The Future is Trashion

Erasure based on “The Future is Trashion” by Vanessa Friedman. New York Times. December 26, 2019.

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Act Now + more

 

Act Now

When I’m low, I hang out

with the slugs and sugar ants,

I ignore the emails, You will run out

of storage in the cloud.

The clouds

will always make space for me,
I already live in a fog

and there’s always room for more

photos, a virtual bookcase.

As much as I love

being able to type my sadness

to a stranger, my screen sometimes

reaches out and puts its hands

on my hips—stay here a little longer.

I know I’m brave

when I leave my earbuds on the table

next to my cat. And when my stomach

knots, it’s because I’ve hit reply all

and now Dick knows he’s living

out his name like a job description.

This is when I know

I need to stand up and stop

being another head without body, a mind

plus fingers typing. Sometimes

when I’m walking down the street

a neighbor runs up to me to tell me

how Crossfit is working for her,

I press Skip ad until I see the real-time video

of Max, the dog who lives three doors down

and is dealing with depression

because his owner just died.

This is when I reach down

and wipe the goo from Max’s eyes,

and realize how much happier I am

when I sit in the middle of empty road

under an unlimited sky

holding a dog who has no idea

why his owner isn’t coming home.

 

 

 

If We Had Better Lighting, Our World Would be a Soap Opera

Global warming is more than me leaving

the heat on 80 degrees in the guest room.

 

There’s a shadow on our planet’s lung

and the narrow road is what we drive now

because half of it has slid into the ocean.

 

We are living longer, but we’re doing it with less

sex and friends. The view from here is gorgeous,

 

but who to share it with? I am watching the world

turn, all my children becomes all my adults.

I try to count our steps to the grave—5, 100,

 

1000? More? I’m less than optimistic.

I’m the character who is drinking wine

 

at noon in her nightgown. The soap operas

are failed decisions and mistakes are real life

choices. Global warming makes my cheeks

 

flush. Climate change is another way

to introduce myself, to undress and dive

 

into the ocean that wants to swallow me.
Let me cry dramatically before the scene ends,

let the director drag me to the shore.

 

 

 

Sunflower, What Have You Gotten Yourself Into1

Tonight a neighbor told me how climate change

was a hoax as we stood under an orange sky

 

from the smoke of wildfires and when he coughed

because the air quality was not good enough

 

for his lungs I said, It hasn’t rained for years

and when the birds started falling from the sky

 

he said, That happens sometimes, it’s cyclical.

God bless the confused, I said to the waves

 

reaching over into our yards, to the oceans

so warm the icebergs are the ice cubes

 

the barista places into our lattes, this should

cool it. And at night when I walk home

 

in a tank top because what was once a winter

is a mild spring, I lean back and watch the bats

 

circle and eat up whatever insects we have

too many of and I think my god, we fucked this up

 

so quickly, as I admire the moon that almost winks

at me, as if it knows how many years we have left.  

 

 

 

 1Title from a line by Kim Rashidi.

 

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Cooing & Longing

Cooing

A bird perched on the fence for a minute—

its cooing brought me out of the house.

There was so much color on its feathers.

 

Its beak didn’t jut forward but bent downward

like in most of birds of prey, but this one didn’t prey.

 

I couldn’t feed it so it left sooner

than it used to when you were here, no grains

to litter the compound with, but then

there was no kind of fodder in the house.

 

It was the kind of bird that knew its beauty—

perhaps a special thing for its species.

 

I had thought it would cut me some slack,

but, like you, it didn’t, fleeing on instinct;

like you, it left a trail of leaves in its wake.

 

Longing

I remember the first dry season I spent

in that house you lived in until you died.

Harmattan almost bent you double,

dragging in its dusty perfume across miles

and into every room, sparing nothing

so much so I never knew I would ever

be so expectant of rain; even the birds,

the animals were having a hard time

of all the charade that was the weather.

Even the wooden shelves cried as they cracked,

their grains warping into undulant hills.

I was addicted to the city life.

I tried to hide my feelings because

somehow the weather benefitted you.

You had never so stood at the window

with such longing, in your eyes, to be outside.

I looked into your clear brown eyes and tried

to will the young agile person I knew

who would walk miles with me merely to see

what the landscape was like at the moment

because, for you, no one stepped into

the same landscape twice, for you the wind

was always changing something, eroding

either the soil, or the trees of their leaves,

the rain would always wash something away;

even the cities could not escape this.

