Image Descriptions

I have 31,639 photos saved on my phone. I am a hoarder of many things: pictures, videos, trinkets, birthday cards, dead flowers, and most significantly, memory.

 

Phone

 

The Cloud has allotted me a dangerous ability to hold on to and reflect on moments more than one should be able to. My photo album eats up a large chunk of the phone’s storage. I feed it continuously with the promise of deleting, although I rarely do: what would I lose if I were to rid my phone of the thousands of images I likely don’t need? It’s a question I’ve considered but have been afraid to answer.

 

There are pictures of me in all different stages of adulthood saved to my phone. There are some from my first years of college and some from the last. Ones from graduate school and after. There are pictures of exes, friends, and family. My dog, other people’s dogs, random insects with which I’ve had portrait-mode photoshoots. There are photos of people I’ve loved and people I currently love. There are photos of people who are dead. I hold onto them as though keeping them will stop the years without those people from expanding.

 

I can look at a photo, just about any that I’ve taken or been in, and know exactly what I was feeling at the time.

See: a picture of me smiling in a bird store, a blue-and-yellow macaw perched on my arm. I see that and I remember how it feels to have been loved in all of the wrong ways. Not pictured: a man who only phones after dark; my face pressed into the carpet of his bedroom floor; a chronic stomach ache; ten months and the more I will let him take from me. The bird is a shining gold and royal blue. I am the smallest version of myself I have ever been. I keep the picture on my phone for days when I need to remember whom I have survived.

 

Macaw

 

I keep the pictures I took in my yellow-lighted bathroom of my stomach flexing in the mirror, daring abs into view. Not pictured: a fear of rice; a fear of bread; a fear of pasta; a fear of carbs; protein bars that made me sick; a near empty refrigerator; the day I ate nothing but broccoli; the urge to cry at every restaurant; crying when the toast came out buttered; heat exhaustion; dehydration; a boyfriend with an Instagram feed full of women who are not me; a boyfriend who does not love me and never will; an image of health that is anything but.

 

A picture of my best friend from college and me: a selfie we took with soft smiles, another where we are squeezed together in a hug in front of a street sign in somebody’s backyard. Not pictured: the drugs in our system, prescribed and recreational; the many midnight trips to In-N-Out via Uber; laughing so hard one of us pees; me getting cursed out for not sharing someone else’s cocaine; Saturdays at the mall; Sundays at the beach; the years to come and her last; a tweet that sounds like a suicide note; months of therapy; a lifetime of regret.

 

Mirror

 

A picture of my father and I on a trip to California from when I was in high school, both of us smiling, his head bald. Not pictured: the two years of uncertainty; the chemo that was supposed to be radiation; coming back from summer camp to find him without hair; fear of what if and a possible recurrence looming on every horizon.

 

A picture of an ex and me on vacation in Mexico. I’m wearing a long black dress with embroidered flowers. He is kissing my cheek. Not pictured: a very public elevator fight; the weeklong trip without any sex; our blatant incompatibility.

 

Kiss

 

A picture of a wall with blue-potted flowers that I took on a trip to Spain with my dad. Not pictured: me hyperventilating the entire plane ride, in the hotel room, outside of the hotel room; the realization that nothing is real; the realization that I am not real; an overwhelming sense of impending doom; the desire to throw myself off of the tallest building; panic attacks that feel like death; wanting to be anywhere else but on Earth.

 

Flowers

 

A picture of me at the county fair, smiling between two friends, stuffed unicorn prize and bag of cotton candy in hand. Behind us, the Ferris wheel rotates. Not pictured: the longest summer of my life; the third psychiatric medication in two months, the first making me unbearably dizzy; the fear that this feeling may never end; psychiatrist appointments; doctor’s appointments; therapy appointments; seventeen hours of sleep a day; taking thirty minutes just to pee because this body didn’t feel like it was mine; Xanax to keep me from crawling out of my flesh; Wellbutrin that makes me manic; the fear that I will be this way for the rest of my life; the knowledge that I will be, cyclically.

 

Ferris wheel

 

A picture of a sunset on the beach I took from my apartment window, the sky settling into an amalgam of blue and pink and orange. Not pictured: two nights before this one; a man who does not warn me before he is on top of me; a man who takes and then leaves; his remnants on my face; three showers in a row; cowardice of keeping quiet; memory that will haunt and disrupt.

 

Window

 

A picture of me and friends at a sorority formal circa 2015. Not pictured: the excessive drinking beforehand; a shortage of chicken wings and fried macaroni balls at the event; a mediocre DJ; a bus ride full of vomit and no plastic bags in sight.

 

Thousands of pictures of my dog. Not pictured: constant crying due to the realization that someday my dog will die.

 

Doggies!

 

A picture of my hand with a ring on it. Not pictured: my hand shaking with twice the speed it usually does as it is slipped on my finger; his hands also shaking; a love I have always wanted and now have.

 

Ring

 

My grandparents’ wedding photo. My father in college. A picture I took of a picture of my mother at sixteen. Random farm animals I’ve pet. My birthday cake from four years ago. A meal that changed my life. An incredible croissant I consumed in under 20 seconds. Places I’ve been. Memes that have made me smile. Memes that have made me laugh. Poems that have made me cry, or pause, or have left me with an open mouth. Places I have lived. Things that have made me say, “I need to take a picture of that.” It is both a blessing and a curse to be able to capture, to keep, to review. I hold on to both the bad and the good. I want to remember feeling of any kind. Not pictured: all of the things I wish I had taken more footage of. Not pictured: all of the life that existed before I held a camera phone. Not pictured: the life I have [yet] to experience.

 

Cake

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The Lunch Party

At the time, everyone’s partner had the same name—David.

 

There was no good reason for it. Initially, we joked that the name had been in vogue the year they were born, but that couldn’t be true: the Davids were set apart in years, the youngest being Alena’s boyfriend at nineteen, and the oldest being Audre’s secret, at fifty-eight. Perhaps the first of the sisters to procure a David—Audrey, at thirty-two, who had been courted for eight months by an age-appropriate David at the swimming club where she tuned her finely muscled thighs every weekday evening—had set some kind of subconscious example for the rest. Whatever it was, within a year of Audrey’s formal introduction of the First David to the family, Adalyn and Alena had both found Davids of their own, followed by Ayla, and then, when they all turned to Audre, the eldest, thinking wouldn’t it be funny if she found someone after so long and that person turned out to be a David, too, it came out that she’d been carrying on with a married man this entire time, their father’s wife’s orthopedist. Who, of course, was named David.

 

There were five of them, Audre, Ayla, Audrey, Alena, and Adalyn. It’d just been Audre and Ayla at first, but their father’s second wife had come packaged with the indomitable Audrey. When Wife #2 passed quite suddenly from belatedly discovered leptomeningeal disease, he brought the three girls, aged twelve, seventeen, and twenty-one, to get their meningitis vaccinations, which, no two ways about it, was where he met the woman who was to be his third wife. Me.

 

By the time the twins arrived, it’d been decided that they’d continue the tradition of names beginning with A. Myself, I thought it’d be nice to break away. Didn’t mind a Darby, or a Christine. But the older girls sensed my discomfort and pressed down hard, insisting on keeping with convention. In private, I consulted with their father. You already have an Audre and an Audrey. Are you sure? Truthfully, I was afraid he’d mix them up. He wasn’t getting any younger, and his memory had never been crystal. The thought of five similarly named girls wandering around in that big house just seemed like a trap. You want to know the worst part? Ask me my name.

 

Call me Anita, I said, before the battle lines had been drawn. I was only twenty-three, I had no peers to consult with. All my girlfriends had found men still on their first go. Later, they’d say: you should have established authority first thing. Don’t try to be their friend. Where was this advice when I was first inducted into the family? Not yet hatched, I suppose. Anyway, being authoritarian wouldn’t have worked. And the girls knew it. Anita, they’d say, we’re out of eggs. Or, You’re so cuteAnita. Wielded at a distance, as if to remind me that my presence in the house was but a passing amusement to them. Even the twins didn’t anchor me: the other wives had come and gone, too.

 

Audre, the eldest, is saying it now. Don’t mind Anita, she takes a while to process things. The way she always says it, Ah-ni-ta, the ta a harsh spit. I look to David, but he is of no help. He’s in that spot men eventually all find themselves in, between enamored and guilty. It’s the first we’re hearing of the affair, and looking at Audre, I can’t shake the feeling that there’s a smugness in her eyes, a certain challenge in the set of her chin. She crosses her legs, her hand snakes into his. I can’t believe how reckless they’re being. Life can’t be lived on a whim. And yet. David is one of my oldest friends, and I had no clue. Even though it’s been a while since I’ve had to see him for my herniated disc, I meet him and Celine at least once a month for lunch. Celine. Oh god, Celine. I look at him again. His eyes are pleading. I can tell he’s asking permission to smile, to take Audre’s side. So, it’s that fresh. A fifty-eight-year-old man, still hanging on the tail end of his mistress’s every sentence. Audre says it again: Earth, earth to Anita. And laughs. It’s the laugh that does it for me. I put a hand on my husband’s lap, turn to my old friend and orthopedist, David, and say, You know, darling, we should all have lunch.

 

 

The lunch is set for the first Friday of the following month. We can’t do weekends, because then Celine will want to know where her husband is. The other four girls and their Davids have flexible schedules and somehow make it work. In the lead up to that lunch, I often wonder if Audre regrets announcing the relationship to her father and me in that way. I turn that analytical eye on myself, too. What is it in me that drove me to propose that disaster, lay that trap?

 

Was I conscious of what I was doing? The girls think so, I’m sure.

 

Just shy of a decade later, at their father’s funeral, Audre will say, flatly, while picking at a cucumber and egg sandwich, Now you’re free, Anita. She doesn’t clarify, but we both know she’s referring to that lunch. I don’t want to look at her, so I stare at her sandwich instead. Cucumber and egg, her father’s favorite. Deceptively simple, but hard to get right. The cucumbers have to be pickled in rice vinegar, sunomono style. And the eggs boiled for ten-and-a-half minutes, then whipped with kewpie mayonnaise.

 

When Friday comes, I spend all morning perfecting the sandwiches, then arranging them on the lunch tray. When my husband tries to steal one, I send him out for fruits. It’s a last-minute decision, and I give him a list of what I want, in order of priority: mango, and if that’s not available, then jackfruit, or rambutan. I can only breathe easy when I hear the car pull out of the driveway.

 

He returns with the first set of Davids. He found the twins wandering around the market with them, trying to settle on an appropriate gift. They tumble out of the car, all limbs and laughter, and together the Davids present me a massive bouquet of wildflowers. Double the size for double the girls, they say. As for my husband, he’s found the mango, my first choice. I peel and dice it, populating the table with small dishes of yellow flesh, when Audrey walks in with her David. They’ve brought wine, and I feel defensive as I send her to decant the bottle into a carafe.

 

Then, Audre and my old friend David arrive. They come empty-handed, as if to assume the position of host and hostess, as if to claim this lunch as thrown for their benefit. The younger Davids giggle nervously; the twins must have given them the background. I don’t let it get to me. I offer them a drink, which the traitor David accepts. We all take our seats, and wait.

 

Ayla flies in half an hour late, corresponding David in tow, and looks disappointed that we’re all still civil. Anita, David, David, Anita. Dad. Ayla has a laugh like a horse. It puts you on edge. To ask her why she’s late would be to offer her an opportunity to humiliate—No. We return to the conversation at hand, which vaguely, but also clearly, includes dear, absent, hapless, betrayed, Celine.

 

I don’t even like Celine. If you asked me directly, I wouldn’t be able to name one compelling thing about her. We met in church, after my wedding, when the twins were still germinating secretly under the frou-frou of my corset. She was a friend of the family, inducted by Wife #2. So I inherited her. She’d pressed her husband’s card into my hand, told me to call if I ever needed company or orthopaedic work. What kind of woman outsources friendship to her husband? Though it’s true that Celine’s David and I got along swimmingly. From our first appointment, I knew. He had the reassuring air of an anchor, weighty and rooted, from which Celine ballooned. Even though she was absent in that treatment room, David’s steadiness conjured her; it made you, a female, feel safe. In friendship with him, you were sexless, and could release yourself from the trappings of charm. Very quickly, over the course of treatment for a pinched nerve, David and I became close friends, bedrocked on his commitment to Celine.

 

Where is she during this lunch, Celine? She is back at the church, cross-stitching bible verses on the dresses of dolls, to be distributed at the Christmas service in two weeks. Every perfect and good gift is from God above. James 1:17. Poor, boring, good Celine. She’s been doing this for years. There isn’t a family within a hundred-meter radius without one of those dolls. When children bring them home, the idea is that they’ll carry these verses with them too, and, worrying the dolls over and over, that the verses will catch, and grow. That she’ll plant these beacons of morality in homes all throughout town. That’s Celine for you. She’s been volunteering at the church for as long as I’ve known her, and even after the divorce, she will stay. But we will go. We will drive twenty minutes more to attend Sunday service at another church, which is helmed by a fire-and-brimstone sort. I look at her David, who is no longer hers, though she does not know it yet. He’s looking at Audre, my oldest. The others are all looking at me, at him, at Audre, their gazes flickering between us, as if afraid to miss the slightest blink.

