. Her favorite was “Hijo de padre” (Son of a father), a feminist revision. She was half-jokingly incensed that I went on a date with a guy who voted for Macri. When I came back from our second date, at the end of which he made it his goal to prod my uvula with his tongue, I told her, “He kisses like he votes.” I never heard her laugh so hard. “Muy bien, Willy,” she said.

 

I once meowed when I saw Macri on the television delivering a speech, knowing detractors did this when he spoke in public. They called him “Macri Gato.” In Argentine prison slang, the “gato” is the person in prison who is second in command to the “boss” and does all of the boss’s bidding. The joke is that Macri is the “gato” for big corporations. Norma cackled, then sighed.

 

“Oh, Coco. I need a new cat. But I’m not ready yet.”

 

“When you’re ready, I’ll catch a stray for you,” I said. “What kind do you want?”

 

“One with yellow fur and green eyes,” she told me.

 

I have blond hair and green eyes. I was about a month into my stay and already she had begun talking about how much she would miss me when I left. I must have smiled at her skeptically. “No, no! Completely unrelated,” she said. She had nothing to say for the green eyes preference but explained that she preferred lighter fur to darker because it was easier to see the cat’s skin that way, easier to detect wounds.

 

The extent to which she considered me part of her family became clear one day when she asked me to pick up some pastries for her at the bakery down the street and I forgot. “You did me wrong,” she said, “I’m marking you, like I mark my daughters.” Another ominous poetic phrase. I said I forgot to pick up the pastries, and it’s true, but I think I forgot on purpose. Her complaints about how little my study-abroad program paid her and her requests that I do little favors and chores for her had been growing concurrently. In the beginning, I was happy to replace a lightbulb or run to the store for some oregano, but it became hard not to see these requests as attempts at getting her money’s worth. Her gentle (if witchy) admonition dispelled my suspicion and left me embarrassed for ever having it. I remembered her other motherly dictates. “Put on a coat, I’m cold,” she would tell me as I walked out the door. I was always to move the basket of apples away from the microwave before using it, “To prevent them from maturing too quickly. To keep them sweet, like you.”

 

She was fascinated by Tinder, which I had been using. “She doesn’t want me to date anyone,” she told me, pointing at Laura who had come to eat dinner with us.

 

“Like I told you before, it’s not that I don’t want you to date. I just don’t want to help you set up a dating profile. It’s weird for me! Why don’t you just go out to a cultural center to meet people? Or go out dancing.”

 

“What, you think after my divorce I didn’t hit every dance floor [actually, she said, ‘every danceable place’] in this city?” Norma retorted.

 

Laura and I laughed, but Norma didn’t understand what was so funny. Having already eaten, she was painting her nails a pearly pink at the kitchen table. It was impossible to eat the beef she had prepared without also tasting the nail polish.

 

The only photo in her apartment was a black and white portrait of Che Guevara propped on a bookshelf. He smirked through a scraggly beard, reclining in a chair, holding a cigar between his forefinger and thumb. He had no use for the top four buttons of his shirt. This man who cared so deeply was carelessly handsome. I imagined him picking Norma up in an olive jeep, a black beret about to slip off his head, cigar clenched between his teeth, one hand on the wheel and the other around her shoulder. He drove fast but slowed down when she asked him to. Her face was all powdered up, as it was even to go to the supermarket. But tonight was different. He was taking a night off from the revolution to twirl Norma into tomorrow. They were going to hit every danceable place in the city.

 

Typically, she left the apartment only for groceries or to go to the bank, though every once in a while, she went to the orchestra, usually alone. The performances took place in what used to be the Buenos Aires Central Post Office, now named La ballena azul, the Blue Whale. The auditorium lies several yards off the ground on finlike stilts, and its silver grooved exterior resembles a blue whale’s throat. She would come home late and rave to me about the show, gesticulating wildly like a conductor, exasperated by the impossibility of putting such an experience into words. After emerging from the Blue Whale, she seemed to have a renewed faith in the world. She walked with the light step of someone who never lost faith in the first place. If she paid attention to the TV at all, she was more generous with the newscasters. She hummed as she stirred rice, and I didn’t mind that we wouldn’t eat until midnight.

 

She left the radio on all day so that the apartment wouldn’t be silent. It didn’t matter what the music was; it was just noise to her. Because she didn’t understand English, the American pop songs that blared unceasingly couldn’t be anything but noise. Normally these songs would be nothing more than noise to me too, but when you’re heartbroken, you’re in thrall to the saccharine. For months, they picked at the scab with their stories so unspecific they weren’t stories at all, and yet they were everyone’s stories. I wanted to gag every singer who could see “it” in your eyes or was thinking about the way you looked that night.

 

The stereo hunched beneath the stairs to the second floor of the apartment, where I stayed. On my way to my room, I would sometimes lower the volume what I thought to be an undetectable amount, but Norma would turn it back up within minutes. Neither of us had acknowledged these little battles of attrition until one day I was coming down the stairs and she looked at me as she cranked up the volume. “Willy, I need this. I need the radio.” She told me the noise was a proxy for the indistinct chatter of real people. Maybe it even created the illusion that she was throwing a party where the guests were always just about to arrive.

 

She might have actually thrown parties, but most of her friends lived about a ten-hour drive away in her hometown of San Luis. Not long after college, she left to work as a chemist at the military hospital in Buenos Aires. This was in the late seventies, during the country’s last and most violent dictatorship, the seven-year period when as many as 30,000 Argentinians were “disappeared.” In the same hospital where Norma managed a laboratory, where she mixed chemicals and cleaned beakers and checked items off of lists, people who were considered a threat to the dictatorship were being tortured. They might have been brutalized with electric cattle prods, as so many were back then. Torturers closed the blinds and muffled screaming with loud music.

 

I wanted to hear more about her past, but she was mostly uninterested in the subject, or else unwilling to share. She would dangle intriguing details only to demur when I followed up, sometimes before I even had the chance. One day I drove with Florencia and Laura to the ritzy suburb of Pilar for their friend’s birthday party. Before we left, I sat with Norma in the kitchen as I waited for the sisters. “I used to live out there… but that’s a part of my history I don’t want to discuss,” she said, cutting herself off as she unfolded and refolded a towel. Another time, when I was on my way to Tigre, she started telling me how her late ex-husband used to take her there on his boat for the weekend. “Those must have been beautiful weekends,” I suggested. I heard the naïveté of my words as soon as they left my mouth.

 

“Well, yes. And no… What’s this guy saying?” she asked, leaning toward the television. Maybe I had located the limit of “somewhat involved.”

 

The housing coordinator for my program—a chain smoker with nothing but jokes and gossip to tell—had informed me at the beginning of my stay that Norma was the direct descendent of Justo José de Urquiza, an Argentine general and president of the Argentine Confederation from 1854 to 1860. I pretended to have just noticed that she shared his last name and asked Norma whether he was a relative. She confirmed that her grandma was one of his twenty-three children. He had lots of extramarital affairs but gave all of his illegitimate children, including Norma’s grandma, his last name. Norma seemed to think this was generous of him. I asked more about her family, about whom I knew almost nothing, I who had been using her mother’s old sewing machine as a desk upstairs, pumping the rusted foot pedal as I did my homework. I knew she had seven siblings, but I didn’t know she was the youngest. Five of them had died and the remaining two lived far from the capital. “I’m the lone baby,” she said.

 

We were a couple of glasses into a bottle of cider she’d bought to celebrate me finishing my final papers, when she said, “How lucky you didn’t fall in love with someone here. Being in love from that distance—no. It’s too hard. You already know.” Sometimes it works out though, I argued. My parents had started dating when my dad was living in Florida and my mom in California, I told her. “But how old were they?” Early thirties. “Ah, well then of course. Your mother was a plane searching for a hanger.” She made a gesture with her hand that was supposed to mimic a plane swaying in the sky, which was when I realized how drunk she was. I laughed and asked if this was an Argentine saying.

 

“No, I came up with it just now!”

 

Norma and I had our only real argument during my last week. She had just been bickering with Laura when she came into the living room, where I was reading and listening to music on my computer. She turned on the radio, drowning out my music. I waited until she walked back into the kitchen to say, “How about I play you something,” as I plugged in my computer to the stereo. “No, I need it for the sound,” she told me, agitated. “Right now, it’s just about the sound. And besides, not everyone is going to like your music.”

 

Earlier that day, my ex-boyfriend had called to ask if I was still in love with him. We had broken up five months prior, though we continued to speak every few weeks, apparently just enough to sustain his attachment but not mine. When I told him as gently as I could that I wasn’t in love with him anymore, he said thinking about me on his worst days had been the only thing keeping him from killing himself. We stopped talking. During the months that followed, I had nightmares about him leaping from the Golden Gate Bridge. In that moment with Norma, I was feeling scared, irritable, unwilling to bear the mark of loving and of being loved.

 

Rather than walk away or apologize, I shared an obvious and impudent observation: “It’s funny how the same things that keep one person from going crazy are the things that drive other people crazy.” Either she didn’t understand, or she thought I was being overdramatic. She furrowed her brow at me and then walked into the kitchen. I’m marking you, she had said. Later, I apologized and so did she, explaining that she had been fighting with Laura all day. “No pasa nada,” I said, which means “Don’t worry about it,” but translates literally as “Nothing happens,” as if taking forgiveness a step further by erasing consequences altogether. “Well, I love you very much,” she said.

 

On one of my last nights, Norma asked me to play some music as we prepared for my going-away dinner. Laura was making gnocci with cream sauce in the kitchen and the whole place smelled like butter. That afternoon, a woman from the countryside had delivered two cats to Norma, both of which had yellow fur and green eyes. One hid behind the out-of-tune piano in the living room, and the other curled around my neck, purring. A few friends, both Argentinians and Americans, were on their way. I asked Norma what her favorite song was. “Oh, play Mozart’s ‘Piano Concerto 21’! I cry every time, every time.” The song started to play. Strings sidled up to meet a hesitant piano in midair. Outside, there were no stars, but you could see the lights of the surrounding buildings for miles through the sliding glass doors that let out onto a terrace. The lights glowed at eye level, like stars glimpsed through airplane windows.

 

She didn’t cry, just stood beside the dining-room table, as she had when her daughters and I were working, and she told me the song reminded her of being in love. The melody had coaxed more out of her than any of my questions had, and opened the door for one more: “How many times have you been in love?” I asked. Four, she said, a number that tells as much and as little as pop song choruses. Then she closed her eyes just as the piano took hold.

 

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The Mountains Are Laughing

The wind, always on the hunt for a new location, combed the straw-yellow grass. The prairie withstood the wind as the gale blasted the grains, turning the invisible visible. Colorado Springs lay patiently close to the earth, as if prepared to love it.

