2026 Best of the Net Nominees

Please join us in celebrating our nominees for the 2026 Best of the Net anthology. These amazing artists contributed to Aquifer: The Florida Review Online, and links to their work are attached below.

 

Fiction:
Andrew Brininstool, “Slowdeatha”

Andrew Brininstool is a recipient of a National Endowment for the Arts fellowship in prose as well as a finalist for a PEN / Writing for Justice fellowship. His other work has appeared in The Southern Review, VICE, Millions, Tin House, and Best New American Voices. He was born in Santa Fe, New Mexico. His first work of nonfiction, High Desert Blood, is forthcoming from the University of Iowa Press.

Kira Compton, “(the sound of children screaming has been removed)”

Kira Compton is bad at writing bios, as well as several more important things. She is currently pursuing an MFA at Boise State, where she serves as the associate editor of the Idaho Review. She is a proud member of the Hemingway Society and presented at the international conference this summer. Her writing has been published in the Saranac Review, hex literary, Creative Nonfiction, Into the Void, and others. Stalk her professional life at kiracompton.com and her personal life @kirajcompton.

 

Creative Nonfiction:
Juliana Gray, “The Art of Murder”

Juliana Gray’s most recent poetry collection is Honeymoon Palsy (Measure Press, 2017). Her essays have appeared in West Branch, The Hopkins Review, CutBank, and elsewhere. An Alabama native, she lives in western New York and teaches at Alfred University.

Ygor Noblott, “101 Steps to Becoming an American”

Ygor Noblott is a Venezuelan-American writer with too many words and not enough pages. He has a B.A. in Writing & Rhetoric Studies from The University of Utah and a small assortment of poems and essays scattered across the literary world. He’s also self-published two poetry collections with more in the works. He lives in Salt Lake City with his two wonderful children.

 

Art:
Laura Chow Reeve, “Coming Home to Roost”

Laura Chow Reeve is the author of the short story collection A Small Apocalypse. Her writing and graphic work can be found in The Offing, Lit Hub, The Rumpus, Catapult, Joyland, and elsewhere. She is a winner of the PEN/Robert J. Dau Short Story Prize and was a Blackburn Fellow at the Randolph College MFA program. She lives in Richmond, VA.

 

Poetry:
Michael Chang, “Confessional”

Michael Chang (they/them) is the author of many volumes of poetry, including TOY SOLDIERS (Action, Spectacle, 2024), THINGS A BRIGHT BOY CAN DO (Coach House Books, 2025) & HEROES (845 Press, 2025).

Erica Dawson, “Sonnet for trigger → obsessional doubt → consequence”

Erica Dawson is a Black neurodivergent poet living in the Baltimore-DC area. The author of three books of poetry, most recently When Rap Spoke Straight to God (Tin House, 2018), her poems have appeared in Best American Poetry, Libre, Orion, Revel, Shō Poetry Journal, The Believer, and other journals and anthologies.

Joe Wilkins, “Elegy Ending with a Slice of Sour-Cream-and-Raisin Pie”

Joe Wilkins is the author of the novels The Entire Sky and Fall Back Down When I Die, both of which have garnered wide critical acclaim. He is also the author of a memoir, The Mountain and the Fathers, and four collections of poetry, including Thieve and When We Were Birds, winner of the Oregon Book Award. Born and raised on a sheep and hay ranch north of the Bull Mountains of eastern Montana, Wilkins lives with his family in the foothills of the Coast Range of Oregon, where he directs the creative writing program at Linfield University. His latest collection of poems, Pastoral, 1994, is forthcoming from River River Books in January 2025.

Jane Zwart, “Used Benison”

Jane Zwart teaches at Calvin University and co-edits book review for Plume. Her poems have appeared in Poetry, The Southern Review, Threepenny Review, HAD, and Ploughshares, and her first collection of poems is coming out with Orison Books in Fall 2025.

