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Pegasus PlayLab

Pegasus PlayLab is a new play festival hosted every summer at the University of Central Florida. This festival is dedicated to developing new works by emerging playwrights from across the country. Two full-length plays are selected for workshops on campus, one piece brings together participants with and without disabilities to devise a completely original work, and one play is selected to receive a full developmental production on campus in UCF’s Black Box Theatre.


Workshops | Studio 1

Offshoot

Playwright: Drew Paryzer | Director: Rina Gjoka
Offshoot is a play about what human-to-human connection might look like in a near-future world saturated with optimized AI relationships. In a dusty, abandoned classroom, a Teacher strives to connect with his new Pupil — a brilliant yet troubled seventeen-year-old who spends most of his time with his AI companion Paul, and the various “offshoot” entities Paul creates. Teacher and Pupil’s struggle to see each other as part of the same world leads to revelation, betrayal, and the painful possibilities of new ways of living…which is brought into deeper, more complex focus with the appearance of another Student. Offshoot is a sci-fi tinged psychological drama about what happens when people dare to be inconvenient to one another.

Friday, May 29 and Saturday, May 30
Each performance will be followed by a talkback with the audience

Content Warning: This play includes references to self harm.

Tickets on Sale Now!

Studio One

Michael Wainstein
Director of the School of Performing Arts

Julia Listengarten
Artistic Director

Claudia Lynch
Production Supervisor

Vandy Wood
Director of Production

Presents
Offshoot
By Drew Paryzer

Scenic
Xotchilth Gutierrez*

Costumes
Sean Duggan*

Production Manager
James Cleveland

Lighting
Averi Boyer*

Production Stage Manager
Victoria Elliott*

Company Manager
Kaila Cohen*

Directed by
Rina H. Gjoka

 

with

 

 


CAST

TEACHER: Marty Gnidula*
PUPIL: Elliott Horwitz*
STUDENT: Khalyah Liburd-Thompson*
STAGE DIRECTIONS: Owen Tavares-Olivier*

*Theatre UCF Student


PRODUCTION TEAM

Stage Managers: Abigail Reeves*, Candace Kinsel*
Assistant Director: Owen Tavares-Olivier*
Assistant Production Manager: Phoenix Connick*
Assistant Company Manager: Dylan Weston*
Dramaturgs: Sara Thornton*, Sav Debaylo*
Show Crew: Denise Carey*
E-Shop (Lighting and Sound) - Julia Borchers*, Averi Boyer*, Samuel Gomez*, Katherine Carvalho Gagno*, Fernando Cezar Mendes*, Jackson Hunsicker*, Jonanne Jean-Marie*, Ariana Jordan*, Brooke Ripley*
Costume Shop: Sean Duggan*, Rachel Hefner*, Veronica McGrath*, Lissa Ortega*, Rehana Quadir*
Scenic Shop: Alyssa Catalano*, Marcella Chambers*, Xotchilth Gutierrez*, Sam Motley*, Kenzie Robinson*, Nyla Pollack*, Robyn Tindall*
FOH/Box Office: Kristoffer Cajigas*, Alivia Cruce*, Angelina DuBois*, Elliot Horowitz*, Lily Johnson*, Walker Mattson*, Jorge Gabriel Sánchez Caceres*, Jordan Ruiz*, Alea Scheffler*, Jonathan Sommervil*

*Theatre UCF Student


PEGASUS PLAYLAB/Theatre UCF

Director School of Performing Arts: Michael Wainstein
Artistic Director: Julia Listengarten
Faculty Stage Management Advisor: Claudia Lynch
Faculty Design and Technology Advisor: Vandy Wood
Production Manager: James Cleveland
Technical Director: Tramaine Berryhill
Assistant Technical Director: Thomas Davis
Production Sound/Sound Advisor: Olivia Deiter
Production Electrician: Kevin Barkman
Costume Shop Manager: Allison Rexrode
Costume Workroom Supervisor: Cortnie Da Costa
Marketing Communications Manager: Jillian Sterritt
Marketing Coordinator: Katarina Monroe
FOH/ Box Office Manager: Imari Point-du-Jour
Assistant Box Office Manager: River Banks
Dramaturg Coordinator: Alyssa Barrack*
Artistic Associate: Kaila Cohen*
Undergraduate Coordinator: Kristina Tollefson
Academic Services Coordinator: Lauren Becker
SPA Administrative Coordinator: Victoria Hopkins
Theatre UCF Administrative Assistant: Samuel Waters

*Theatre UCF Student

Kaila Cohen (Company Manager / Theatre UCF Artistic Associate) is a local director, dramaturg, and teaching artist originally from Sarasota, FL. She earned her Bachelor of Arts in theatre arts and minor in communication studies from Rollins College, where she directed the premiere production of Nowheresville. Now, Kaila is pursuing her next adventure as a graduate fellow in the Master of Fine Arts program in Theatre for Young Audiences at the University of Central Florida. Professionally, she has worked as a teaching artist and director with Florida Studio Theatre, Stage Door Studios, Playwrights’ Round Table, Central Florida Community Arts, and Orlando Family Stage. Kaila enjoys working with all ages, having led programming for pre-K students, adults, and everyone in between, with a particular expertise and passion for working with neurodivergent individuals. She loves seeing all of her students grow and learn how to apply lessons learned in theatre to their everyday lives.

