No Brakes

In the spring of 1982, at the end of my senior year in high school, I was admitted to a mental hospital in Hartford, Connecticut, named the Institute of Living and was institutionalized there for two years. The Institute was founded in 1823, the first private mental hospital in the country. It was named the Hartford Retreat for the Insane and sat on thirty-acres on a hilltop above the Connecticut River. The first medical director was a brilliant young doctor, recently graduated from Yale, named Eli Todd. Whereas before, the mentally ill had been viewed as possessed, had been shackled, warehoused, or worse, Todd had a revolutionary vision for the humane treatment of the mentally ill: what he termed “moral treatment.” In Todd’s view, the mentally ill were citizens deserving of care and treatment and, ultimately, capable of rehabilitation and recovery. The key tenets of his treatment were “pleasant and peaceful surroundings, healthy diet, kindness, an established regimen, activities and entertainment, and appropriate medical attention.” “The great design of moral management,” Dr. Todd once said, “is to bring those faculties which yet remain sound to bear upon those which are diseased.”

 

I grew up in Hartford, often passing the Institute on Retreat Avenue in our wood-paneled station wagon. Driving by its imposing six-foot-high brick walls, my mother would comment, “There’s the country club.” And looking at those walls that surrounded the entire campus on all sides, I could imagine that it was a sort of English Tudor, turreted type of place. “There’s the country club,” I would echo.

 

I had broken down at school after I received an offer of admission from Yale University, scratching the inside of my arms with a razor blade as tears bled down my cheeks. I didn’t deserve Yale, I thought. I could never make it there. In fact, I could never make it anywhere. I had been a student at a small boarding school for girls in northern Connecticut. I had friends there, and teachers who encouraged me in an environment that felt like love itself. My school home was the opposite of the home in which I had grown up, in which I was despised as a disgrace, a lumbering, teeming, obese, and greasy monstrosity, a source of shame and disgust  for my attractive parents. The love I had felt at school was all illusory, I realized that day in April, the thick envelope from Yale in my hands. I was not deserving of the kindness and care I had received during my years at the school. I could never make it at Yale. I could never make it anywhere. The fact that I had been admitted when my beautiful friends had not was an outrage, a cosmic wrong that could only be made right by taking a razor blade to my arm. When the cuts were discovered, the school psychiatrist recommended admission to the Institute. The recommendation came as a relief. A mental hospital would be a far more appropriate place for me, I secretly believed, than the hallowed halls of Yale.

 

And this mental hospital had a reputation that was equally hallowed, a cross between a country club and a vaguely dangerous sanitarium. I was taken on tour of the grounds a few days before my admission, the first time I had been inside the six-foot brick walls. It was a sunny, beautiful day in May and the campus was almost gleaming. The green sloping lawns, an aqua swimming pool (unused), and the largest flowering dogwood tree in Connecticut lent the impression of a hospital more spa-like than Bedlam.

 

I, of course, had read The Bell Jar, and I could easily imagine Sylvia Plath’s fashionable, intelligent and humane Dr. Nolan here, wearing “a white blouse and full skirt gathered at the waist with a wide leather belt, and stylish, crescent-shaped spectacles.” I had a brief consultation with a psychiatrist at the Institute’s Children’s Clinic. He wore a corduroy jacket with suede patches at the elbow. He puffed on his pipe as I sat in his cluttered office and tried to describe why I had cut my arm.

 

“I think it would be best for you to come to the Institute for the summer,” he told me, “so you can be all fixed up and strong for Yale in the fall.”

 

It seemed a reasonable, even hopeful plan. The prospect of Yale loomed like a leviathan in my mind; a place full of students as disciplined and serious as my father, frugal and ascetic and fiercely intelligent. I on the other hand was gluttonous and hedonistic, a disgrace—too loud, too voluptuous, too greedy, too fat, too emotional, too funny. I had thick eyebrows and fat lips and a tiny, ridiculous voice. I ate and ate and ate and ate. I would be much more appropriate in a place populated by the people of Robert Lowell’s poem about McLean Hospital, “Waking In the Blue.” I didn’t understand the poem then, not really, but it was so extraordinarily lush and generous and almost loving about all those Mayflower screwball patients like Bobby, “redolent and roly-poly as a sperm whale in his birthday suit.” I wanted (naively and stupidly) to be in Lowell’s place, where azure day broke, where I could feel safe, where that overwhelming pressure to hurt and punish myself could be lifted, maybe, just an inch, like in Plath’s The Bell Jar, and the fresh air could come rushing in.

 

What I didn’t know then was that the Institute, in its ambitious expansion, had become a far larger and more menacing institution, a hospital of last resort for patients who had failed or been expelled from other treatment facilities. It routinely performed a rudimentary form of electric shock therapy and bound patients in ice-cold sheets called wet packs for hours at a time when they acted up. There was an entire five-story “research” building constructed for the purpose of performing icepick lobotomies on patients from all over Connecticut, as such cruel and brutal operations were illegal in nearby Hartford Hospital. The advent, in the 1950s, of anti-psychotic drugs—like Thorazine—enabled the hospital to control unruly and disturbed patients with chemical restraint using doses of these powerful drugs that far exceeded the therapeutic range. Moreover, and most importantly, the insurance policies of the day, in the city known as the insurance capital of the world, often covered months and years of hospitalization, so an extended stay at the Institute was no longer the purview of the very wealthy.

 

By the early 1980s, when I was admitted, the hospital was taking full advantage of an adolescent population whose parents had good insurance. At the time I was admitted, the Institute had more than four hundred inpatients, nearly all of them hospitalized for long-term care (often called custodial institutionalization), and nearly always paid for by insurance policies. This was also the case with me. When I was admitted, I was covered under my father’s policy, which provided full coverage up to $1.5 million dollars—the equivalent of thirteen and a half years at the Institute. And I was stepping into an Institution whose financially savvy (or cynical) directors were more than ready to take advantage of an insurance policy that covered everything for a long-term stay and a family that wanted their troubled adolescent off their hands, and even out of their lives.