 

Visitors gathered at the base of the mountains, taking pictures of the Beware of Rattlesnake signs caught between the bayonet shrubs gathered around the buttes. The tourists came from Denver, in search of awe. Deserted windmills from the gold rush jutted out from the small valley outside the mountain. Vincent stood at the edge of the cliff, looking outward, his phone turned off. His jacket, strained from his newly trained biceps, rippled between his body and the wind.

 

A stranger approached him, wearing a cloth face mask and holding a disposable camera. Vincent stood up almost preemptively, watching her walk toward the edge of the cliff, watching how her feet moved clumsily along the grooves of the hill.

 

“Could you take our picture?” Her sunglasses had sunflowers printed along the sides.

 

Vincent nodded and pointed, asking where the best angle for the snapshot would be.

 

He took pictures of the small ragtag team she had come with. Her boyfriend posed with his hands in his pockets, leaning only slightly toward his fellow travelers. The other guy, white like his companions, laughed as they joked about the wind.

 

“Where are you from?” the boyfriend said, yelling against the air.

 

“Out east,” Vincent shouted back.

 

They were friendly. They showed him the pictures he had taken alongside videos of them driving on the road south and even of the bus ride from the Denver airport terminal. Vincent’s large frame stood over them, with only the third traveler tall enough to look him in the eye. They asked about his job and how long he’d been in Colorado.

 

“Three years, I’d say.” They asked about his age. “I’m thirty-four, and you?”

 

He didn’t remember their names, nor their answers to his questions. Tourists to Colorado were always cheerful, ready to spark up a conversation. They were happy to be there, around the long Rockies, where the shadows of the range could be seen from a distance.

 

The woman laughed and turned to him, asking if he wanted something, a small pill that she had pulled from a backpack. “We’re here for a while, would you like to climb the hill with us?” she asked, a warm smile underneath her shades. She had partially removed the cloth face mask, the rose-pink fabric now dangling off her ear.

 

Vincent stared at her for a moment and then laughed, his voice coming out deeply. “Thank you, but no thank you. You should know, I am that lone tower.” He said this softly, looking over her shoulder. His hands lay relaxed by his sides.

 

She blinked, startled. Vincent did not know if she could hear the drift of his Chinese accent. She excused herself and walked off, looking over her shoulder as she made her path back to her flock, where they stood around in the small lot below with the boyfriend smoking a cigarette. Vincent watched the blue van move away and went back to sitting so quietly, with his back toward the grain of the stones behind him. The valley’s wind blew, catching the sides of his head, refreshing and cold.

 

 

On the drive back, Vincent could see the mountains, looming high over the small grassland of Colorado Springs. Their gray shadows stretched out like columns, like an open jaw. To his left were even wider plains, the corridors of the earth that carried travelers as far east as Kansas.

 

To the north, a blue glacier was assembling, the color of Mt. Everest. But having lived there for years, Vincent knew in an instant it was the great fires in the Rocky Mountains. The avalanche of smoke looked like a castle in the sky, the plumes of smog rising forward and into a long tail that carried itself east toward oblivion. Vincent drove on, almost closing his eyes to avoid looking at the mass growing in the distance.

 

 

At night, Vincent had been having dreams, ones from which he’d awake calmly, before turning his face deeper into the pillow, laying himself back into those worlds.

 

In one dream, he was older. His head had been shaved completely bald, and he had gained weight, more weight beyond even that of a bodybuilder, and he would look down at the body of what felt like a fully grown bear of a man. He sported a large brown beard, like the white and black wrestlers he had seen on WWE as a teen.

 

He was living in the future, in a two-floor log cabin out even further into the country, in Ozark-land possibly. The pines would surround the house, and a small stone road would take this house back toward smaller roads, situated far from any highway or gas station. Here, young families would come, often just a woman and a man, sometimes just one woman. They would give him a baby wrapped in a small blanket. He would carry the infant down to the fireplace room, as they drove away. He would hold the newly given infant, gently speaking to it, walking to a room farther back. A nursery was there, where small cradles were neatly organized into rows. He would bring this child to their new place. In this world, he would hold them each gently, attending to small medical charts written on cheap paper and a small wooden pencil. He listened attentively to each of the tiny voices, and when he held one with the bottle, his chest would be so close to their mouths and it was as if the milk was his. The dream was suspended in just one hour of a day. Vincent never truly achieved the sight of this home after or during sundown. Always in the deep afternoon, the moment would stop promptly when his eye fell on where the one lone window for the fireplace room would shelter sunlight, the dust moving slowly along the rocking chair.

 

 

Xiao Hu lai le. Xiao Hu was taking the airplane for the first time in seven years, due to his nerves, and despite his nerves. The chemistry courses in New Jersey were proving to be remarkably challenging, and while he worked hard enough to squeeze top marks for the semester, Xiao Hu needed time away from college life. Over fall break it was decided that he would fly over, by himself, as Vincent waited to catch him.

 

Vincent’s mother had called last week, around 7:00 p.m., as they had a system set to adjust to the two-hour time difference. She often called from the kitchen, and he could hear the buzzing of the washing machine in the back.

 

“Ke neng Xiao Hu jiu xu yao yi dian ren bang lai kan ta.” Her voice was steady, indifferent, as if  her arms were casually crossed. Just a small errand, really, to chaperone the student around. “Ni zhi dao ta de baba xiang se me yang.”

 

Xiao Hu’s father, the prominent pharmaceutical director. He was generous, outgoing. He was known to bring German beer kegs to the Thanksgiving potlucks, where five or six Chinese families would gather each year. His mirth, matched only by his wife’s generous helpings of her own saran-wrapped meals, would bring a splash of color to the existing variety at the table. The families would never elect to meet at the Hu household, though, as the Chen’s were allergic to cats, which the Hu’s had three of.

 

While Vincent’s family didn’t need any help, they admired Mr Hu’s personality. It’d be good luck to exchange kindness, in this way.

 

He’d be arriving in Denver in about a week. Characteristic of Xiao Hu, it had been a plan made only in the blink of a month. Apparently Mrs. Hu almost booked a ticket for herself to come along.

 

Like observing a comet cast from the sky, Vincent counted the days as he waited for an imminent arrival.

 

 

Vincent had heard about the first breakdown over the phone, years back when he was in college and Xiao Hu had been in secondary school. One night, after a long week of basketball tryouts, Xiao Hu had cracked under the pressure and needed to be admitted into the hospital in Piscataway. Vincent’s mother described the apparent agony the parents had to go through, wrestling with the questions that the doctors were posing for them: How much was he eating? How often did he stay awake at night, rocking back and forth?

 

Xiao Hu stayed at home often after that, but the house was sizable enough for a teenager to live comfortably by himself. Once, when the Hu’s invited Vincent’s family over, the high schooler showed off his National Geographic magazines, which took up an entire bookshelf, spanning over a decade.

 

As they flipped through the images of red-tailed hawks and the wide, double-page spreads of the Michigan landscape, Xiao Hu spoke energetically about how he had discovered a mistake on the Lake Erie Wikipedia. He had proudly retraced the actual timeline of the watershed and found that there was enough evidence in two geological surveys to prove that Lake Erie was much older than the webpage claimed.

 

Xiao Hu sat very comfortably, it seemed, near the older Vincent. Vincent would move slowly away, as his junior spoke sometimes so quickly that their bodies would get close, much closer than Vincent felt comfortable.

 

That Thanksgiving, Xiao Hu also described the panic he felt during the basketball tryouts. “I had set up shop in the garage, making marks using charcoal to see how high I can jump,” he explained. “I was so prepared.”

 

“Was it the coach?” Vincent asked. They did not grow up in the same school districts, but he was aware that Xiao Hu’s high school was particularly competitive, known for cut-throat academics. The Hu family had invested heavily in college essay preparations, soon after Xiao Hu turned thirteen.

 

“No, no, it was the people.” There hadn’t been many East Asians trying out alongside him. “Some of them were really muscular, but also really nice.” Xiao Hu smiled as he remembered. “Those guys were funny, and told these jokes to each other. I remember I kept laughing at this one joke, and for some reason when it was my turn in the final round, I thought about it and started getting nervous. I was worried I’d laugh, or yell, or something.”

 

Xiao Hu ended up leaving early, and when the roster was announced the next day, Xiao Hu was not at school. His parents found him in his room, unable to speak, lying down in his bed with his eyes wide open.

 

When he didn’t respond, an ambulance had to be called. Only on the ER gurney did Xiao Hu start to talk, quietly, about his failure at the basketball tryout.

 

 

Vincent was engaged to a woman named Esther four years before. The way the engagement ended between Vincent and Esther was a gradual process, which surprised him. They had met and shared their first date in the course of weeks, but the finale of their relationship spanned much longer than its beginning. There was something structural about the breakup, as if the decline had been built, deliberately by hand.

 

Esther had met him through a mutual friend. She knew Trina, who knew Rishi, who knew James, who in turn knew Vincent. The string of connections allowed a sense of trust, and by the time they had gone on their first date they had already known so much about the other. Esther knew of Vincent’s background studying computers, and he knew of her love for origami and the graphic design degree  she never talked about.

 

She enjoyed discussing movies, particularly classics, like Breakfast At Tiffany’s. She looked like Audrey Hepburn and complained about how she wished she could wear the twin tails as well as the actress did in the film. She was shy about how she looked when she wore her hair anything other than straight down.

 

But ultimately they were both attractive in the way one would expect. Both of them were very tall, he was bulky and she was slim. The couple looked good together, and when they waited in line at the Korean bakery sometimes teenagers would point at them and giggle.

 

“They’re jealous,” Esther would say, “but they’re more jealous of you. I’m the pretty one.” She would giggle, which had a mischievous shishishi sound. He liked this about her, how she was more playful than him from the start, but he was used to this kind of dating, where the girl took the lead.

 

They were both East Asian. Esther was Taiwanese and would joke about the food in Taipei, teasing him for having never seen it. His parents were raised in mainland China, and with only one or two international outings that he could not remember, he had stayed largely content in his birthplace in Northern New Jersey. They met often in New York, where he worked for a while and she would commute from Union City.

 

It worked well, especially given that she was Vincent’s type. One of the best things, during their short time living together in Union City, was the routine. He would sometimes touch her thighs as she was getting dressed, as he lay on his stomach at the corner of the queen-sized bed, and she would smile without looking at him. In the mornings she would play music as she brushed her hair.