Candace Kinsel (Stage Manager) is a first-year transfer student in the BFA Stage Management program. This is her first Pegasus Playlab with Theatre UCF! She will also be deck crew in Racoon Play later this summer! This fall, she will be working as an assistant stage manager for the Orlando Family Stage! She has been a Stage Manager for productions of California Suite and Pocatello at Gulf Coast State College, as well as production assistant from The River Bride, Vanya and Sonia and Masha and Spike with Theatre UCF! 

Abigail Reeves (Stage Manager) is a first-year transfer BFA Stage Manager. She has previously worked on The Wizard of Oz (Youth Edition) (Production Assistant) at Orlando Family Stage and Legally Blonde the Musical (Production Assistant) for UCF Celebrates the Arts at the Dr. Phillips Center. She is so excited to be working on Pegasus Playlab this summer! 

Rina H. Gjoka (Director) is an Assistant Professor at UCF, where she specializes in voice and speech.  Extensively trained in the Linklater vocal methodology, she is set to join the third cohort of the Vocal Combat Technique in January 2027—a science-based approach to healthy, sustainable extreme vocalizations. Rina is a dedicated member of the Voice and Speech Trainers Association (VASTA), where she serves on the Mentorship Committee. Rina’s other interests include acting, filmmaking, and the creation of devised works. Her research explores the actor’s voice and accents, the intersection of heritage and artistic practice, and the power of filmmaking in addressing social justice. Her award-winning film, My Sekret War, has been recognized at the Phoenix Film Festival, Dea Open Air International Film Festival in Albania, and the Los Angeles Film Awards, among others. The film chronicles the life and redemption of a child of the Kosovo War. Her documentary debut, Kept Promise, premiered at the Fan Noli Film Festival in 2025. Rina’s credits include performances with Lumen Repertory Theatre, voice-over narration for Kept Promise, and directing at the Wexner Center for the Arts in Columbus, OH. 

Marty Gnidula (Teacher) is a third-year MFA acting student and is so grateful to be part of his last show here at UCF! Originally from Orange, CT, Marty received his BA in Theatre and English/prelaw from the University of Vermont. Some of Marty’s past credits include Berenger in Rhinoceros (Theatre UCF), the Narrator in Every Brilliant Thing (MFA Thesis), Sir Robin in Spamalot (Vermont Rep), Mr Cladwell in Urinetown (Theatre UCF), and ensemble/ Tevye understudy in Fiddler on the Roof (Theatre UCF). https://martygnidula.com/ @martyg246

Sara Thornton (Dramaturg) is a Theatre student at the University of Central Florida pursuing a focus in dramaturgy. With over 15 years of theatre experience spanning performance, directing, stage management, and theatre education, she has developed a passion for storytelling and the collaborative process behind new works. Since 2020, she has directed youth productions and enjoys exploring how research, adaptation, and artistic collaboration help shape stories from page to stage. She is grateful for the opportunity to contribute to Offshoot and the Pegasus PlayLab process. 

Elliott Horwitz (Pupil) is a fourth-year BFA Acting major. TheatreUCF credits include One Man, Two Guvnors (Alan), Fiddler on the Roof (Avram), Imogen Says Nothing (William Shakespeare), Sweeney Todd: The Demon Barber of Fleet Street (Ensemble), and Peter and the Starcatcher (Ted). He is the co-president of UCF's chapter of Alpha Psi Omega and enjoys film photography. @elliottjhorwitz @elliottsfilmfolio

Averi Boyer (Lighting) is a first-year in the BFA Design and Technology program, and this is her first Pegasus PlayLab at UCF!  Some of her previous works outside of Theatre UCF include being a light board operator for Chicago and Down Came the Rain, as well as a spotlight operator for Jekyll and Hyde and The Addams Family.