 

The Monday following my consultation, my parents and I drove through the black wrought iron gates for our admission appointment. An aide helped my father with my suitcase and then took it away. We sat across from each other on upholstered chairs in the mustard-colored lobby, my parents silent, holding hands. My mother was wearing a beige suit with gold buttons and sling-back spectator pumps. There was an air of excitement, almost giddiness about her, her hair glistening and her legs crossed prettily at the ankles. She had shopped carefully for her new outfit, spending Saturday at Lord & Taylor’s while my father and I watched old episodes of Hill Street Blues my mother had recorded on VHS tapes. My dad had been silent waiting for my mother to return, sitting next to me in front of the television, his pipe in his mouth, watching one tape episode until its end, and then replacing it with the next, in our old machine that ground and clicked.

 

My parents were instantly infatuated with my doctor, a tall, lovely Norwegian psychiatrist named Erna Mugnaini. She had blue eyes, wavy blond hair, and a daughter my age who was going to Smith. She spoke with a mesmerizing Nordic cadence that seemed intrinsically kind. My father dubbed her, “The Good Doctor.” She would speak to my parents first, she told us, while I got settled in the unit. Later that day she would come and talk to me.

 

I have the record Dr. Mugnaini wrote of her first meeting with my parents. It is telling that her first impression of me came from my parents, rather than from me or from any of my teachers. I had been in boarding school for four years and saw my parents only on breaks. I had not lived with my father, at all, for more than six years, not since I was twelve years old. She did not hear from any of my teachers, or my friends, or my house-parents, or any of the people I had been living with for the past four years. My parents, whom I seldom spoke to or saw, became instant authorities on my condition and adjunct therapists.

 

In the intake summary, Dr. Mugnaini writes: “Dolly’s emotional difficulties date back to childhood. According to both parents, she has always been a moody, demanding, oppositional and jealous child.” She describes my father: “Mr. Reynolds is an attractive, slim, healthy-looking man in his middle forties. He is friendly and polite but does not reveal many emotions and was rather factual in his account about the daughter.” About my mother, she writes, “Mrs. Reynolds is an attractive, slim, forty-year-old[note]Actually, on that day, she was forty-one. I don’t know whether this is a small typo by Dr. Mugnaini, or, more likely, a small vanity on the part of my mother.[/note] woman, looking younger than her age, well-dressed, pleasant and cooperative.” My younger sister, Kitty, was described by my parents as, “outgoing, friendly, easy to get along with, a bright girl but not particularly interested in schoolwork.” She goes on, “Kitty was born when Dolly was almost two years old. Mrs. Reynolds believes she ‘catered’ to Dolly to prevent her from feeling jealous, as both parents describe Dolly as moody and attention-seeking since early age.” Clearly there was only one problem in this family, soon to be behind locked doors.

 

Later, when my parents came to say goodbye to me on the unit, my mother told me excitedly that they had all come up with a name for all my problems: “no brakes.” I had never been able to stop myself; I had insatiable appetites for food and love and attention and jealousy and rage and despair and hopelessness. “No brakes,” they would repeat throughout my life, when they described the enormity of my appetites and emotions. But “no brakes” is what happened to the Institute, my doctors, and my parents as I rapidly descended into the world of an institutionalized patient and my father’s insurance company mailed the Institute reimbursement checks for my care, regularly, on the first of every month.

 

Dr. Mugnaini placed me on an intermediate unit, meaning the doors were locked but most patients were allowed on the hospital grounds in scheduled, supervised visits. The aide, Patty, who escorted me from the reception area, had a set of keys clanging from a chain she wore around her waist like a belt. Patty was tall and soft-spoken, knock-kneed in her white Levi corduroys, a kind and patient young woman who wore tinted glasses and treated us patients with compassion and gentleness. I could sense this on that first day, and I was not afraid, even as I saw that the entrance to my unit was a double door with a small pane of prison glass at eye level. Patty unlocked each door with a series of clicks, and then barked at Debby, a patient who was peering out as we were peering in. The name of my unit was “Todd,” for the great and humane Dr. Todd, the Institute’s founder.

 

The unit itself was quite dingy—walls covered with chipped mustard paint, mismatched, sagging couches, a brown carpet badly stained. It was hot and muggy, and all the windows were closed. In the center of the long hall was the nurses’ station, walled off from the patients by a double layer of thick Plexiglas, with a small opening at waist-level through which the staff passed medication at four scheduled intervals each day. Next to this Plexiglas window the cigarette lighter was mounted on the wall, a small burner with an on-button the patients could press and then light their cigarettes off the hot orange circle, a mental patient’s kiss. Patty, whom I would come to know over the next two years, was one of the most humane and accepting aides in the entire hospital. It was fitting I met her first, when I was still a person on the outside. Stepping through those Todd doors with her was like stepping slowly into the pool, step after step, as the freezing water moves up your body little by little, until you are submerged.

 

Nancy, another aide, showed me into my room across from the nurses’ station. Nancy was what I would have then called prissy, her hair permed into perfect waves around her face, her lips pursed in vague disapproval or disgust. She blinked constantly—a tic. She had me remove my clothes and stand naked while she emptied my suitcase and searched through every crevasse. She took my driver’s license and cash and returned my empty wallet. After snapping on two layers of latex gloves, she had me bend over so she could pry open the lips of my most private parts, to search inside.

 

After I had gotten dressed, she handed me a small plastic cup containing three pills, two small tablets and a bright red capsule. After I had swallowed the pills, she had me open my mouth again and probed my cheeks and under my tongue with a wooden tongue depressor. Satisfied, she left me alone.

 

I found out later that the three pills were: 1) an antidepressant called Asendin (an older tri/tetracyclic no longer prescribed. Also, what a name!), 2) a catastrophically potent anti-psychotic in the same class as Thorazine called Trilafon, and 3) a drug called Symmetrel which is now used to treat Parkinsonian movement disorders. It was prescribed at the Institute because the older anti-psychotics like Trilafon have a terrible side effect: dyskinesia, which causes uncontrollable muscle movements, twitches and rigidity.

 

Most of the patients at the Institute looked like they had Parkinson’s. Those terrible drugs—Thorazine, Stelazine, Mellaril, Navane, Haldol, and Trilafon—were liberally and universally prescribed, in very high doses, and not only to patients with schizophrenia, but also to nearly all adolescents in the locked units, especially if they were unruly or acting out, which was also fairly universal. The discovery of these drugs in 1950s is considered a revolution in psychiatric care, allowing schizophrenic and other psychotic patients the possibility of an actual life. The way those drugs were prescribed at the Institute had the exact opposite effect.