 

Vincent had an odd habit of getting annoyed in the shower. He would, since high school, lash out if the shampoo bottle would fall too quickly off the shower shelf, hitting the floor loudly. Something about the sound startled him, and he would yell, sometimes scream at the bottle, the shower. Even the hot water that touched his back, which had previously been comfortable, suddenly became unbearable. Sometimes he would pick the bottle up just to throw it as hard as he could into the ground. He would occasionally buy one, maybe two bottles in a week.

 

But while he was living with Esther, he had to share this life. He was terrified of being seen like this, naked, with his body so big that his head reached over the shower separation. He admired how his feelings for her changed his behavior; he suddenly knew more about the nature of even the most private spaces in life. He learned in this way how odd he had always been, so quiet. She would sometimes see it, as they got ready in the morning.

 

“You’re so emotionally constipated,” she said as they walked to the elevator apartment. Esther eyed him from the side. “But you know I get annoyed too.”

 

Sometimes she would interrogate him. One time they had a fight, walking back from a sushi restaurant. She pushed him on the topic as he sat, his sweatshirt pulled up to cover his mouth.

 

“Where’s all this coming from? You get so quiet? Like, what do I even make of it?” They were both drunk.

 

“Does it matter?” he replied. “I’m here, aren’t I?”

 

 

Xiao Hu arrived at Terminal B, and Vincent waited outside for him. It was raining, the sun barely visible through the clouds setting quickly. In Denver, the Mile-High City, the weather was unpredictable. During the summer, Vincent had observed entire blazing afternoons followed by nights where it felt freezing, blistering cold.

 

“I just can’t handle it.” Xiao Hu laughed, putting on his seatbelt. “I just can’t handle it anymore.” He collapsed into the seat, chatting away about the airplane as Vincent drove onto Interstate 70, the windshield groaning against the strain of the wind.

 

Xiao Hu’s slim build had grown even skinnier, and during the pandemic he had grown his hair out into a spiky length. Vincent had been accustomed to his bowl-cut, but the younger man had now a more wild, feral appearance.

 

“Was the airplane bumpy?” Vincent asked.

 

“It was alright.” Xiao Hu’s hand covered his forehead, and he looked out into the Colorado landscape. They were passing by the massive plains over by Arsenal, as the car headed west. The straw-yellow land stretched out for miles. “It’s so wide, I didn’t expect that. Everything feels like it’s on a bigger screen here. I’ve never been to Colorado, you know.”

 

Vincent focused on the road, the sounds of trucks passing along, of the rainwater that surrounded them.

 

 

Vincent lived in the basement of a two-floor house owned by a Chinese couple in their late fifties whose children had moved away. The house was complete with an upper middle-class set of hedges, which grew athletically. The area, close to Aurora, had seen a boom in the East Asian population. Especially in the shopping plazas, where nearby restaurants were now becoming more Korean in what they sold and who shopped there.

 

Xiao Hu would be sleeping on a small two-person couch across the room. Despite the support pillars in the basement, it was spacious. Vincent even had a bathroom to himself, newly remodeled. He thought suddenly how he’d have to behave himself in the shower once again, as he didn’t want to upset a nineteen-year-old.

 

“Do you mind if I study here at night?” Xiao Hu had set up his toiletries and taken a shower before Vincent. His wet hair was pressed straight down, and he had on a Ramapo College sweatshirt.

 

“You’re only staying here for four days, and then you’re flying back, right? Why do you need to work at all?” Vincent lay on his mattress, his arms crossed behind his head.

 

“I became a research assistant over the summer, after freshman year. I’m studying ecology.” He paused. “But I might switch to something more cool, like botany. There’s even a toxicology major at my college, but that might prove to be too difficult.”

 

Xiao Hu started muttering to himself, typing entries into his silver laptop. The screen lit a red and yellow glare onto his glasses, and from the distance of the room, Vincent could see water from the shower still dripping from the ends of his hair.

 

 

There was a stray pipe from the roof’s gutter that always held a surplus of water when it rained. The tip tap of drops hitting the backyard’s bricks below would sometimes wake Vincent early. He would always check if it was an insect or a cat. Instead, he would always find the tip tap of the droplets falling eight feet onto the ground. It was in these instances he thought about Esther.

 

Xiao Hu asked him the next morning what that sound had been. But then Xiao Hu himself forgot, busying himself with his laptop.

 

 

Vincent took Xiao Hu out west of Denver, closer to the long line of the Rocky Mountains.

 

“God, look at that,” Xiao Hu said. “The shrubbery here is purple, isn’t that something? In Jersey, it’s mainly marshes, swamps. But here, everything is so dry.” Xiao Hu said this while slowly breathing in and out. He had read about altitude sickness, tourists flying in from out-of-state and being unable to adjust to the oxygen levels in the mountains.

 

They stopped for lunch near the Red Rocks Amphitheater. At the turn of the twentieth century the rocks were known for their massive, cascading formation. The pillars of stone came jutting out like an upside-down cliff, far into the sky. The series of bedrock was known as the Garden of Angels, the Garden of the Gods. Xiao Hu walked with Vincent to the sitting areas, large steps made adjacent to the butte. Their bodies were dwarfed by the sheer height of the butte, a golden-red wall so huge it felt to the student the size of a skyscraper.

 

“It’s even larger than I had thought,” Xiao Hu said, making his way down to the amphitheater’s bottom row. “I know, mentally, that this probably isn’t bigger than the Empire State Building, but it feels just as huge. I think it’s the fact that the whole rock is one uniform color.”

 

He looked up again and realized even if he rolled his whole head back he would only be able to visually capture just a section of it with his eyes.

 

Vincent and Xiao Hu had gone to the local H-mart in Aurora for lunch, bringing with them an assortment of sandwiches and bread. They ate fluffy red-bean buns with ham and cheese inside the toasted loaves. They chewed quietly and chatted about Xiao Hu’s classes at Ramapo. A small black beetle crawled toward the crumbs of the bread left on the grass.

 

“I have this professor who always yells at me,” Xiao Hu said, picking sesame bits off his pants, his hand clutching a half-eaten bun. “She studies these bugs, tapeworms, actually. I hope you don’t mind me talking about something so gross.”

 

Vincent smiled. “Push my limits.”

 

“I say too much sometimes. You know, I was so worried about climate change for the longest time. I was going to ask you about the fires here. I’d been reading about them on the news.”

 

Vincent looked out into the open plains and said nothing. The sky was peacefully blue, with a matrix of clouds streaming out into the world above them.

 

“My professor told me that I worry too much,” Xiao Hu continued. “She said, ‘You know, if there really was a natural disaster, if you worried like that, you’d be the first to go.’ In her office there were all these jars filled with taxidermied parasites and preserving liquid.”

 

Vincent squinted from the sunlight at Xiao Hu, listening. The wind was picking up, and Xiao Hu’s bangs started to float as he spoke.

 

“She said, ‘Look at these parasites. Some of these could kill you in seconds. Life thrives anyway.’” Xiao Hu stared down at the concrete platform they were sitting on. “I think she was saying we have this symbiotic relationship with nature, but also we don’t.” Xiao Hu started to stand up and stretch, and took a few steps out into the open plains before them. “I had this one professor who took us out over the summer to sit by a basketball court. One of those crappy ones. He said, ‘Look at the grass, growing from the separations and cracks of the court.’” There was even this flower that grew from a crack. It was so dramatic.” Xiao Hu started to walk along the stone platform, poking at the small plants growing against the height of the steps, out of patches of sand. “He was one of those white, cool professors, who talks while sitting on the desk instead of a chair. The professor with the parasites was Asian. Thai, maybe?”

 

Vincent pulled his sweatshirt closer to his body. He watched as Xiao Hu’s sneakers made imprints on the grass.

 

Xiao Hu looked up at the massive butte above them. “We need nature to survive. But nature itself? It doesn’t care what it becomes.” The clouds above them moved quickly, their form changing to a shape more perpendicular to the angle of the rocks.

 

 

It wasn’t Vincent’s anger, ultimately, that ended the relationship with Esther. She had started to grow restless at her job in New York. She would go out for long walks during the mornings, wearing jogging clothes. More and more, she left her professional blazers at home. She quit her job suddenly, after she stopped wearing blouses to the office, just polo shirts.

 

She was moving to Rhode Island, she announced one day. She had quietly been applying to MFA programs in sculpture, and even interviewed that fall during a weekend at her parents’ house in Basking Ridge. It felt, to Vincent, like this would be a transition to a long-distance relationship. He helped her pack, which was slow process, not noticing how many of her belongings she was taking. That day, she still kissed him, holding him closely, and then she took her family minivan to RISD.

 

Once she was gone, the text messages quickly dried up. He would ask to call, but she didn’t want to, said she was tired or busy. Weeks dragged on until the fall semester. By the time they broke up, she had stopped using his name. He panicked, for a while.

 

Vincent looked back on moments of the relationship and realized there were points he could’ve seen this coming. Once, over wine, her friend Jiyoung described to the couple her new job as an art gallery co-owner. When Jiyoung asked if Vincent liked art, Esther suddenly became quiet, looking down at her hands. Vincent stared blankly at his guest, surprised for a long moment, and then laughed nervously, saying, No, no, I don’t know too much about that stuff.

 

After she left he decided, abruptly, to move to Colorado. He looked around his empty apartment and realized he needed so little, he could have been alone this whole time. Vincent saw that he could be anywhere, be by himself in any way he wanted.

 

 

The next day, Vincent cooked a home-made meal for Xiao Hu and himself. He was proud of his dishes, which were mainly built on greens. Chinese celery, eggplant with oyster sauce, and tofu.

 

He was surprised by his own thoughts as he placed the dinner plate down. He wanted to say, My wife cooks much better than me. But of course he didn’t have a wife.

 

They retired early at night, turning off the lights except for the bathroom, which was kept open by a slight crack. Xiao Hu lay on the couch, checking his phone while Vincent rested on the mattress.

 

Into the darkness, Vincent said, “You know, I thought about what you said, about nature.”

 

“Oh yeah?” Xiao Hu put his phone away, letting it lay underneath him, his head now supported by his elbow. He was facing the wall, his back to Vincent.

 

“Last year they introduced gray wolves back into the Rockies. There’s this whole conservation attempt going on, over near Boulder. They’re even taking them off the endangered species list soon.”

 

Xiao Hu was silent.

 

“I don’t know. People are worried here, about Denver and Aurora getting too crowded. This year, those fires out west? They’re apparently the worst that this state has ever seen.”

 

A few seconds passed. Despite the fact that it was a basement, moonlight crept into the space through small windows seated at the top of the walls.

 

“You know,” Xiao Hu said, “it’s a headache anyways, what the professors say.” Vincent was surprised at the serious tone in which he said this, as if he wasn’t smiling as usual.”I just don’t care sometimes. I really don’t.”