Shann Ray & James Black, “Brother My Brother”

Both Cheyenne and Arapaho, artist James Black is a Southern Cheyenne Sundance priest and ledger artist. A descendent of Black Kettle, the renowned Cheyenne peace chief, and two of the original Fort Marion ledger artists of the 1800s, Cohoe and Making Medicine, through his art James honors his people today.

American Book Award winner Shann Ray teaches leadership and forgiveness studies at Gonzaga University, and poetry for Stanford and the Center for Contemplative Leadership at Princeton Theological Seminary. Czech American, he grew up near Lame Deer, Montana, on the Northern Cheyenne reservation.

Edmund White, “GIOVANNI”

We’d like to extend our deepest condolences to the family of Edmund White, who passed away earlier this year. He was 85 years old. The Florida Review submits his poem “GIOVANNI” not only for its emotional gravitas, but also in Edmund’s loving memory.

Edmund White has written some thirty books. He is perhaps best known for his biography of French writer Jean Genet, for which he won the National Book Critics Circle Award. He is also the author of a trilogy of autobiographical novels—A Boy’s Own Story, The Beautiful Room is Empty, and The Farewell Symphony. He has written brief lives of Marcel Proust and Arthur Rimbaud and a book about unconventional Paris called The Flaneur. He is a member of the American Academy of Arts and Letters. He is an officer in the French Order of Arts and Letters and has received a medal from the French Academy. He taught at Princeton and lives in New York City. He won the 2018 PEN/Saul Bellow Award for Achievement in American Fiction and received the 2019 Medal for Distinguished Contribution to American Letters from the National Book Foundation. His sex memoir, The Loves of My Life, will be published in January, 2025.

 

Congrats and good luck to all of our nominees!

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The Meek Awards NEW at TFR

We’re a bit late in getting this news on the website, but we’re proud to announce that a new donor has made it possible for us to select one author or artist (or to split the award between two) in each of our publication categories each year. These writers and artists are some of those who come to us through general submissions rather than contests or other means. At The Florida Review, we recognize that writers deserve to be paid for their work, and, though it remains financially impossible for us to provide remuneration for every writer and artist, we are happy that now every writer who submits to The Florida Review and Aquifer has at least the possibility.

For the inaugural 2017 year, we selected the following writers and artists for this special recognition. They represent the kind of work we love to publish at The Florida Review and Aquifer–both personally moving and aware of the wider world.

  • Esteban Rodriguez (“Roadside,” 41.2) and Sherrie Fernandez-Williams (“the crossing,” Aquifer) for poetry
  • Laura Farnsworth (“Salvio: A Short Story,” Aquifer) for fiction
  • Re’Lynn Hansen (“The Han Gan,” 41.1) for nonfiction [also recipient of recognition as a Notable Essays in The Best American Essays 2018]
  • Aubrey Hirsch (“The Language of Trauma,” 41.1) for graphic narrative
  • Hannah Kaplan (“Dear Doctor,” Aquifer) for digital/electronic story
  • Jave Yoshimoto (“Meditation on the Purpose of Art Making,” Aquifer) for visual art

Congratulations to these and all of the other wonderful writers and artists we publish. In 2018, we will be adding a winner in the short film category as well, and look for that announcement sooner than November!

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Hispanic Heritage Month in Aquifer

This fall, The Florida Review and Aquifer: TFR Online celebrate Latinx / Latina / Latino writers. Starting September 15, and running through October 15, we will be featuring numerous Latinx authors in Aquifer, and later this fall we will include a special section in 42.2 of the print Florida Review as well.

Starting with issue 40.2, we have focused a special section of each fall print Florida Review on an issue of social relevance. After the Pulse tragedy in 2016, many literary magazines and other media outlets focused attention on the issue, and we felt that we needed to offer a closer-to-home perspective to that national dialog. We featured six pieces of writing dedicated to the impact of the event.