 

Of course, I didn’t know any of this when Nancy handed me that first cup of pills, offered on a tray so that our hands would not touch. I had never heard of any of these medications. I had no idea that depressed people would be treated with medication instead of what I had imagined: kindness, insight, rest, and poetry workshops led by Robert Lowell and Anne Sexton, as had happened McLean’s and the other asylums I had read about.

 

I also didn’t know what my own initial diagnosis was, and didn’t learn of it until years later, when I read Dr. Mugnaini’s intake summary and discovered the catastrophic sentence: atypical mixed personality disorder with borderline, narcissistic, and histrionic traits. This very rococo description was, I’m sure, a result of Dr. Mugnaini’s conversation and collaboration with my parents and meant there was little hope for me in the world. My prognosis: “very guarded.”

 

Over the course of the my first few days and weeks in Todd, the medications were increased incrementally. I was lining up at the nurses’ station to swallow pills four times a day, until I was taking the maximum dose of the anti-psychotic drug Trilafon. With each swallowed dose, I lost progressively more control over my consciousness and my body. It was so sedating at first that I began to count the minutes to the next time I could sleep. I would get into bed one second after swallowing my 9:00 p.m. meds and fall into a black hole until Nancy woke me the next morning, rapping loudly on the wall above my head with a flashlight, her clipboard in hand.

 

I got to know some of the other patients. They were all women, and young, from age fourteen to about thirty. They introduced themselves with their diagnosis, the self and its affliction inseparable. Many of these women suffered terribly. There was Brenda, a lovely dark-haired woman a few years older than me, with violent manic-depression, cycling disastrously from psychotic mania to catatonic depression.

 

“My doctor can’t regulate my meds,” Brenda said to me, her hands shaking, a light sheen of perspiration across her forehead. Her doctor was Mavis Donnelly, the scion of one of the Institute’s previous luminaries, John Donnelly, a chief psychiatrist with a building erected in his name during the expansion in the 1950s and 1960s. Dr. Mavis Donnelly was young herself, a few years older than her patients, brutal and profane. One terrible day Brenda was out of control, wild with mania, and the nurses called Dr. Donnelly to the unit. When the doctor arrived, striding in in her tall black boots and wrap-around skirt, Brenda was jumping on and off the side tables next to the sagging couches in the dayroom, flapping her trembling arms unevenly like mismatched wings and laughing hysterically. When she saw her doctor, she cried out, “Dr. Donnelly! Dr. Donnelly! I can fly! I am flying right now! Look at me! Look at me!”

 

I was scared; scared for Brenda, scared she would hurt herself, scared for how wild her mind had become. I looked to Dr. Donnelly to help, but what she did instead was point her finger angrily at Brenda and scold her as loudly as she could. “Get down!” she yelled, her voice a guttural growl. “Get down RIGHT NOW!” I saw her snap her fingers at the nurses, and suddenly the aides were pushing us all into our rooms.

 

“What’s happening?” I asked my roommate.

 

“Brenda’s getting Gooned,” she answered.

 

And then I heard it, the thunder. When the staff hit the “Goon” alarm, five or six burly male aides came charging onto the unit and tackled the unruly (or offensive to staff) patient onto the ground. My roommate cracked open our door, and I watched as the Goon squad held a screaming Brenda face down on the unit’s filthy carpet and bound her wrists and ankles with leather straps. One of the Goons knelt with his fat knee in the small of Brenda’s back while she pleaded, “Please sir, please sir,” trying to catch her breath. Another Goon lay down a long black canvas bag with handle-straps next to her body. He pulled open a zipper that ran the entire length of the bag.

 

“What’s that?” I whispered.

 

“Body bag,” my roommate answered. “Like, for dead people. They’re taking her to Thompson.”

 

Thompson, the lowest of all the units, actually underground, in the basement, next to the steam room. Thompson contained the seclusion and restraint rooms, each bare except for a vinyl bed, like an exam table, in the center of the room, cemented to the floor. There were straps at each of the four corners, where patients were tied into “two-point” (wrists only) or “four-point” (wrists and ankles) restraints. The seclusion rooms were also where hysterical patients were “wet-packed,” a brutal and archaic form of “hydrotherapy,” abolished in nearly all modern hospitals[note]None of the psychiatrists I have seen in California, over more than twenty years, has ever even heard of wet packs, and had no idea that such practices were ever used on mental patients.[/note] but still raging away at the Institute. In wet packs, patients were bound, naked, between freezing sheets that had been soaked in ice water. The patients were left between these icy sheets and tied down for hours or even days. These descriptions now sound so baroque, unbelievable, even laughable, like some dark dungeon feature of a Gothic novel. But this barbarism was very much real and alive in Todd with a terrifyingly ill young woman and her angry doctor who could not tolerate seeming not in control of her patient. I watched as the Goons zipped a bound Brenda into the bag, lifted the bag with its handles, and carried it through the unit’s double doors, single file, like pallbearers. I also saw that Dr. Donnelly had been watching it all, her face frozen, impassive, her arms crossed tightly across her chest. It seemed incredible that ten minutes ago I had been happy to see her on the unit, thinking that she had come to help.

 

Where were the brakes then?

 

Brenda did not come back that night. I didn’t see her for another month, until I had been moved to Thompson myself. Brenda lay face down on her cot, immovable, nearly catatonic, as menstrual blood ran down her naked legs and soaked the sheet she was lying on. The Thompson aides screamed at her to stand up and clean herself up. Brenda was gone, unresponsive, unmoving, almost unconscious but still alive, her private blood sticky and red, a rebuke for all the world to see. But I was still in Todd when the Goons packed Brenda into the body bag. It was still early days for me at the Institute. I didn’t know any of what was yet to come as the unit doors in Todd slammed shut and the Goons disappeared. Dr. Donnelly walked into the Nurses station to write her report. That night I swallowed my meds and let the blackness fall.