 

Vincent turned to look over, straining in the dark to see that Xiao Hu’s arm was tracing long circles on the wall next to him.

 

 

The day before Xiao Hu had to fly back to New Jersey, Vincent planned a small tour up north, near Boulder. But the fires had started to grow worse overnight, the wind must’ve brought the flames even farther through the Rockies. Throughout the state, emergency vehicles and C-130 forces cast their wave of personnel. Reporters from local news stations went on duty, too, relaying information to national media outlets.

 

The sky was faintly yellow, and it appeared as if it was sundown, although it was only 3:00 p.m. Xiao Hu watched from the convenience store, where they were both wearing face masks and drinking carefully from cans of iced tea.

 

“I want to see the fires,” Xiao Hu said.

 

Vincent looked over, surprised. “Why? It’s pretty dangerous, I hear. The dust, the particulates.”

 

“I don’t know. I’m only out here for a few days, and I don’t know the next time I’ll come back.” He looked over quickly at Vincent. “The next time I’ll be able to come back, I mean. I like it here, it’s been fun.”

 

Vincent flicked the rim of the iced tea can with his right hand. On the other hand, his fingers traced the car keys in his jacket.

 

 

The plan was to take State Highway 93 up north, far past Eldorado Springs and even Buckingham Park, before continuing onward. As Vincent drove, they played music as the clouds got darker. They passed by Boulder, where the city shined and flickered.

 

They were passing by the small stores, still displaying shoes and coffee signs outside the brick-and-stone apartments. Pearl Street Mall popped by, as Vincent’s SUV slowed down then sped up to catch the ramp onto Route 119.

 

Vincent recognized the route, at first. He knew the direction toward Platt Rogers Memorial Park, after he had gone camping with coworkers for a winter afternoon two years ago. But suddenly, the climb up with the car became tedious. Throughout the drive, he had seen smoke, rising out of the sky, and there were more firetrucks stationed around Boulder than usual.

 

The car made sounds as he shifted the gears, the vehicle twisting around small bends of the road. He had started to sweat. He rolled up the windows to prevent the smell of fire from entering the car, and turned off the music that had been playing aimlessly as noise.

 

Xiao Hu was quiet for most of this trip, although he sat relaxed now, feeling the bumps and turns of the highway move his body along the track. He simply looked out from his passenger window, watching the smoke and the trees that blossomed from the side of the road blink and then pass by him.

 

Thirty minutes up this road, the highway’s exits toward the surrounding forest area were blocked off with black-and-red fences. Road maintenance vehicles guarded the new gate, and men in helmets motioned to the car to turn over. Vincent saw a man, white and over forty years old, shaking his head. They made a K-turn, back onto the road.

When the car was almost immediately upon the pass, Xiao Hu tapped Vincent on the shoulder. “Pull over. I was wondering if I could walk around a little.”

 

“You’re crazy.” Vincent was too surprised to even be angry. “I’m not letting you out of this car.”

 

“I need to go to the bathroom. We drank too much water on the way over here.” Xiao Hu laughed as he said this, but there was an impatience to his voice. “I’m being serious, I’ve really got to go.”

 

“Just make it quick.” Vincent turned on his hazard sign as he parked along the side of the road, near the small stretches of land marked by the white stones of the cliffs and forests on the other side.

 

“Thanks, but also, I really just want a close look around,” and by the time Xiao Hu had finished this sentence, he had already left his seat. For a moment, Vincent was terrified he’d fling himself over the side of the cliff, but instead Xiao Hu made a turn and ran, laughing, into the woods. All around them, the smog was starting to get thick, and the sky was turning quickly from yellow to soft blue. Evening was approaching.

 

Vincent unbuckled his seatbelt in a hurry, noticing how much his hands were shaking as he did this. He got out, standing by his vehicle, before pocketing his keys and running toward the other side of the road, where over the steel bars, small forest plateaus were formed and unformed by ditches.

 

Xiao Hu was still laughing. Vincent could see his small figure disappear over the mounds. All around him, he realized how difficult it was to make out the sight of the forest. The shadows of conifer trees dominated his vision, and Xiao Hu had now made it past two large slopes in the hill, and he could no longer see him.

 

“Xiao Hu! I swear to God!” Fear started to truly hit him, and he felt an itch rush his back. He thought about Mr. Hu, and screamed, hoping an echo could be made this high up in the mountain. “Xiao Hu ni hui lai! Ni zhe me ban ne? Ni hui lai xian zai—“

 

Vincent started to lose his balance as his feet caught between the ditch made from the main road to the natural forest ground below him. He felt himself almost fall, and he had to catch the metal rail. He looked out, panting. He considered calling 911 or rushing back to his car.

 

Two minutes later, he saw Xiao Hu coming out from the woods, on a higher angle of the small forest hill. Xiao Hu was panting, and his sweatshirt was wrapped around his waist.

 

“I’m coming, don’t worry, I’m coming.” Xiao Hu descended the mound and hurried toward the car.

 

They both sat in the car, breathing heavily. Vincent didn’t say anything, just started the car and drove away with his hands trembling.

 

“Dude, what the hell. Dude, what was that?” Vincent finally said as the car made a steady climb back down the mountain.

 

“I’m sorry, I really thought it would be okay.” Xiao Hu wiped his nose with his sleeve. His eyes were dry, but his breathing was scared. “I was there for just a moment, and then I realized I didn’t know where I was. I just thought…if I could see the fires a bit, or smell them better. I don’t know.”

 

The two started down a series of bends in the path.

 

“Did you really shout Chinese at me?” Xiao Hu asked.

 

Vincent didn’t reply.

 

Xiao Hu locked the door to his right. He later would say he worried he’d fall right out of the car, or even get pushed out.

 

“You’re not laughing at me, are you?” Xiao Hu finally asked.

 

“No,” Vincent said. “No, that’s very far from how I’m feeling right now.”

 

This time, he’d plan on taking the highway directly back to Aurora, without making a stop to see Main Street at night. He was breathing deeply, not heavily now, and focused on getting the car back before the smog got any stronger.

Vincent turned the windshield wipers on, despite the fact that it wasn’t raining. Around them, dust started to descend upon the car. The windshield wipers hit the dry glass, rocking the front slightly. What what what, the sound seemed to say. What what what, the machine said. The car made another turn toward the main roads, toward the apartment, or someone’s home, or somewhere, anywhere away from the forest above.

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Sidle Creek

The first rock wall Esme Andersen built was in 1975 when she’d just turned twenty and was halfway through an engineering degree. Her father had been diagnosed with MS, and she was home from college for the summer. People said she was pregnant—“Look how bloated that belly is”—but she’d never been with a man. She just passed clots and passed out a lot. “That’s why they scraped her out,” Dad said. “Ended up taking everything. It’s a pity, you know.”

 

I didn’t quite know.

 

She and her dad took trips to the creek bed every day for two weeks, gathered up flat rocks from the slippery bottom of the Sidle. The rumor was Esme kept adding stones on days she felt well, sometimes only a few—toiling over making the fit right, a half turn here and there. When she was poor and in pain, she claimed she felt the hum of protection within the kissing stones of her very own rampart.

 

After her father died, Esme ended up living alone behind that dry-stacked wall, being called strange, a fool. But I adored the wall, how it held.

 

 

Back when we first moved next to Sidle Creek—not a large creek but cool enough for trout—a man who’d been blinded by welder’s flash got his sight back when he fell into its water. When Dad gave directions to our house he’d say, “Follow Sidle from the bridge near Colwell’s Cemetery about three quarters of a mile out Stone Church Road. If you get to the old pump station, you got out too far.” He’d add, “You won’t see our house from the road so just turn right where the creek takes a sharp bend to the left—where Prichard got his sight back—and you’ll see our drive.” How strangers could have been helped by his directions was lost on me, but no one questioned them, and every time someone said, “What do you mean got his sight back?” Dad would tell the story about how the Sidle’s water cured Mr. Prichard.

 

 

Granddad had a bleed at the muddy bank of the Sidle the same year my mom left. His best fishing buddy, Lee, gave him sips of whiskey thinking it was a clot that could thin, but it was a different kind of stroke. “Hemorrhagic” read the death notice. Dad repeated the word three times, slow. Dad said Lee couldn’t have known when he held the bottle’s lip to Granddad’s he was making his death come swifter. For a long time he wondered what might’ve happened had Lee let Granddad drink some of the Sidle’s water instead, but decided it was all good. “He didn’t have to suffer years of half a life, unable to talk or walk or dance or fish. No one should have to suffer.”

 

But when Granddad showed up in everyone’s dreams, even the neighbors’, he had dirt all over him. “Just that dried-out topsoil from trying to get back to us from his grave. Not the muddy silt from the Sidle,” Dad said. “Don’t you worry. He didn’t fault the creek. He loved it pret’ near as much as he loved us.”

 

 

Before my Uncle Bobby went away to the pen, back before his layoff at the mine and his broken marriage and the drug bust and the helicopters hovering over the hunting camp while state boys dragged him from the attic with bits of pink insulation stuck to his shirt, we all fished together at Granddad’s spot, like some happy family. But the truth is my dad might have sooner just gone alone. We kids were too loud. Spooked everything. And Uncle Bobby used weird things for bait that day. Hot dogs, Pop-Tarts, bubblegum, carrots.

 

 

Late-season snow runoff, and a bout with the wrong side of manic, sent Miss Turner into the deepest channel of the Sidle with stones from the Allegheny River weighting her coat. “She’d given it some thought,” Dad said. Those river stones were smooth and small—unlike the bulky, irregular creek stone covered up in the high-water rush—and she could fit them nicely into the woolen coat she’d sewn with extra-deep pockets, some said, exactly for this deed. Two anglers scouting for spots to stock rainbows tried to pull her from the high cold. One of the Colwell boys, a newly minted volunteer fireman who’d completed fifty-two of seventy-two passes in the final game of his senior year, overhanded a throw bag to each of them, landing them right at their chins. Still all three abided feverish shivering fits of hypothermia for a handful of days in ICU. Miss Turner lived three more years before something like cancer nettled into her woman parts and offed her slow and terrible. Dad blamed Miss Turner for using the creek wrong. He blamed her for the fact that the browns weren’t taking nightcrawlers that season. He swore her actions cursed the line, cursed the hooks.

 

 

Dad always said attractor dries were best for catching wild browns. I tried every fly in the box, every single one clatched to my hat. Caught my best brown once when the stream was high and thick after a hailstorm. Filled my waders, nearly drowned. I cried out for help but no one heard. “You got yourself out. Found good footing on that creek bed. That’s what counts,” Dad said, patting me on the shoulder, then hugged me tighter than he ever had in my whole thirteen years.