Khalyah Liburd (Student) is a 3rd-year BFA acting student, last seen in Project Spotlight’s Death of an Author. Throughout high school and college, she has been part of numerous productions in Project Spotlight and Alpha Psi Omega, as well as musicals like Amélie (Georgette), SpongeBob SquarePants (Sandy Cheeks), and Shrek Jr. (Dragon). She is excited to work with the amazing cast and crew to create a thought-provoking performance. @khalyah.liburd

Sean Duggan (Costumes) is a first year transfer BFA design tech with a focus on costumes. This will be his first year participating in the UCF Pegasus Play Lab. During his first year at UCF Theater he has worked on constructing the costumes for One Man, Two Guvnors, The Bacchae and Legally Blondese930997@ucf.edu

Sav DeBaylo (Graduate Dramaturg) is a second-year MA Theatre Studies student and emerging dramaturg whose work centers on research, collaboration, and storytelling across performance practices. She earned her BA in Theatre Studies with a minor in Journalism from the University of Central Florida and is currently developing her thesis and upcoming defense. Her artistic interests include dramaturgy, new work development, and ensemble-driven creative processes. Selected performance credits include Chloe in Poltergeist with Project Spotlight and understudying #11 in The Wolves.

Owen Tavares-Olivier (Assistant Director) Is a second year MFA TYA graduate student. He graduated with his BA in Theatre Studies from UCF in 2024. He is extremely excited and grateful for the opportunity to collaborate with this wonderful creative collective! Originally from South Kingstown, Rhode Island, Owen’s journey with theatre started at the age of five through his elementary school. Since then, he has predominantly been an actor but has taken on many roles in over 50 theatre productions. Most recently Owen was seen as Boss/Mr. Ellis in Theatre UCF’s Humans in the Loop: An AI Adventure, a performance for UCF Celebrates the Arts. He hopes you enjoy the show!

Dylan Weston (Assistant Company Manager) is a rising senior in the Theatre B.A program with a focus on administration and directing. Previously, he was the Qlab operator for Theatre UCF’s production of The River Bride. This is his first credit with Pegasus Playlab. 

Claudia Lynch (Stage Managers’ Advisor/ Show Crew Assignment Supervisor) Claudia is an Associate Professor and the Area Coordinator of the BFA in Stage Management. Claudia is the Theatre UCF Internship Coordinator, and Supervises the Theatre UCF Audition Office, and she is the Faculty Liaison for the Theatre UCF Professional Advisory Board. Credits include Broadway:  Rock of Ages, A Catered Affair, Company, Little Shop of Horrors; The Light in the Piazza, The Rivals, Dinner at Eight, Contact (at Lincoln Center Theater). Offbroadway:  Passion (at Classic Stage Company), Rock of Ages, and 9 Productions with NY City Center Encores!; Regional:  Alley Theatre, The Old Globe Theatre, The Cleveland Playhouse, and Arena Stage. Graduate of SUNY Geneseo. Proud Member of Actor’s Equity Association.  Claudia is also the USITT Management Commissioner for Programming, an Actors’ Equity Outreach Presenter, and the Coordinator for the Connection Convention: College Edition; which helps students interested in studying Stage Management meet with Educators and programs around the country.  Claudia is the Stage Management Intensive Coordinator for ACT Region 3, and is the former SM Coordinator for ACTF Region 4, and has served on the Board of The Stage Managers Association.  @OrlandoStageManagers

Julia Listengarten (Artistic Director) is Professor of Theatre and Interim Associate Dean in the College of Graduate Studies. Her research interests include avant-garde and contemporary theatre, interdisciplinary artistic practice, and socially engaged performance.  A theatre artist and scholar, Julia has worked professionally in New York City with various experimental theatre companies. Her translation of Christmas at the Ivanovs' premiered off-Broadway at Classic Stage Company and was included in Theater of the Avant-Garde, 1890-1950. Among her directing credits are Bernarda Alba, Seminar, Cloud 9, Marisol, Eurydice, The Burial at Thebes, Vinegar Tom, and The Baltimore Waltz.  Her recent books include Modern American Drama: Playwriting 2000-2009, Voices, Documents, New Interpretations (2018), The Cambridge Companion to American Theatre Since 1945 (2021), Performing Arousal: Precarious Bodies and Frames of Representation (2022), and Visual and Performing Arts Collaborations: Transdisciplinary Practices in Higher Education (2023). She has contributed to edited theatre collections, and her articles have been published in Recherches Semiotiques/Semiotic Inquiry, SCENE, Translation Perspectives, Ecumenica Journal of Theatre and Performance, and Slavic and East European Performance, among others. Julia is the recipient of many University of Central Florida awards including the Luminary Award 2022, the Pegasus Professor Award 2020, Pabst Steinmetz Innovation Awards in Arts & Wellness, the 2019 University Excellence in Graduate Teaching Award and the 2019 Women of Distinction Award in Creative Entrepreneurship.