 

 

The incident with Brenda had left me badly shaken, and there were other things that scared me as well. I asked Dr. Mugnaini about the side effects of my medication. My vision had become so blurry that I couldn’t seem to read. It felt like my eyeballs were quivering back and forth in their sockets. I had been a voracious reader, but now that I had lost the capacity to see the words I had lost a part of the world that had defined me. My teachers at boarding school had given me books to read outside of class, Chekhov and Ann Beattie and Toni Morrison and Eugene O’Neill, and then had talked to me about what I read as they drove me back to the dorm on a Saturday night after I had babysat for their children. My English teacher would even ask me what I was reading and what I would recommend. My father, when he came to visit me at the Institute on Sundays, would bring the Sunday New York Times for me to read, the Book Review thoughtfully pulled out and placed on top. It is hard to think of this now, my sense of my father and his gift of a life of the mind. I didn’t tell him I couldn’t read; I was ashamed. I carried the paper around the unit on Sunday nights, opening the pages and folding them back, holding them in front of my face and refolding them from time to time, a mechanical image of the person I had been just a few weeks before.

 

There were other things happening to me in what felt like from the inside out. My muscles felt rigid, my fingers splayed out and my hands held out in front of my waist, like a Tyrannosaurus rex. I shuffled and sweated and felt anxious all the time, like the area inside my body wall was quivering, being tickled unbearably by some internal torturer. These feelings were probably a result of my anxiety, Dr. Mugnaini told me, pen in hand, bending her blonde head to write the orders increasing my meds.

 

“You can have an extra Trilafon as a PRN,” she told me.

 

“A PRN?” I asked.

 

“A little extra medication you can take to help you when you feel upset,” she answered. I was already on 40 milligrams of Trilafon a day, but I had the capacity to take 8 additional milligrams, which would bring me to 48 milligrams, near the daily maximum and a very, very high dose of powerful elephantine drug. The Trilafon had knocked my brain with the force of a two-by-four. I did not have thoughts anymore, not in the way I had at school, and the thoughts I did have seemed to take forever to cross from one side of my brain to the other. It was becoming harder and harder to speak, both the act of moving my increasingly slack lips and the mental capacity to find something to say.

 

“You are quite ill,” Dr. Mugnaini told me. “You will need the support of the hospital for quite some time.”

 

And there were also other, more intimate shames that I was also keeping from Dr. Mugnaini. When I stood under the warm water in the shower at night, something was coming out of my breasts: a thick, milky yellowish fluid I thought was pus. It seeped and even squirted from my nipples, staining my towel, my nightgown and my bra with this unspeakable fluid.[note]Later I would find out that this was a bizarre side effect of the Trilafon called “galactorrhea.”[/note] And even worse, it was becoming harder and harder for me to urinate. It seemed to take longer and longer for my bladder to unclench. It was like I no longer knew how to send the signal for the muscle to relax. I had always, always been ashamed of my too chubby body, from the time I was in kindergarten and was not allowed to wear pants because people would see how fat my legs were. I had large breasts and thick lips and fat fingers; I believed that everything about me was grotesque and the filth on the inside of me was now seeping out as well. What kind of animal doesn’t know how to urinate? I was too ashamed to tell anyone what was happening.

 

By this point I was barely speaking at all. I had lost the capacity to read, I could barely think, I drooled when I opened my mouth, and unspeakable things were happening to my body from the inside out. I was eating almost nothing. It was the end of the world. I asked Dr. Mugnaini repeatedly if this could be from the medication. She looked at me thoughtfully and shook her head.

 

All brakes were gone.

 

 

All these years later, all these miles away, I think about what had happened to me as an eighteen-year-old, how I became an institutionalized, backward patient, sitting on the filthy floor of the basement unit Thompson, shaking and drooling and praying to God for each moment to pass, for two endless years, until the insurance company cancelled my policy and I was released, blinking, into the sun. I think about how the good Dr. Mugnaini kept increasing my Trilafon as I increasingly devolved, mistaking the side effects of the medication as symptoms of my ever-worsening pathology. I think about how this was all allowed to happen in an institution founded on the most humane and revolutionary treatment of the mentally ill, and how this institution lost the brakes on its greed, happily depositing the reimbursement checks from my father’s insurance policy as my life seeped slowly away. But most of all, I worry that I have lost the brakes on my own memories, that I can slip from being a mother and writer three thousand miles and three decades away from this experience, right back to the drooling and tortured mental patient I had become, and, in my most secret places, am still. And what I cannot seem to fight is the sense that my slim and attractive parents, mother in her spectator pumps, my father with a legal pad on his lap, the good doctor listening attentively, had been right all along. There are no brakes for that.

 

———————————

 

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I Loved the Dog So Much

I loved the dog so much. So, I decided that I needed to have it surgically implanted into my body. And I called the surgeon.

 

He was a short and astute doctor with a deep, trustworthy voice.

 

“You have too many internal organs,” he told me. “We’ll have to remove some in order to fit the dog in. No way the dog’ll fit otherwise.”

 

We agreed to remove all the unnecessary organs first. “You have two kidneys, two lungs, so one of each can go. I can remove one of your eyes just so you feel like you’re all in.”

 

I said take it all. The dog wasn’t too big anyhow. I imagined it would fit in my rib cage with a little room left for it to waggle its tail. “Make sure you leave room for it to waggle its tail,” I told the surgeon.

 

The surgeon did not share my optimism. “We’ll need to run valves through your abdomen for oxygen and sewage. The more I think about it, this is sort of like when they sent that dog to outer space,” he told me. “Except in this situation the dog will most definitely die instants after the surgery is complete.”

 

I asked him if he thought I should get the local university involved. At the time I thought this would be the kind of thing that would attract a young academic. Perhaps I was putting too much faith in the surgeon. The surgeon slept at my house that night. He said we would start in the morning.

 

He woke me up that night with a new plan. “We’ve been thinking about this all wrong,” he told me. “We have to remove all the organs, put the dog in and then figure out how to put the organs in, one by one like a puzzle. At that point we could even begin connecting the dog to your body so it could breathe with your lung and use your bladder.”

 

I thought about it for a moment in bed. “I worry we might suffocate the poor thing in the process of doing this. Plus, I believe you’re implying that through this surgery I might be able to hear the dog’s thoughts which was never my intention.”

 

“That’s impossible,” said the surgeon. “I’m only trying to fulfill your vision within the limits of my understanding of human anatomy.” The project was clearly wearing on him, though he seemed to be more saddened than upset. In the darkness he looked like a pale, bitter shadow.

 

“I’ll go get the dog,” I said. “The dog is the whole reason we’re doing this. Let me just put on my slippers.”