It was like a process of aging.

Sometimes the wind brought more than dust

and its empty smell: now a sweet smell

but one which you doubted: maybe it was

the smell of bodies carried over miles,

maybe the dust was part of their bodies.

I knew it couldn’t be real yet I let

myself to imagine it, as scary

as it was, for didn’t we hear about how

the rivers, though how dried up they were,

still vomited tumescent bodies

from their silvery bellies, about how

the beggars didn’t wake up in the streets,

their stiff bodies curled up like balls of wool?

I tried to find things to love in this place

but couldn’t, rather reasons to leave

were monthly stacking. Minna was almost

like this and each day the people I stayed with

tried to convince me to cut the place some slack,

I took a piece of my clothing and quietly

folded it and threw it in my traveling bag

until one night I realized it was full.

 

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Evolution Kit

According to the manual, the “Theistic-Science World Building Kit” contains the following:

 

1. One forty-gallon terrarium (48″ x 12″ x 16″)

2. One shaker of “Evolution Mix” biosphere food (red)

3. One prepackaged rock to make the core

4. One shaker of “Planetary/Ecosystem Dust” (blue)

5. Something called “Matter,” which has the exact color and consistency of chalk dust

6. The Evolution Manual, as yellow and glossy as a school bus

 

The manual tells Katie that she should expect all life in her biosphere to map onto the evolutionary trails of Earth species. She can expect fish to crawl up on land, sprout into dinosaurs and birds: an inherited morphology spread throughout the ages.

 

STEP ONE: Pour Matter into biosphere and add one to five shakes of Evolutionary Dust.

 

STEP TWO: Begin.

 

Katie pours the chalk dust into the terrarium. She sprinkles a heavy dose of blue dust and a bit of red. It looks as though she has dumped food coloring into milk. The blue gains dominance, takes the red and drowns it. Katie imagines hydrothermal vents blasting within the rifts of the biosphere’s surface like primordial, cosmic wounds.

 

She does not regret her drunken purchase. The kit was purchased whilst shitfaced the night she got laid off. The package arrived on May 21st, which Katie remembers only because it was an ex-boyfriend’s birthday. The return address listed the town of Gammelstad, Sweden, but the box claimed manufacture in Stockholm, and the postage stamps revealed a journey from Oslo to Reykjavik to Paris for some reason to Reykjavik again to Halifax to Denton, Texas, where it found Katie’s front door. The return label said Play God Theistic-Science Company in block blue lettering, followed by a clip-art icon of a FedEx truck, even though the shipping service was a third party called Ilmarinen, Inc.

 

Katie adds more Planetary/Ecosystem Dust and goes to bed.

 

When she wakes, fish have formed in the theistic-biosphere. The terrarium is an aquatic underworld: jellyfish sway near the surface; shadowy agnatha—jawless fish—swarm at the bottom. Small, armored sharks with little plated spines of cartilage that the manual calls acanthodii appear. In the tank’s center, there is a tiny quadrant of shore.

 

STEP 3: So, you think you’re beginning to see fish.

 

Titaalik roseae, a four-limbed Devonian vertebrate fossil found in Nunavit, Canada is thought to be one of the first creatures to have walked on land from the sea. Both fish and tetrapod, the Titaalik supported gills, fins, a pelvic girdle, and partial wrists. Keep watching. The next step is dinosaurs.

 

Katie looks back at her terrarium. She wonders if the tiny creatures she sees emerging onto the shore resemble Titaalik, their toothy mouths gaping, marble eyes glistening like new olives.

 

The world around her but for these little creatures feels ill with the lack of hope.

 

It is sunset by the time there are dinosaurs. Evening coats Katie’s window in shades of blue. The dinosaurs are small at first, but by the time Katie is getting ready for bed, wings break through their scales in the most beautiful colors: Jupiter red, asteroid brown, Neptune green. Katie falls asleep in front of the terrarium.

 

In her dream a great wind blows through the house, far too powerful for her tiny dinosaurs to fly. To protect them Katie must huddle over the biosphere with a blanket around her shoulders, arms spread out like a mother bat, to block the wind.