While working on Offshoot, I kept returning to how the play develops its central concern: the ways in which technology entangles loneliness, vulnerability, and the desire to be understood. Set in a near future shaped by emotionally responsive AI systems, the play uses speculative technology not just as worldbuilding, but as a framework for recognizing familiar present-day conditions: curated identities, mediated intimacy, emotional distance, and the impulse to avoid discomfort in relationships. What becomes most compelling in development is the way Offshoot blurs the boundary between performance and authenticity. Characters negotiate how much of themselves can be revealed, protected, revised, or performed, exposing connection as both deeply desired and quietly destabilizing. Funny, unsettling, and deeply human, Offshoot asks what it means to be present with another person in a culture designed to shield us from vulnerability, and what is lost in that protection.

- Dramaturg, Sav Debaylo


Eight-Hand Jig

Playwright: MC Crosby | Director: David Sterritt
Imagine square dancing, but much better. That is an Irish Céilí (pronounced kaylee), a folk art in which an emcee calls out the names of dances and the crowd performs the partner work arm-in-arm, and solo moves in circles and sways. Within this framework of many Irish dances, including the titular Eight-Hand Jig, we learn the history of the O’Malley family, both in Chicago 2036, and in Dublin 1701. The play switches swiftly from movement to dialogue, and each physical number moves the plot forward as we see past and future collide. Mel O’Malley has three B-eautiful children: Brigid, Bree, and enby Brenda. Of Irish heritage, Mel is constantly straddling the worlds between the motherland and her daughters’ childhood home in the U.S. When all four family members gather for Bree’s baby shower in 2036, a heartbreaking secret is revealed. The family’s experiences parallel that of their Irish ancestors, accused of witchcraft. These O’Malley women, separated by generations, have been subject to the same pain and injustices of womanhood. This play examines the nature of women’s rights through the quirky lens of dance and the misfit O’Malley family.

Friday, June 5 and Saturday, June 6
Each performance will be followed by a talkback with the audience

Content Warning: This play explores complex and potentially sensitive material, including references to sexual assault, abortion, miscarriage, and violence.

Tickets on Sale Now!

Studio One

Michael Wainstein
Director of the School of Performing Arts

Julia Listengarten
Artistic Director

Claudia Lynch
Production Supervisor

Vandy Wood
Director of Production

Presents
Eight-Hand Jig
By MC Crosby

with

 

 

Scenic
Alyssa Catalano*
Costumes
Rehana Quadir*
Lighting
Julia Borchers*

 

Production Manager
James Cleveland
Sound
Samuel Gomez*

 

Production Stage Manager
Ella Amir*
Company Manager
Kaila Cohen*

 

Directed by
David Sterritt

*Theatre UCF Student

 


CAST

BRIGID O'MALLEY, DR. TAM, RTÉ NEWS REPORTER, EIBHLÍS, BRÍD, MARY: Alyssa Renée*
BREE O’MALLEY, DAME CATHERINE, GUARD: Sarah Gruber*
BRENDA O’MALLEY/CIARÁN TIARNA/BANSHEE/CHAD MCKENNA/RÍAN: Ana Gomez-Lugo*
MEL O’MALLEY, ONE EYED HARE, MELVINA, ROBOTIC VOICE: Laura Banguero*
U/S BRIGID O' MALLEY, U/S DR. TAM, U/S RTÉ NEWS REPORTER, U/S EIBHLÍS, U/S BRÍD, U/S MARY, U/S BRENDA O'MALLEY, U/S CIARÁN TIARNA, U/S BANSHEE, U/S CHAD MCKENNA, U/S RÍAN: Tristen Mendoza*
STAGE DIRECTIONS, U/S MEL O’MALLEY, U/S ONE EYED HARE, U/S MELVINA, U/S ROBOTIC VOICE: Cadence Zalopany*
U/S BREE O’MALLEY, U/S DAME CATHERINE, U/S GUARD: Mia Brian*

*Theatre UCF Student


PRODUCTION TEAM

Stage Managers: Abigail Ingram-Lawrence*, Vivian Riffe*
Assistant Director: Jenna Robinson*
Assistant Production Manager: Phoenix Connick*
Assistant Company Manager: Dylan Weston*
Dramaturg: Bug Read*
Show Crew: Denise Carey*
E-Shop (Lighting and Sound): Julia Borchers*, Averi Boyer*, Katherine Carvalho Gagno*, Fernando Cezar Mendes*, Samuel Gomez*, Jackson Hunsicker*, Jonanne Jean-Marie*, Ariana Jordan*, Brooke Ripley*
Costume Shop: Sean Duggan*, Rachel Hefner*, Veronica McGrath*, Lissa Ortega*, Rehana Quadir*
Scenic Shop: Alyssa Catalano*, Marcella Chambers*, Xotchilth Gutierrez*, Sam Motley*, Kenzie Robinson*, Nyla Pollack*, Robyn Tindall*
FOH/Box Office: Kristoffer Cajigas*, Alivia Cruce*, Angelina DuBois*, Elliot Horowitz*, Lily Johnson*, Walker Mattson*, Jorge Gabriel Sánchez Caceres*, Jordan Ruiz*, Alea Scheffler*, Jonathan Sommervil*