 

The surgeon sat on my bed. Thoughts flew through him the way that I’ve always imagined a computer thinking. A ticker tape of ideas fell from his mouth. “We could remove all your intestines except what’s absolutely essential. We could halve the size of your stomach, bladder, lung, and cut out all but a thumbnail-sized section of your liver. I’ve heard of people living with less. Imagine being able to live on an organ no bigger than the hard nail on your thumb,” said the surgeon.

 

I looked at my own finger. “The human body is a marvelous invention,” I told him.

 

The doctor came back to his senses after a glass of water. He played with the dog a while. “This is really a great dog,” he told me.

 

I said it was the whole reason for the project. I told him I was putting my body on the line.

 

The next morning, he cut me open in my living room. This is the only part I was unconscious for, so I only know what he told me.

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Ghosts-Turned-Blue

Molly’s friend Ronaldo orders a second old fashioned, and she has to tamp down the voice in her head that itches to inform him (to lecture, she corrects herself) of what the ethanol (rotted plant waste is the phrase she really wants to use) is doing to his brain. Sobriety has turned her into her mother-in-law, Didi, who flinches every time Molly inadvertently uses “god” as an interjection. Didi assumes that the “god” of Molly’s interjections is Didi’s God, that by saying, “God, I’m exhausted,” Molly is likening Didi’s God to a “wow” or a “whoa” or a “yikes.” This perceived degradation offends Didi, yes, but the flinch is also Didi suppressing the urge to warn Molly that she’s booking herself a ticket on a high-speed train to hell. Molly has long found religious people intriguing in this respect—how earnestly they believe that they’re more enlightened than you and how this conviction convinces them it is their responsibility to instruct you on how to live. It’s infuriating behavior for sure, but she empathizes with their plight. To believe so certainly that the mother of your grandchildren is going to hell if she doesn’t change her ways, that’s a tough predicament.

 

Alcohol is now for Molly like God is for Didi, in the sense that Molly has spent so much time reading and thinking and talking about alcohol these past few weeks that she believes she knows it far better than Ronaldo and all these other restaurant patrons drinking their fancy cocktails and their blood-hued wine. Because Ronaldo is her good friend and she loves him, she feels an urge to warn him (to proselytize, Molly corrects).

 

It’s like one of those cartoons where the two characters are stranded on a lifeboat, starving, and one looks at his best friend, the chicken, and sees not his fluffy, feathery body but a golden-brown roast, his legs plump drumsticks. Super-imposed on Ronaldo’s warm brown eyes, Molly sees a cirrhotic liver, barnacled instead of smooth. Then that image disappears like a slide she’s clicked, replaced with—Oh god: not some crappy, too-sweet old fashioned, but Molly’s own former go-to drink: Maker’s Mark, with one cube of ice slowly melting. The trick was to pace herself, so she could finish the drink just as the ice finally dissolved. That was the perfect last sip, the signal that she could order another.

 

Molly shakes her head to dislodge the Maker’s, and Ronaldo’s face returns to normal, except he’s giving her a quizzical look. And Molly has to resist (the endless resistance! She understands why people use the expression “white-knuckling”; dinner at a restaurant is like gripping the side of a bouncy river raft) the urge to say, What the hell, dude? Why are you ordering a second cocktail in front of your good friend who has yet to make it past the one-month mark? Is that not a sign in and of itself of a drinking problem, of being in the thrall of alcohol, that you would make such a weak, selfish, and inconsiderate error in judgement? Does not such behavior warrant a lecture on ethanol and cirrhotic livers, since clearly Ronaldo needs saving from himself?

 

Then again, did she not tell him barely forty minutes ago that he shouldn’t censor his desire to drink? Did she not say confidently, “I’ve got this!”

 

These questions rattle in Molly’s head like cubes of ice in a glass.

 

As though he can read her mind, Ronaldo says, “You said you don’t even miss alcohol.” The look in his eyes makes Molly think of how she feels playing arcade games—braced the entire time for her avatar’s impending pixel-dismantling death.

 

He says, “Fuck, Molly.” He sticks up his hand to flag down their waitress.

 

The waitress quickly appears, and Ronaldo tries to cancel the drink, but Molly says, “No, don’t cancel it. He wants the drink.”

 

The waitress has a head of silvery white hair that is almost violet. Rather than make her look old or worn, her hair makes her vibrant and hip. She eyes Molly’s pink prickly-pear lemonade, and Molly suspects that the woman has read this situation clearly. This embarrasses her. Alcohol is such a pervasive and deeply ingrained part of the culture that giving it up is akin to giving up gas-guzzling transportation. Forgoing it makes her seem snooty and judgmental. Her abstaining inconveniences people. Molly’s friend Una commutes by bicycle only, which means no plans that include Una on the guest list can venture outside an approximately six-mile radius. And now Ronaldo feels like he can’t have a second drink.

 

Ronaldo says, “Please cancel it. Thank you.”

 

Molly says nothing, but she is already considering what she will write about this experience tonight in her online community of other people giving up alcohol without AA. The problem with AA, the group ethos goes, is that it is all about willpower, and so all about fighting your cravings. Instead Molly is learning to deconstruct her cravings so that eventually they aren’t cravings anymore. Supposedly this makes not drinking about gain rather than about loss. Supposedly it will make her more present and more joyful.

 

But here she is sitting across the table from her longtime friend, yet she’s thinking about the conversation she will later have about him with other people, strangers she doesn’t know anything about other than that they too have quit drinking. Well, that, and that they share her resistance to AA: a resistance which is not merely about AA glamorizing alcohol (as a permanent “craving” that needs to be resisted “one day at a time”), but also about its emphasis on submitting to a higher power. Molly isn’t “present,” she’s far away, imagining herself back in her bedroom, a space that’s felt cavernous ever since Connor moved out last year, and now, without her nightly, companionable Maker’s Mark, that much emptier.

 

Clearly Connor is not going to come to his senses, recognize how hard Molly is trying, how much she deserves to get him back. “Good for you,” he’d said when she told him she’d quit drinking. It was hard to explain what was so chilly, so measured about the phrase. On paper, it sounded supportive. But Connor’s delivery turned it into something else. It was that subtle way Connor emphasized “you.” He communicated that Molly’s quitting drinking was something that now benefitted her alone.