 

When she wakes, the dinosaurs are the size of bumblebees, flying and bumping into the glass. One of them belches a candlewick cough of flame.

 

STEP 4: After archaeopteryx, notice mammals.

 

But there are no mammals, and Katie recognizes the dinosaurs for what they are: dragons. They buzz like trapped flies, spurting flame at each other. It is impossibly cute.

 

If any cryptozoological creatures appear, immediately implement World Extinction Kit (sold separately at a 15% percent discount with purchase of a second Theistic-Science World Building Kit).

 

Online, Katie looks up the Extinction Kit. There is a tiny rock that looks like an asteroid and a shaker of something called “Anti-matter.” There is no explanation as to why the dragons must die. Why can’t Katie have dragons instead of dinosaurs? She watches the dragons play with each other. They keep bumping into the glass. Katie opens the top of the terrarium.

 

One immediately begins to nest in the rafters. Another begins hoarding loose grains of rice in her pantry. It sits atop the rice as if on a bed of gold. Katie chucks the Evolutionary Manual in the trash. There is no real plan to a world, she knows this. Only chaos.

 

The terrarium is a dead planet now. No more creatures will appear. Katie wonders if the dragons feel like astronauts, like explorers. She wonders if they are triumphant or afraid. If the sound of her microwaving ramen sends a message of doom throughout the apartment. If they heave a tiny sigh of relief at the “ding.” She wonders what it feels like to have left behind the world of false order and live in the stars.

 

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The Murder Hornet

can fly sixty miles in a day

& decapitate its prey

quicker than licking

honey off a thumb.

Size has its advantages.
& its costs. My mom
told me early I’d pay

for the size of my heart.

You feel too much, she said.
You want too much.

In the Love Addicts Anonymous

meeting, a white man in a gold ascot

said, I need to be devoured by love.

Devastated, I added, swallowed whole.

Murder hornets are efficient killers,

but is any torture more elegant

than chasing what you’ll never catch?

There was one time in my life

my heart felt right-sized,

quiet, & I was so at peace

I was invisible. The robin

thought I was a chair or tree

the easy way she cleaned

her feathers near my feet.

More often my feelings swarm,

a storm surge, how water alone

can warp metal, level a village.

When I keep feelings at bay

I appear okay, recalling

how Gulliver’s giant size

made him too dangerous

to keep.

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Tomorrowland & Man’s Dominion

Tomorrowland

I think it is equal in importance to that moment in evolution when aquatic life came crawling up on land.

—Wernher von Braun on humanity entering space, Los Angeles, 1955–1957

 

Some days after work, I’d rent a speedboat

from Long Beach and hop it out to Catalina

for an evening dive. What a thrill every

time, the chill of sliding through blue skin,

descending down the long teal folds of fulgid

kelp. A bright humming brain of gold baubles

lifting braids to the sky like a praising willow

swaying in the sugared light. I was almost lost,

weightless and wondering through the ocean

with no one following me but the moon as it

rose to look upon its navel. Omphaloskepsis: to

consider the divine inside the belly. When Jonah

was ankle-sunk in stomach acid, he was learning

the volcano’s wrath that gave birth to land. I could

spend hours floating in the whale constellation,

that dark, starry sea of seas. The umbilicus of space

that ties us to the womb of ocean. I wanted a rocket

to break through the egg with its tooth, dislocating

heaven and earth’s denotations. When we first

fumble around in the moon’s cratered belly, what will

we call our new lexis? How will we learn to be in

the universe but not of it once we leave behind our

world? The mystical isn’t in the ecstasy of floating

through space, our fragile bones eroding, but in

bearing the burden of our attachment toward a

center. Peter met Christ on the water because

he wanted to be like him. I designed Lunetta to churn

out gravity for the future to meet the cosmic Christ.

 

 

Man’s Dominion

And don’t tell me that man doesn’t belong out there  [space]. Man belongs wherever he wants to go—and

he’ll  do plenty well when he gets there.

―Wernher von Braun, 1958

 

Standing at the edge of the Yucatan

jungle, I felt an urge to just run

blindly into it. The adrenaline was like a

timpani drum roll, paving the entrance

for the brass. I hired a guide, and as we

pushed through curling palms, ferns, and

snagging vines, I swear I could smell the jaguar’s

urine on the trees it had sprayed, hear

echoes of the animals that had fled before it.

