Santa Maria Novella

Florence, Italy

 

Outside the Santa Maria Novella basilica, I draw belief

in God for hours on a bench and local and foreign

visitors watch me watching faith. We all stare down

 

the church. Revisit and retrace an object

as if it can save the millennium, as if it can save me.

I am drawing to you, Love, in straight black lines

 

as a spectator’s wrinkles deepen. Who is on the watch

for angels and Satan as millennials take self-portraits

filtered to Beautiful for hours in front of the church?

 

As if to follow as if to Like as if to Share as if to Friend

as if to Capture as if to Block as if to Leak. Is this social

media faith’s purgatory? Please believe in my selves.

 

Inside my real body, frescoes. Frescoes and sketches of

now dead little i’s and little u’s then purportedly loving.

Love™ – a façade as flat as the green and white lines

 

mapping the face of the Santa Maria Novella.

All one hundred people in this square freeze

to view order for seconds and minutes and hours

 

and the lovers kiss and hold it as if Love’s relics

as I wonder who will be discarded upon homecoming as

if trash blown up dew-slicked streets of East Walnut Hills.

 

u and i kissed and held it for years

in America to peel off the monochromatic

color scheme on Satan’s dividing palette yet

 

my image you displayed for no one. Unaffirmed,

unshared, you ghosted me. Our love—my grave.

 

Behind the basilica, the sinking sun births shadow-

twins, keeps loneliness company. Couples go silently

away. Nights, I pretend to be Loved™—paint God.

 

Where the tour

 

Where the auction

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Like Fireworks, Far Off

As if chrysanthemum fireworks flaring

gold, blue, red—brief, phosphorescent

amoebas throb, pulse. Next, a galaxy

of green stars spins out of existence.

Then, a flurry of supernovas

 

flare and fade. After, a comet-like

streaking ends in a white flash. All the while,

a far off chorus of oohs and ahs

mingles with some last applause.

Then, for a moment, it seems like dawn.

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Overhang

I slipped and nearly twisted my ankle getting out of bed and trying to look out the window—as if it made a difference what the weather was. The day would be wasted at work, where I would mostly sit on the edge of the toilet, zooming in to towns in Greenland and Mozambique and the Russian Far East on my phone. My boss sat in a glass-enclosed office and scrolled Reddit all day, and it was clear from the way he talked to me that he didn’t know my name. I had lost my job as a sommelier and ended up here. I used to joke that I would rather be a day laborer than one of the petty tyrants I had spent my life tiptoeing around; that way, at least, I could keep to myself. Now my wish was granted.

 

I didn’t really know what my job duties were, although I was able to intuit that breaking down tomato boxes, wrapping them with twine, and setting them in the lot behind the building for pickup fell to me. Around six everyone left for the day, and I would work alone in the big empty facility until my shift ended at ten. The vaulted ceilings and troweled floor magnified every tap of my feet like snare hits. I dithered, playing on my phone; now and then I broke down a box and leaned it against the wall with the others, finishing by evening’s end however many were going to get done in my dithering style. The boss probably assumed I was sweeping and mopping. What did I care?—they paid me hardly enough to live.

 

Improved weather lured me outside—I spent the last couple of hours of my shifts in the lot behind the facility. I dragged out however many boxes I might realistically take care of. One night I flipped one on its back and tore off its flaps. With a razor blade I’d found on a windowsill, I cut two windows and a door in the front. My shadow reached into the bath of kudzu behind the barbed-wire fence.

 

I tore apart several more boxes and taped them together into some sort of hut, big enough for, say, a few cats to lounge around in.

 

Over time, I built the structures more and more elaborately, adding lookouts and flourishes, always thinking of symmetry. I cut out crenellations. I drew out entrance halls. I realized I needed this, enjoyed this little something. One night I made what you might call a castle, with four lookouts and a full-on gatehouse. I assembled a drawbridge that didn’t quite work, and then it was already five past ten. I would have to start the whole thing over the next day. I didn’t know where the boxes actually disappeared to—some kind of processing facility, I assumed.

 

On Memorial Day I was one of two employees scheduled. A professional cleaning crew was brought in. Nobody told me how I should interact, so I avoided them. I hauled every box I could find outside and built a room big enough for two people to have coffee in. I brought in two folding chairs and sat and put my feet up. I wrote “Hotel Pomodoro” over the entrance with a Sharpie. I liked to think I was daring them, whoever they were, to take it away. The next day my little cafe was gone, the asphalt clean.