 

What do cravings become once they are no longer cravings? Molly has never posed the question to her group. She thinks of arcade games again. They were Connor’s thing. She’d always kind of hated them—even Pac-Man, her game of choice—because they made her so damn tense. Curious how those blocky ghosts’ pursuit of the little yellow corn kernel of a figure her hand was controlling could raise her heart rate so much. But she had always chosen to play rather than sit on the red sofa and wait for Connor to be done. She had chosen to play despite how much the experience frazzled her. Because there were brief moments of pleasure in playing Pac-Man, such as when she managed to maneuver her Pac-Man toward a piece of fruit, or better yet, toward a ghost-turned-blue. Then her Pac-Man could destroy the thing that had been taunting him, but only temporarily, until the ghosts resumed their normal coloring and consequently their normally lethal nature. Is that what a craving became when it was no longer a craving? A ghost-turned-blue that could turn on her at any moment? Because as much as she wanted to, she could not believe cravings could remain always and forever ghosts-turned-blue.

 

Or maybe the problem is she’s using the wrong metaphor? Maybe cravings dissolve into nothingness, like when Pac-Man dies three times and no jiggling of the joystick or the coin slot will bring him back to life unless you put in another quarter?

 

The problem is she can always get her hands on another quarter. So how do you make the cravings stop for good? You take a baseball bat to the machine and, after that, every other Pac-Man machine in existence?

 

And can the same alchemy be applied to Connor? Can she take a baseball bat to the memory of him? Make her longing for Connor disappear? Molly imagines asking this to a bunch of strangers who will reassure her (grandmotherly Pat134 and sarcastic but steadfast trickynick): You’ve got this, girl.

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On Hearing of Yellowstone’s Latest Swarm of Earthquakes

Part of me has always wanted

the world to shake every morning,

just so I felt alive. Only minor tremors,

of course, nothing elaborate. A fallen

fence maybe, or a few globs of fruit

dropping in the field. That way I’d know

daylight again. I could feel it. I could

draw the blinds and run my hands along

a cracked window pane—that slice of life

that makes across the glass a flowing river.

Outside, the parking lot could fold a little,

ripple like a cornfield in Kansas. One streetlight,

every morning, could crash into the street,

that’s all. And listen, don’t get me wrong.

I don’t want pain or loss or the crumbling of

city hall. I only want a modest nudge to say

hello. I want to know the world is here,

and so am I. Yes, so am I.

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Bite Me

 I’m reading a non-fiction piece by a cable TV tech

who says she told a customer that she needs

 to get into the basement to run a line, and the customer

says, “You can’t go in the basement—it’s a mess,”

 and the cable TV tech says, “Look, I’ve seen it all,

so unless you’ve got a kid in a cage down there,

 nothing will bother me,” and the customer pauses

for a beat and says, “Not a kid.” Just then

 the phone rings, and it’s a friend who tells me

 

 he’s thinking about taking up fox hunting

but hesitates when I ask him if there are foxes

 where he lives. I tell him to go ahead, though:

this way, he’ll have all the fun of fox hunting

 and none of the barbarism, presuming some other

prey appears, of course, like geese or skateboarders.

 Or your own thoughts: isn’t being startled

by some idea or feeling that you never knew

 you had in the first place just the best? Think how

 

 smart you feel when you’re crossing the street

or walking through the woods and suddenly you see

 how the coadjutant power of an atom is determined

by the number of hydrogen atoms that it combines with

 or what Kant meant by the categorical imperative

or why your mom stayed with your dad even after

 he kept getting arrested, especially that one time.

“To live is so startling, it leaves but little room

 for other occupations,” says Emily Dickinson,

 

 and surely that’s how people felt at Elvis’s first

stage show, because here was a kid who wasn’t

 playing country, said producer Sam Phillips,

and he wasn’t playing rhythm ‘n’ blues, and he

 looked “a little greasy,” and the venue was “just

a joint,” and the audience was a bunch of

 hard-drinking folks who weren’t about to settle for

a tepid performance, but they didn’t have to,

 because their reaction, said Phillips, was “just

 

 incredible.” I’m so happy that those people

had that experience. It must have been

 the best surprise. I think probably the worst

surprise is to have a heart attack during a game

 of charades, because either people will think

you’re mimicking someone having a heart attack

 or else you’re doing an absolutely terrible job

of acting out the scenario you’re supposed to be

 acting out, such as transcribing a Beethoven

 

 sonata but in a different key from the original

or knitting a muffler to give your granny for

 Christmas or Hanukkah, if she’s Jewish.

This one woman said her biggest surprise

 was when she woke up after an unsuccessful

suicide attempt: she’d checked into a motel,

 put a plastic sheet on the bed, lain down,

and swallowed what she thought would be

 an overdose of pills only to be found by

 

 the housekeeper the next morning and wake up

a few days later in a psychiatric ward. “I was

 very upset I had failed,” she said. Not me,

I say. Kill yourself and you miss out on

 the eight million little surprises that happen

every day, such as the time last week when a tiny

 slip of a student came to my office to drop off

some work, and we chatted for a minute,

 and it turns out she’s a German major,

 

 and when I say why German, she says, “I want

to be a butcher, and the best butchery schools

 are in Germany.” Take that, you village explainers

who say that humanities degrees are worthless!

 Lucky student. She’ll be in Germany for a year,

and after that, who knows where? Anthony

 Bourdain says, “Travel changes you. As you

move through this life and this world, you change

 things slightly, you leave marks behind,

 

 however small. And in return, life and travel

leave marks on you.” Bourdain is also the guy

 who said, “Your body is not a temple, it’s an

amusement park. Enjoy the ride.” Someone

 who always enjoys the ride is Percy, the neighbor’s

cat, who comes over every day to bite me.

 There I am, having coffee on the deck

and reading the newspapers, and Percy settles

 down between my feet and looks at them as

 

 though he’s studying the menu board at

a McFriendly’s and trying to decide whether

 he wants the Chocolate Chili Cheese Dog

or the Big Bubba Bacon Bomb. When my friend

 who wants to take up foxhunting gets off

the phone, I start reading again, which is when

 I learn that the cable TV tech goes down into

the customer’s basement and finds, not a kid

 in a cage, but a man, and actually a happy man

 

 at that, if “happy” is the word you’d use to

describe someone who is paying the householder

 to lock him up and starve him and beat him

regularly or whatever it is that a sex worker

 does to someone who takes delight in

a leisure-time activity that wouldn’t exactly

 make my heart leap up with joy, but then

there you have it. Oh, go ahead and bite me,

 Percy. You’ll only surprise me if you don’t.