*Theatre UCF Student


PEGASUS PLAYLAB/Theatre UCF

Director School of Performing Arts: Michael Wainstein
Artistic Director: Julia Listengarten
Faculty Stage Management Advisor: Claudia Lynch
Faculty Design and Technology Advisor: Vandy Wood
Production Manager: James Cleveland
Technical Director: Tramaine Berryhill
Assistant Technical Director: Thomas Davis
Production Sound/Sound Advisor: Olivia Deiter
Production Electrician: Kevin Barkman
Costume Shop Manager: Allison Rexrode
Costume Workroom Supervisor: Cortnie Da Costa
Marketing Communications Manager: Jillian Sterritt
Marketing Coordinator: Katarina Monroe
FOH/ Box Office Manager: Imari Point-du-Jour
Assistant Box Office Manager: River Banks
Dramaturg Coordinator: Alyssa Barrack*
Artistic Associate: Kaila Cohen*
Undergraduate Coordinator: Kristina Tollefson
Academic Services Coordinator: Lauren Becker
SPA Administrative Coordinator: Victoria Hopkins
Theatre UCF Administrative Assistant: Samuel Waters

*Theatre UCF Student

CAST

Tristen Mendoza (U/S BRIGID O' MALLEY, U/S DR. TAM, U/S RTÉ NEWS REPORTER, U/S EIBHLÍS, U/S BRÍD, U/S MARY, U/S BRENDA O'MALLEY, U/S, CIARÁN TIARNA, U/S BANSHEE, U/S CHAD MCKENNA, U/S RÍAN) is a Third year in the BFA Acting Program. This is her second Pegasus Playlab production. Tristen was last seen Directing APO Production of Matt and Ben. Other theater credits include Pegasus PlayLab- The Visiting Hour (U/S Maggie), Rhinoceros @TheaterUCF (Botard), and The Rocky Horror Shadow Cast (Eddie).  Instagram: @tristenm_arts

Cadence Zalopany (U/S MEL O’MALLEY, U/S ONE EYED HARE, U/S MELVINA, U/S ROBOTIC VOICE) is going into her 2nd year at UCF as a communications major. This is her first Pegasus Playlab production and she is very excited to get back into theater! Cadence was involved in Pineapple Theater’s Rocky Horror Picture show Shadow Cast (Lips/ensemble) last October and hopes to continue popping up in more shows around UCF in the upcoming semesters! Instagram: @cadence.zalopany

Mia Brian (U/S BREE O’ MALLEY, U/S DAME CATHERINE, U/S GUARD) Mia is going into her second year as a Theater and English major. This is her first Theater UCF production, and she is beyond excited to be part of this process! She is an Applause Award winning actress, and some of her outside credits include Jo March (Little Women), Lindsay (Godspell 2012), Della (The Gift of the Magi), and Dragon (Shrek The Musical). Instagram: @miaclairee07

Ana Gomez-Lugo graduated from the BFA Acting Program in May. You may have seen her on the Theatre UCF stage in The River Bride (Helena), The Cherry Orchard (Dunyasha), The Prom (Ensemble,U/S Shelby/Kaylee).

Laura Banguero (MEL O’MALLEY, ONE EYED HARE, MELVINA, ROBOTIC VOICE) is a second-year MFA acting student. Originally from Cali, Colombia. Laura received her BFA in Performance from Florida International University. You may have seen her on the Theatre UCF stage in The Bacchae (Dionysus), The River Bride (Sra. Costa), The Last Firefly (A spider/puppeteer) or The Clean House (Ana).

Sarah Gruber (BREE O’MALLEY, DAME CATHERINE, GUARD) is a second year in the MFA Acting program. She was last seen on the UCF stage in The Bacchae (Ino), Urinetown (Jo “Ma” Strong), The Last Firefly (Puppeteer), and Rhinoceros (Logician). Up next, Sarah will appear as Desdemona in Othello with Actors’ Theatre of Columbus in Ohio. She has her BA in Theatre and Sociology from Smith College. Website: www.sarahgruber.com, IG: @sarahrgruber

PRODUCTION TEAM

David Sterritt (Director) is excited to be making his Pegasus PlayLab debut! He is an Actor, Fight Choreographer, and Director from Atlanta, GA and is currently an Assistant Professor at UCF.  He recently directed One Man, Two Guvnors at UCF. He received his MFA in Acting from Wayne State University through the Hilberry Repertory Theatre. He also received his Advanced Theatre Training Certificate while training in Russia at the Moscow Art Theatre School and has a BFA in performing arts from Savannah College of Art and Design.