 

Audrey’s David gets up to pour the wine.

 

I’m sure the twins drink, but in front of me, their faces are stone as the carafe passes them over. Everyone remarks on how similar we are, how perfectly they take after me, but already the twins must be keeping secrets from me, maybe even from each other. Their Davids will only last one and three months more, and then they will refer to this period as the Davidic era, and laugh and laugh and laugh.

 

“It’s a common enough name.” This is Audrey’s David, the wine-pouring David. He says it apologetically; he’s a therapist with a reasonable attitude toward everything. “I was in school with two other Davids, myself.”

 

“But all five!” I say. He just shrugs: everything about this situation is unusual. The twins interject. Alena, older by twelve-and-a-half minutes, punches her David in the shin.

 

“I picked you because of your name.”

 

Adalyn: “And me, because it’d be funny.”

 

The twins glance at each other, and say, perfectly synced: “We’re collecting Davids.” They dissolve into laughter.

 

I’m embarrassed. I say, “What one does, the other has to do. You should see their rooms. It’s a compulsion.” I mean to say that with them, everything is a game, but that their playfulness is simply a byproduct of a sheltered youth and shouldn’t be taken to heart. Their Davids don’t seem to mind.

 

Therapist David sets the carafe down and settles back into his seat. I can see Audrey resting a hand on his thigh, gratefully. He speaks directly to Ayla’s David, the latecomer, making general, safe inquiries about his family. I find myself leaning forward. I know nothing of Ayla’s David. I hadn’t paid him any attention.

 

“One brother. Older. Nathaniel. And then I think my mother just went down the Book, picked the most normal sounding name out of the lot. Nathaniel’s other brothers in the Bible were all things like, Shimmy, or somet’n.”

 

“Shimea.” It’s my friend David. Just like that, Celine is with us, again.

 

Ayla’s David looks at him with interest. “You a deacon, or the like?”

 

“No, an orthopaedist. But I attend.”

 

I can’t help it, I snort. It’s very funny. And I know David has said it for my benefit, establishing a private bubble between us, of warmth and banter. For a moment, I feel like nothing has changed. But when I look up, it’s Audre smirking, Audre amused. Audre, just two years my junior, with her limp, dirty hair, which she shaved off once, after I ran my hands through it, absentmindedly petting her head as I introduced her at a gathering as my oldest step-daughter.

 

David relents. He tells Ayla’s David: “It’s a good name, it means beloved.”

 

Ayla’s David looks vaguely comforted. “My mother said he was a king.”

 

“And a womanizer.” Audre is smiling now, audacious, as she leans into David’s chest. She hasn’t even touched her wine. How could they do this to Celine? To me? I reach for another sandwich, pick at it. Technically, Audre has known David for as long as I have, though they’d never spoken outside of absolute necessity. But two years back, I’d rung David and asked if he could please have a quick look at Audre’s wrist, which had been giving her trouble. Carpal tunnel was easy enough to diagnose, and she really just needed a prescription. I remember ringing him again to complain, afterward. Audre hadn’t even thanked me. She treats me like a secretary, I told him. She always has. My old friend David had hummed on the phone, then said it’d been tendonitis. Not carpal tunnel. Though the two were so similar that they were easily mistaken, one for the other.

 

We are done with lunch. The sandwiches I’ve so painstakingly labored over, demolished. The mango, gone. Audre turns to my David and squeezes his bicep, bringing it sharply into existence. I blink, stunned.

 

“The strudel,” she says.

 

He smiles at us, then goes to retrieve it from his car. So they did bring something after all. They’ve kept it in the boot, a surprise.

 

“It’s your favorite,” Audre continues, in David’s absence. She’s speaking to her father. As if I’m not there. “Dave and I drove way out of town to get it. It was his idea; he knew you’d been craving it.” Dave? I hear a waver in her voice, I look at Audre more closely.

 

But a buzz of distractible excitement has settled over the table.

 

I’m momentarily confused, until I hear Ayla explaining to her David: “It’s this place we used to go to, as kids. It’s by our first house, when we were still living with Mom. We haven’t had it in years.” She turns to her older sister. “How’d you know it’d still be good? I wouldn’t dare. I’d be so afraid it’d disappoint.”

 

Before Audre can reply, David returns with two long boxes of pale yellow. He heats it up in the oven for ten minutes, then the strudels are unveiled with ceremony, one apple, one mango. He looks at me apologetically. “We didn’t know you’d be serving mango.” Puts a slice of the apple strudel on my plate.

 

It’s warm. I can see the glazing winking at me, the brushed sugar melted slightly from the heat. Beside me, my husband digs his fork in, bringing a big wedge up to his mouth. He’s delighted and seems to have no compunction about the scene unfolding before him. We’re all adults here, he said, when I’d raised my objections in private. What they choose to get up to is their business. He chews loudly. The twins exchange glances of wonder: the strudel is very good. Still? Ayla is smiling, so it must live up to memory. A David, not my David, is exclaiming, asking for the baker’s address. I look back down at my slice.

 

 

Nobody really understood, when I married my husband. Of course, you could argue that those were different times. These days, a girl can go with a man twice her age without the world blinking, and separate just as easily. Not I. Sometimes, when you look back on your life, you think to yourself: what else could I have done with the options that I’d had? Back then, I knew how people talked, but I’d been determined to weather it through. I married for affection, but, yes, also for agency. And haven’t I played my part? I remade myself in the image of a perfect wife, I committed to becoming a step mother when I was barely past twenty myself, I’ve always been faithful, even when I’ve had occasion to stray. I stayed. People can say what they want, but I gave myself and the twins a life not otherwise possible, and there’s no shame in that.

 

A year after his funeral, Audrey will call me. My overachieving, perfectly sculpted middle child. She wants my recipe for the cucumber and egg sandwiches. She’s tried pickling the cucumbers several ways, but can never quite get it how he liked it. Of course, she admits, it could just be her memory. After all, so much time has passed. It could be that they were perfectly ordinary sandwiches, and she’s inflated them in her mind over the years, enhanced by her step-father’s enthusiastic appreciation. I give her the recipe; there is no longer reason for me to withhold. A few days after that, she calls again. They are exactly as she remembers. Perfect.

 

I invite her back to the house, where I live alone. The twins, who everyone said resembled me so, have flown the coop. Ayla married her David, and they’ve moved to Germany. Audre and I keep out of each other’s way. When Audrey shows up, I am surprised to see that she is very pregnant. It hadn’t worked out with therapist David precisely because he wanted kids and she didn’t, but I suppose the right person can correct a wrong situation. Her new husband is apparently very nurturing. As we sit together, eating sliced cucumber, Audrey asks to see the dolls again.

 

How does she know I wouldn’t have tossed them? She reads the question in my eyes and says, You’ve always been one to punish yourself, Anita. Her smile is mirthless and tired.

 

 

After the strudels are done with, there’ll be a moment of awkward limbo, a pause. Then, someone, one of the twins’ Davids, asks to see their room, picking up on an earlier thread. We all troop upstairs, my husband and I, the five girls, their Davids. Push open their door. Enter the room. The twins are vibrating with mischief, excitement. Nothing is serious to them yet, they have no skin in the game. The world bears no stakes.

 

It had once been two rooms, but we knocked the middle wall down, so the effect is that of perfect symmetry. A long room, folded in half, one side leaving a precise imprint on the other. Their beds, desks, even the random entrails of their mess, mirrored exactly on each side. I turn and see Audre’s hand on my David’s lower back, rubbing it slowly, an act of intimacy that makes me feel awfully vulnerable.

 

But by then it is already too late.

 

The twins run up to David, their eyes shining. They see him as a funny old family friend, and throughout the lunch, they’ve been watching him with growing amusement as he affects a veneer of cool, trying to keep up with the younger boyfriends. I’ve seen them exchange glances at his occasional stumble and looked away, burning from secondhand embarrassment. But David has taken it in stride, played along. He doesn’t blink until that moment. In their hands, the twins hold a pair of Celine’s dolls, worn soft from years of attachment. Do you remember, they say. Do you?

 

 

A decade later, in that same room, Audrey will turn the dolls over in her hand, flip one of their dresses up. Along the hem: James 1:17. Every perfect and good gift is from God above. She reads it out softly. They really take after you, she tells me, finally. She puts a hand on her belly, and asks: Can I have this one?

 

 

The strudel, it turns out, has gone bad. Perhaps it is the fact that it has been sitting in the car throughout lunch, cooking slowly. Perhaps it is the burden of what it was called to do. After Audre’s David, Celine’s David, my David, mine, throws up all over the doorway of the twin’s room, something shatters. My friend David sees the flash of dismay in Audre’s eyes and in it, his own pitifulness reflected. The twins snatch the dolls away.

 

By the time the mop is retrieved and the cleaning cloths wrung and sponged, it is already over. The hopefulness of the afternoon has been punctured. An air of frailty overcomes David. He puts one hand on each twin’s head heavily, first Adalyn, then Alena, without seeing them: they are the same to him. Says goodbye to the rest of us, politely. Audre climbs into the car with him and they drive off a little way, before parking behind the church and separating quietly.

 

He is a good person, my David. He returns and confesses everything to Celine, who cannot forgive him. They file for divorce shortly after, and David transfers to a different clinic, out of town, for the remainder of his practice. Neither of them speak to me again; they ignore my calls. I respect them for that, at least. And if there are any significant developments in Audre’s personal life after that, I am never privy to them. Whatever relationship we might have had is lost with that lunch party.

 

 

But all of that is later. Before the end, the apple strudel sits, untouched, on my plate. Everyone has already gone for seconds, and it’s becoming uncomfortably clear that I don’t mean to eat mine. My husband, who’s already had a slice of the apple, then the mango, then the apple again, tries to make a joke of it. “If you’re not eating that.…”

 

The only David that really exists in that room is quiet. He’s looking at me, and I know in his face I will see that same pleading expression, betraying his naive desire for everything to be okay. Despite the disaster of the affair. Despite the fact that this is a small town, that it cannot last. Despite the fact that we have an unspoken understanding, he and I, of solidity, of accountability. Our friendship built on the assurance of things being exactly as they should.

 

In that moment, if I take a bite, he thinks, it will somehow all work out. It will resolve itself. He cannot possibly believe this, but he does.

 

I am not looking at him. If I see that plea in his eyes, my resolve will tremble. I know this much about myself. I am not looking anywhere, except resolutely at my plate, where the shiny slice of pastry sits.

 

Already the twins are scheming. Already the die is cast. My hands twitch by my sides, and I grip the edges of my skirt to steady them. Audrey, my perfectly poised child, gets up and begins clearing the plates. She gestures to her David, who collects the glasses and carafe. There’s a scraping of chairs. Everyone is up, now, except me, starting the dishwasher, cracking jokes, whipping the dishcloths between them.

 

My friend David gets up too, to use the bathroom. He hesitates, then leaves a kiss on Audre’s forehead, a chaste compromise. It’s just Audre and I now. I raise my eyes, we look at each other. I am shocked to see that her gaze is fierce, fervent.

 

“Mum,” she says, her voice controlled and low, and suddenly I can see that I’ve gotten it all wrong, but that it’s too late, and has been too late for some time now, “please.”

 

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The Writing Circle

I am going to get kicked out of my writing circle. I can feel it. When I tell this to my therapist, Melinda, she asks, “Why do you think that?”

 

“Because I haven’t written,” I say. “I haven’t written anything all year. I was supposed to submit, like, five times already.”

 

Melinda yawns and sinks into her armchair (which is much too large for a woman of 5’2”), scribbles something into her miniature yellow notepad, and half-sneezes. Finally, she says: “And writing—it’s important to you?”

 

“I’d like for it to be even more important to me,” I say. “That’s actually the goal.”

 

“I’ve heard that some creatives are more prolific during times of distress,” Melinda replies, like this is all over the news.

 

“Not me,” I say quickly, before she can tell me to channel my depression into some seminal work I will never in my life write—depressed or not. I just wasn’t destined for that kind of thing.

 

“Not you,” Melinda echoes, like she is checking a box on a to-do list. For the first time, I notice that everything about Melinda is aggravatingly tiny. Even her handwriting is so microscopic that I can’t make out a word of it from where I’m sitting, just four feet away.

 

“And now I’m supposed to submit again. In two days. And I have nothing,” I say, in the same tone a petulant child might use to get their mother’s attention. “I just don’t see this ending well.”

 

Melinda looks at me over her glasses. The image is so apt I would like to pitch it to Shutterstock under the caption “skeptical therapist.” Then she says, “Perhaps you fear being kicked out—even more than you should—because you were recently fired from a job.”