 

That night I dreamed I kept finding something stuck on the undersides of rocks, stuck to the slippery green of them, and how it stuck I couldn’t figure; I worried it would tack over the whole run. It was stuck to everything. When I woke up, my panties were full of blood. I told Dad and he said, “That’s natural. It’s time. Go to Mom’s closet and get her napkins in a pink box,” and I did. They were right beside the pretty purses and shoes in boxes she’d left behind when she left me behind too, two years before. He said, “Let’s go see how they’re runnin’ today.”

 

I knew the blood would come. I’d learned about it a few years before. I just thought it was much, much more than it should be.

 

 

Shiners, in the minnow bucket, darted left and right. Nightcrawlers we filched by the light of night’s moon tunneled dirt in the coffee can. Bait. “Live things to catch live things,” Dad always said each time he slipped the thin hook through a slippery body, but I heard it different that day.

 

He cast. Set the pole in the wooden wye he carved from a cherry tree branch.

 

“Always use thin wire hooks and rig close to the tail so it can still move a lot. Or through the top of its back. You want it lively in the water. Just as it would be if it wasn’t on the hook.”

 

I nodded and straightened my back, rubbed at my spine. He glanced at me then grabbed a minnow from the bucket and placed it in my palm.

 

“Hold onto that for a sec,” he said. He pulled his lighter from his shirt pocket and relit the charred end of his cigarette. Took in a long drag. I watched the smoke come out his nose and thought of gills, of the insides of our lungs and wondered if they were red, too. The minnow’s tickle made my throat burn, made me want to clamp tighter, but I didn’t want it dead. I blinked. I swallowed all that extra saliva. I thought about where he’d slip the hook through the one I held.

 

That’s when he said, “Uncle Fatso takes them close to the eyeball and through the snout. They’ll wiggle then.” He laughed. “Here,” he said. I opened my hand and watched its shine flip to the ground. “Son of a bitch,” he said, stopping it with his boot from flip-flopping its way toward the water’s edge. He grabbed it after two tries and handed it to me again. “Don’t worry, you can use them like this, too. Hook straight through both lips. See?” I rolled my lips in while he slid the dead minnow on my line’s hook. “Living or dead they still look good to the trout.” He took in another drag and winked.

 

We moved to nightcrawlers then. We waited for a hit while the other worms burrowed deep to the bottom of the can, away from the light splashing through the trees that lined the bank. I couldn’t help staring into the minnow bucket, watching their frantic flickers, their wild eyes.

 

 

Five bleeds later, I got hints when it would come on. Angry at my cowlick. Lonely. Fish looked sad. It scared me, this thing happening to me. Hurt all over. Made me slow. Run down.

 

“Maybe flow’s off a little,” Dad said. “Maybe it’ll straighten out.” Though he told me before Mom left us for Jesus and moved to a place in upstate New York to be nearer His Grace and Love, that she’d had the exact same kind of pains. He wanted to take me to Crazy Miss Jean for a tincture, but I was so scared of her that I refused to go.

 

So, again, he took me fishing. We caught our limit quick. Let the gutted fish soak in saltwater in the sink all day. After supper, Dad said, “Let’s have a sundae.” I couldn’t bring myself to grab the maraschino cherry jar that always sat next to the salmon eggs after I spotted the canned plums. They looked too much like the clots that dropped from inside me.

 

“Hot fudge is plenty,” I said.

 

In those five months, I’d learned to hate all things red.

 

That frightening leaking out came again just as I was halfway done with the sundae, sending the bowl clanging into the sink and me running to the bathroom. When I sat on the toilet I imagined my own eggs sliding to the bottom of the porcelain while I peed.

 

“You okay?” Dad said from behind the bathroom door.

 

“I’m fine,” I said, shoring up my voice box to keep at bay any sound of stupid crying.

 

 

After eight bleeds, Dad told me to head out to the Sidle, wade in the water some. Might cure me from bleeding so much. But I worried the Sidle couldn’t help me, and I didn’t want to use the creek wrong like Miss Turner, didn’t want to spook the fish away. He said, “Regular season’s over. They’ve slowed by now.”

 

 

Cramps woke me. Cramps kept me home from school. Headaches weighted my eye sockets.

 

Snow came early. I tried to think about the cool creek water, how oxygen would be swelling, how trout hens would be building nests in the gravels, deep in the redds, to home their eggs.

 

 

A year more passed when Dad said, “I can’t have you suffer,” and went to Crazy Miss Jean without me. She said it was a malady no one aspired to study for a long time. She said she had it, too, ‘til she went through the change. She said people still think it’s fake, a lie. She told him what kinds of stones to find at the Sidle, gave him a bottle of paregoric and told him to mix it with sugar.

 

“It tastes like black licorice gone bad,” he said and held the tiny whiskey glass to my lips. I forced myself to drink it.

Warm, warmer. Cramps eased, eyelids drooped. Rest came. Until pain rippled again.

 

Miss Jean told Dad to “search for a keen doctor who’ll listen.” She said it may take years. She gave the awful thing a name. “Endometriosis, endometriosis, endometriosis,” Dad said.

 

I repeated it. It didn’t sound half as mean as it was.

 

Dad said, “It’s a dirty rotten shame.”

 

In my floating self, I said, real quiet, “Will you help me build a wall, Dad, from both creek rock and river rock? It’ll be knee-high and I’ll plant flowers to line it.”

 

“Sure will,” he said.

 

From the steeped water in the pot, Dad took the smooth flat stones he found near the redds where the trout laid eggs. He placed the warm stones right on top of my belly where Miss Jean said my ovaries and uterus ached underneath. I could feel the Sidle’s love walking deep inside. It made me want to live.

 

I stared at the rainbow Dad had mounted on my wall. I’d caught it on opening day near the bend where Lee cut the line on his palomino when he saw Granddad slump, where he held whiskey to Granddad’s lip. The shininess, those pretty dots, that magenta line the length of it. Its colors buoyed me. It stared back at me with its hopeful eye.

 

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Still Lives

Flowers

 

It was early March when the news from home first became worrying. “I’m nervous about leaving him when I go to London for a few days,” my mother said on the phone. This wasn’t itself unusual, but when she came back, he was very sick—bad, even for him. When she described the symptoms—fever, delirium, flushed cheeks—I could remember him in that same state when he’d had pneumonia nearly a year ago. Grim hospital wards, old machines, and dying men whose relatives were nowhere to be seen. It was always miserable, how lonely illness was. It always seemed chaotic as well, the edge of life, or death. Bed sheets falling off, nurses running around, people confused as to what they were doing there, why they felt this way.

 

He had nearly died then; not for the first time, the doctors said that it was incredible he survived, that they “were preparing for the worst.” When people tell you that so many times, and for so many years, it becomes hard to imagine that the worst can ever really happen. I began to feel idiotic for being scared of it, caught up in a strange emotional battle, where feeling scared seemed, in hindsight, like an overreaction, because the threat never fully appeared. The same prognosis was given and then withdrawn again and again and again.

 

I should have been happy he had lived through another scare, and yet I felt deflated and confused for having gone through so much grief only to be back at the default state of fear. Another few months became something taunting by the end, something weirdly unbearable. Time felt meaningless and tyrannical.

 

It was happening this time, though, even if it seemed unreal. While my mother was away, a family friend had gone to check on him. She had fed him dinner, looked after him, and made his last days comfortable and kind. Without that, he may have been dead when my mother returned. Instead, he was well enough to say that he didn’t need the hospital, although he did. He was taken in and the diagnoses given: pneumonia and stroke. Oncology did not explain the connection to his cancers. By this stage, he had over seventy tumors on his liver, in the bones of his spine and in his remaining kidney. They had worn him down, despite all his efforts, some seemingly endless reservoir of strength. I could not imagine this cycle of stoicism and resurrection ever failing.

 

 

The day before he died, I went to see an exhibition of photographs by Robert Mapplethorpe at the Grand Palais in Paris with my boyfriend, an Irish writer, Darran. At that time, I was living in Paris, while he was still back home in Ireland, and he’d visit regularly. He had arrived in Paris a few days earlier, and we’d been spending our time in museums and cafes, stretching out our free tickets and expensive espressos, to fill the frozen, bright days.

We went to the Mapplethorpe exhibition in the morning. I was reviewing it for a magazine. I knew my dad was ill, but I didn’t know quite how badly he had deteriorated. I was waiting to find out whether I needed to book flights back, whether it could really be that bad. Death loomed, though; I saw it in everything, everywhere. I tried to concentrate on work—I wanted to get as much finished as I could in case I had to leave Paris—but even my work was all about death, it turned out.

 

We took the Metro from Montmartre to the Grand Palais, an imposing building surrounded by decorative gardens and busy roads and police marching around. It was eerie and dark inside, like a mausoleum. Women in veils and latex, dying flowers and bowed heads. Fur and lipstick and Irish hair, props and faces lit to seem as blank as sculptures from Ancient Greece. A large white, minimal cross on the wall, next to all the other crucifixes and dying roses. A figure in a blank hood.

 

There were Polaroids that Mapplethorpe had taken in the 1970s, and then formal black and white portraits of the artist and his friends. He had created a system of iconography that embraced S&M and Catholicism at once, in this pursuit of true beauty. There were classical, sculptural nudes and arrangements of flowers. “I am looking for perfection in form,” he had said. ‘“I do that with portraits. I do it with cocks. I do it with flowers.” He lined up Saints and rent-boys, celebrities and Michelangelo. Striving for transcendence, perfection, and immortality, he had developed an aesthetic, spiritual code in these figures, flowers, and icons. He had reappropriated religious iconography to show how art and sex, for him, were his own religion. He had written a letter to Patti Smith: “I stand naked when I draw. God holds my hand and we sing together.” There was Robert and a skull, Robert in drag. Robert with a cigarette. Robert living with and dying from AIDS.

 

But his photographs betrayed none of these horrific struggles. Instead, they were an altar to his idols and ideals, beyond good and evil, beauty and ugliness, success and failure. He had used art to transcend, to go beyond struggle, to assert his own ideals in spite of the doubt he must have felt or experienced from other people. By transforming images of death, sex, and himself so that he triumphed, transcendent, by turning what seemed pornographic into a form in the language of Michelangelo, he sought redemption not only from personal, spiritual dilemmas, but from life itself.