I could hear a mosquito filled with a pyramid

of blood. When we saw the jaguar,

I became quiet as space, holding every

sound against the butt of my rifle.

Like when I held the liturgy candle,

planning each step so I wouldn’t spill the wax,

trying to pretend no one was watching.

His fur was glistening jet oil, his gaping mouth

a range of snowcapped teeth. The God who

framed his symmetry pitch-dark dared to

lock my limbs into their grooves

as well. He meandered through the lushness as a black

hole against a canopy of stars, his gold eyes

moving like jumpy flying saucers

in a child’s sloppy flipbook. I aligned

the crosshairs half a meter ahead of him

and pulled the trigger like a prophet

releasing a message before the people were ready.

My throat felt as if I had swallowed too

much water. I strode through the mist

toward my trophy, the graceful carcass already

hazy with flies. I had my guide put it in the jeep

and drive me into town to have it skinned.

 

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To the Elk

They were hanging it against the barn wall. The head limp to the side. With a snowmobile they had dragged the dead elk from wherever in the mountains the pile lay where it had been gutted. For this bloody spectacle.

 

“That’s a big fucking animal.”

 

The porch of the main cabin: Wyatt was there with her, and so was this man Dale from Seattle plus the three highballs in his veins. That’s a big fucking thing, Dale kept saying. This was at the ranch that was in Wyatt’s family. The Smith River was nearby. It was Thanksgiving night.

 

“They got one last year too,” said Wyatt.

 

“It’s bigger than a buffalo.”

 

Savannah was thinking of her father and brother and this same performance. They would return home to the triplex by the refinery, north-side Great Falls, with a carcass in the truck bed and blood dripping from the tailgate. And she was saying to herself, for this….

 

Up the porch steps came the hunters. They had been out all day and were covered in mud, and Savannah thought they smelled. Wyatt congratulated them and asked about the hunt. An uncle said they’d been lucky to shoot it from fifty yards. It ran a hundred and died, and a young cousin took the killing shot.

 

Wyatt’s uncles and cousins started applauding. They shook hands all around. Even in daytime she didn’t remember their names, and it was not daytime. The dark was long past gathering; it had mustered.

 

“Last year they got a bigger one,” Wyatt said.

 

By now the hunters had gone off to their different cabins to clean up.

 

“Bigger?” said Dale. “Bigger than that?”

 

“It’s missing half its rack.”

 

Savannah looked at the head again and saw only one antler.

 

“Do they spar?” asked Dale.

 

“I think they grind them against the trees,” said Wyatt.

 

“Not as impressive.”

 

“True.”

 

Speaking to her now, Dale said, “Let me ask. As a Western woman, does this arouse you? These men returning from the hunt?”

 

“I hope not,” said Wyatt. “I’m related to them.”

 

“I don’t mean the men. I mean the blood. I mean the sight of this big, beautiful dead thing.”

 

Savannah said, “I’m used to it.”

 

In fact by now—being from this region and educated in a different one (the opportunity belonging to so few from that refinery neighborhood)—she had a rule for herself: no dead animals or fresh-caught fish, not in real life and not in any photographs in any public medium, app or profile, or anything else. None of that spectacle would be permitted with regard to whatever partner or friend she kept. Wyatt’s pictures were full of other things: the neoclassical façade of the apartment building where he used to live in Missoula, an Old Fashioned in a bar in Chicago where his roommate from college played jazz guitar, a portrait in graduation robes and the sandstone arcade columns flanking him, that one now six years old and his hair (shorter back then) tousled from doffing the cap, the PBK cord helpfully around his neck in the foreground….

 

“Does it arouse you, Dale?” Wyatt asked.

 

“No, I’m so boring. No kinks for me. For me it’s all dollars and cents.”

 

“You’ve seen more blood than any of us.”

 

Seattle Dale was a political communications consultant. Fundraising was his higher function.

 

“Violence to me is writing a strongly worded email. But—I mean—you look at this, and you know these men can provide. I mean, this is vacation—it’s fun—for us. But—I mean—it’s something, something more.”

 

His tumbler was down to the ice melt.

 

“It doesn’t arouse me,” Savannah said.