 

I am slightly annoyed that Melinda always finds a way to bring up my being fired a month ago. It’s something I try not to dwell on. “Even more than I should?”

 

“Right,” Melinda says. “More than is normal or healthy.”

 

“Right.” I think I understand the sentiment. After all, fear is a self-preservation mechanism. “That could be true. I mean, my writing circle is basically just a group of my friends from undergrad. We studied creative writing together. We smoked pot together. We got our hearts broken together. I’d be surprised if that’s what it came down to—me not being productive, that is.” Melinda’s expression is so vacant that all I can do is continue. “But, if I’m being totally honest, I wouldn’t put it past them. I’m not sure how I feel about them anymore, as friends, anyway.”

 

“Let’s talk more about that,” Melinda says.

 

“I don’t have much to say about it,” I start, my eyes fixated on Melinda’s baby-like feet wrapped in ballet flats, dangling just above the carpet, “but I get the feeling that they’re not, well, good people. Fundamentally.”

 

“And you think you’re a good person, Risha?” Melinda replies, a little too quickly. She sits up and plants her feet on the ground, as though reading my mind.

 

“Sorry?”

 

“They don’t live up to your standard of what it means to be good, it seems. I am wondering if you think that you, personally, live up to your own standard of being good.”

 

“Well, I’d hope so,” I say. “I try to be good. I really try to.”

 

“Something to think about,” Melinda says, pursing her lips to the side in a way that can only be described as annoying.

 

 

While waiting for the train, I kick a flattened Sprite can, pretending that it’s Melinda’s head. I instantly feel a little cruel, so I gently scoot it with the toe of my boot to a nice-looking area on the subway platform. A little corner next to a square bench, drenched in a trapezoid of sunlight. There, there, I want to say to the Sprite can. It’s not your fault.

When I accidentally miss my stop by two stations, I walk outside, find a large tree, and lean against it, with my backpack draped across the front of my body. Then I leisurely search through my things, as though I don’t know what I am looking for. But I know exactly what I’m looking for, and when I find the orange bottle tucked between two books—dusted with some dried tobacco leaves—I feel immediately relieved.

 

Soon I am walking through a park, thinking fondly of the little yellow pills sitting in my stomach, working their magic. The day looks brighter, more urgent and important. Before I know it, I have bought myself a popsicle, eaten it, walked three times around the park, given a homeless man some change, pet two dogs that belonged to strangers, and smiled at a busker. And now I am settling into a nook at a coffee shop, pouring a few of my stupid belongings—a notebook, two pens, my laptop, my laptop charger, hand lotion, a pack of gum—onto a small, uneven table stained with coffee rings. I open a blank document and begin haphazardly.

 

 

Simran meets with Judy, her therapist, in the mornings. Every Monday, they find their separate ways to a cold, ugly building tucked into a nondescript corner of the Financial District. Simi usually begins by telling Judy about her dreams.

 

“Last night,” Simi begins, “I was eating the biggest T-bone steak in the universe. Not just the world, but the entire universe. The actual steak, though—or, rather, the dreamed-up image of it—wasn’t remarkable in size at all. In fact, I’m sure you could easily find a bigger T-bone steak within a two-mile radius of this office.”

 

 

This is all I manage before I am sucked into an internet rabbit hole of the “ugliest buildings in FiDi.” Then “T-bone steak size and weight.” Too much time slips through my fingers, and now the baristas are cleaning the coffee machines so loudly you’d think it was a performance. A third barista weaves in and out of the seating area, setting empty chairs upside down on empty tables. I want to throw my hands up in the air and yell, “I get it, I get it!” Instead, I down the rest of my tepid cappuccino and text my brief beginning to Jessica—my best friend and the most successful member of our writing circle. We do this regularly, that is, send each other opening lines, pieces of dialogue, descriptions without context.

 

I pack my things quickly and thank the workers very politely, putting two dollars into the tip jar by the exit. Outside, the sun is setting, and the streets seem filled exclusively with couples—holding hands, hugging, guiding each other like one of them is blind. I feel happy that I am single and sorry for myself at the same time.

 

When I get home, I text my ex-boyfriend a picture of an unopened bottle of wine I have sitting around. I’ve heard this red is very bold. When he doesn’t reply for two hours, I open the bottle, pour myself a glass, and try to write some more.

 

 

Judy says it’s impressive that Simi takes an interest in her subconscious, but perhaps they don’t need to spend so much time talking about her dreams. “You are paying for this, you know,” Judy says, like Simi is being swindled and doesn’t even know it. “I want you to get the most out of this process.”

 

Simi tells Judy that she is very kind for considering her finances, but that she is a vegetarian, so the dream actually does have potential for deeper, real-world significance.

 

Judy smiles and nods. She walks around her desk and opens one of its drawers, pulls out a composition notebook, hands it to Simi. “Here,” she says. “A blank journal. For you to log your dreams in.”

 

 

My phone buzzes and I am giddy, until I realize it’s not my ex-boyfriend but, instead, Jessica: What’s a Simi

 

Simi is my protagonist, I write back, annoyed. Simi is short for Simran

 

Maybe choose another name?? I was confused.

 

Simran is a standard Indian name.

 

Ohhh

 

I wait for some time, but when it’s clear that ohhh is the extent of Jessica’s response, I offer: Do you think this story could be interesting tho

 

Definitely. I love cultural fiction

 

This is not going to be about culture

 

No? But she’s Indian, isn’t she????

 

Yes, she is. But this story is going to be about a patient-therapist relationship

 

Why does she need to be Indian then??

 

Because I’m Indian.

 

You’re writing about yourself?

 

No. But I want to write about people like me.

 

Got it. I just think that people will wonder what the significance is – of the protagonist being an immigrant…. They’ll want you to explore this, you know?? If you don’t, they won’t get the point of setting it up that way…. That’s why I suggested another name.

 

I pour another glass of wine and recognize that I feel equally disappointed in Jessica and in myself. In Jessica, because she is stupid and rude. In myself, because I surround myself with people who are stupid and rude.

 

I crane my head, so it’s hanging over the short backrest of the couch; I can smell its thick, hand-me-down fabric. I stare at the ceiling with intention, an expression on my face like the truth is clear to me now—even though my mind is blank.

 

When I hear my neck crack, I sit up again and take a sip of my very bold wine. I decide that while Jessica may be published in several well-respected online magazines, she is not the kind of writer I’d ever want to be. I’d never want to write a story in which the family dog is a golden retriever and the mother is protective of her wedding china and all the drama unfolds on a porch at night when the stars are out. I didn’t live that life or watch those movies. Not more than I had to, at least.

 

 

Simi takes the notebook into her hands dramatically, like the scene is playing out in slow motion. “Thank you,” she says, doing a little bow without even realizing it. Simi feels so overwhelmed with gratitude, in fact, that she begins to talk too much: “I think the reason I’m so obsessed with dreams is that, well, because I wonder if they contain clues about my previous lives.

 

“When I was maybe ten years old, I accidentally read a book about past-life regression therapy—and it changed me forever. I actually picked it up at a bookstore in India, called Crosswords. We visited India every summer growing up. My dad made us—so we wouldn’t become ‘too American.’ Anyway, we did become too American, and, anyway, the book cover was a picture of a chair with a spinning top on it. There was a line on it, too, that said, simply: ‘Children Who Have Lived Before.’ In my Velcro shoes, I felt like I had just unearthed something serious and important. Like I was the only kid who was going to know the real truth.”

 

 

The next morning, I am eating oatmeal from a plastic cup and drinking Gatorade when I decide that I want to stand in line today. This is something I crave from time to time. After all, when you are standing in line for something, it’s like the world is standing still with you.

 

I decide I will try to sell some clothes at a Buffalo Exchange, but when I arrive at the nearest store, I see that there is no line for anything.

 

“Hi, excuse me?” I say to a pink-haired girl tidying up a sunglass display rack.

 

“Hey,” she says conclusively.

 

“I’m here to sell—and, uh, donate—some clothes?”

 

“In the corner,” she says, like there aren’t four of them.

 

“Okay,” I say, and wheel my small, squeaky suitcase to the nearest corner, the right, where there are too many old jeans. I turn to my left and I see a small counter at the back of the store: two buyers, one seller. I approach the available buyer, a little disappointed.

 

“Hey, I’m here to sell,” I announce.

 

“Over here,” he says, even though I’m basically in front of him.

 

As I place clothing from my two tote bags onto the counter, we glance at one another expectantly.

 

“Good day so far?” he asks, sounding embarrassed.

 

“Great, actually,” I say enthusiastically, trying to pick up the slack. “I’m recently unemployed, which has been surprisingly refreshing.”

 

“A little time off never hurt anybody,” he sings happily. “I’m Elijah.”

 

“Risha,” I say.

 

“Such a pretty name.” Elijah smiles. “So, how are you passing the time?”

 

“I’ve been trying to focus on my art, I guess.”

 

“That’s so fantastic. What do you do?”

 

“I’m a writer,” I say. “I mean, I’d like to be a writer. I try to write.”

 

“You don’t have to tell me,” he reassures. “I’m a painter, in the same way that you’re a writer.”

 

“I wish I could paint,” I say.

 

“Me too,” he says. Then we laugh together, until it is clear both of us feel sorry for ourselves. For the remainder of our time together, I browse my phone while Elijah silently sorts my clothes into two piles. It’s clear almost instantly that the shrinking pile is the one I will be paid for.

 

“Thirty percent in cash or 50% in trade?”

 

“I’ll take the 30%.”

 

I am only $18.46 richer for seven minutes, because I remember spotting an animal shelter across the street. I go to a few bodegas until I find the brand of cat food my cat used to like. Then I donate it to the animal shelter and feel like maybe every kind act is inspired by a kind encounter.

 

 

“I know a little bit about past-life regression therapy,” Judy says. “It’s fascinating.”

 

“It is!” Simi beams. “You would like this book, then. I could lend you my copy, if you don’t mind returning it.”

 

“That’s okay,” Judy says, in the polite way that she does.

 

“Are you sure? It’s basically a collection of true accounts of children who remember bits and pieces of their past lives; children who have curious amounts of very real baggage, too. For example, there’s this one story about a young girl who couldn’t stand the sight or smell of fires—fires of any kind. In fact, one time she was at a birthday party and started crying uncontrollably when the cake was brought out with lit candles stuck into it.”

 

 

The bookstore is the place I feel most at home. It’s the one place I can not just handle crowds, but in fact prefer them. Most people are browsing alone; even friends and couples navigate the aisles like strangers. There is sanctity in how we sidle past each other, silently, apologetically. Gazes must be averted at all costs. Everyone is gentle in a bookstore. Paperbacks must be cradled. We open hardcovers slowly, really hearing the way spines crack, and there is a sincere eagerness to listen.

 

“Risha?” a voice booms somewhere down the historical fiction aisle.

 

I turn and it is who I think it is, unfortunately. Jessica. “Jessica,” I whisper back, hoping she will follow suit and lower her voice.

 

Jessica struts past a few visibly disturbed patrons until she is next to me, clasping my upper arm with both of her hands, like a koala. She does this often. “I was literally just about to text you. I didn’t mean to upset you about the—”

 

“Oh, I wasn’t upset!” I say, like I’m just realizing I’ve left the milk out.

 

“You never replied though.” Jessica purses her lips to the side in a way that reminds me of Melinda.

 

“It’s been a busy week.”

 

“Didn’t you just quit your job?”

 

“Uh-huh,” I say, suddenly remembering that this is the story I’ve told my friends instead of the truth. The truth being that I was fired so loudly—over a small mistake that was my fault, but not so colossal to warrant a public firing—that my former coworkers all chipped in for consolatory flowers to be sent to my apartment. “But I’ve got tons of errands to run now that I have the time.”

 

Jessica frowns at me like I can do better than that fib. “Well, if you want me to read over what you have tonight, you know, before you submit tomorrow, I’d love to. I’m staying in for the foreseeable future because I have this grant deadline to make.” She groans performatively. “You know what that’s like.”

 

“I don’t, actually,” I say. “I’ve never applied for a grant.”

 

“What are you talking about? You’ve totally applied for a grant before.”

 

I shrug. “I must be forgetting then.” For a moment, I consider telling Jessica the more important truth: that I only have a handful of bad paragraphs so far, that I won’t be submitting anytime soon. But then she says, “Anyways, I gotta run, babe. I’ve got someone upstairs waiting for me. A potential agent! Isn’t that exciting?”

 

“So exciting,” I say, wanting to strangle her.

 

 

“Anyway, this pyrophobic girl was younger than I was at the time—six or seven, I think—and she had no history of trauma associated with fires. She also harbored this intense hatred towards both of her parents that seemed completely unfounded. Her parents were wonderful people, apparently—overtly loving and everything. But their daughter would never return an ‘I love you’ or express any sort of affection. Soon, her mother became very worried and decided to take her to a past-life regression therapist.