 

His work is about death, I wrote down, sitting on a bench in front of some of his portraits, and reconciling with death. Redemption through art was a way of making peace with death. This central concern explains the sublime atmosphere of the exhibition, even as it feels like a graveyard or shrine. The nudes are so still that they cannot be alive and, of course, frozen in time and a photograph, they are not. The flowers seem to be placed as carefully as funeral arrangements. The little altar, with images of Jesus’ crucifixion, together with the lines and lines of photographs of Mapplethorpe’s friends and idols, complete the reconstruction of a fantastical funeral. He has reconciled with doubt, pain and death; he has created his own meticulously executed send-off.

 

 

We walked out of the exhibition, out of the darkness. Outside, the pond shone turquoise and shallow, with statues and tourists in the distance, and a froth of fine algae at the bottom. I sat on a chair by the pond and smiled and smiled, and Darran took a picture of me. We were both wearing black; I had a scarf with little skulls on it. I had not picked out these things intentionally.

 

I was surprised by the brightness of the sun outside, the fresh green of the gardens and trees we walked through, after the soft tones of marble and spot-lit flesh and bone. We walked on to the Jardins des Luxembourg, where the pathways were covered in fine cream gravel. I heard a strange noise as we walked that I couldn’t quite place—a lone cry—and looked around to see what it was. I saw a single black crow, seemingly oblivious to the people straying around, standing still on a spot of the lawn, continuing to make its odd, eerie cry, beak open, toward the sky. “Isn’t that creepy?” I said to Darran, and he nodded and we kept walking. It had seemed so incongruous there, in the green and the sun, as tourists in neutral travel clothes wandered  by.

 

We had just come back from the exhibition when my mother phoned and told me how bad things were. “He’s not getting better,” she said. I had been so used to being told he was dying that it didn’t seem fully possible. But I booked flights to Scotland for the next day, anyway, in a daze. By the time we got home, he was gone.

 

 

In the week or so before the funeral, so many flowers were delivered that they took up every surface: lilies, their scent pervading over every other, white roses of various shapes and arrangements. They covered everything: a large dinner table, side tables, sideboards, a dresser, two desks. They arrived in cellophane and paper, with sad notes from friends. So much white, but occasionally some purple, from a thistle, the dark green stalks and long, winding leaves. When all the vases were used up, I found other things, jugs and glasses, to put them in. We bought a couple more vases. I took most of the leaves off the stems, cut them down, arranged them.

 

As they days went on, I plucked out the dead ones as they wilted, rearranged the bouquets with those flowers missing, merging them together. Cutting stalks, refilling water, bundling all of the cellophane and ribbons into rubbish bins. There was so much clearing up, cutting things away. I thought of Mapplethorpe, the flowers he had photographed. I imagined the actual process that had gone into them. How many flowers had he bought, for a photograph of one? What did all the waste look like, scattered around his studio? What did he do with the leftover flowers, and the flowers he’d finished photographing, when he was done with them? Or did he just discard them, decadently, or busily, efficiently, entirely focused on the art at the end? Why had he not photographed more dead flowers, decaying things, why this stark purity?

 

I thought of those flowers again—his entwined white tulips and his star-like orchids and his sensual, begging lilies. The dark and light, the harmony and the desire, pushing through. I thought of them over and over, as they flickered in my mind, and somehow, it was consoling.

 

 

A lot of the flowers had already started to wilt by the time of the funeral, which was later than usual because Easter had made the church’s schedule busy. The service itself was to be in the afternoon, but the cremation, which was to be more private, was in the morning. Most of the family did not go, but I went with my mother and aunt and uncle, in a black car, over the Tay to Dundee. The crematorium was in a part of the city I hadn’t been to before, in a well-kept garden, surrounded by gray stone tenements on the hill.

 

I went with my mother inside, and we sat near the aisle, on the left. I noticed the coffin placed on the altar, raised up. The priest gave a short service, the words of which passed over me, as I kept looking at the patterns of color on his robes, so I would not look at the coffin.

 

I held her hand as he sunk beneath the ground to be burned in a chamber. It seemed like some somber magic spell—a clunky disappearing act. So strange, I kept thinking, that there were only moments between his body being there, solid and still, and then gone to ashes. A lever pulled, it sounded like it, a steel door open and then shut, a measured fall, a letting down. A camera shutter, shut. A man, gone. A man down.

 

 

Over the next few days, the last of the cut flowers died off and were discarded, and the place felt emptier for it. I couldn’t take it all in at once, so I began just drawing. Robert Mapplethorpe took me by the hand, and perhaps my father did too—gave me lilies and roses, morbid confetti.

 

I tried to capture the flowers before they died, too. I drew each one, recording their gradual wilting, as they fell.

 

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Stanley’s Bowl

Every spring my husband and I discuss
the long-dead animals in the Cadbury commercial
running since we were kids: pig, cat, lion, turtle,
bunny. The wrong animals audition
to become the clucking bunny. This is the American
symbol of Easter, which I didn’t grow up with,
except for jelly beans and chocolate. (When my father
was a boy he would use a chocolate bunny’s head
as a goblet for his milk.) Instead I had the ten plagues,
parsley dipped in saltwater, buttered and salted matzoh,
opened door. Judaism is all about the symbols
and the stories and the food and the funny-sad. The minor key.
The tragic violin and exuberant clarinet, the klezmer absurd.

Vegetarians, my family put a Milk-Bone on our seder plate.
The Passover seder is the story of enslavement and then freedom,
and never forgetting that there were those who hated us
from whom we had to flee. And that when oppressors die,
we must not rejoice in their human pain. Sure, sure,
but who wouldn’t cheer as tyrants fall, as the waters
whale-gulp them down. Saltwater means tears, food is a story
of survival, and parsley means the green coming back to the yard.
The seder means, Here is who hated us and tried to kill us
and here we are still. Now, my sister chops apples and nuts,
brings the haroset in the yellow bowl that Stanley, our terrier,
once ate from. He’s there, just outside my dad’s kitchen,
our perennial digger and yard escapee, thief and planter of dolls
whose miniature limbs would protrude from the dirt, the tiny undead.

Stanley sleeps under the yard and not alone, long ago buried
and returning to us with the trees and grass and apples and spring.
We will not forget. I will not forget Charna, my grandma’s spunky friend,

jovial baker of mandel bread, and how she had survived the camps.

Grinning, she divulged to me and my sister how she told
the Nazis to their faces that they needed more food, thicker soup,
and her demands were met. What did she give up in negotiating this,
and what did she earn, a secret skeleton of steel and courage and love.

We also learned that the women fashioned and passed around
a bloody menstrual pad as protection, to try to ward off rape
by crafting the guards’ disgust. What seeds existed in her
that nudged her to ask Nazis for anything, to scavenge fabric
and blood and deliver it from woman to woman, clutched and folded,
a love letter, a ballad about generosity and pain, lantern-bright.

Where does this bravery in the midst of horror
come from, and how can we get more. Why is this night
different from all other nights, a question we ask ourselves
every year, when we should ask, How is this time different
from all other times, how is this agony different from other agonies.

When someone suffers, the Jew also suffers,
says the Passover story. And we want this to be true.
But between suffering and safety, there is a heavy door.
Closed. On this side, we eat apples and chocolate
and eggs full of candied yolk and drink simulated tears.
On the other side, all we can barely look at or hold in our
minds, the flame-ravaged house we could be chased from,
the thirst and loneliness of the exiled, the small hands
reaching up from yard’s cold mud that we see silhouetted
in the twilight and call broadleaf, dollarweed, thistle.

 

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Review: Anything That Happens by Cheryl Wilder

Press 53, 2021

Paperback, 64 pages, $17.95

 

Anything That Happens

 

 

I feel tape break against my chest

But there is no finish line, no

Not knowing. When can I say,

It’s better now? It’s taken years

 

At the age of twenty, Cheryl Wilder “won the toss // of the keys / and rounded the corners // slid through the stop signs / then awoke in the car // the only one able / to choke silence into words.” She was physically whole. Four months later, her passenger woke up from a coma with a life-changing brain injury.

 

Starkness pervades Wilder’s collection Anything That Happens, a Tom Lombardo Poetry Selection by Press 53’s poetry series editor. Each succinct word clanks in the echo of a tragic mistake. Wilder doesn’t hide behind poetic devices that can make trauma beautiful or romantic or at least palatable. Instead, when writing about the accident and its aftermath, Wilder’s choice is often sparse language with anaphoric qualities—titles like “Slipped I,” “Slipped II,” “Slipped III”—running through the collection haunting our subconscious. The lines, “I am taken” are sporadically and strategically placed—taken aback, taken to jail, taken by surprise that anything has actually happened.

 

The emotion is mature, unguarded, and adept, as though Wilder has written these poems for decades, while she learned how to live as two people, “the before and the after; one I’ve already forgotten / the other I have not met.” She never pleas for our pity or understanding.

 

Wilder flexes her craft muscles in language addressing her childhood, marriage, and motherhood: “My father reared me / unbridled . . . I plant phlox, milkweed, coneflower, drag my suckling // childhood into the nearest cave / and lick the wounds of generations.” Later in “Family Tree Potluck,” she recalls, “my father doesn’t speak . . . Word shards in potato salad. I was reared on unspoken.”

 

Mighty line breaks and sentence structure create a duality that magnifies meaning and the weight of veracity: “I didn’t understand anything // had just happened.” Wilder uses the mid-sentence stanza break so the reader feels all of the ways this can be read. In another poem, Wilder writes, “I wanted to run. I had to get help.” The choice to place the truncated sentences on one line causes the reader to absorb the two robust and clashing emotions at once, thereby recreating the speaker’s overwhelming experience.

 

In Women and Honor: Some Notes on Lying, Adrienne Rich writes, “Truthfulness anywhere means a heightened complexity.” The complexity and fecundity of poetry often comes from the unconscious struggling to fulfill its desire for truth. In the absence of truth, there is a distance between two people and only truth spans this struggle. This possibility between two people is the power we witness in this collection—Wilder before and after the accident, the poet and the reader, the reader before and after their own anything happens.

 

Wilder grapples with honesty throughout the pages. “It hurts. To stand outside // a wrecked car, to remain on that street / year after year, to not want the truth.” She duels with candor: “I try to switch places /…but I won the toss.” She discloses with vulnerability: “I wanted to escape / with the mountain man who told me / I, too, could live with a warrant.” Wilder’s direct and concise approach continues throughout this text, beginning another poem with “You cannot trust me.”

 

She does this work unflinchingly and establishes a path for us to follow. Anything That Happens is Cheryl Wilder’s salve to the willing reader’s wounded psyche.

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A Greek Myth

Mother wore a nightgown and peignoir, the white filmy kind,
walked barefoot out the front door and into our back yard
to sit in her crescent-moon-shaped rose garden,
her tangled hair caught in the rattan chair.

 

Those were the days when she got out of bed before noon.