 

A cone of light and warmth and festivity spiraled out like a dust devil when the door opened. A terrier called Sonny with long distinguished whiskers came out and trotted down the steps and went to piss on the snowy lawn. Inside, Wyatt’s aunts and mother, and his father also, were preparing the table. His father specialized in sweet potatoes.

When the little dog came back Dale went in for another drink and called the dog in using baby sounds. At last they were alone.

 

She watched Wyatt’s face. There was nothing there but anticipation for dinner and for his wine. She had looked at him before and had seen whole worlds where they would go together and more from which he’d come. A lick of dark hair came down out of the front of his cap. He put himself together well and tried to dress of his time, but it did not subsume him. Not too clean with the effort, his good shirt just a little too big. He liked big clothes. To have something fit perfectly—was that another of the things that would make him feel ashamed of his upbringing?

 

The glass against Wyatt’s lips now. Rare content passed through his eyes as he swallowed, the fire weeping in them. He made his deep voice go high and feminine. “Does it arouse you?”

 

“Ask me again,” Savannah said.

 

“As a Western woman?”

 

She moved to hit him, and his arm was around her.

 

“It’s cold.”

 

“I’ll get a fire going in our cabin.”

 

“That sounds nice.”

 

“Thank you for doing this,” he said. “I know it’s unbearable.”

 

“It’s not. It’s really not. I love them.”

 

There were many people she didn’t know. But at length you would know them. It was not being away from home, that wasn’t the difficult thing. Anyway you only had to get through dinner and then go to the little cabin and go to sleep. The drive had been beautiful, and they hadn’t argued.

 

She stood on toes to kiss the bottom of his neck.

 

“Do you really?” he asked.

 

Tears were in that question. Tears were good. And her rule was a good rule, a necessary rule to have for men. Education in history and politics had made her question whether it was for the better passage of life not to have relationships with men. That was a resounding theory up until graduation. Anyway, at minimum you had to have a rule you stuck with.

 

He went to wash his hands before dinner. When he was gone she admired for a while the dark mountain on the horizon above the ranch gate. The cold clean air touching her eyes, inflaming the veins. She didn’t look at the dead elk on the side of the barn. Then she went in for dinner.

 

 

The table was so crowded with people that her shoulders never relaxed. Her shirt went too low, she thought.

 

The food was very good. The green beans were perfectly seasoned. There were two turkeys; one was local and lean and the other was a butterball. They filled their glasses with red wine out of towering decanters. She was at the end of the table beside Wyatt. His father was at the head. She was across from his mother. It was a good meal. Everyone talked to each other.

 

“How come you didn’t want to hike,” the mother was saying.

 

“I thought I’d stay around and get something done,” said the father.

 

“Get what done?”

 

“Work. Caught up on emails.”

 

She watched Wyatt. He was drinking fast. She touched his knee under the table. His leg was vibrating under her hand. You could duck under these little breakers of talk like a child playing in the surf, but Wyatt was not possessed of that lightness. Later they would have to talk at length about it—whatever thing was said at the table that stood out to him as particularly abhorrent.

 

Things got formally quiet as everyone took turns saying gratefuls. The woodstove atmosphere and the gray iron of the gun barrels on the walls and the smell of the old rugs and leather furniture gave the quiet an oppressive quality like overwhelming heat, inescapable intimacy, absorbing silence into it.

 

From the other head of the table, “To the elk.”

 

“To the elk.”

 

“Beautiful. Just beautiful.”

 

“It’s special.”

 

“There are times you’re facing an animal and you’re not ready to take a life. It’s not an easy thing. To the elk. And to Harrison. He took the shot.”

 

She drank a little faster after the toast. When her turn finally came, she said, “Thank you for welcoming me. It’s a wonderful place.”

 

“To the ranch.”

 

“The ranch.”

 

They drank. All agreed—the ranch and the dead elk held all that was beautiful and dear. She didn’t look at any particular face; from having run meetings she understood how to look between people when addressing a table. She went on, “It’s been a good year. Better than I expected.”

 

Wyatt mugged for the crowd, and everyone laughed.

 

“Really, thank you for having me.”

 

Later they stood around the long kitchen island and ate the pie she had baked. She explained again to one of the aunts the decision they’d made to move in and what went into it. The uncle who had toasted the elk asked what she was doing for work and followed her answer with, “Do you work together?”