 

“You might know this already, but past-life regression therapy involves hypnosis. So, they hypnotized the young girl to help her return to her previous life and, when she did, they learned that she had died from a house fire in the middle of the night. The last thing she remembered from her past life, too, was her body floating above the house, her family huddled on the lawn next to several firetrucks. She thought that her family hadn’t tried to save her and carried this resentment with her onto her next life.”

 

 

“Who is it?” I say into the intercom.

 

“Guess who,” the voice says back.

 

“Who?” It sounds like Vishal, my ex-boyfriend.

 

“I said guess.”

 

When Vishal is in my apartment, he is disappointed to learn that I’ve already opened the bottle of wine. “What’s this?” he says. “You invite me over for a half-bottle of wine?”

 

“I didn’t invite you,” I say. “And even if I did, you’re twenty-four hours late.”

 

“Chill,” he says, searching my kitchen cabinets like he still lives here. He pours most of the bottle into the nicest wine glass I own and takes it into my room. I follow him in to find him sitting on my desk chair, looking into my laptop screen. “Judy and Simi! What do we have here?”

 

“Don’t do that.” I slam my laptop closed.

 

“Working on another story?”

 

“I am, yes.” I snatch his glass as delicately as I can—seeing as the thing is filled to its brim—and take two big gulps before handing it back. “This one’s about a patient-therapist relationship.”

 

“Oh yeah? Are you Simi? Is Judy your therapist?”

 

“No,” I murmur. “My therapist is kind of a drag, actually. I might stop seeing her when my insurance runs out, which is,” I pretend to look at an imaginary wristwatch, “probably four sessions from now.”

 

“What’s wrong with this one?”

 

“She’s just kind of problematic,” I say. “She says things that seem really inappropriate and rude.”

 

“Like what?” Vish asks, kicking off his shoes and lying across the foot of my bed.

 

I shrug. “It’s hard to explain.”

 

“Oh, Rish.” Vish laughs. “You always have beef with someone in your life. No one is good enough for you. Isn’t that how it goes?”

 

I roll my eyes and go into the kitchen to pour myself a glass of wine, since Vish didn’t think to do that. As I drain the last of the bottle—maybe four or five sips—into a plastic cup, I realize that my blood is boiling. The thought of Vishal draped across my bed like that—smug—makes me purely indignant.

 

“What’s that supposed to mean?” I say from my doorway.

 

He sits up on my bed. “Well, don’t get all mad.”

 

“What do you mean I always have beef with someone?”

 

“You really wanna know?”

 

“Yeah. I really want to know.”

 

“You’re always going on about how much everyone sucks. When we were dating, it was me. When you had a job, it was your boss. Some days it’s Jessica. Other days it’s your therapist. It’s always someone. Think about that,” he says, lifting his glass like we are going to toast or something.

 

“You hated Jessica,” I retort, mostly because I can’t deny any of this.

 

“I did hate Jessica,” he declares, “but I also don’t think I’m better than Jessica. I accept Jessica. I accept myself. I think we are both uniquely subpar people. I think the world is full of uniquely subpar people. And I think it’s our job to stick together—as shitty, subpar human beings. It’s like a karmic law or something.”

 

“Leave.”

 

“I just don’t see the point in writing everyone off the way you do.”

 

“Leave,” I repeat.

 

Shaking his head, Vish slips on his shoes and rises to his feet. He downs the rest of his wine in under three seconds (a feat I can’t help but recognize as astonishing) and then skips past me, out of my room to the front door.

 

I don’t turn to face him, but I wait for him to say something else, anything else, since he’s exactly the kind of person that needs to have the final word. But there is only silence followed by the door slamming shut.

 

 

Judy looks at Simi with equal parts concern and compassion. “Simran, I think your spiritual passion is beautiful. But we should really focus on you.”

 

Simi sighs. “You’re right,” she says. “I guess that was just my long-winded way of saying thank you. Thank you for being so kind and patient with me. Thank you for having hope in me.” Then, suddenly, as though finally recognizing the meaning of her tangent: “I guess my point was that I can’t help but perceive you as maternal, and not just because you’re my therapist. It feels like I have known you, as a mother, specifically, in a past life.”

 

Simran regrets the words as soon as they come out of her mouth, as soon as she sees Judy’s face fall into a shadow of the future of their relationship—or, rather, the lack of it. After all, Judy is a good therapist. She is of sound mind. She cannot, in good conscience, continue to see a patient who regards her as her own mother.

 

 

I blink into my screen and realize that, once again, I have dug my own grave. Once again, the only relationship I have created I have also destroyed, within the brief span of a page. Once again, I have written off my one and only protagonist.

 

I think about Vishal’s words: “I just don’t see the point in writing everyone off the way you do.” I think about how he was too shy to use my bathroom when we first started dating, because he didn’t want me to hear him pee. I think about how comfortable he feels now—so comfortable that he’ll show up unannounced, drink all of my wine, and tell me off on my own turf.

 

I think about Jessica and her success. I think about why it bothers me. I think about the way she holds my arm when she greets me, or when we are walking down the street together. I think about the notes she sends me on my writing, always promptly: color-coded, marked-up with just as much praise as constructive criticism.

 

I think about Simran, and I think about myself. I think about missing the point of things entirely. I think about baggage. I think about baggage so old it might as well belong to a previous lifetime.

 

 

In my dream, I am eating the biggest T-bone steak in the universe, in Melinda’s office. I don’t have a plate or utensils, so I am carrying the steak around in my purse, ripping off pieces of it and feeding myself with my fingers, like it is a soft baguette.

 

Melinda asks why I am eating a T-bone steak during our therapy session. I say, simply: “Because I am starving.”

Without judgement, Melissa nods. From the bottom of her chair, she pulls out a colorful plate, a fork, and a steak knife—in that order. Then, she struggles to move her heavy desk in front of me, so I have a surface to eat on.

 

“Is this okay?” Melinda asks, pursing her lips to the side.

 

 

Our writing circle meets once a week, in an art studio for preschoolers (after hours, of course).

 

The seven of us huddle over two short tables cobbled together—both pieces of furniture stained with so much paint we can’t help but remember how everything is a canvas when you’re four years old. We sit on even shorter stools, with our strained backs hunched over each other’s manuscripts. We have all traveled from different corners of the city to really be here, to peer in each other’s minds for two full hours.

 

At the end of our meeting, while Mark is passing out the twelfth chapter of his mystery novel-in-progress, I announce to everyone: “I don’t have pages again and I was fired from my job a month ago.”

 

Everyone stops to stare at me, except Mark, who seems to be double-checking that his pages are stapled in the correct order. Jessica knits her eyebrows so plainly. Jason gives me a look like he’d rather be anywhere but here. Jenna crosses her arms like she is a disappointed teacher. Neil widens his eyes like he’s never heard a confession so sad before. Sam bares her teeth, like: yikes.

 

“You didn’t quit?” Jessica says.

 

“No, I got fired. Pretty publicly actually. It was a small mistake that had some medium consequences.”

 

Suddenly, Mark cackles loudly, breaking the tension he is oblivious to. “That’s so funny, dude. You should write about that for next time.”

 

Silently, Jessica walks to my side and squeezes my arm tightly. “Do you mind waiting another month to share though?”

 

“Not at all,” I hear myself whisper.

 

Then, like I am a ball being tossed around, the group takes turns hugging me, consoling me. I allow myself to move from person to person, to feel relieved in a way that seems too profound for the occasion. Each of them expresses to me—in their uniquely subpar ways—how it’s going to be okay. That is, everyone except for Mark, who is packing up his things, satisfied that pages one to twenty are in perfect, consecutive order.

 

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If Death Is Another Dimension

If I meet Michio Kaku, I

won’t ask him about supernovas and black holes, about

New York or California, but

about his pond of fishes;

How they live two-dimensional lives

unaware that there is life beyond

water.  We can’t breathe without air,

Dr. Michio Kaku. We

 

can’t breathe even without the love

of our loved ones; the stomach churns, the heart

beats so fast when I think of my mother; in this

limited three-dimensional existence of

social media, and nuclear bomb,

Elon Musk Brand colonies in Mars, it is

hard for me to breathe if

I think about the moment

when the doctor woke me up: we have

been looking for you; your

mother is no more.

 

Did he really say your mother

or patient number something-something? Did he say,

your wife, to my father who was lying in the bed

against the wall? She lived a glorious life, she lived

an abundant life, I said, hugging him with one hand,

but not asking him to stop crying. I didn’t say

it is okay because it wasn’t; I didn’t say

it will be okay because it never will be.

 

That was five years ago; life was different then;

winter, less harsh. Deaths, not so common as today. How

worried I would have been about her

now, if she were still living, in the world

of rationed care? This year,

when caregivers need care, while

an invisible killer sucks away our souls.

 

If I meet Michio Kaku, I will ask

about dimensions. He said once,

that we are like those fishes who live

in two dimensions, we are like those fishes

who can’t imagine there is life

beyond water. I will ask if death is another dimension

where good people go. Of course, the

people we love are always good.

 

Do people who leave us, watch us

from this dimension? Like we watch

protest marches, hot delivery post-men,

from our balconies? Or is it a new life

where you are born at the same age

you had died, and you appear

in this world as you were?

 

Dear Michio Kaku, if

death is another dimension, is it in this world

of rivers, deserts, mountains, meadows?

I had once watched a short film where

people go after they are dead; it is like a commune,

similar to our world: a TV, a living room, people

who spew scathing comments or shower compassion,

but this world is crowded; the character we follow

is upset, confused, remembers her past life, and doesn’t

know how she reached here. She doesn’t know

what she remembers is a past life. What if

life after life is a crowded room

with a TV blaring. Mundane, poor,

full of absences.

 

If I meet Michio Kaku,

I will ask him these things. I will

ask him where dead people go. If

the dead are really dead. If

the world they go to is

really a happy world where

they rest; if they live next to us,

can see us, can help us, can bless us. If

they are in peace.

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What the Dolls See

I come from a long line of nervous women. The nervousness started when my great granny’s brain cracked. I never met her, but here’s what I’ve been told: it was the Great Depression. She and hers were down to cornmeal and dandelions. She chased her husband with a meat cleaver until he promised that he and the kids would go without supper. She wanted to buy genuine taffeta. She wanted a pretty dress.

 

And my granny, she had broken thoughts, too. When my mama was pregnant with me, my granny climbed the sugar maple in her yard. Before Mama burned bridges with the men in the family, they swore Granny mistook the telephone wire for a branch. My mama said otherwise. Mama said Granny eyed it, and right before she took hold, she said: Goodbye, little life. She shook with the spirit.

 

Two weeks ago, my mama joined them in their crumbling. I told her I graduated and that made me a woman. I told her I was leaving Tennessee. I told her I was going north because I was in love. That was that. She said, “Dumplin, he don’t love you. He ain’t even a man.”

 

I bit my tongue. He drove a mustang. He had thick sideburns.

 

“He only likes you ‘cause you got that exotic look.”

 

I said, “You just don’t like him ‘cause he’s white and ‘cause he drinks up all the Coke.”

 

“Dumplin, you watch your mouth.”

 

“You don’t even got a man.”

 

She set my baby sister down, safe in a swaddle. She chased me, tank-top tugged down. Tried to squirt me with her milk. Pinched nipples—yellowed streams of milk from her chest. I hid in the safest part of the trailer. Her closet. The door gets jammed sometimes. She hunkered and tugged at the knob. That stuck sheet of pine was my savior. She gave up and sprayed the wood until Nevaeh cranked up her colic. Mama’s footsteps creaked away. Nevaeh’s whines rattled. We haven’t seen our mama since. She went with my man to Ohio.

 

It’s just us. Baby Nevaeh and me. We splay on the futon. She nurses the bottle just fine. I feed her until she wiggles away from the flow. The first time, I hurt her. Her squalling carried into the blue minutes of dawn. That lip-burn better not scar. We’re okay now. I nestle her in my arms, breathe in the vanilla malt on her breath. I coo. “Hush, little baby, don’t say a word. Your mama is a fucking turd.” I rock her into dreams. “And since she up and went cuckoo, I’m gonna stay and care for you.” I settle her in the crook of the futon. What goes on behind those pretty eyelids, dark and thin as petals? What do those flittering eyes see?

 

My dreams have been haunted with mad women. Mostly it’s Mama sneaking up the slope of our yard in shadows. Meat cleaver swinging from her grip. Sometimes I’m the one who’s lost it, pushing Nevaeh into bathwater murky as sin. But I’m not like my family.

 

I dig in my old toy bin by the recliner and pick a Barbie. Her white face tattooed with purple marker. Hair chopped short. Clothes long-lost. I prop her on the windowsill behind the lace curtain. Beside her, a Cabbage Patch doll I stationed yesterday. They sit on pink doilies and watch the yard. At the end of the gravel driveway, the postal woman stuffs letters in the box. Her stomach bulges. Her mullet stiff in the breeze. She studies the window, shakes her head.