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Are they starlings?

Should we go outside?

 

He sat out for the birds most evenings if he was able. Clipboard in hand, a drink to make it feel casual. As the minutes ticked on, a momentary panic could take hold: suppose they shouldn’t come? When they finally would arrive, he allowed himself modest satisfaction. The surge of a small hope realized.

 

When his birds finally would arrive, w hen the first group would pepper the horizon, he noted the time. Solitary birds didn’t count—it had to be a murmuration, a movement. On October 3rd, the first true group had shown itself at 5:31 p.m. They had risen like smoke over the horizon. They tumbled around the eastern sky together with one pulse. Then, as he had expected, they fanned out into a running stream. A chorus in cloud that streaked toward the blue-blush of the sunset.

 

His task was to record. The minute of their arrival, how long they held tenure over the little patch of sky capping his garden. Logging their departure, of course, was an unfair exercise of guessing and waiting. Suppose the last one should have been the last one? Yet he endeavored to maintain a faithful record. Most evenings, he faced the usual challenge: to lose one’s self entirely in the face of overwhelming spectacle. When his birds were thick overhead, the little edges of his day could curl up and allow the part of him that tired of a life in this body—a life without her—to slip out.

 

When his birds were kind, they were generous in number. They washed over him. The following Thursday, though, their advance lasted only eleven minutes. They were true to the sunset—just moments after—but on the whole, an anemic group. There were fewer birds in total, which distressed him more than he liked to say. However, the morning (and he recorded this on the line for observations) had been foggy.

 

Will it be any moment?

 

When he sat out for the birds, they eventually appeared. Not always when he expected, or in enthusiastic numbers. Occasionally, they crested the hill much farther south than he was accustomed to looking. His birds had their own brand of constancy. It comforted him very little.

He’d feel fairly sure that he had pinned down the window of their arrival, and then they would break with tradition. They might show up blindingly early, eclipsing a corner of the kitchen window as he washed up at the sink. Elbows dripping, he imagined confronting them over their indifference. “We are governed by different rhythms,” they would shrug, forcing him to see how petty and small were his complaints. Perhaps he’d love them all the more for this nonchalance. Such a response would speak well of him, he thought.

 

Are they starlings?

 

His birds were black without jeweled throats. They likely weren’t starlings. What’s more, they seemed quite large at times. He’d point at one and feel it drag his finger in a lazy arc across the sky. Large as a crow, perhaps.

 

The booklet said it had everything to do with self-preservation. They were afraid of being the first to roost. So they would take to the sky en masse, moving as one, where they could expect protection from the things gentle birds fear. Then they would alight together on waiting branches. It was defensive. Yet he feared for them all the same. His birds were nothing like the circling hawks, red in beak and claw. How easily they could be picked off, and how little they seemed to realize! Their numbers would not guard against disaster– they only promised a witness.

 

He greeted them prone on the 16th, his eyes fixed upward, filtering in the last of the evening light. They scrolled across the sky. He could not bear to check his watch and later found himself able only to record that there had been “a great many birds.”
How they were pitiless! His birds could not trouble themselves for the cares of a man outside on his back, crying to the heavens.

 

Will they come much after sunset?

 

It had seemed almost cruel to hazard a guess as to when they would appear. Then she would count the minutes starting in the late afternoon. The hands on a clock’s face eluded her, but she could still stand in front of the microwave.

 

“Now, it’s 4:24, and I’m sure of that.”

 

Depending on the season, when he came home it was straight out to the garden. In winter, there would not be a moment even to unlace his uncomfortable shoes. She’d see him coming up the walk and clap her hands.

 

Summertime, though, saw the evening stretch. She’d ask to fix herself an orange squash; he would assent. He knew when the sun would set and didn’t like to rush her if needn’t be. He’d leave her alone in the kitchen and listen from the hallway, warmed by the small sounds of her industry. If anything broke, he would be near enough to lift her bare feet.

 

She loved best the settling in. As twilight fell they would take to their chairs, side by side in repose. It was a happy ritual. He’d caution her against upending her drink, and she’d ask for the clipboard. Holding the pen aloft, she would nod gently while ticking off each cell—“There’s some writing there.”

 

They took such pleasure in these moments, lived in the anticipation of a great movement. Sweeping across the sky, the birds were haughty, exclusive. Yet at the same time, one felt urged along with the group. Their appearance was a nightly invitation to weep for the lack of wings.

 

Should we go outside?

 

He consented on November 7th to be taken out by cheerful friends, knowing full well this outing would make it impossible to collect the numbers. Rain was coming down in driving sheets, and the birds might respond in any of a number of ways. They could conceivably set out earlier due to the darkened sky, but it was possible they would wait for the sunset’s usual glory. They might hang around uneasily, exchanging glances: “It’s time to go.” “No, it’s not.” Surely, even now, he thought, they were squinting for the definitive signal. The one his birds must feel sure that they had been promised.

 

On the 10th, they were chaotic, outrageous. The birds arrived with the fair weather and apparently no idea of where they should go. Rather than their usual purposeful stream, they parted into opposing groups, dovetailing, wheeling back and rounding in on themselves. A piteous spectacle, these instinct-driven creatures who were suddenly unmoored.

 

The very next day they’d regained their composure. It was maddening in a way. It made him quite angry, come to think. They flew in a proud trajectory, as though the day before hadn’t been a sputtering disaster. His birds weren’t visionaries; they could be made so unsure of themselves. An early moon looming over the hedge or a stiff wind might send them into disarray.

 

By the end of the week, he no longer felt that he could trust them. Suppose the last time had been the last time? Sunday evening, he took to his car at their first appearance, determined to follow them to the place they roosted. He craned his neck out the window as he drove, cursing as their swooping progress turned in directions counter to his own. His breath shortened each time he reluctantly dragged his focus back, back into the vehicle, the body. Then he soared to join them. Back into the seat, a glance into the rear-view. A searching of the horizon. Pulling up short, he narrowly avoided a young woman and her dog who had stepped from the curb. Just as soon as he became aware of barreling through their shared space, he was past them. She had worn slim, reflective bands around her upper arms that bounced back the light.