 

“No,” said Wyatt. “She works for a Dean. I work in Admissions. The worst office to be in right now.”

 

“It’s a good place to work,” she said. “I can do four tens in the summer when I want. The benefits are good. Campus jobs are nice.”

 

“When you add your union dues to the premiums you’re losing half a paycheck,” said Wyatt.

 

“But you can’t have one without the other,” she said.

 

“It’s beautiful how that works.”

 

“Can you run this up the flagpole?” the uncle went on. He had not listened. “Why the cuts to English? You can’t cut English. What’s the point of having a public college if you’re going to get rid of English?”

 

“English isn’t going anywhere,” she promised, wearily. Because she thought there was more than just the appreciation of literature in his concern for the survival of English.

 

“Well, run it up the pole if you can. It’s terrible what’s happening over there with the cuts. And Will Tunt retiring is a big loss.”

 

“It’ll get better,” she said.

 

“Enrollment always goes up when there’s a recession,” said Wyatt. “Folks would rather be in grad school.”

 

The uncle had taken several big bites of her pie. He told her how delicious it was and asked if she had made it herself, yes. After a long while the grown-ups were too drunk to stay awake and the teenage boy cousins had grown too weary for the world outside their heads and the girl cousins were sleeping in the corners cuddling with the dogs and it was over, she had survived it, and Wyatt was not saying anything else about the college where they worked and how it was a poor school serving poor students who were going to stay poor, and they were on their way out.

 

“Take Sonny with you,” said his father. Handed the terrier’s leash to his son. “Don’t worry, he’ll be good.”

 

Together they walked the little dog from the big cabin to the small cabin where they were staying.

 

While Sonny sniffed around at the base of the cabin steps, they sat on the porch, on top of a bench covered with a buffalo hide, and they looked across the lawn at the barn where the dead elk was hanging. Savannah wondered if it was going to start smelling.

 

“I wish I’d been out there to see,” said Wyatt.

 

“I don’t.”

 

“I mean to see it when it was alive.”

 

“I’m glad you weren’t there to see it get killed.”

 

They were holding each other. The wind moved over their faces, and they squeezed closer.

 

“Not that I want to hunt,” Wyatt was saying. “But you sort of wish that you knew what it was like.”

 

“I don’t. I don’t want you to be like,” she raised her voice and imitated Seattle Dale, “Harrison.”

 

“Me neither. I just wish I knew.”

 

“It was fun walking to the cliff,” she said.

 

The hike they’d done in the afternoon took them across the western expanse of the family’s great tract, past a tipi erected for ambience, to the edge of the river gorge. Fathoms down, you could see the frozen banks. In summertime you could swing from a hammock between two ponderosas with a cocktail in hand, maybe a book in your lap. This was how she imagined him.

 

Then she thought that the dead elk had moved, swung a little.

 

“It’s—” he started. “My dad didn’t know how to field dress an animal. His dad never taught him how to hunt. I’m not any better because I don’t do it.”

 

“It’s not about being better.”

 

“One feels somehow emasculated,” he said.

 

“Because you don’t know how to hunt?”

 

“Not exactly. I don’t think you’d get it. You remember Chuck asking what I do?”

 

“He didn’t ask you. He asked me.”

 

“But then he asked if we work together.”

 

“So.”

 

“I always have to prove my worth. That’s what I mean: I don’t think hunting is impressive. But doing something impressive is impressive. Knowing how to do things.”

 

“I don’t think that’s what Chuck meant.”

 

“I know my family.”

 

She didn’t want to argue. She said something about how it would be cold and unpleasant to have to go pee in the middle of the night, since the nearest outhouse was across the lawn, behind the barn with the dead elk. After that they went inside and got changed for bed; or, she did, and he started trying to make the fire.

 

The plush duvet cover was cold on her bare legs. The hairs stood up, and while she waited for the fire to start she was self-conscious of having prickly legs. Sonny was on the ground, sitting obediently and anxiously, watching her in bed. Wyatt was kneeling and using a hatchet to make kindling. Erratic banging shook the door when he wedged the blade into a crack and slammed a log against the stone base of the fireplace to split off flakes of pine. He built a pyre in the iron woodstove with newspaper and tinder and tried to get the flames started and took a long time to do it and tried opening and closing the flue and could not get it right.