 

I pop in a VHS tape: Labyrinth. While it rewinds, I cook popcorn on the stove. The cabinets and pantry will hollow soon. Mama left her WIC papers, food stamps. I’ll need to get a job. I’ll keep Nevaeh fat. I sit on the carpet and start the movie with salted fingers.

 

A soft tapping on the door. I peer through the peephole. A plump, light-skinned girl stands in a windbreaker. Her hair tied in thick plaits. A Blow Pop pocketed in her cheek. She lives in a fenced-in house across the street. She knocks, louder.

 

I swing open the door and hush her. “I got a baby sleeping.”

 

“Why you got dolls in the window?” She smacks her tongue against the sucker.

 

“Business is better when it’s minded,” I say.

 

“My name’s Elma. What’s your name?” She cranes her neck past me, into the living room. “Can I hold your baby?”

 

“She’s sleeping,” I whisper.

 

“Hey, you got any ice cream?”

 

“You sure don’t need none.” I step in front of her.

 

She backs onto the porch. “That ain’t your baby.” She crunches the candy to shards. “My mama said that your mama is a easy heifer.”

 

Nevaeh cries. I shut the door on Elma and scoop Neveah from the futon.

 

Elma presses her face against the windowpane. She fogs the glass with her words. “What’s a heifer?”

 

By the time I get settled, the sister on screen tries to know the difference between a truth and a lie. Nevaeh sucks butter from my fingers. The movie ends at sunset. Dusk reaches up to the porch, to the windows. I lock the door and turn on the porch light. All that swimming darkness. I scoot with Neveah pressed to my chest, to the toy bin. A clay girl, strawberry-sized. Her cheeks freckled. Her arms pocked by the old gnaw of my baby teeth. She joins the others on the windowsill. I cuddle Nevaeh on the spread futon. We sleep.

 

In the morning, I give Nevaeh a gentle wash in the kitchen sink. Her soft scent: lavender, baby powder. I dress her in yellow cotton. She babbles in her stroller. Before we step out, I check my pockets—ID, WIC, pocketknife. The walk to the grocery store isn’t far, but if anyone tries anything, I’ll stab. If the sharpness won’t kill them in the moment, the rust will, later. I wait by the door and steady my heartbeat. No demons stalk in daylight.

 

The sun bakes the porch. It rained last night. The tulipwood swells, dark. I pull the door halfway shut before I see it—below the window, a teacup with a chipped brim. It sits on a saucer. And in that cup, ripped dogwood blossoms and twigs float in rainwater. I rush back inside with Nevaeh and lock the door. My hands shake in the toy bin. I fill the windowsill with watching eyes: porcelain, paper, wood. A doll with acorns for eyes. A little girl with chewed bubblegum eyes. The last doll is a nesting doll. Eyes on the outside, eyes on the inside. I place her in the middle.

 

We step out. The stroller’s sunshade protects Nevaeh’s eyes. She sucks a binky. I lock the door, tug the knob three times, slip the key in my pocket. I kick the teacup and saucer. They shatter on the sun-bleached lawn. The day is humid.

 

The air conditioner of IGA kisses our skin. My muscles ache. My breathing throbs. I walk slow in the coolness, lean my weight into the stroller. Sleepy saxophone notes slide out the speakers. I push past dewed produce, by towers of toilet paper, keeping distance from strangers. The white women with beauty parlor curls smile at Nevaeh with pity in their eyes. I shop: a pound of cheese, low-fat milk, whole wheat cereal. Nine cans of formula. A stocker with a stain of a mustache helps me carry the food to the cashier. The cashier is a little older than me with glossed lips.

 

“This is WIC,” I say.

 

The stocker lingers, helps stuff plastic bags. The cashier totals. I give her the papers and ID.

 

The stocker peers. “Name doesn’t match,” he says.

 

“She’s my sister. My mama’s sick,” I say.

 

“Have your mother come in,” he says.

 

“She’s on her deathbed,” I say.

 

“I’ll get a manager.” He huffs and struts away.

 

The cashier whispers: “There’s a shift change at five. I work a double today. If you can come back around six, I’ll ring this up for you, no problem.” She gives a half-dimpled smile.

 

My thanks: pressed lips, a nod. We leave our food in the bags, walk back down the backroad to our trailer. The lock twists open with a click. I undress Nevaeh in the dim living room. She’s drenched with sweat. Her tiny body lolls. I settle her on the futon in front of a dusty box fan. She takes the bottle. I eat macaroni. She sucks the cheese from my fingers. At 5:45 Nevaeh slips into sleep. I work the binky in her mouth and tuck her into my old bassinet. “I won’t be long,” I whisper. I lock the door and pound my feet on mud, to asphalt, to tiled floor.

 

When I reach the base of our yard, the bags sag from my wrist and arms. My back and shoulders full of ache. Elma crouches on the porch below the window. I toss the bags to the ground and jump up the two steps to face her.

 

She squints at me. “You broke my mama’s teacup.”

 

“What the hell you doing?”

 

She sprinkles bits of bermudagrass in a cup of milk. “The dolls told me they was thirsty. The dolls told me, Elma, come feed us tea.”

 

“They did not,” I say.

 

She sprinkles more grass and stirs with her finger. “They woke me up last night. They was mad. They told me you don’t help their thirst.”

 

“Go on and get before I tell your mama.”

 

“What’s a heifer?” she asks.

 

I give her a mad-mama look. I give her a look that tells her I’m three seconds from beating her with my flip-flop. She scurries away. I cart the groceries in and go straight to Nevaeh. She looks at me, eyes wide as quarters. Her cheeks tear blotched.

 

“Oh, baby, I’m so sorry. I’m the sorriest.”

 

I plant feathered kisses on her forehead until she whines. She takes the bottle. While she sips in the bassinet, I harvest our mama’s things: jeans cut into shorts, tank tops crusted with milk, balled rubber bands twisted with her dead ends. A ceramic ice cream cone full of pennies. I dump the change on the floor and toss the cone in a trash bag with the rest of her things. A pair of scissors. A globe of yarn. There’s no more room in the bag. Hell, everything in this place she owns. I tie the bag, run down the porch, to the backyard. I toss it to the hem of the forest.

 

I talk to the bag. “Tomorrow, I’ll get a job. What I need you for?” I shoot spit to the mud. “What Nevaeh need you for?”

 

I fall asleep, naked, to Nevaeh’s light breathing and the lullaby on TV: You remind me of the babe. The babe with the power. The power of Voodoo. You do.

 

A sharp clanging rips me from my Mama-with-hatchet nightmare. I jolt up, throw on mama’s robe. The clock above the flickering TV tells me it’s three in the morning. The finished VHS tape sends out a steady bleat. I kill the TV’s power. Another clang outside. The rummaging sound leads me and the jut of my pocketknife into the black. Silence. Plastic crinkles. I run to the backyard. Elma hunkers over strewn clothes, rolls the ice cream cone between palms.

 

“What’s this mess?” I ask.

 

“The dolls told me there was a treasure.”

 

“You lie.” I fold the pocketknife. “You been watching me.”

 

She yawns. “I only been watching my dreams.” She pushes past me.

 

“That ain’t yours.” I reach for the cone. My thumbnail snags on her wrist.

 

She squeals. “You made blood.” She slams the cone to the ground. It chips on a stone. “You the heifer, ain’t you?”

 

Her feet pitter-patter away. I scoop up the mess, pile it onto the torn bag. Something leaps near my foot. I fork my fingertips through the dewed blades of grass until I feel it. The bumped skin of a cricket frog.

 

“Hello, little friend.” I carry his chirps inside and put him in the bassinet.

 

All the sleepiness leaves my bones. I shuffle to the kitchen. The magnet calendar on the fridge stops me from searching for pickles. Today is my birthday. The cabinets have what I need to mix. The sun peaks past the horizon when I finish: sweet cornbread with chocolate icing.

 

I take a tea candle out my room and put it on the cushion of chocolate. I suck down air and blow. The nineteenth wish of my life: let me give Neveah the care I’ve never known. I leave the treat on the counter and go back to my babies. The frog hides between two stuffed bears. I smear a little icing on the feet of the toys. The frog stays. “You just eat that when you get hungry,” I say. I cuddle with Neveah. Before I can close my eyes, she screams.

 

My morning is swampy diapers, warm bottles, two baths, back pats. At noon, she shuts her eyes and mouth. I find a white dress from our church days. I haven’t worn this since I graduated middle school. I squeeze in. My chest hugged flat. The short sleeves push out my arm fat. I slip into a black, hooded jacket. One sleeve is burned at the wrist. If I push the stroller just right, no one will notice. I nibble a slice of cornbread in the bathroom while I pretty my face. My choice of shoes: flip-flops, a pair of sneakers. Flip-flops will do.

 

Something thuds in the living room. I bolt into the hallway, to the futon. Nevaeh rests with a bottle poking out her lips. She’s safe. I look for what fell. The nesting doll, her innards split open. I put her together and return her to her post. The door is locked. The yard is empty. My steps can’t be heavy in this home. Something always breaks.

 

The mean heat of the afternoon makes me sweat. The sweat makes my skin lick the polyester. I itch. Nevaeh’s stroller wobbles over pebbles and sticks on the backroad. We cross the burning parking lot, into IGA. I go straight to customer service. A man with a moon belly stands at the register.

 

“I’d like to apply for a job.”

 

His thin-lipped smile stretches.

 

I stop filling out the application three times to feed Nevaeh, to change her. Emergency contact: N/A. Have you ever worked before? All my life.

 

“Come in a couple of days for the interview.” He takes the papers. “You’ll want to find a babysitter.”

 

I nod. The frog will keep her company. The dolls will keep her safe. I stroll her out into the early evening. The sky pink as taffy. When we reach the driveway, Nevaeh sputters out grunts. By the time I get her to the futon, her wailing hurts me. She won’t take the bottle. Rocking doesn’t soothe her.

 

“What you want?”

 

Her screaming eats at me. Her words formless as poor dough, but I know what she says. “You ain’t mine. You ain’t nothing but a heifer. You ain’t nothing.” Our fight is worse than throwing knuckles. She cries, I stroke her back. She wiggles away from milk, I sway. She calms a few minutes past midnight. She rests with puffy eyes.

 

I pace. My nerves won’t settle. I flick on the porch light. A mourning dove coos. That lonely sound feels like cold marbles in my belly. The frog still nestles between the stuffed bears. I take one. “She’ll be right back,” I say. I put her beneath the window, facing the wall. Pine and corkwood can’t block the sight. An extra pair of eyes offers me peace.

 

When our mama would get in a bad mood, she’d light a roll-up cigarette and fill the home with stink. In her room, the machine sits on a nightstand. My sloppy hands gut the first. Dry tobacco spills. The second cigarette is more paper than tobacco. I bring it along with a lighter to the door. I tap my pocket. Knife there, folded and ready. I unlock the door and open—just a crack. Nevaeh doesn’t stir. I blow smoke out into the sliver of night. It burns to the filter. I step on the porch to toss it.

 

Puddles of honey on the porch. Crowds of ants in a frenzy-march. Elma is a girl full of wrong. She’ll say, “The dolls want honey for tea.” The dolls don’t want anything to do with her. She knows that and hates me for it. She gave me bugs.

 

I drop the ember and filter to the porch. I creep as fast as I can to the bassinet. I cup the frog. “You a gift,” I whisper. It chirps. I go outside. The door clicks behind me. The frog squirms. I keep a tight grip and run down the driveway, across the street, to Elma’s mailbox. “Remember, you nothing but a gift.” I try to make it quick. The frog twitches after the second stab. My pocketknife shines inky in the starlight. I put his leaking body in the mailbox, on top of a grocery store’s ad paper.

 

I leave the knife in the kitchen sink to soak. I join Nevaeh on the futon. She reaches out in her sleep, brushes my mouth with her fingertips. “I hope you dream about nice things,” I say. I kiss her nails. “But don’t dream too nice. Don’t see pearls and taffeta. Dream about what you got, or you’ll wake up sad, baby.”

 

I wake up to the sugared singing of birds. Nevaeh’s eyes wander around the ceiling. I lift her. “You want breakfast, don’t you?” I bounce her in my arms, walk over to the window. A heat bubbles in my chest. I’ve never felt a fear like this in my life. Elma’s newest gift to me: on the porch, a wooden puppet sits with crossed legs. Ants trail up and down and up her stiff limbs. Her head is fixed up. Glossed eyes, knowing and never-lived, aim at the window. I meet her gaze.