 

I was supposed to have begun getting ready for work by now. The day was bright—I stood on my balcony and came alive in the sun. I was taking the day off: I wasn’t going to show up.

 

 

I walked to the corner store for cigarettes. An orange tabby sat at attention beside the door, pretending not to see me. “What is this, Buckingham Palace?” I said, never having felt more unselfconscious about dishing out tepid one-liners.

 

I bought my pack, saluted the cashier, stripped off the plastic, and strolled out into the sunshine. The skyline soared in the foreground; it looked as if the buildings were receiving medals, the tallest in the middle taking gold. They seemed to smile at me. The possibilities of today were almost overwhelming. I could walk all the way downtown. Maybe take in a movie. Or I could buy a novel and gobble up the whole thing in the park.

 

I decided I would take myself out for lunch downtown at the famous place I knew only by sight where the ramen was of the highest caliber.

 

I had no desire to call in and invent some excuse—I didn’t owe them a thing.

 

Was I quitting? Was that what I was doing?

 

At the bus stop a man I’d never seen before was dancing joyfully, barefoot, hair swinging. He leaned out from under the overhang and held out cupped hands, still bouncing. I handed him a dollar, we dapped, and the shop cat skittered out from behind the bench and scampered up the street as if our knuckles touching had launched him.

 

The cat stopped at the next corner and glanced back, waiting for me.

 

We let a car pass and crossed the street together. I started running to see if he would follow along. He did. We jogged past the shady schoolyard; a group of kindergarteners heaved a red ball toward the heavens and squealed.

 

The next intersection marked with an X the “downtown” of the neighborhood, a cluster of markets and restaurants with funny names: Victory Cigarettes, Zen Tool & Hardware, and, of course, Mr. and Mrs. Fruit.

 

Maybe I would buy myself something nice. Once a week I almost spent my entire savings on a giant television. If I were going to die on my feet, I might as well enjoy myself.

 

It was just now one o’clock, my in-time. If I snuck into the facility at two, when management had their daily meeting, maybe no one would see me come in late, and I could keep my paycheck after all.

 

The cat, who had gone ahead while I stopped to think, looked back at me expectantly. I caught up with him.

 

We reached the local ramen shop, the last shop on the last strip of this section of town. I had never eaten here. I assumed it was inferior to the fancy place, which I couldn’t imagine improving upon.

 

I looked at the menu, even though I knew it wouldn’t do. I wanted the real deal; I wanted something to look forward to.

 

The cat’s eyes blazed: he was fixated on something ahead, his heart thumping through his fur. He was staring into what I called the Zone, the fenced-off moonscape of wild grass and rubble between the inferior ramen shop and actual downtown. The road we stood on bisected the rocky terrain, rising up slightly before us and vanishing down. I knew it eventually led to the overpass I considered to be the border with actual downtown, only two blocks from the ramen mecca.

 

At the precipice of the Zone, the wind picked up. The cat paused, his body scrunched, the formerly linear stripes down his back now scrambled. He squinted nervously. I bent down to pet him goodbye and he shied away. I tried again, and he ran and hid behind a car.

 

The brightness of the chalky mass and the openness of the sky were paralyzing. I forged into the headwind, shifting my gaze to the sidewalk. The glaringly white concrete stung my eyes: there was nowhere to look.

 

I couldn’t walk straight; I slipped off the curb and veered into the road.

 

I was going to get hit by a car.

 

I stumbled back, blindly found the fence, grabbed on. I covered my face with my other arm, slid to the ground, and curled myself into a ball.

 

My eyes stayed shut for some time. I watched brain TV, avoiding myself. Maybe a few minutes passed, and I then heard the gentle crunch of slowing tires, and then an engine fan. I peeked through my knees—a taxi had stopped across the street. The window, opaque with reflective glare, came down, gradually revealing a woman’s impassive face, squinting at me.

 

In the car I asked if she could take me to the ramen place I’d just passed, the less exciting place. Taking the bus home from downtown didn’t sound pleasant, nor did I want to shell out for cab fare from there, which would approach the cost of lunch.

 

She asked if I meant the restaurant fifty feet behind us; I nodded. She searched my face.

 

 

The door chimed as it shut behind me. Someone—a waiter—emerged from a secret door in the wall and through the opening revealed the kitchen: immense steel cauldrons of bubbling broth, white-coated cooks. A woman stood at a steel table and portioned dry noodles into plastic bags, twisted them closed, and set them aside, staring vacantly ahead. The door closed and the scene ended.