Ella Amir (Production Stage Manager) is a rising 2nd-year BFA stage manager at UCF. Some of her past UCF credits include Urinetown: The Musical (PA), and One Man Two Guvnors (A2). She is looking forward to working on Blues for an Alabama Sky as a Props Manager in the Fall!

Kaila Cohen (Company Manager) Kaila is a local director, dramaturg, and teaching artist originally from Sarasota, FL. She earned her Bachelor of Arts in theatre arts and minor in communication studies from Rollins College, where she directed the premiere production of Nowheresville. Now, Kaila is pursuing her next adventure as a graduate fellow in the Master of Fine Arts program in Theatre for Young Audiences at the University of Central Florida. Professionally, she has worked as a teaching artist and director with Florida Studio Theatre, Stage Door Studios, Playwrights’ Round Table, Central Florida Community Arts, and Orlando Family Stage. Kaila enjoys working with all ages, having lead programming for pre-K students, adults, and everyone in between, with a particular expertise and passion for working with neurodivergent individuals. She loves seeing all of her students grow and learn how to apply lessons learned in theatre to their everyday lives.

MC Crosby she/they (Playwright) is a playwright, performer, and choreographer based in Brooklyn. Their dance-infused play Sleeping Soldiers received four stars at the Edinburgh Fringe Festival and semi-finalist status for Amnesty International’s Freedom of Expression Award. A global artist, MC’s work has been produced in New York City, Scotland, China, Singapore, and Madagascar. MC was a finalist for the Playwrights’ Center McKnight National Residency, and they won the Kaufman Playwriting Award for the immersive yoga play Um…Om. They recently received a grant from the Lower Manhattan Cultural Council to stage their site specific Alcoholics Anonymous play Uncle Al in Fall 2026. MC uses their own unique style of “movement theatre” to create socially conscious art. They are thrilled to collaborate with the peppy , perceptive, and profound artists of Pegasus Play Lab.

Alyssa Barrack (Lead Dramaturg/Dramaturgy Coordinator) is a theatre artist and PhD candidate in the Texts & Technology program at UCF. Recent UCF projects include The River Bride, The Human-in-the-Loop, The Drolls, and AI Cabaret, alongside roles as Dramaturgy Coordinator and Research/Teaching Associate with Theatre UCF. Alyssa’s research explores theatre from a digital humanities context, focusing on audiences, DIY methods, and digital culture. They use dramaturgy and interactive media to investigate how theatre and technology shape one another. Professional experience spans dramaturgy, scenic and lighting design, teaching, event and production management, and professional writing. They are committed to keeping audiences central to performance, both in scholarship and in practice. 

Abigail Ingram-Lawrence (Stage Manager) is a rising 2nd year BFA Stage Manager. Her previous UCF credit was Legally Blonde The Musical (PA). Some of her outside credits include Little Women (PSM) and Frozen (SM). She is super excited to work on Twelfth Night as Props Manager in the Fall!

Vivian Riffe (Stage Manager) is a rising 2nd year BFA Stage Manager. Her previous UCF credit was The Bacchae (PA). She is very ecstatic to work on The Hatmaker’s Wife as a Props Manager in the Fall and as a stage manager on UCF Celebrates the Arts in the Spring!

Samuel Gomez (Sound Designer) is a rising 2nd year BFA Design and Technology student, with a focus in sound and lighting. His previous UCF credit was Legally Blonde (Assistant Production Electrician). Sam has also worked with Project Spotlight as an Assistant Sound Designer. He is very excited to work on Godspell (A2) in the fall, on Twelfth Night (Assistant Sound Designer) and Young Frankenstein (A3) in the spring!

Phoenix Connick (Asst. Production Manager) is a first-year in the BFA Stage Management program. He has previously worked on Legally Blonde (Production Manager Production Assistant), The Wizard of Oz (Youth Edition) (Production Assistant) at Orlando Family Stage, and One Man, Two Guvnors (Fly Rail Operator).

Rehana Quadir (Costume Designer) is an upcoming second year transfer student in the Theatre UCF BFA Design and Technology program. Previously, Rehana has assisted with Urinetown: The Musical (Wardrobe) at UCF. On top of attending UCF, Rehana is working on getting their Apprenticeship title at Venice Theatre located in Venice, Florida.