 

O Etoile de Hollande, her favorite deep red rose—so fragrant.
Did she imagine it could be heaven, as she sat motionless
with her breakfast tray, melba toast, the loose tea leaves
floating in the china pot?

 

When I was in third grade my father paid me to make his breakfast
before he went to work early in the morning.
Bacon, toast, fried eggs, coffee—I served him
at the somber mahogany table
where he ate alone, wearing his Air Force uniform.

 

Much later, when my parents moved again,
there was no rose garden.
On good days, she climbed a stunted apple tree
and set her tray on the low gnarled branch in front of her.

 

My father pointed to the tree when I came home from college once.

 

When she came into an inheritance
she spent the cash on trips to Ireland and some Greek islands,
going by herself, never told me, and invested the rest
with hopes of getting rich but the broker swindled her.

 

Gone, except for this picture she kept of wildflowers in Delos—

 

She used to sing—I am weary unto death

 

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A Parable is Related

It had been the girl’s mother’s idea, after consulting mystics and holy sages, to procure a wedding gown before finding her a groom.

 

It is a meritorious act, Sara, her mother assured.

 

We are told that Bella had done all that was required to have her daughter successfully married, though the order of attempts is disputed—Bella had sent the girl to the most proper of religious schools in Jerusalem, worn the correct style of wig, attended ladies’ breakfasts, never repeated a Sabbath dress, and encouraged her daughters to visit the sick on Sunday afternoons. And with time, according to various sources, her attempts grew more desperate—forty days of prayer at the Wall, sages paid to invoke the merit of the family’s maternal line when reciting Psalms, kabbalists consulted about constellations and energies, eighteen sheqels paid to Hasidic women in Mea Shearim squalor to pour boiling tar into a pot and thus save Sara from others’ evil eyes and from the girl’s painful solitude.

 

This was how things had been done There, back in the place they had come from, in the Carpathian Mountains, in the Time Before Forgetfulness and Red Flags and the Tanks in Red Square: A girl without a husband must prove her faith that she would find one.

 

And thus a campaign began to ensure Sara’s marital happiness. Under no circumstance would the girl be permitted to sit by the corner of the table, lest she be cursed with a seven-year wait for her wedding day; every wine glass spilled on a Sabbath tablecloth was quickly marked as a sign of blessing; at every circumcision and betrothal party, she was handed toffees, kushai kushai, eat, eat, some sweetness in your mouth will bring you the sweetness of marriage. As every girl from her high school class married, one by one, wearing long-sleeved satin gowns with tall collars, each wedding held in the same hall and with that same ancient orchestra, Sara increasingly received sad nods. Soon by you, they crooned.

 

It is said that her entire life, the girl had been lavished with exaggerated praise: nannies and grandmothers would cry out as she walked by, Lucky is the man who makes her his bride! Yet here she was, twenty-one, and there was something unfinished about her, the way her head remained uncovered, no headscarf, no wig. What was so puzzling to us was that the girl was seemingly fine material for a wife.  If Isaac the bakery owner’s daughter had found a husband that didn’t mind her bleary eyes and irritating lisp, and even her loudmouthed classmate Shifra, despite her ceaseless gossiping, was married, and to a diamonds salesman no less, surely Sara could somewhere find a husband who would be enamored by her peacock-colored eyes. The girl had been matched with plenty of bachelors, and one after another she’d shyly shake her head, no, it’s not it, and then return to the pages of her book. Even mothers of prospective grooms were not completely averse to the notion of Sara as a daughter-in-law: a reaction which was rare, as most mothers disapproved of most girls categorically. But this girl seemed kind enough, despite her love of reading; a daughter of Israel raised by simple parents to be a woman of valor, a wife who would resemble merchant ships, dressed in fine linens and purple honor, a mother who would arise while it is still night and open her mouth in wisdom, her words tumbling out like pearls.

 

“If you wanted to, you could be long married with two children,” Bella would tell her offhand, jotting down the number of a mother who knew a rabbi who knew of someone. It had become a constant occupation, a flurry of files, phone numbers, emails with enumerated references and small passport photos of a nineteen-year-old Sara, powdered and hair curled.

 

The word that the community used for girls of this sort was, of course, whispered, and even her mother wouldn’t hear it outright from the gossips, yet she knew it was being said. Particular. Spoiled. Some commentaries have even interpreted particular to mean arrogant. “She thinks she’s above our sons,” Naomi the podiatrist’s wife said aloud one Friday afternoon at the butcher’s, to which the cashier girl and even the rabbi’s wife nodded. “Who does she think she is, some mythical beauty? And the daughter of a teacher, at that! As if her father were a millionaire!”

 

It must also be mentioned that we couldn’t help but wonder what would happen to Bella’s other girls, the four of them; they were undoubtedly afraid that soon their turn would come and Sara would still be single. What then? To ask for her permission to start dating, while she is yet unmarried? Of course she’ll give us her blessing to date; but what if we get engaged before she does? She can’t keep us single, too, just because she’being, ah, particular.

 

And so Sara found herself one dreary morning in a dressmaker’s basement office in the neighborhood of Geulah, for the sake of a meritorious act.

 

“Heaven would see our faith in God that the girl would marry one day, and then send the right man,” Bella said. The girl had nodded in response, wearily, letting them take her by the hand to the seamstress for fittings and debates over designs (beading? ruffles? princess gown or simpler a-line?). She invited her younger sisters to join, hoping they would bring some comic relief as she stood in front of a mirror in a white gown and tried to giggle with them. Bella sat on a stool, radiating with light, as commentaries would later describe her. “I think the high-collar would be very elegant,” she said to the dressmaker. “What do you think, Sara?”

 

“Yes,” the girl said coolly. “That would be nice, but please, the sleeves should be halfway past the elbows, not any longer.” She’d get hot while dancing. There’s no reason to have unnecessary fabric, she explained as she looked out the small basement window.

 

 

And when word came that the son of a wealthy man of a far away city—of Antwerp, no less—had looked into Sara’s resume, through an American matchmaker, Bella went as pale as the fabric they had consulted over.

 

It was a well-known secret, of course, that the expensive son of the diamond seller had inquired himself, that very bachelor who was famed for having gone out with over two hundred young women and still not found a bride. But many of us had suspected it to happen, because having a wedding dress made in the name of Faith is no simple business.

 

“He is the top of the Neman yeshiva, a brilliant student,” Bella whispered, sitting at the table across from her daughter one evening over tea. “And his parents, respected in the best of homes…who are we, to be considered by a family like that?” She glanced around the dining room, which she’d no doubt have to get freshly painted before hosting the future in-laws. “Sara, do you understand what this means?”

 

It was a fluke, of course, that the family was even considering a girl like Sara.

 

And of course the girl understood what it meant. If she went out with this yeshiva student, she’d be obliged to him, would have to wait for the moment in which he’d decide to cast her off. She, of course, could never dare to reject the boy, as she had done with every other young man until now, and if she did, the entire world’s eyes would question her angrily.  And if he did indeed desire her, she would have to marry him— there was no alternative.

 

But the thought of imminent marriage scared Sara, and she pushed it away. After all, she didn’t like her wedding gown very much, and it would need more tailoring until she’d like it, a project which might take longer than one month of courtship and another three of engagement—and anyways, didn’t that kabbalist which her mother dragged her to last year, didn’t she say that she wouldn’t be married for at least another year? Better not to fight destiny.

 

“He probably wants a rabbi’s daughter, or someone wealthy at least,” the girl reportedly said, setting her tea cup down.

 

But Bella did not hear her daughter any more; she was already making phone inquiries.

 

A month later a date was set.

 

She wore a deep blue blouse carefully selected to highlight her eyes, kitten heels; when she looked in the mirror for the last time before stepping out, she was almost startled by her eyes’ color. Something moved her to tears—she tried taking a deep breath and saw that her eyes only grew more blue. She didn’t want to go, she insisted in the very last moments, as her parents and sisters watched her put on her jacket. That preceding Sabbath she had trembled so much that she was unable to eat the food.

 

Just look beautiful tonight, that’s all you have to do, Mrs. Hart the matchmaker had told her, according to most versions.

 

And he? Sara asked without thinking. Mustn’t he also look handsome?

 

No, no. That is your job, the matchmaker said, laughing throatily into the phone, a secret smile of relief, for now, finally, she had clearly found a match for the unmatchable, and one of them the son of this wealthy house-holder of a far-away city! Two of the most notoriously particular people to match, and she had managed to come up with this innovation so cleverly, a wedding was surely destined. Listen, Sara, I don’t know you, but your name was mentioned so here I am letting you have a go at this, and let me tell you, this guy is a prince, every family wants him for a son-in-law, you’re lucky you’re getting even one date, and he’s even excited about you, so you should feel blessed. Listen, I’ll tell you the truth, he just wants a girl who is smart and put-together. “Put-together,” ahem, that means beautiful, you understand?

 

The yeshiva student came fifteen minutes late. Well, he wasn’t exactly the lanky and stuttering yeshiva student we had all imagined: Leah, the next-door neighbor and wife of the pharmaceuticals businessman, later informed us that the boy was clean-shaven, black-haired, very tall (by our standards, at least), in a tailored suit of course, a black Italian-made hat.

 

“How are you?” he had asked as Sara approached him and as he opened the car door for her. His Hebrew had a slight accent.

 

“Good, thank God.” What a silly question, she thought. We’re complete strangers—why would it matter how I’m doing now, as opposed to yesterday? Though perhaps it was a test to see if she invoked the Divine in her response. Thank God. And you?

 

He must have sensed the girl’s nervousness, because immediately he began asking her questions, gently, about details which he had had his investigators procure for him. She was surprised, pleasantly—how did he know that she loved Edith Wharton, that she insisted on playing only Chopin on the piano, and absolutely no Bach? And that she knew the Song of Songs by heart? What would a yeshiva student know of these things?

 

He surprised her again, as they later walked along the promenade overlooking Jerusalem’s twinkling hills, when he told her of the very Places she was told about as a child, that dark Europe of demons, as if he was singing back to her the secret lullabies of her childhood: toy-like streets, gothic palaces overlooking rivers, little magical bridges. He told her he found her purity and passions—what a combination!—exciting. And now, now they were talking over each other, there were too many verses and politics and opinions to discuss.

 

It is said that at two in the morning, they stood outside her house and he turned to her with a smile that was later described as “teasing” though other versions say “nervous.

 

“I had such a wonderful time tonight,” he said. “I want to see you again. Tell me, Sara, what are we going to do about this?”

 

She laughed, in shock. Had he just invited her out again, without consulting the matchmaker? She was speechless.