 

I asked the waiter if I could sit at the bar. He led me through drawn curtains to an empty room—where was the bar? He set a menu on a table in the far corner, near the kitchen.

 

Although I already knew what I wanted, I picked up the menu and pretended to read him my order, envisioning the creamy, six-minute egg, the concentrated, nourishing broth, and the heap of soft yellow noodles from the other, better restaurant.

 

He nodded and took the menu. I waited.

 

Finally he came through the curtain holding my bowl, set it down, and left without saying anything. The ramen swayed—pork belly, seaweed, pickled mushrooms. This was not what I’d ordered.

 

The waiter burst through the curtains holding a jar of candies. I lifted my chin and writhed to get his attention.

 

He stomped his foot, acknowledging the mistake, set the candies on the table next to mine, and carried my bowl away.

 

I noticed my shoulders weren’t relaxed and dropped them. It’s only food.

 

A few minutes later an old man wearing chef’s whites limped into the room, holding a platter heaped with scallions and bean sprouts, clearly meant for a large party that was not there. He looked lost. Sweat streamed down his face.

 

The confusion on his face intensified when he saw me, as if he were just now realizing the restaurant was open.

 

He remained in his frightened stance, knees bent, five feet away, clutching the plate, staring past me. He seemed to be looking at my ear lobe. Then he glanced back toward the kitchen, maybe for guidance. I felt the urge to say something to him—I opened my mouth—and then the curtains flew back and the server rushed in, wove around the man as if he were a tree, and set before me something resembling what I’d ordered.

 

The broth was lukewarm and under-seasoned. The bewildered cook now held the heap of garnishes close to his knees, his arms tiring. He watched me eat.

 

He shuffled over and set it next to the candies on the table beside mine and returned to the kitchen.

 

 

The mizzling rain would have been refreshing on a certain kind of day. Not that it bothered me—it simply coated me, like a plant. My stomach growled; I had eaten three bites of ramen.

 

I walked in the general direction of home. Maybe it wasn’t too late to call in. Although now I would have to explain why I hadn’t contacted them earlier, in addition to lying about my absence. Lies on lies. I burst out laughing, which almost developed into weeping. I slowed to a halt, and stood, just stood there, water droplets quivering on my chin before leaping off like skydivers. At least that was how I imagined they appeared. A black SUV whooshed by, looking important.

 

On the bench at the bus stop sat the man to whom I had given a dollar, and sitting to his right was the cat, in loaf-of-bread position. A matching loaf—it was even the same color—of sandwich bread rested on the man’s lap. To his left were open jars of peanut butter and jelly.

 

He set one piece atop the loaf of bread, which he used as a table. Then he dunked his finger in the peanut butter and smeared it on the slice, and with deft, certain strokes he did the same with the jelly. He popped out another slice, slapped it on top of the filling, handed his creation to me without looking up, and went on producing sandwiches, piling them up between his legs. Now and then he glanced up at me. Maybe he was waiting for me to start eating. The window of time in which I could have plausibly said I was saving it—saving it for the first trash can once I was out of view—had passed.

 

I sat beside the cat. He didn’t acknowledge me. He knew I was there and accepted my presence, squinting and smiling, the way cats do. He was completely dry and smelled like fabric softener.

 

“Found him in a cardboard box,” the man said. “Taking a nap.”

 

“What did the box look like?” I said.

 

“What did it look like?” he said.

 

“Yeah.”

 

“It looked like a box.”

 

He stood, lifted the pile of sandwiches, opened a polyester knapsack, placed them inside, cinched the drawstring, set the bag of sandwiches on the concrete, sat back down, wiped his hands on his pants, and looked off into the distance.

 

“Anything unusual about the box?”

 

He looked over at me, and then at my sandwich, as if he hadn’t heard, or maybe he had and didn’t intend to respond.

 

I took a small bite. No granules, no razor blades. I nodded with approval, arching my eyebrows to make sure he got the message. He snorted and shook his head wildly, as if I had insulted his family and thrown the sandwich into the street.

 

“Crazy over there,” he said, motioning with his head toward the Zone. “Stadium is going to change everything. If they ever build it. Gonna wipe everything out. Gonna wipe out the whole neighborhood.”

 

Another SUV cruised by, looking official, its black-mirror windows reflecting the three of us like mangled dough.

 

“There’s gonna be a casino, too,” he said. “A goddamn casino. Can you believe they approved it?”

 

I had no idea what he was talking about. I caught myself starting to speak, emitting a truncated, guttural sound. “Ahp.”