 

He discarded this uncomfortable fact. He could not both drive and dwell on the boundless possible tragedies of each moment. His birds had presented themselves once more—(was it the group he had initially set out to follow?)—and their pace appeared to slacken as they neared their destination.

 

From the garden, it had always seemed they were chasing the setting sun. In reality, they streaked toward a stand of eucalyptus trees across from the Fred Meyer’s. He’d parked underneath those trees before, been irritated by the smattering of bird shit.

 

How long will it last?

 

The public broadcast station was playing that special on Western migrations again. Chinook salmon. His birds would have tucked their heads under a wing by now. He nursed a gin and tonic while not looking over to the picture window.

 

Her perch. She had installed herself on the tufted cushions after the incident with the pilot light, which he had said was no big deal. He trusted her, of course, and there was no need. He could switch off the line behind the range. It would be simple. Why had Mrs. Temple said she’d been on the bench all afternoon again when she was perfectly welcome? There was no need. She stopped thumbing through her book then, smiled at him dazzlingly.

 

“It’s cheerful here, really.”

 

How will we know when it’s really begun?

 

A group of six, though slight, might signify that it had begun. If they clustered together in formation, they could very well usher in the movement. They became together something far more urgent, more striking than they ever seemed alone. Once the beginning announced itself, it couldn’t be denied any longer.

 

One imagines a flock as a single mind, but surely one bird has to strike out for the sunset first. Was it a drop in the temperature, felt by those hollow bones?

 

Who could say the exact date it had alighted upon her? The first day, perhaps, it would have shown up on a test? The dawning realization of its inevitable course, the dread he had carried alone. He dutifully held and guarded her, tracked and fed and made the thousand loving gestures that measured a day. He saw to the milligrams, the ounces, the critical levels.

 

He had pictured such a disaster as theirs before. In his mind, the earth had rent in two; his birds on the wing would drop from the sky. He had never expected that anyone should have to preside over the fracas. In reality, their disaster was a startlingly quotidian affair. One that came with armfuls of bills and bottles. Over and over, the administration of it alarmed him – samples to be monitored, appointments to be scheduled. The slow thick glide of a dark, astringent syrup to be given up to three times daily.

 

Who will be the first to roost?

 

Nights he sat out for the birds, he bore witness to a homeward journey.

 

He was an imperfect observer. At times, he came in because he was cold. There was always the chance that he had missed an earlier group as he made his way outside. He usually sat in a patio chair, but once had chanced to stand and saw a dotted black trail disappearing over the valley’s edge. A group completely hidden from his previous vista. He felt abashed that he had failed to detect them when they were so close. But he couldn’t deny that these movements were happening in many places, so very many places he couldn’t see. And this felt like both a betrayal and a great relief.

 

No one had ever said what should be gained by recording these figures, he thought with no small amount of bemusement. He’d busied his hands taking down the information. Capturing the data resulted in little more than a ghastly approximation of the experience, though. There was a part of him that wanted to snap the clipboard over his knee in a great act of violence. It was a false prophet, a soothsayer. It promised regularity where there was none. Still, how easy it was to forget. He continued to sit out nights with his pencil poised, ready to fill in the next cell.

 

He came to understand how she must have felt when he smiled benignly and said, “Experience tells us, any moment now.” He came to understand that while there was a range of normal values, one couldn’t possibly produce any sort of estimate worth a damn. He came to see what it was not: which was to say not a dike against rising waters, not even an answer to the pestering of a sharp-eyed changeling. He ventured to the shore each night if only to unroll a feeler—a filament, a sustaining thread. He came to remember in his bones what it was like to be a pilgrim in a strange land, a visitor to a landscape whose patterns she had yet to discern.

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anxiety attack implementing grounding strategy

for and after Daniella Toosie-Watson

 

the curtain is off-white

the faucets silvery metallic made to twist

adjust pressure the tiles segmented

borders like the body’s edges   we are always

in contact with something even if

it’s only the floor and air the green

bath-rug’s damp fluff   my skin

is brown is brown is brown

is down on its weak knees   the sink

is white the tub is white the walls

white the window frosted and on top

of that a layer of condensation

outside it there is a whole world

i know it even when it is not visible

that it is true and open and full of contradiction

under my nails the grime houses

a whole ecosystem millions of active

cells molecules mitochondria dried skin flakes

waiting to dislodge to fall   the towel is tan

i am a tangled knot a pretend pretzel person

trying to regulate my breathing and inside

the chemicals sending me information

the ceiling is cracked the ceiling is cracked

i cannot reach it i stop trying

i breathe the breath has no color I breathe again

the breath of dinosaurs and stars the breath

mixed with the breaths of billions of people

the breath encapsulating my skin

the particles of air real even in the unseen gas

i open the window i do not consider leaving

the wind is moody and frantic even more

than i am   it is a violent shimmy of invisible shoulders

it blows the shower curtain right off the rod

i pick it up   put it back on slowly

segment by segment   dull rusty hook by dull rusty hook

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Tetris

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Vermont Getaway: Thirteen Gays Looking at a Blackbird

I. Okay, first off—it’s Onyx.
II. What, are you blind? It’s clearly Deep Noir.
III. Fred was just saying Black Olive or Licorice but I—
IV. Well, Fred makes everything about food. On our first date, he said my eyes were rum-soaked raisins. Chaaarming!
V. I should’ve said they were Blackbirds, darling. Two rum-soaked Blackbirds who shit on anything I have to say.
VI. Knock it off, you two. Can’t we just enjoy our lovely weekend away from the city?
VII. I saw a Blackbird once. On Fire Island. Or was it Provincetown? I dunno. But it was definitely at a Black Party—I know that.
VIII. Remember that drag queen who did pantomime? Wasn’t her show called Ballad of the Blackbird?
IX. She was doing Kabuki, imbecile. And the show was called Memoir of My Last Turd. I’d know, I dated her kimono designer.
X. Hey, don’t Blackbirds have a high frequency of homosexuality? Like giraffes?
XI. You’re thinking penguins. And that’s your last mimosa, Danny. You’re getting like really loud. You’ll scare the little guy away!
XII. Oh, he split ages ago. Soon as Fred and Jose started going at each other.
XIII. No! I wanted an Instagram pic. He was so sweet. That’s it—next time we drive up, I’m gonna build him the poshest birdhouse you’ve ever seen.
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