 

“Okay,” she said softly, just like her grandmother had taught her. Slushai menya, make a man think that you agree with everything he’s saying. You’ll spend the rest of your life disagreeing with him—at least in the beginning be peaceable.

 

Their evenings took them to hotel lobbies, then to strolls through parks. Despite his reputation, she found him surprisingly humble in front of her, at times too cautious, well-read though not a reader of literature—he was much more comfortable in the jungles of Aramaic.

 

Later, she would tell her girlfriends about her evenings, slightly breathless, and her friends would exchange glances. I don’t want to part from him in the evenings, and I can’t hold his gaze always and sometimes have to turn away. Though I shouldn’t get swayed by a man’s showing interest, of course. Just because he’s looking at me in that way doesn’t mean anything—any man can give any woman that look and lavish her with praise and attention. It’s not like he’s the first or the last, right?

 

We knew exactly where and how long each date went, naturally. We knew that the young student was in no way frugal in his courtship, each evening taking her to the center of the city; we looked on enviously as Sara would come home late, entering the small house with lit-up eyes and swaying from exhaustion. Over a Sabbath table once, Zissel, the wife of the computer programmer, expressed wonder that it had gone this far; what would a diamond-seller’s son like him want from a difficult child like her? It won’t last long, just watch.

 

Whoever thought of the match is brilliant, remarked Miriam, the wife of the local steakhouse owner, to Bella as they gathered their younger children from school one afternoon. Bella brushed it off with a nervous smile, spitting under her breath like they did Back There to ward off the evil eye.

 

 

And it was that the gown was almost finished, earlier than Sara had expected. Adina the seamstress had not let any of us see her hard work, under strict orders from Bella, but her assistant Zahava told her mother who then informed us that surely even Queen Esther did not own a more resplendent gown than the one that Adina the seamstress was making for Bella’s daughter. Even Sara seemed satisfied, after all of her tireless adjustments. Perhaps she didn’t care any more; it was plain to all of us that all she could think about was the warmth she felt when she caught him looking at her.

 

But you must watch out for the evil eye from others, her mother would warn her. Everyone else wishes they had a boy like this for their daughter—you must hold on tight until you get engaged. Tread carefully, daughter.

 

At the office in the city, the other girls whispered and peeked over cubicle walls, hoping to catch Sara daydreaming, and then grew disappointed to see her concentrating on her work. When she went to the grocery, she suddenly felt eyes; people were watching her. Had her skirt ridden up to expose her knees, her face powder worn off? What if she was seen exchanging pleasantries with the neighbor’s son—what then? And what if someone told him that she was seen with a slightly uncovered collarbone? She found herself running always, back into the house or into the car, afraid of whoever might be watching and would slander her modesty. Somehow, everything had become a possibility for disaster. A get-together with friends, a street crossing, a bus ride—anything could happen under the evil eye.

 

We are told that on the following date she came in a gray silk blouse, her eyes the color of vapor; the young man was surprised by her quietness that night. “Are you all right?” he asked, as they entered the hotel lobby where they were meeting.

 

Yes, yes, I’m sorry, it’s just been a long day.

 

But she was immersed in thought, ambushes of feeling, wonderments, what if, and that gown, and those evil eyes—she had to watch out, there was such a thing, an evil eye, of course there was. Negative energies, subconscious but exceedingly powerful. Hide your face, your pictures, your good news, your successes. Lower your head lest someone hate you for your goodness and bring evil upon yourself and even upon your family. Your house, your health, your blue eyes. Everything was in danger.

 

He was studying the menu now, and she could only think, eyes, watch your eyes: be wary, eyes eyes eyes everywhere, black eyes that the gypsies used to extol, that the peasants used to sing ballads about. Eyes which could know your innermost thoughts, glares which could burn through even the most beautiful of silks and chiffons. Even the woods of Rabbi Nahman’s stories were not thick enough to protect her, she thought, remembering the mystical fairytales her father would tell her as a child, or so we are told. Maybe she’d trek across the thousand Mountains that were outside another thousand mountains to the caves of the east and there beg the king of demons to release her from the many many eyes that now pursued her. Why do those Hasidic tales never include God? Where does He hide, among this madness of eyes and woods?

 

They ordered sushi and iced coffees, the waiter later confirmed to us. The young suitor assured Sara that he was comfortable with the silence, that it was a sign of a good match if the two could sit together quietly.

 

But while he leaned back against the park bench later that night, watching her from a small distance, she found herself paralyzed by that very silence, terrified by the heated distance joining them, or perhaps by some turmoil inside which he would never know, this electricity that was her own doing, she knew, something in her eyes that had spurred his eyes to look at her like this, a silence in which she heard, turn away thine eyes from me, for they have overcome me.

 

 

After these things, four weeks after that first turquoise night, Bella picked up the finished gown. “The dressmaker told me to bring it back in case it needs anything else, but I think it’s simply perfect.” She stood in the living room, fingering the fall of the fabric from the waistline.

 

Sara nodded, setting down her hair iron (she was going out that night), yes yes, here, let me hang it in the closet. The two went upstairs together, carrying the gown in its layered garment bag, her mother leading and Sara carrying the end carefully, dutifully, like some funeral procession. They placed the dress in the front of Sara’s closet.

 

Her mother breathed deeply as they looked at it.

 

“We prayed and yearned for your wedding day, for so long,” she whispered, shaking her head.

 

And it came to be that Sara was not wrapped in mysterious silence that night, to the yeshiva student’s relief; she had sworn to herself to stop thinking about evil eyes, and about that wedding gown in her closet, which had now become a dybbuk, a demon, in her mind, and instead she was laughing, smiling, crossing her legs, looking out dreamily from the rooftop bar where they sat. He watched her and asked her shyly if she’d mind if he’d meet her parents: she looked up at him suddenly, and he noticed that tonight her eyes flickered from blue-green to the silver color of her skirt. She laughed.

 

When he drove her home that night, he said they ought to speak seriously, and in stilted syllables explained that he enamored (his exact wording has also been disputed, see commentaries below), behold thou art fair, yet something was holding him back. And when she turned to him, she saw that his dark eyes were now moist. Something in her (did this now make her a woman?) wanted to reach across and stroke his cheek, to console this boy-man with the same tenderness of Ruth the Moabite; he continued to weep silently, and with her hands folded in her lap, she waited in vain for him to continue speaking.

 

Leah, the next-door neighbor and the wife of the pharmaceuticals businessman, later informed us that Sara did not stay long in the car, and that from the limited view from Leah’s living room window, the girl exited the car after what looked like a brief conversation.

 

What puzzled us most was that the match seemed faultless; no one could understand the young man’s sudden change of spirit, and no one dared entertain the thought that it may have been the girl who had broken it off. Who are we to know of God’s mysterious ways? Shulamith the Bible teacher’s wife threw up her hands. Children these days, they’re so spoiled that they’re afraid of marriage.

 

Well, her family lineage was nothing special, noted Raizy, the high-end wedding planner.

 

Yes, said Zissel with a smirk. It made no sense.

 

He must have heard reports about her skirt length, said Yehudis, the school principal. She was not particularly careful.

Sharon, the divorcee who lived across the street, vowed that she had seen Bella’s daughter talking to the neighbors’ son. There’s something coquettish about that girl, the way she laughs, it’s too airy.

 

It was said that Bella took the news the hardest. According to reports which were later reluctantly confirmed by Sara’s sisters in school, Sara had gracefully sauntered into the house that night, smiled to her anxious parents and exclaimed how utterly exhausted she was and what a lovely night she had had and that she was off to bed—and it was only the next morning when the girl had casually informed her mother that she and the young man would no longer be seeing each other, and that Bella quickly canceled the Sabbath guests and took to her bed.

 

That evening, we are told, Sara rearranged her closet.

 

The young man, in the meantime, disappeared. In the days that followed, reports trickled in, sightings of him in an airport terminal a few weeks later, just before the beginning of the fall semester; his family confirmed that he had left for another yeshiva, hoping the streets and hills of another place, one that was truly far, far away, would help him find order.

 

That Friday, the local bakery was abuzz with discussion. No other girl, of a hundred prospective brides, had ever made this boy go crazy. To book a ticket, flee the country? Like a film! We weren’t so worried about the failure of the match; instead, as we returned to our children and our houses strewn with toys and our husbands whom we’d have to greet that evening like Sabbath queens, we each secretly wondered at Bella’s daughter and at her forgotten dress. We thought about her as we sat at our Sabbath tables, listening to our husbands drone on, singing about our valor and our righteous kindness as they fell asleep at the table.

 

Additional testimonies were given as to the young man’s distraught behavior. We are told that he called his friends and teachers depressed, muttering something about how he couldn’t he couldn’t he couldn’t, a girl like that is indecipherable, harder than any tractate he’d ever learned, a tractate without commentaries and without a conclusion, just one long passage of gaps and disputes and contradictions. Something about her silver eyes, like silent doves—What, I don’t understand you, his parents would ask over the dining room table. Please explain, what’s a silver dove? His father told the frustrated matchmaker to give his son some time, perhaps recommend another girl, someone simpler, someone wealthy this time, please.

 

The matchmaker called Sara and, breaking away from her own norms, did not seek to take the boy’s side. Listen, who needs this prince? I have another one for you in the meantime. This one’s a lawyer.

 

The girl wouldn’t hear of it. “I’m busy,” she said simply, suppressing a yawn as she waited for the elevator in her office building.

 

You have to prove to God that you’re trying. Give me a reason why you won’t give this one a try, the matchmaker exclaimed.

 

Reason? Sara thought. Reasons are, obviously, irrelevant here.

 

We were given various accounts, and there was even a dispute as to which was more accurate: There were sightings of the young yeshiva student in America, going from sage’s study to synagogue to library, each time coming out shaken and pale, swaying as if in the midst of the silent meditation. Then, upon his return, he was seen again in restaurants, each time with a different girl, dull-eyed perhaps but certainly with brighter smiles. He’ll forget her one day, said Chana, wife of the cantor, after Sabbath services one morning.

 

Now it came to pass that Sara decided that waiting was useless, a waste of time and sleep and thinking-energy.

We are told that she waited for her mother to leave for the grocery store, and then picked up and took the wedding gown to the community’s free-loan fund, which was housed in the synagogue basement, and donated that ivory masterpiece for impoverished (yet clearly more fortunate) brides. That week, of course, we busied ourselves driving to the synagogue basement to admire the handiwork on the sleeves, the delicate bodice and the long train of the skirt—each of us, even Zissel, wife of the computer programmer, found an excuse to stop by—and we were too excited by the prospect of finally seeing that legendary dress to even notice the awkward vapor-eyed child who stood praying in the back of the women’s balcony. 

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