 

He assessed me, first my sneakers, then my legs and shorts, working his way up to my face.

 

I had another bite of the sandwich. It was delicious. The jelly was exploding with strawberry sweetness. I tilted my head back and nestled it in the bend of the Plexiglas overhang. Hundreds of beads of water constellated above me, jiggling on their own, as if they were alive; every so often one broke away, streaked down the plastic, and disappeared. I got to thinking about the last restaurant I would ever work in; in the summer we served watermelon granita in crystal glasses, which either I or a runner would pass from a silver tray to guests waiting for tables. I was the sommelier.

 

And then I wasn’t.

 

“That’s why we like you—you stick up for yourself,” the manager, Jamie, had told me as I sat down to sign my termination notice.

 

At the time, I didn’t think it was the end of my career. The strange thing about being blackballed is nobody tells you—you gradually figure it out on your own, to the extent you can affirm it. Nothing was stopping me from trying to break back in, technically.

 

I remember standing in the parlor in the early evening before the rush, empty tray under my arm as I looked through floor-to-ceiling windows onto the sidewalk, watching the uneven stream of bodies, some hurrying by, some stalling; and then a woman stopped to let her dog pee on some impatiens fenced around a tree.

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The Doctor Looks at My Blood Work

Says: There are blacksmiths in your eyes.

Maybe this explains the forging.

The way I flatten heat. Bang

earth against answer until

I call it knife. Nodding to bellows

in their muddy howls. Told them

chemistry separates from slag.

I speak in gardens. Interrogate

the estrogen and her rising weeds.

From space this earth is more red

than any astronaut will speak.

In the dirt, the iron begs to be born.

I kneel before anvil and pray.

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Acknowledgment

You divorce. You remarry.

 

You are already a father; your new wife is already a mother. She has a blooming daughter that you come to love, a daughter to whom, in time, you begin to say I love you. A daughter who later begins to occasionally reply, with no discernible pattern: Love you, too.

 

You write a book for people just her age—that age we think of as between. A publisher buys the book, makes plans to release it, and over the course of many disorienting months these plans unfold as promised. Along the way, you encounter the moment when you must determine how to dedicate the book, when you will choose how to acknowledge the people you will elect to thank. The task is self-indulgently benevolent. You dedicate the book to your wife, first and last. You acknowledge your parents, your teachers, your friends, the people to whom you entrusted the book long before anyone wanted to pay you for it.

 

You acknowledge your son, of course, who is easily named. But when you try to acknowledge your wife’s daughter, who by now has been a part of your life for years, you hesitate. She is your child. Also she is not your child. The sentiment comes easy, but what to call her does not. You contemplate at length how you will identify her role in your life, the way you will declare—in print—what you are to each other. Eventually you end up with these words:

 

To my daughter, for being such an excellent human being to share the world with, and for teaching me so much about being a dad.

 

You send these words to your editor.

 

The day comes when the publisher of your book prints advance copies. These copies are not final; they are still full of mistakes. You show the book to your wife’s daughter, and she thumbs swiftly through it toward the end. While you watch, she slows and reads the acknowledgments page. She sees the way you have phrased your gratitude, sees the title you have bestowed her. She says nothing. She is thirteen. You do not, at first, know what to think of her silence.

 

But weeks pass, the book due to be finalized any day, and you don’t forget what she didn’t say. You remember your words: my daughter, for teaching me so much about being a dad. You begin to suspect that she has said nothing not because she is thirteen, but because she is thirteen and already has a dad. Her dad is not you. And finally one night when you are already feeling melancholy, you hover at the entrance of her room before bedtime and tell her you have a question. A personal question that might feel awkward. She says, dubiously, Okay.

 

You ask her about the acknowledgment, if she remembers what it says. She does. You ask her if she would feel better if instead of daughter, you wrote step-daughter, because that’s what she is. You ask her if, instead of dad, you should write step-dad, because that’s what you are. She says, slowly—Maybe?—and in the weight of that word you feel a sick and swollen tide of regret: at having asked the question, at having phrased your gratitude the way you did in the first place, at taking space in this doorway at all. She tells you, because she is an excellent human being to share the world with, that what you said was sweet. But she also describes, because she is an excellent human being to share the world with, how there are competing piles of guilt whose weights she has to measure, whose burdens she must compare. If you do not make the change, she explains, there is this pile of guilt. If you do make the change, there is this other pile.

 

You understand her.