 

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Prayer with Burning Barn

My favorite barn burned down today.
I loved it for its imperfections,
its usedness, the way it sagged
against itself. Postcard red
worn to gray. Today
as I drove by, flame
bit the spring sky.
A plume of smoke
visible for a mile.
A line of flashing lights,
traffic narrowed to a single lane,
hoses containing the heat
but stopping nothing.
Tomorrow’s commute
will offer a touch less
wonder. There’s a hole
in my future shaped
like an old barn.
I do not mean
to make more of this
than what it is:
a story about the body.

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Sadly Enough

We could start the story here: Phillipa Pirrip at thirteen, walking into her eighth-grade dorm room for the first time. In the middle of this room stands Phillipa’s roommate—Minji—who introduces herself with a slight bow. Over the next five years, Minji will nickname Phillipa Pip, and she’ll pass Pip Korean lessons written on graph paper between bell rings in the main school building. At night in their room, Pip will teach Minji how to cornrow hair like Pip does for all of the other Black girls in their dorm, and Minji will cook Shin Ramyun on Pip’s desk as she grades those Korean lessons, gesturing with her chopsticks and splashing spicy, orange soup across Pip’s awkwardly scrawled Hangul letters. Here, on this campus, Pip and Minji will run through horse pastures in the black of November nights, warm their hands in each other’s pockets, and pantomime smoking with their ashy breaths. Perched on splintered, wooden fences, Minji will teach Pip the word for family, the word for death, the word for love, the word for ghost.

 

Then senior year hits like a flashbang. In the abandoned barn at the edge of campus, they will lie on sawdust floors. Watching the clouds of their breaths mushroom together, Pip will say in accented Korean, “I want to live in Seoul one day.”

 

Minji will hook arms with Pip and say, “Let’s do it! Let’s live there together.” And then six months after that December day, somewhere in the desolation of Delaware, Minji will die in a Dodge Durango. Three days after the memorial, Pip will sit on a stage in a cap and gown, feeling Minji’s absence in the empty seat next to her as hot as an open oven.

 

 

Or maybe we’ll begin here: Pip at twenty-two, running from security guards in France. Inside the Palais—the convention center at the heart of the Cannes Film Festival—Pip carries her screenplay in her hands. Surrounded by hi-tech booths for film distribution companies like Sony, Film4, and Lionsgate, Pip darts through the crowd in the Distributor’s Market. Her low-level festival pass swings from her neck, announcing to anyone who knows better that she is somewhere she does not belong. She catches her breath behind a white pillar that conceals her from the large men in khaki suits coming for her. If these men take away her badge, she will be barred from the remaining festival screenings. Already this deep in the Palais, escaping is not an option; she has to hide. Pip looks at the elaborate booths with their promo-playing television screens and the logos that she has only seen in theaters before movie trailers. Her gaze stops on the tri-colored logo for CJ Entertainment—a South Korean distribution company. At this booth, a young woman in an expensive suit organizes the flyers on the table, and a man in his fifties flips through an art book behind her.

 

It’s wild, but Pip has to give it a shot.

 

She peeks around the pillar to make sure the guards aren’t looking. Her heart beating in her throat, she walks up to the woman at the CJ Entertainment booth, bows, and says in the language she has been studying for the last ten years, “Annyeonghaseyo? I’m sorry to bother you. But there are bad people looking for me. May I hide here for just a minute?”

 

The woman’s mouth drops open, and the stack of flyers fall from her hands. Maybe that lie was a little too serious. Or maybe her shock came from the fact that she has never seen a Black person speak Korean as well as Pip does.

 

The woman doesn’t respond right away, but the man behind her walks over with his disheveled, curly hair and square, frameless glasses. “What’s going on?”

 

“She says she needs to hide from nappeun saramdeul,” the woman says.

 

“Nappeun saramdeul?” The man looks out at the crowd to find these “bad people,” and Pip follows his gaze to the security guards talking into their radios. He then glances down at Pip’s badge, and she covers it too late with her script. Laughing, he says in English, “So, by bad people you mean the men doing their jobs?”

 

Pip gives him a deflated smile and nods. “Ne, I’m sorry. I’ll leave.”

 

The man shakes his head. “Jamkkanman.” He waves her into the booth and gestures for her to hide under the table. “It’s okay. Come in.

 

Pip bows again in thanks. Gamsahabnida.” She crawls under the table and sits with her knees to her chest.

 

“How did you get in here without the proper badge?”

 

“I just walked in.”

 

“You just walked in?”

 

“Ne, if you pretend like you belong, people will think that you do.”

 

He laughs and says to himself, “Ah, this girl. Really?” He looks up and puts a finger to his lips.

 

In the shadows under the table, Pip hears one of the French guards say in uncertain English, “Pardon, have you seen a suspicious Black girl come by?”

 

The man pauses as if to really consider the question. “Yes, I saw her. She went downstairs towards the exit.”

 

“Ah, merci.”

 

The man watches the guards walk away for a long minute before giving Pip the okay-sign. “Coast is clear,” he says in English and then in Korean: “You speak Korean well. How did you learn?”

 

This question—as it always does—lances through the scar tissue in Pip’s heart where all the memories of Minji live. “My roommate in boarding school taught me. And then I studied in college.”

 

He makes a sound like he finds this information interesting. “What’s this?” he asks, nodding to the script in her hands.

 

“My screenplay. I’m here to network.”

 

“Juseyo.”

 

Pip hands him the script, and he flips through it. “You wrote this?” She nods. “It’s too bad I don’t read English well. What do you want to become?”

 

Pip translates this poorly in her head, and it takes her a second to understand that he is asking what she wants to be when she grows up. “I want to become a writer and director.”

 

“Geuraeyo? Do you have a demo reel?”

 

She pulls a silver flash drive out of her festival tote and hands it to him. He leads her to a table at the back of the booth where he sits and plugs the flash drive into a laptop. Pip guides him through the folders until a QuickTime Window pops up, and he presses play. There are a couple of shots that Pip could have color corrected better, but she is proud of her work and stands by it as a representation of what she can do, will do, as a filmmaker.

 

When the player stops and the screen goes black, the man sits in silence with his chin in his hand for the longest minute of Pip’s life. Pip, of course, expects nothing from this man; he has already shown her a great deal of kindness by letting her hide under his table, by lying to get the guards off her back. But still, to watch even a compilation of her films is to see inside her mind, deeper than she would ever consciously allow. There is a nakedness to sharing your art that is both frightening and addicting. No, Pip doesn’t need validation from a stranger, but she also doesn’t need cruelty from one either. Just when she is about to snatch back her flash drive and go about her day, the man looks up and says, “I’m impressed.”

 

“Jinjjayo?”

 

“Ne, very impressed. How old are you?”

 

“Twenty-two American years.”

 

“Have you graduated from college?”

 

“Yes, two weeks ago.”

 

“Job isseoyo?”

 

She shakes her head. “Anio. I haven’t found a job yet.”

 

“Good.” He takes a ticket and business card out of a messenger bag on the table and gives them to Pip. “My film premieres tomorrow night at 8:00 p.m. You should come. I’ll bring a better badge for you.”

 

Pip runs her thumb over his name and title engraved on the business card: 배영철 감독. Bae Young-chul. Director.

 

Two days later, at a cafe overlooking the Bay of Cannes, Director Bae offers Pip a job. A week after the festival ends, Pip boards a plane to Seoul, thinking about Minji’s arm hooked in hers, and how—in this small way—she can keep the promise they made to each other.

 

 

Or start here: seven years later, on the precipice of a marriage proposal in an aquarium in Seoul. There, in Coex Aquarium, Pip follows Hong-gi into the tunnel where stingrays wide as cars glide over them in serene, simulated underwater silence. Then, standing in a black gallery before a theater of sharks and fish, Hong-gi laces his fingers in hers and says, “Let’s go to Busan tomorrow. I want you to meet our Umma.” Pip has lived in Korea long enough to know that meeting Hong-gi’s mother would be no ordinary meeting. The two of them had talked about marriage, and Pip—for the most part—was open to the idea. Although whenever Hong-gi wanted to talk specifics, talk timeline, talk concrete plans for the future, Pip always pushed off those conversations with sex as a distraction. It wasn’t that she didn’t love Hong-gi; she just loved her own dreams a little more.

 

When she first came to Korea all those years ago to crew on Director Bae’s film, she was twenty-two and couldn’t see that starting a film career in Korea, that working on eight films in five years, that forging a name for herself in this industry as the heukin—Black—camera director would delay the start of her film career in the US. After five years of hopping film to film and supplementing her income by tutoring outrageously wealthy children in Seoul, Pip grew tired of the hustle and job instability. In retrospect, this was when she should have gone back to the US. But what was waiting for her back in America? Two dead parents and a drunk sister meaner than a junkyard dog. As hard as it was to be a waygookin filmmaker in Korea, moving to LA with no connections, no prospects, no Director Bae to help her find her footing seemed all the more difficult. Just when Pip was about to give up and try her luck again in America, she met Hong-gi on the subway platform in Dogok, a place he would normally never be but his car happened to have broken down next to the station. On the train, they talked so long and enthusiastically about which Taika Waititi and Bong Joon Ho films were the best that she missed her chance to transfer at Yaksu and his at Jongno, and they have been inseparable ever since. And so Pip asked Director Bae for help finding more stable work, and he got her a job as a camera director on a Kpop group’s reality television show. Assigned to the maknae—the youngest member of the group—Pip has spent the last two years in Korea chasing a teenage boy around with a camera and occasionally joining the group on tour to document their backstage shenanigans for their cleverly named fanbase.

 

Yes, Pip put off marriage because she didn’t want to just be a camera operator; she wanted to direct her own films, write scripts, tear her hair out over plot holes and characters that wouldn’t behave the way she wanted them to. But now, seven years into a career in a foreign country, Pip can see that a dream could be a person, and in this person holding her hand in front of a menagerie of blue lit sand sharks and tiny, zippy fish, she believes she can find a reflection of happiness. She believes this because Hong-gi, with his whole-hearted love for life, for adventure, for Pip, represents the possibility for something Pip never had: family. With a mother dead after childbirth and a father blipped from this earth by a heart attack shortly thereafter, Pip has no family to speak of. Of course there is her much older sister, Josie. But the only thing Josie loves more than liquor is coke, and when Pip was young, Josie always made sure to beat Pip’s ass when she was lacking in either. Yes, Hong-gi is her family. Pip spent so much time curating found families in boarding school dorm rooms, in college common rooms, in the casts and crews of film projects.

 

Now, she has found one in Hong-gi, and for the first time, she isn’t worried he will drop dead like Mama, like Daddy, like Minji. Yes, Pip no longer needs fame and fortune; she doesn’t need anything as long as she has a family. The only obstacle now is his mother’s approval. And then, there, in the undulating light of the aquarium, as if waking from a nice dream, Pip realizes how large of an obstacle that would be.

 

The next day, Pip and Hong-gi take an early morning KTX train to Busan, make it to their beachside Airbnb by the afternoon, and walk along the warm, late spring water, swinging their held hands as if they had given each of their hearts to truly understand the others’. But there was hesitation in Pip’s giving because there is a question she needs to ask him, a question that once asked can never be unasked.

 

Pip waits until they’re back in the Airbnb, getting dressed for this first dinner with his mother. “Oppa, hok-si,” she says, fastening one of his cufflinks. “Does your mother know that I am heukin?”

 

Hong-gi fastens the cufflink resting on his prosthetic wrist and checks his slicked-back hair in the mirror. “She knows that you’re American.”

 

Good god, this man hasn’t told his mother he wants to marry a Black woman. Pip thinks back to the three people she dated seriously in college. Two were white and one was Cuban, and Pip’s Blackness was an issue for each of their families. It didn’t matter that Pip went to Johns Hopkins, maintained a 4.0 GPA, and spoke Korean. Nothing could impress a parent at a dinner table when all they saw was a Black person—someone they saw as less than human—sitting next to their child. Though the biggest shock was when Pip met Cecilia’s mother, who didn’t seem to mind that her daughter was queer but very much minded that she was dating a Black woman.

 

“Wae? Why haven’t you told her?” Pip asks even though she very well knows why. He knew it would be a problem. He didn’t tell her because he thought he could somehow ambush her, bully her into acceptance.

 

“Why does she need to know beforehand?” He is playing dumb now, avoiding the question the same way Pip avoided asking him in the first place. “I mean what’s the worst she can do? Disinherit me? She won’t do that. I already have Appa’s company.”

 

Hong-gi’s father was the founding CEO of a video gaming company until 2001, when he died in the car crash that took Hong-gi’s right arm. The accident killed both Hong-gi’s father and his twin brother when they were ten years old. His mother was also in the car, but she walked away with just a broken arm and a face full of glass. After the crash, Hong-gi’s uncle ran the company and groomed Hong-gi to take over once he finished university.

 

Hong-gi walks over to Pip now and kisses her on the forehead. “I love you. Don’t worry. Okay? Oppa will take care of it.” And then something like the sudden realization of a thing he had always known to be true settles on his face. “She won’t disown me anyway. I’m all she has left.” He says this sadly, matter-of-factly because it is a sad, matter of fact. In this moment, Pip squeezes his hand and bears both his loss and her own, for her parents, for Minji.