 

“It’s so cold,” she said.

 

“Almost got it. I smothered it last time.”

 

“Maybe you could just get in with me.”

 

“No, I have to do this.”

 

She could fall asleep even when she was freezing, especially after enduring something. Enduring did make you tired, but it was alright to be tired because you could sleep easily. Her father had said to her once, do you sleep easy because you’re a princess?

 

She was almost in a dream and Wyatt was still working on the fire, and she felt Sonny climb up onto the bed and lay down on top of her feet, and her legs got warmer, and then she was all the way in the dream and almost asleep but still heard the newspaper flare up quickly and burn out each time he tried and tried, Wyatt still in the waking world.

 

 

Much later in the night she woke up because she had to pee. It was hot in the cabin. The fire was going, she did not know for how long, and the twin bed beside the queen was unmade but empty.

 

She pulled sweatpants on and went to the door and had to push it very hard till it flew open and slammed against the wall. No other noise out there. She saw the moonlight, bright on the snowy lawn, and the big cabin like an embalmed giant. She saw the elk, its fur matted and dark, and the tongue spilling out of its cracked mouth. Its open eye was black.

 

And Wyatt was sitting on the bench next to the cabin door. He was all in his winter gear, which he had formerly peeled off when he labored to make the fire, and his elbows were on his knees and his cheeks were in his hands, and he was undoubtedly facing to look at the elk.

 

“It’s cold,” she said.

 

“It’s not too bad.”

 

“Do you want to talk?”

 

“About what?”

 

He wasn’t wearing shoes. His bare feet were on the ground, his toes a few inches from the pastry-thin ice. He had taken off his thick wool socks and left them between his feet, inside out.

 

“What are you doing? Come to bed.”

 

“I can’t,” he said.

 

“Come on. Don’t do this.”

 

“I’ll be in later. I’m sorry.”

 

Savannah recalled that she had to pee. Without answering the apology she went down the cabin steps. The sudden reminder, the pressure in her stomach returning to the front of her conscience, was as heat coming back into a room after a door is shut against winter.

 

She walked out over the snow. The dead elk grew larger and larger in sight the closer she came to the barn. The texture of its fur was nauseating, more than the smell of the outhouse.

 

Sitting down, she hated herself for the lapse. It wasn’t useful to be bitter about anything, but it had gotten to you anyway. The transference: you’d caught it just as it was done.

 

When she returned he had already gone back in. The socks remained. She picked them up and shook a little ice from them. In the cabin he was lying flat on the twin mattress, with hands folded on his chest. She got on the queen and pushed all the bad air from her lungs.

 

“Come on up.”

 

“Just calming down.”

 

It was the same thing. Civilized men would kill something, civilized men would watch. In his pictures the elk was there. Strung up between the arcade columns, its outline and ghost.

 

“Get in with me.”

 

After a minute he said, “Alright.”

 

There was love too, that was true. He was the product of a rule, an algorithm that had narrowed so many variables to her preference. They resisted the same things. Like the logs and pine flakes and newspaper it would keep the fire going, but also they would be consumed and used up. There was no rule concerning what to feel.

 

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Pollarding & Animal Spirits

 

Pollarding

In this unwitting dawn. In the begonia
I put in the poem because of its incantatory

 

sound. In the vine I thought was a sweet

pea—to put a sweet pea in the poem—

 

but was actually a weed, common vetch.
In the still early summer heat like gentle

 

pressure on the forearms and wrists.

 

 

A trio of military planes screams overhead.

I squint into the glare and the leftover

 

cosmetic product on my hands flashes
in a type of dim recognition. Wash it off. Who

 

is going to read about botanical misprision.

There’s a war on and I am the yellowing

 

pages of Bishop’s National Geographic.

There’s always a war on and its location

 

is not a function of place but of people, plucked

for the vase or the oven, wilting or burning or

 

eaten as a delicacy. The word of the day

is upward. The word of the day is all cops

 

are bastards. Who am I to say what we should make

of the clay at our feet, minor gods with shovels

 

and grass seed, with kilns and molds, the joints of

our fingers curling around some texture, releasing

 

it in the checkout aisle or through the window

that backs the checkout aisle.