 

You understand her, and you think in that moment that maybe you will never again be asked to undertake anything so parental as this, to gift her this retraction, to express the truth not the way you want to, not the way you feel it, but rather the way she needs you to. And what she needs is to be called step-daughter.

 

She compromises with you, suggesting that you could at least still say Thank you for teaching me so much about being a dad. You don’t realize until later that she is doing that right now. Teaching you right this second.

 

Because right now she argues how important it is for people to hear the true story. They need to have things explained. They don’t like things to be unclear, and you have been unclear. Worse, you have been untruthful. You have used the word daughter.

 

You agree to change the word. She thanks you. And then she tells you—she is so young, she is trying so hard—that at least you will have this copy of the book, this version that still says daughter, this advance that is full of mistakes. At least you’ll have that. You agree with her, even though you have no true idea what she hopes to mean, offering you this consolation. You ache with the possibilities. You thank her for her honesty. You say I love you. She says love you too. You will say goodnight now. You will leave her to her thoughtful room. You will go and you will nurse the strange dear knife in your belly, and you will send an email to your editor with the necessary correction, and for a while you’ll be lost, already fumbling to imagine some story whose words you would never take back.

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Three Months Without Razor

or the scratch

calling from behind

without kiss of water to skin

without the graze of a finger

or palm to cradle a smile

but love—at times—

like winter

ends abruptly

and with a blade

the pores shocked

and opening

their wide mouths

once again—

without arrest—

dancing with the sun

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Earth’s Weight

He knows we uproot burdock

and hack down the musky trees of heaven.

He knows we kill mosquitoes,

but spare the killer spiders. He knows

how cats and opossums look

when they get run over: slick loops

of veined intestines, bulged eyes

and choked-out tongues. He knows

the living die, but do not want to die:

worm tugged thin from dirt to bird;

hooked fish muscling for the water;

scared pig scuffing against the ramp.

He knows we humans die, and kill

our own. He knows what soldiers are,

what warplanes do. He is four

and he also knows numbers:

a hundred and twenty-five pounds,

his mother. Sixty minutes, one long hour.

Three million people, the city of Chicago.

He’s four, and lately wants to know wars:

“Tell me a war, Daddy.” I name one,

and he wants the number of people killed.

The Civil War: six hundred thousand.

“Is that more than a thousand?

Can you count that many? Tell me

another war.” And another. He pays

attention. Vietnam: more than two million.

World War Two: at least forty million.

“That’s a lot, isn’t it?” Later he’ll ask, “Why?”

and we’ll talk about money, land, hate,

and following orders, but right now

all he wants is the name of a war

and the numbers of the killed—numbers

so vast you couldn’t count them

in a single lifetime, like the number

to tally earth’s weight—a number he loves

to tell and tell: six point six sextillion tons.

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birth of venus

Sandro Botticelli's Birth of Venus, c. 1485.
The Birth of Venus, Sandro Botticelli, c. 1485. The Uffizi, Florence, Italy.

 

tidal women splay tempera  

the conch pigmented against turquoise waters 

her body sea-bound in paint and bone  

she wears herself in brush strokes 

 

zephyr and aura blow embryonic seawater from her shoulders 

spring’s hora rushes to mantle her newborn curves  

renaissanced she crashes borders architected  

as venetian lips she cannot speak through 

 

her body imaginative

almost cadaverous

 

she speaks around 

she gazes as she is gazed upon 

her nakedness to nudity 

 now pornographic 

 now classical 

her body tidal 

 

father her your words 

your chipped teeth 

your plaster-rotted frescoes 

in your marbled mausoleums 

she speaks you back  

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Cartilage

One night, when I was in grade school, my parents hosted a party. Other families came, co-workers. There were drinks. A man in a yellow tie had a margarita and then another and another. He said his ex-wife was a tramp. He stumbled as he passed from the living room into the den, where we kids were playing, entered the room looking unsure of why he walked into it.

 

“A bitch,” he said. “Total bitch.”

 

That night, I swore to my mom I’d never drink. She laughed, asked me why. I said I hated that man, that there was no need to drink, that I was happy without it. I was seven or maybe eight. She said I’d understand when I was older. I lay in bed, unable to sleep, knowing I’d prove my mom wrong.