 

“Have you told your uncle?”

 

“Ne, he said that I’ve had a hard life and I should be able to marry who I want.”

 

“What about your mother’s side of the family?”

 

“Our grandparents died before we were born. She has no siblings.” Even though he hasn’t been a twin in almost two decades, he still speaks as if he were one. Hong-gi slips his hand out of hers and walks to the foyer when he says, “It was her fault, you know. She picked a fight with Appa over something stupid and they were arguing. She wasn’t paying attention to the road when the truck swerved into our lane and she turned the car to protect our side while Appa and Hong-joo took the hit.” This is new information to Pip; he had never told her the specifics of the accident. Only the details of his amputation, which bones his mother had broken, and the fact that his father and brother lost more than that. No, he had never told her that—all these years later—he still blames his mother.

 

Hong-gi puts on his shoes, looks up at Pip, and says, “Are you ready?”

 

 

Hong-gi’s family home is a modern, multi-million dollar monstrosity shaped into a rectangular concrete prism with smooth, sterile curves. This place looks more like a prison than a home. The house’s gray exterior has an aura so cold, it reminds Pip of walking barefoot on winter sidewalks, of stepping in silvery seafoam on off-season shores, of watching muted rain through a clean window. Pip stands in front of a black, slatted gate, her hand in Hong-gi’s. The sea laps at the docks behind them, and private CCTV cameras glare down from above. Pip looks up past the cameras at the third-floor balcony set deep into the concrete structure of the house. The windows of a house always remind Pip of eyes; this house’s eyes are empty and dead.

 

Hong-gi lets go of her hand to ring the doorbell.

 

“Ah, Mr. President. Please come in,” a woman, presumably the housekeeper says, almost teasing.

 

Pip pokes him in the side and teases him too. “Mr. President,” she says. She is used to hearing people—his colleagues, his employees, and sometimes his friends as a joke—call him Daepyonim, Mr. President, but since she rarely sees him in a professional capacity, there is something hilarious about this goofy person she loves being addressed so formally.

 

A buzz sounds, and the black gates yawn open.

 

Inside, the house maintains its drab color scheme of slate and gray with occasional pops of dark wood. Everything about the minimalist interior design is just as disinviting as the exterior. This house has the same energy as a museum, an energy that tells you to whisper, to walk quietly, to keep your hands to yourself or it’ll cost you something dear. Though Pip has never experienced a great deal of wealth herself, between attending a rich-ass boarding school on scholarship and filming the lives of worldwide famous Kpop stars, the wealth of others no longer intimidates her, but there are small moments like this one when she wonders: What is it like to have a housekeeper? To grow up more than comfortable?

 

The housekeeper greets Pip and Hong-gi at the door. She looks at Pip and does her best to control the surprise on her face. Hong-gi gestures to Pip. “Ms. Han, this is Pip.”

 

“Pip?” she says, her voice high with surprise.

 

“Ne, bangabseubnida,” Pip says with a bow.

 

“It’s nice to meet you too.”

 

Hong-gi leans over to Pip and says as if it’s a big secret, “Ms. Han has been with our family since I was in high school.”

 

Pip smiles at Ms. Han. “Geuraeyo? Then I bet you can tell me all of the embarrassing stories about Hong-gi ssi.”

 

Ms. Han laughs. “So many embarrassing stories! Let’s see, where should I start—”

 

A door upstairs closes, and Ms. Han stops talking mid-sentence, almost as if the sound—or more specifically whoever made it—has startled her. They all turn towards the staircase, a strange, jailed thing with thin, floor-to-ceiling balustrades lining the steps like cell bars. Hong-gi’s mother appears in the cage at the top of the steps, and Hong-gi noticeably stiffens beside Pip. Pip tries to read the profile of his face for any clues of what to expect, and it occurs to her that he’s told her very little about his mother. An orphan herself, Pip didn’t think anything of it before because the absence of her own parents is both something that she constantly thinks of and seldom discusses. But that is because their deaths haunt her. Could someone be haunted in the same way by the living? Watching him watch his mother descend the steps, she can’t tell what he is thinking the way she usually can.

 

Ms. Shim enters the foyer wearing a gray dress with a severe, boxy silhouette that matches the house in both color and warmth. Even though Ms. Shim’s face is meticulously made up, Pip can see deep divots in the skin, what Pip assumes are scars from the car accident. Ms. Shim smiles widely at her son, but the corners of her mouth dip when she sees Pip. She collects her composure with a dead-eyed smile, and Pip greets her with a deep bow.

 

“Annyeonghaseyo. My name is Pip. It is such a pleasure to meet you.”

 

“Pip the American?” she says, looking at Hong-gi like he has lied to her. She looks at Pip again, her mouth tight, the wrinkles around it straining as she holds back whatever she really wants to say. Pip swallows hard to steel herself for the night to come and offers Ms. Shim a tense smile.

 

Aggressively civil, Ms. Shim turns to the housekeeper and says, “Is dinner ready?”

 

 

One wall in the dining room is a giant window that overlooks the water and the flamed sun sinking behind hills and skyscrapers. The three of them sit at one end of a long, fourteen-person table. Leaving the head of the table open, Ms. Shim sits across from Pip and Hong-gi. Plates filled with tteok kalbi and banchan fill the table between them. There is an awkward silence that Hong-gi doesn’t jump to fill, and Pip decides it’s best to keep her mouth shut until she’s spoken to.

 

“Pip ssi,” Ms. Shim says, and Pip does her best not to flinch at the sound of her own name. “Our Hong-gi hasn’t told me much about you. He said that you work in the film industry?”

 

“Ne, I am a camera director on a Kpop group’s show.”

 

“Which group?”

 

Pip tells her, and Hong-gi sings a line from their most popular song to jog her memory.

 

“Wow, that’s a famous group. Very impressive.” Pip and Hong-gi smile at each other in this small victory, and she wonders if she is worried for nothing. Ms. Shim continues, “They must travel a lot. Do you travel with them?”

 

“Yes. Not always. But often.” Pip fills Ms. Shim’s water glass and then Hong-gi’s.

 

Ms. Shim frowns and says, “All that traveling must be very hard on you. It’s difficult to be a good wife if you travel a lot.” She side eyes Hong-gi as if she has made a great point, and something folds deep within Pip, just like it did when she was the only Black kid in her class and picked last for everything, just like it did when her class studied the Civil Rights movement and everyone turned to her for answers, just like it did when she first arrived in Seoul and people on the street would stop to take photos of her without asking. For Pip, to be Black is to fight the constant urge to shrink into yourself until you disappear.

 

Hong-gi speaks up now. “Umma, I’m not a child. I’m not looking for a babysitter. We’re partners. Equal partners.”

 

Ms. Shim breaks off a piece of her tteok kalbi with her chopsticks and changes the subject. “You speak Korean incredibly well. How long have you been living here?”

 

“Seven years.”

 

“Seven years! Wow, when do you plan to move back to America?”

 

“I don’t plan to. I like it here. I’m very happy here.” Pip and Hong-gi share another smile.

 

“Don’t your parents miss you?”

 

Hong-gi holds his breath, but Pip smiles that I’m-totally-okay smile she has rehearsed since childhood. “They passed away when I was a kid.”

 

This shakes Ms. Shim because she hesitates with her chopsticks at her mouth, sets the food down, and looks at Pip like she’s really seeing her for the first time, like they have something common to share, even if that common thing is pain. “I’m so sorry to hear that.”

 

“Gwaenchanhayo. It was a long time ago.”

 

“Do you have any brothers? Sisters?”

 

“Anio,” she lies. Josie isn’t worth mentioning. They haven’t spoken to each other in seven years.

 

Ms. Shim sighs, staring down at her plate. “You poor thing. I don’t know what I would do if I didn’t have our Hong-gi. You see, family is very important to me, to us.” She looks at Hong-gi for him to back her up, but he just narrows his eyes at her. Where is she going with this? “Family is water. Family is air. It nurtures us. How is family important to you?”

 

“Umma,” Hong-gi warns, hearing the same question under the question that Pip does: how can you join a family if you’ve never been in one?

 

“What? It’s a fair question. Family is a priority to us. I want to hear how it’s a priority to Pip ssi.”

 

The porcelain on the table clatters as Hong-gi slams down his metal chopsticks and stands. “Umma, we need to talk.”

 

Ms. Shim shakes her head. “Don’t be rude. We’re still eating.” She nods to his chair. “Anja.”

 

“No. Now.” Hong-gi says, his voice colored with a scary seriousness that Pip hasn’t heard before.

 

Hong-gi leaves the room, and his mother puts her napkin on the table and follows.

 

Alone at this enormous mahogany table, Pip dabs at her eyes. She feels her soul suck into itself, crumpling like paper in a fist. God, she loves this man more than anything she could want or dream for herself, and if it comes to it, she doesn’t want to be the thing that breaks him apart from his mother. Yes, if it comes to it Pip will lose everything to stop herself from taking the one thing from Hong-gi that she never had—a parent to fight with, a parent to love, a parent to hate, a parent to unfold you from within yourself and iron you out until you’re new again, until you’re you again.

 

At the thought of losing Hong-gi, Pip doubles over, about to retch. She’s crying now, hard, and scrambles to her feet, feeling her shrinky dink soul rattle within her like change in a tin can. Pip starts down a hallway in this titanic house, the concrete walls towering over her, threatening to fall. The hallway is dark. She cannot find a light switch, and so she runs a hand along the wall to support herself, to guide her to a bathroom where she can sit in a corner with her shrinky dink soul and wish for the nth time that no one would ever see her again.

 

Then in that dark hallway, she hears Hong-gi’s voice rise above the chaos of her own mind: “I love her. I’m going to marry her. Please accept this.”

 

Pip stops in her tracks and covers her mouth to mute the sound of her own breath raking up and down her throat. She should go back to the dining room or try another hallway for a bathroom in this stupidly large house. She knows this. But for the same reasons you pick at a scab or chew your cuticles bloody raw, she stays in the shadow of the hall to wound herself.

 

“Aren’t you worried that your children won’t look Korean?” Ms. Shim says.

 

“I don’t care about that. They will look like us, and that’s what matters.”

 

“Don’t you know how hard it is for biracial children to grow up in this country? Don’t you worry that they’ll be bullied? That they won’t have friends? That they won’t be happy?”

 

“Pip and I have discussed this. Our children will go to school in America.”

 

Ms. Shim gasps. “You’re moving to America?”

 

“Ani, they will go to boarding school. They will stay here long enough to learn Korean and then they will go to boarding school like Pip did.”

 

“Hong-gi, this is a bad idea. I won’t let you do this. I forbid you from doing this.”

 

Christ, Pip can barely stand.

 

“You forbid me? Umma, this is ridiculous. Pip is—”

 

“What would your father think?”

 

Hong-gi spits his response back to her with palpable venom. “Well, he’s not here, is he?”

 

A long beat of hostile silence sits in the air stagnant like standing water until Ms. Shim says, “I won’t speak to you ever again if you do this.”

 

“Jinjjayo? You won’t speak to me.”

 

“No. I won’t.”

 

Pip hears her own breathing loud like gunshots.

 

“Fine,” Hong-gi says. “I don’t need you.” And then he pauses to consider his next few words before he says them like he means it: “At least she won’t make our son lose his arm.”

 

Truly believing she is going to vomit, Pip staggers away from the sound of their voices into another dark hallway. There, in the shadows, she feels the weight of the blackness the way she feels the weight of her own Blackness. There were few times in her life where it felt this heavy, where she thought it might crush her. Before now, that weight was at its heaviest when she was a junior at Hopkins, watching the coverage of the 2015 Baltimore Protests in her best friend’s apartment. As Pip and Jamie watched the news, Pip’s pulse choked her with its throat-high beating, and for the first time in her life, she felt true, unadulterated fear. Jamie—who was white—must have seen it on Pip’s face because she put her arms around Pip, and they just sat there on the couch as two people who knew exactly where one of their experiences began and the other’s ended.

 

Now, in the love of her life’s family home, she feels just as small and alone. Finally finding a bathroom, she locks herself in it and crawls into a marbled corner to quietly feel this horrible monster of humiliation, of hurt, of spurn, of anger—she cannot find the right name for this pain, this slight, this smart—god knows what its name is. She leans her head against the wall, craving a cry, but there is a heat to all that she feels, one that makes her stamp her feet, hit the wall, and take a hard twist of her hair, so bitter are her feelings and so sharp is this unnamed smart that makes her feel so small in her Blackness.

 

Growing up Black made Pip both hard and sensitive—hard to the small injustices you face and sensitive in the moments you face them. Yes, you are small, and the world is small, but you cannot let this small world make you smaller, make you shrinky dink, make you blip away like they want you to. Packing away her injured feelings for the time, Pip stands and wipes her eyes. At the sink, she splashes water on her face. She looks at herself in the mirror, forces a smile, and holds it until the second wind of that smart without a name blows past. Then she opens the door.