 

 

After adrenaline, a comedown just like any
other high. You’re sitting on the floor in a hoodie

 

and biting all the skin off your lips. Outside,

the day continues to mulch itself, there are

 

robins, someone is invoicing someone else

for another order of rubber bullets.

 

The symbolic vulture will not arrive

 

 

To hunch in the middle distance. Sorry,
I’m back now, I was on the patio this whole time,

 

my mouth is bleeding and the roar has faded
such that it might be mistaken for an air conditioner,

 

the mechanical hum of comfort
in deeply inhospitable environments,

 

a fueled and speedy monarchy, it’s coming,
I tell myself, get up, it’s well-rested and armed

 

to the teeth literally but also and importantly
for my purposes metaphorically, a giant blossoming

 

of dipshit noisemaking. It doesn’t have to go
to the office and it is responsible for the existence

 

of Phoenix, Arizona. I wobble on my feet

like a newborn anything. I am melancholic

 

about structures. Look: no matter what you grab

out of the kitchen drawer, it can be used

 

as a lever. In what follows, we’re on the side

of the ice, those tropical begonias be damned.

 

 

Animal Spirits

“If the animal spirits are dimmed and the spontaneous optimism falters, leaving us to depend on nothing but a mathematical expectation, enterprise will fade and die.” —John Maynard Keynes

 

 

 

 

Enterprise withering on the vine. Enterprise left to rot in the sun.

Out of its carcass, a cooler wind—

 

 

 

 

/ / /

 

 

 

 

If the world is bad to you, you are sad.
If the world is good to you, but you know about the world, you are sad.
If the world is good to you, and you do not know about the world, you will not be sad.
If the world was bad to you but it is no longer, it is easy to forget about the world, and easy to

forget you were ever sad.

 

O dripping globe. What we’ve blamed

on the elements. On the accident
of our cells rather than the rapidity

with which we turn water to cement.

 

 

 

 

/ / /

 

 

 

 

The idea that the brain is the seat of the soul is older than most people think it is.

 

The history of naturalizing economic activity is exactly as long as you think it is.

 

We were made for money / / we were made of money

 

 

 

 

/ / /

 

 

 

 

Falling through a substrate,
the gentle “u” of the body as it faces upward. The hands and feet like a dancer’s, directional.

 

On the curb, a man turns over shovelfuls of dampened sand in a wheelbarrow. The sound is like

stiff fabrics hung too close to one another on a line. A recursive intimacy.

 

A brief and wild optimism, and then the grinding sludge of machinery, its unmatchable

excitation.

 

 

 

 

/ / /

 

 

 

 

A bull in the blood.
A bull made of blood, made of air, air carried in the blood air seated in the brain.

 

The brain a bull. The world a bull with its hooves on the world.

 

O beast that could be gentle. Asleep in the beige autumn of the shaken head, slow wading

through the pool of counter-liquefaction.

 

Abolish selling.
In the hand outstretched, these cool bristles
like a hand broom, a horned smoothness and the scent
of fields and a fire recently extinguished. This animal pause.

 

 

 

 

/ / /

 

 

 

 

Frenzied acquisition of undergarments,

small vases, linens, soaps, followed by the hatred of stuff—

 

 

 

 

/ / /

 

 

 

 

The dog on the surface of the water, the dog on the silver of the coin.1

 

 

 

 

 

1See Robert Burton, in Anatomy of Melancholy, on rabidity: “That in Hydrophobia they seem to see the picture of a dog still in their water” (222).

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Invasive

Then there was no more singing.

All the lights in their throats cut:

 

the protest of evening wolves & black

bears nuzzling a parched creek for any-

 

thing that might sustain them another

white-skinned winter, those foreign

 

birds we never learned the names for.

Invasive, my grandfather called them.

 

Like the silver carp haunting our

local river. Bullfrogs & possums.

 

He called us natives after living

three generations on the same

 

hard land it took so much blood

to own. At the end of the path

 

the bullet takes to meet the right

body, the right body drops like

 

nothing worth losing sleep over.

It’ll cost two men three hours

 

to drag it home in one piece.

That wilder silence lasts but

 

a brief eternity. Before the unseen

choir shakes the forest. Again,

 

the same damn wolves & starlings. Men

still dragging. The season closing.

 

Its wiry legs kick & quiver in our hands.

Like strings. Song. Our song now to sing.

 

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