 

The first time I got drunk was at Vlad’s, the summer after my freshman year of high school. We bought a handle of vodka so cheap, we thought, that the homeless man we’d given a twenty to buy it had given us seventeen dollars change. We passed the bottle with a shot glass and a chaser of store-brand cola. Around my fourth shot, everything started spinning. It felt good, wholesome, the ritual. Later, trying to sleep on Vlad’s floor, head resting on my bunched-up hoodie, I thought about what I swore to my mom, her laughter, and I felt an unmooring. Who knew what I’d believe in ten years? Twenty? Who would I be?

 

I was friends with Vlad because he and I rode the city bus together after school. By that point, my mom and dad had divorced, and on days at my dad’s house I’d ride one bus out from the suburbs into the core of downtown Seattle, where I’d walk up Stewart to wait by a garbage can on the backside of the convention center for the number 18, which then took me to school, just a stone’s throw from my mom’s. Vlad and I took advantage of our afternoons downtown, hitting the market for donuts or piroshkies or hum bao, drinking dollar tallboys of Arizona Iced Tea from minimarts where homeless people moved around in parallel to our thin reality, buying hot dogs or imitation crab sold on Styrofoam trays wrapped in cellophane.

 

Vlad had a knack for finding free food. At GameWorks we strolled the arcade, swiping a chicken leg off an abandoned plate, a slice of pizza at the bar. In the shampoo-scented hallways of downtown hotels, we found room service carts with scraps of porterhouse and baked potato, or the browned edges of a salmon frittata, the last bits of flesh out of the carcass of a Dungeness crab. We’d walk to the ballpark and talk down a scalper, or head up to the Starbucks on the forty-fourth floor of the Columbia Center to take in the view. Eventually, we’d split. I’d catch the 511 out way north, the ride quiet, still with the sodden air of evening commuters.

 

Vlad dropped out before the end of the school year. It made me wish I could drive. I’d sit alone in the back of the number 18, my biology textbook open on my lap, my gaze elsewhere, following the sequence of teriyaki joints and coffee shops, rain puddling at the curb.

 

My senior year, I saw Vlad in the parking lot at Leilani Lanes. I heard he’d been stealing cars. I’d tried to avoid him, but he caught up to me, put his hand on my shoulder. He asked if I wanted to buy some greeting cards and produced from under his jacket a small binder of samples. He told me I could make a good buck in the greeting-card game and invited me over to see how it was done.

 

His house, his parents’ house, smelled like chicken and mildew. None of his family was home but his friend was there, a guy with a gentle, fragile smile that made me anxious. He was seated in the parlor, where they’d spread a table with patterned cardstock, scissors, bottles of glue. Vlad asked if I was hungry and retrieved a roast chicken from the fridge, submerged in its own congealed juice. We ate it cold, with our hands, our fingers glistening.

 

We smoked a joint in the woods. His friend talked about how it easy it was to crib a Toyota. I got the sense he was trying to impress me. Vlad asked if I wanted to steal a car with them.

 

“Nah,” I said, and wondered why I hadn’t just said no.

 

We wandered the neighborhood in the wash of streetlight, going nowhere in particular. I kept smelling my hand, thinking about if my mom would smell the weed.

 

When I’d come home the morning after getting drunk for the first time, I’d been worried she would smell alcohol on my breath. I could feel booze in my mouth and lungs, in my pores, in my sweat. I stood in the entryway telling her we mostly played Xbox.

 

“Are you okay?” she said. I felt like I’d been emptied out and then filled with vapor. But from her tone and expression I knew that she knew what I’d done and also that she didn’t mind. It was like I’d crashed through some invisible barrier from one reality into another more like hers. She had known my whole life this feeling that felt so new, this hollowness and also the night’s strange spinning joy.

 

My hand didn’t smell like weed, but it did smell like chicken cartilage. Those days I thought a lot about the smell of food because I was working part-time washing dishes at a burger joint. I was terrible at it. Each day I’d come home soaked, my shirt thick with grease, ketchup, tartar.

 

“You going to college?” Vlad asked.

 

“Yeah.”

 

“Where?” his friend said.

 

“California,” I said. “Got a scholarship.”

 

Vlad said, “What are you gonna study?”

 

I’d been telling people business with a minor in art history but that was a lie. My mom had a fantasy of my future where I ran a restaurant and painted on the side, but all I knew was the certainty of a looming void stretching out before me. I still felt like a child, no direction, no idea what was next. And here was Vlad. Whatever next was, he was already living it.

 

We turned a corner and another, began to run out of small talk. I didn’t know it would be the last time I saw Vlad, but I didn’t not know it either. There was a damp gust, and I zipped my baggy raincoat shut. It was cold but not too cold, wet but not really raining.

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