Carolene Kurien
A Confession
I am a bad horse.
I neigh and hoof my way into the houses
of neighborhood husbands
and commission myself for rides
to know straddle and buck.
Some say my mane is the color
of the death beyond death. Some say
it’s best to avoid direct eye contact.
I ask the hydrangea why it is so hard to forgive
people who have changed. Did you know
the more acidic their soil, the bluer
they get? I am not trying to make a metaphor,
but I am saying that most of my daydreams
involve being loved by large groups
of people. I walk into a surprise party
with a banner that reads Happy Birthday,
You Are A Good Person! Someone has baked
my favorite carrot cake. Someone has bought
more mini razors for my mustache. The people I fuck
in my fantasies have no faces. I can barely make out
their bodies. The ghost of myself whimpers
under the ghost of theirselves,
and none of us can smile. The book I am reading
says it’s not my fault. How I am.
That I was just a kid, apparently. But now I am old;
my teeth will fall out soon. And my empty
mouth will no longer have someone else to blame.
Saudade
I am eating a jam sandwich the taste of rain.
I am finding it difficult to harness myself
into the concept of forgiveness. Rosmarie Waldrop
wrote Your skin was delicate, like a retracted confession.
The dent in your back I placed wishing coins upon
thin and deepening. Your empty, welling face.
Under a microscope, various teardrops have various
physiognomies. Onion tears reach outward like rhizomes,
ever-wet and blooming. Tears of ending and beginning
are Rorschach tests filled with your features: a boat-shaped
birthmark, a whisper of nose. Under the streetlight I pick
a painting and live it. I walk the cliff at Pourville.
I disassemble into yellow kiss. Above my head floats
an assembly of arms. I am uneasy with what I’ll become.