Jenna Robinson (Assistant Director) is a second year transfer student in the UCF Theater program. She is currently pursuing a BA degree in Applied Performance with a minor in Business. She is currently working as a Co-Artistic Director for a club at UCF called Project Spotlight, as well as a Production Coordinator and Costume Assistant for a local film studio. Outside credits of Jenna are Acts of Wonder (Assistant Director) through Project Spotlight, The Sinking of SS Wilmington (Director) at SCF, and multiple acting credits through separate theaters around Florida.

Bug Read (Dramaturg) is a Theatre Studies MA student currently curating her thesis within her final year at UCF. At home in the realm of research, Bug earned her Bachelor’s in Theatre Studies from UCF in the fall of 2022. This is her first Pegasus Playlab production and she’s extremely excited to be involved! A majority of her time is spent perusing various corners of the internet for the next weird fact, thesis crumb, or niche historical event. 

Dylan Weston (Assistant Company Manager) is a rising senior in the Theatre B.A program with a focus on administration and directing. Previously, he was the Qlab operator for Theatre UCF’s production of The River Bride. This is his first credit with Pegasus Playlab. 

Claudia Lynch (Production Supervisor/ Stage Managers’ Advisor/ Show Crew Assignment Supervisor) Claudia is an Associate Professor and the Area Coordinator of the BFA in Stage Management. Claudia is the Theatre UCF Internship Coordinator, and Supervises the Theatre UCF Audition Office, and she is the Faculty Liaison for the Theatre UCF Professional Advisory Board. Credits include Broadway:  Rock of Ages, A Catered Affair, Company, Little Shop of Horrors; The Light in the Piazza, The Rivals, Dinner at Eight, Contact (at Lincoln Center Theater). Offbroadway:  Passion (at Classic Stage Company), Rock of Ages, and 9 Productions with NY City Center Encores!; Regional:  Alley Theatre, The Old Globe Theatre, The Cleveland Playhouse, and Arena Stage. Graduate of SUNY Geneseo. Proud Member of Actor’s Equity Association.  Claudia is also the USITT Management Commissioner for Programming, an Actors’ Equity Outreach Presenter, and the Coordinator for the Connection Convention: College Edition; which helps students interested in studying Stage Management meet with Educators and programs around the country.  Claudia is the Stage Management Intensive Coordinator for ACT Region 3, and is the former SM Coordinator for ACTF Region 4, and has served on the Board of The Stage Managers Association.  @OrlandoStageManagers

Denise Carey (Backstage Crew) is a fourth-year in the BA program. She joins the backstage crew for this series of play readings, where she loves helping bring stories to life through organization, teamwork, and a passion for live theatre. She hopes to continue exploring both onstage and offstage roles throughout her time at UCF. 

Alyssa Catalano (Scenic Designer) is a rising 2nd year in the BFA Design and Technology program with a focus in scenic. This is her first Pegasus Playlab credit and she is super excited to be part of the scenic team this year!

My family has always passed down our stories of the strong Crosbie and Williams Irish women. When fighting England for their independence, my ancestors hid members of the Irish Republican Army (IRA) in walk-in bread ovens. The British never expected the rebels to take cover in a place of fire. These functioning bakeries were where women fed the nation, gathered intelligence during raids, and hid and healed Irish soldiers. I descend from these fiery women who challenged gender norms as they proved women can be warriors too.
When women fought for the right to vote in the U.S., my Irish American great great grandmother stood alongside Susan B. Anthony. As a nonbinary female playwright, I am drawn to these activists who never sat still. If they were alive today, I know they would have attended the 2017 Women’s March with me in Manhattan, carrying signs that said “We are the granddaughters of the witches you weren’t able to burn.” So I challenge you today to ask yourself: what and who are you willing to burn for, and how can you light the first match? I am giddily grateful for the support, creativity, and humor of my UCF collaborators. May this play be our own spark.
MC Crosby, Playwright

When stepping into this show, I didn’t expect to fall so entirely in love with the O’Malley girls. In between several Irish folklore deep dives and endless script rereads, the women of Eight-Hand Jig started looking exactly like the women in my life. The O’Malley’s are headstrong, vulnerable, ridiculous, and so profoundly honest it tugs your heart strings.

Our current world has much contention in the realm of women’s rights. It’s not always easy to speculate where the path before us may lead now. Eight-Hand Jig candidly walks audiences through the visceral emotions of the feminine experience in today’s world. The strong women in this show represent so many of the women we see every day. It asks us how could you reconcile with a world that sees your biology first? Is a generational gap a divide or merely a bridge? Is healing the past even possible when you’re busy running from ghosts?