After that special feature, we had the opportunity to interview distinguished author Ana Castillo about her book Black Dove, a memoir partly about her son being incarcerated for theft. Between Castillo’s work, a plenitude of submissions from prisoners and former prisoners across the country, and submissions by family and friends of prisoners, a themed section for Fall 2017 (41.2) emerged. The number of people being incarcerated in the US is an important social issue, and we were able to highlight it in seven writers’ moving literary responses.

This year, in Aquifer‘s second year, we decided to connect online and print themes and to continue to raise awareness of social issues. At The Florida Review and Aquifer, we are acutely aware of the VIDA count, which documents discrimination against women in the publishing world and sometimes also focuses on writers of color. At The Florida Review and Aquifer, we are dedicated to being part of the solution to gender and racial inequity.

Nicole Oquendo, special Latinx feature editor, notes, “As editors, we have a responsibility to make time to highlight a diverse range of voices.” As our former creative nonfiction editor, Nicole agreed to come back and help put together this celebration of Latinx authors, especially early and mid-career writers who deserve more recognition.

“There is so much exciting new work going on, and Latinx writers are adding to both the Florida and the national literary scene,” comments editor-in-chief Lisa Roney.

This is the fiftieth anniversary of Hispanic Heritage Month, and we are thrilled that this will be our first Aquifer special feature. Between the Aquifer feature this month and the authors included in 42.2 later this fall, we will have the privilege of sharing the work of more than forty Latinx / Latina/ Latino writers and several artists.

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Aquifer Now Accepting Film Submissions!

As Aquifer continues to expand its offerings into visual arts and new media, we are excited to announce a new call for submissions of film and video work!

We are looking for experimental works of film or video that are 15 minutes or less and utilize moving images as a means to poetic expression, formal exploration, or abstract and open-ended narratives. Compelling, personal works that push the boundaries of cinematic convention will also be considered for publication.

We recommend entries be works that have completed any intended festival screenings and do not have plans for future distribution, as they will be hosted on the Aquifer site and YouTube channel long term. Submit film or video works as Vimeo or YouTube links and include any passwords required for viewing. There are no requirements for year of completion or premiere status.

For more information please review the General Submissions guidelinesWhen ready, submit your film through our Submittable page for Short Film/Video.

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2017 Editors’ Awards Are Here!

Before Hurricane Irma descends, we’d like to announce the winners of the 2017 Editors’ Awards. Thanks to the many fine writers who submitted their work and made our choices oh, so difficult. This year’s winners and finalists are:

Poetry Winner
Allison Adair, “City Life” and “Hitching”

Poetry Finalists
Dana Roeser, “Late July”
Rebecca Morgan Frank, “Gerbert of Aurillac and the Magic Eightball”

Fiction Winner
Eliza Robertson, “Louise McKinney Correctional Center for Women”

Fiction Finalists
Mike Alberti, “Two Floods”
Lenore Hart, “Thirteen Ways of Living with a Wolf”

Nonfiction Winner
Renee Branum, “Bolt”

We hope to publish a profile on each winner and finalist here and in social media as the months progress to next spring’s publication. Congratulations to these fine writers. Next year’s contest will open in January.

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Pulse Remembrance

This week, we are waiting for a new issue of The Florida Review to be printed. We are also reliving the horrible day last June when we woke up to news of the Pulse shooting here in Orlando, made all the more acute by another act of senseless and murderous violence in our city yesterday. Although the reaction to Pulse from the literary community arose immediately last year, and poems and essays flooded online publications one after another from across the country, it took us here in Orlando a while to recover enough to write a word about it. In fact, we are still recovering, and we will never recover.

We appreciated the outpouring of support, but felt that our proximity demanded a response, and we decided to publish five pieces in our fall issue related to the Pulse shooting. They have been a source of healing  and comfort for the authors who wrote them, for our editorial staff, and for many of our readers. This week, in remembrance of those who lost their lives that day last June, UCF is holding a day of remembrance on campus June 8, and we would like to share these five pieces more widely on Aquifer, one each day from June 6-10. On June 11 and 12, we will be silent, holding our breaths, listening to the whispers of souls.

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