Dramaturg, Bug Read

Between Shadows and Lightness

Directors: Sage Tokach and Ralph Krumins
A devised theatre project that brings together artists with and without disabilities to create a theatrical piece about mental health, inspired by participants’ personal stories as well as collages and sculptures created by visual artists with and without disabilities.

Friday, June 12 and Saturday, June 13
Each performance will be followed by a talkback with the audience

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Developmental Production

Raccoon Play

Playwright: SMJ | Director: Nick Bazo
On Election Night, the six young Millennials who make up the Danville, OH Lions Club eagerly await the results. However, the inner drama within the group, a missing member, a conspiracy theory about a school shooting not too far away, and the lack of resources for the 79th Annual Raccoon Dinner threaten to ruin more than just the positive vibe. Meanwhile, President Sly Cooper, a literal Raccoon, addresses the Danville, OH Raccoon Club after declaring martial law due to dubious election results. Facing an insurrection and a mole in their camp, Sly and her minions must find a way to bring their population to heel. Raccoon Play is a satire examining how conspiracy theories threaten to destroy small town America.

June 11 – 14
Talkbacks with the audience: June 11 and 12

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Headshot of Nick Bazo, director of Raccoon Play, against a teal background.

Nick Bazo
Director

Nick Bazo is a Cuban American director, professor, and arts administrator originally from South Florida. He currently serves as an administrator and Special Projects Manager at the Renaissance Theatre. 

His directing credits include Gorgeous, The Pitchforks, Milk, and Office Holiday Party (The Ren); Anna in the Tropics (Orlando Shakes); Desert Oceans (Theatre UCF); Metamorphoses and Water by the Spoonful (Rollins College); Make Way for Ducklings (Orlando Family Stage); and On Your Feet! (Garden Theatre). 

Previously, Nick served as Director of Education at the Garden Theatre and worked in Boston as Director of Programs for the The Theater Offensive, where he also led the True Colors: OUT Youth Theater program for LGBTQ youth. 

Nick holds an MFA in Theatre from University of Central Florida and a BA in Theatre from Rollins College. He is also a three-time nominee for Best Director in Orlando Theatre by the Orlando Sentinel. 

Play Submissions

All submissions are due by 11:59 pm on September 12, 2025.No late submissions will be accepted. Playwrights may only submit ONE play, and playwrights CANNOT submit scripts that have previously been submitted to Pegasus PlayLab in years prior.

We will close submissions after receiving 300 applicants – so the sooner you submit, the better! UCF encourages all qualified applicants to apply, including women, veterans, individuals with disabilities, and members of traditionally underrepresented populations.

Apply Online

FAQ

Pegasus PlayLab is a festival dedicated to developing plays by emerging playwrights. Playwrights are invited to UCF's campus for a two-week residency to develop their new play with students and faculty. Audiences are to hear staged readings and experience a full production of a new play first workshopped at Orlando Shakes’ PlayFest. Follow these plays into the next stage of development and be part of the creative process with playwrights, casts and artistic teams!

Pegasus PlayLab spans six weeks starting mid-May through the end of June. Selected playwrights are expected to commit to a two-week residency within that timeframe.

What you will see on stage is the culmination of 8 days of rehearsals, script changes and discussions between the actors, playwright, director, dramaturg, and designers. Actors will bring the new work to life in front of the audience with scripts in-hand and minimal staging.

After the performance, discuss what you saw and heard with the playwright, director, cast and the rest of the creative team. You play a crucial role in the work’s development through your feedback.

This is a play that has already been through workshops and readings and is ready for a fully-staged production with a set, costumes, lighting and a full rehearsal schedule.

This does not mean that this is the final version of the script. After developmental productions, the playwright will use what they saw and the feedback you give to continue to revise the script.

All UCF students can audition to be in the readings and workshops. Auditions for Pegasus PlayLab are typically held in March. Check the Theatre UCF Production Audition page for the most up to date audition information. Design, technology and stage management students may also be assigned roles on the performances.

Please upload a draft of a full-length play and complete the required questions on the Pegasus PlayLab Google Form.

We are seeking four full-length plays, including devised works and Theatre for Young Audiences (TYA) pieces, which we will rehearse for two weeks in collaboration with the playwright and subsequently present as workshop productions. There is a possibility that one play will be fully mounted into a production.

As an equal opportunity/affirmative action employer, UCF encourages all qualified applicants to apply, including women, veterans, individuals with disabilities, and members of traditionally underrepresented populations.

If you have any questions, please email ucfpegasusplaylab@gmail.com.

Contact

If you have questions, email ucfpegasusplaylab@gmail.com.
Phone: 407.823.2862 • Fax: 407.823.6446