 

In the unlit hall, a warm, yellow light spills out from a doorway. Pip approaches the door. Inside the room—a beautiful study mismatched to the rest of the house with its classic, dark wood shelves and inviting leather armchairs—Ms. Shim paces with a glass of whiskey in her hand. “He doesn’t need me?” she mutters to herself. “That ungrateful little shit.” In her pacing, she steps hard and angry, her upright, dignified posture replaced with a mean slouch. “He doesn’t need me?” She scoffs and pauses in her pacing. Pip takes a step back, but from the hallway, she can still see the profile of Ms. Shim’s face, the ghostly remnants of her scars, the way the ire on her face relaxes into something else—something new that Pip can’t quite make out. Ms. Shim scoffs again, not with spite but with epiphany. She steps backward, blindly, into an armchair and collapses—the whiskey in her hands sloshing but never spilling. Ms. Shim stares into the middle distance between her and Pip, and her face softens—Pip can see it now—with pain, with devastation, with clarity. “He doesn’t need me,” she says again, the words a soft breath quietly punched out of her. A single tear streaks her cheek, and her grip on the glass goes slack. The tumbler falls from her hand. Pip closes her eyes, expecting it to shatter, but the glass clacks against the hardwood floor without breaking. Ms. Shim sniffs and wipes her face with the heels of her palm. When she stands and walks toward the door, Pip sprints back to the bathroom.

 

Pip leans against the closed bathroom door, her heart thudding in her ears. She counts to fifty to calm herself, to prepare herself to find Hong-gi, to come to terms with letting him go. Taking a deep breath to still her heart, she opens the door again.

 

Ms. Shim is standing on the other side and startles Pip. “I’m sorry. I was about to knock,” she says, the wounded look on her face speaking volume to the rest of the conversation Pip didn’t overhear. She then adds with a sad smile: “Will you walk with me?”

 

Ms. Shim leads Pip through the barren house to the balcony. Outside, the night air cools whatever frustration still simmers in Pip, and she follows Ms. Shim up to the glass barrier. They both rest their hands on the railing and look out at the water. Night has fallen on the cove, and moonlight shimmers on the restless water below.

 

“It’s a nice night, isn’t it?” Ms. Shim says this like an offering, like an olive branch, like a kind of treaty to be signed between them.

 

Pip accepts this kindness for what it is: Ms. Shim trying. “It is. Busan is one of my favorite places in the world.”

 

“Really?”

 

“Ne, I always wanted to live here, but it never worked out with my work.”

 

“You said you’ve been here seven years?” Pip nods. “Such a long time. Don’t you miss America?”

 

“No, I don’t.” Pip reads her face, trying to judge the moment, trying to judge how honest she can be, how honest Ms. Shim wants her to be. “There’s nothing there for me.”

 

Ms. Shim stares out at the water and Pip does the same, the silence rooting between them so long that it becomes almost comfortable. “It never goes away, does it? The missing.”

 

An image of Minji sitting in a desk chair as Pip cornrows her hair comes to mind, and that missing Ms. Shim speaks of blooms in Pip’s chest. “No, I don’t think it does.”

 

“I just thought our lives would play out differently.”

 

Pip does her best to sidestep the hurt of her implication, that if the dead weren’t dead, Hong-gi and Pip would have never met, but Pip understands. Her life is a dark road lit by headlights that only show her so much of where she is heading. The two of them look at one another sadly enough, but there is hope—for in this blue moonlight, Ms. Shim’s face and her voice give Pip the assurance that the cause of each of their suffering will not be each other.

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Somewhat Involved

I barely remember what her cat, Coco, looked like—that’s how quickly he died after I arrived. I know he was white because in the months following his death, I would find white hairs clinging to my clothes after sitting on the living-room couch. Norma kept him in a cardboard box in the laundry room so that he couldn’t try to walk and further injure himself. He smelled like urine for the last week of his life. She woke to that odor one morning. He had used his last bit of strength to tip the box over, drag himself through the kitchen, down the hall, into her room, and under her bed to die. Though she was in mourning and felt guilty for not having taken him to the vet sooner, it only took a few days for her to start talking about replacing him.

 

Her younger daughter, Laura, was planning to move out, and her older daughter, Florencia, had moved into her own apartment years ago. Norma divorced their father, who died in the early nineties. She would soon be living alone, and I suspect this was part of why she decided—or why her daughters convinced her—to host a foreign-exchange student. She was to be my “host mother” for five months. The term makes it sound like a parasitic relationship. At bottom, it was economic: in exchange for money, she gave me a bed and served me dinner. On the housing form used to match students with families, I marked that I wanted to be “somewhat involved” in my host family’s life, rather than “very involved” or “not at all involved.” To me this meant we would eat together, converse casually, and go about our days separately. We would become minor characters in each other’s lives.

 

For the month leading up to my departure for Buenos Aires I debated whether I wanted to go at all. I managed to convince everyone, including myself, that my hesitation had nothing to do with the impending breakup with my first boyfriend. He would be away the following semester, and we decided staying together for that long at that distance would be too difficult. During the winter vacation before I was to leave, I made up a slew of perfectly sound reasons to stay, and my real mom and I mulled them over for hours at a time. We wrote long pro-con lists and forgot to change out of our pajamas. She joked that it felt like we were in some kind of absurd play. Clarity, like Godot, would never arrive. After a couple of weeks, bored by my indecision and annoyed with our circular dialogue, I decided to go.

 

The life Norma and I shared could have constituted the second act of the play. The costumes were the same. We often shuffled around her bright top-floor apartment in our pajamas late into the afternoon. The action would center on Matters of the Heart before branching like blood vessels into other themes, always returning to the same place. At first, my Spanish wasn’t as good as I thought it had been. Being heartbroken in a foreign language felt like doing advanced math with a migraine. She spoke in a fast, muffled twang that even her daughters sometimes struggled to decipher, while the halting train of mumbles into which my English had recently deteriorated was even less comprehensible in Spanish. I hardly registered my sighs; they had become my normal breath. But sighing around a good mother is like sighing into a megaphone. Her ears twitch at the smallest hints of anguish. Norma was especially eager to check in, probably because she had no one left to take care of, and because her daughters seemed to deprive her of any discussion of their private lives. She used these phrases that knocked me out with their poetry. “Te ves caído,” she would say. In my immediate, half-literal translation: You look fallen.

 

At first, I didn’t see what the big deal was with Buenos Aires. I decided the people were unfriendly and the empanadas were bland. I had to force myself to leave the apartment, descending twenty floors in a harshly lit elevator, where every surface except the floor and door was a mirror. There was a me standing in front of me, a me hovering upside down above, hundreds of me on either side lined up like slouching soldiers. I stared at the ground until stepping into the world.

 

I brought stories home to Norma. I recounted how an ancient, nearly toothless man in the nearby town of Tigre tried to “buy” my friend, presumably for sex, as we stood on the bank of a river. Norma sat wide-eyed as I told her about the boy who I saw dangle a puppy off the side of a tall building for several seconds before hugging it to his chest, caressing it, comforting it as if he weren’t the one who had just threatened its life. “The things that happen to you!” she would say.

 

Though a homebody like me, Norma enjoyed having people around, especially her daughters. Every once in a while, Florencia, Laura, and I would sit around the glass dining-room table to work, and Norma would walk in and just stand there, smiling, rubbing her hands, sometimes finding an excuse to talk to us (Did we need more light?) before walking back into the kitchen. While I tried to cobble together enough ungrammatical interpretations of whatever dense piece of Argentine literature my professor had assigned that week, the sisters did real work. Florencia was a human rights lawyer at a major NGO, a teacher, and was studying for a master’s degree in public accounting to boot. When police unlawfully arrested a couple dozen women at a peaceful demonstration on International Women’s Day, Florencia, who had attended the demonstration dressed as a witch, defended several of them in court. Laura was a professor and economist with a socialist streak. Once, as we were sitting down for dinner, she pointed to the television, on which a handsome reporter spoke of economic decline, and said, “Hey, those boludos screwed up the colors on my graph.” While Florencia looked exactly like her mother—tan, short, pursed mouth, chestnut hair—Laura, who was taller, pale and freckled, with coarse black hair, must have inherited all of her father’s features. I wondered if this had anything to do with the fact that Norma didn’t get along with Laura as well as she did with Florencia.

 

“Every time they leave, every time I see the door close, I die,” Norma confided after they had left one night. Florencia had come to help Laura move the last of her things into her new place. “Kids fly the nest earlier and earlier these days!” Norma said. Laura was twenty-nine and Florencia thirty, and I think if Norma had it her way they would never have left. “When we have children, we introduce infinities into all of our emotional equations,” wrote the essayist Adam Gopnick. “Nothing ever adds up quite the same again.” My first heartbreak must have looked like basic algebra to Norma, compared with the inexplicable calculus of watching her daughter—a dead ringer for her late ex-husband in drag—abandon her childhood home.

 

Norma sat for hours watching political programs. Of this fixation she once told me: “My friend says I should stop watching these shows because they make me bitter. She suggested I watch telenovelas instead. Imagine that!” At the beginning of each day, Norma would click on the boxy television in the kitchen and say, “Let’s see what death there is today.” Usually she said it gravely, other times matter-of-factly, even casually, an existential shrug. The opinions she voiced in response to these programs had only two settings: absolute agreement and hostile dissent. “Exactly!” she would shout. Or, “What a moron!” Sometimes she would talk at me about national politics, using terms I didn’t know and rattling off names that may as well have been the names of soccer players. “Exactly!” I would answer. “What a moron!”

 

She hated the president, Macri, and flung insults at him when he flashed onto the screen. Her favorite was “Hijo de padre” (Son of a father), a feminist revision. She was half-jokingly incensed that I went on a date with a guy who voted for Macri. When I came back from our second date, at the end of which he made it his goal to prod my uvula with his tongue, I told her, “He kisses like he votes.” I never heard her laugh so hard. “Muy bien, Willy,” she said.

 

I once meowed when I saw Macri on the television delivering a speech, knowing detractors did this when he spoke in public. They called him “Macri Gato.” In Argentine prison slang, the “gato” is the person in prison who is second in command to the “boss” and does all of the boss’s bidding. The joke is that Macri is the “gato” for big corporations. Norma cackled, then sighed.

 

“Oh, Coco. I need a new cat. But I’m not ready yet.”

 

“When you’re ready, I’ll catch a stray for you,” I said. “What kind do you want?”

 

“One with yellow fur and green eyes,” she told me.

 

I have blond hair and green eyes. I was about a month into my stay and already she had begun talking about how much she would miss me when I left. I must have smiled at her skeptically. “No, no! Completely unrelated,” she said. She had nothing to say for the green eyes preference but explained that she preferred lighter fur to darker because it was easier to see the cat’s skin that way, easier to detect wounds.

 

The extent to which she considered me part of her family became clear one day when she asked me to pick up some pastries for her at the bakery down the street and I forgot. “You did me wrong,” she said, “I’m marking you, like I mark my daughters.” Another ominous poetic phrase. I said I forgot to pick up the pastries, and it’s true, but I think I forgot on purpose. Her complaints about how little my study-abroad program paid her and her requests that I do little favors and chores for her had been growing concurrently. In the beginning, I was happy to replace a lightbulb or run to the store for some oregano, but it became hard not to see these requests as attempts at getting her money’s worth. Her gentle (if witchy) admonition dispelled my suspicion and left me embarrassed for ever having it. I remembered her other motherly dictates. “Put on a coat, I’m cold,” she would tell me as I walked out the door. I was always to move the basket of apples away from the microwave before using it, “To prevent them from maturing too quickly. To keep them sweet, like you.”

 

She was fascinated by Tinder, which I had been using. “She doesn’t want me to date anyone,” she told me, pointing at Laura who had come to eat dinner with us.

 

“Like I told you before, it’s not that I don’t want you to date. I just don’t want to help you set up a dating profile. It’s weird for me! Why don’t you just go out to a cultural center to meet people? Or go out dancing.”

 

“What, you think after my divorce I didn’t hit every dance floor [actually, she said, ‘every danceable place’] in this city?” Norma retorted.

 

Laura and I laughed, but Norma didn’t understand what was so funny. Having already eaten, she was painting her nails a pearly pink at the kitchen table. It was impossible to eat the beef she had prepared without also tasting the nail polish.

 

The only photo in her apartment was a black and white portrait of Che Guevara propped on a bookshelf. He smirked through a scraggly beard, reclining in a chair, holding a cigar between his forefinger and thumb. He had no use for the top four buttons of his shirt. This man who cared so deeply was carelessly handsome. I imagined him picking Norma up in an olive jeep, a black beret about to slip off his head, cigar clenched between his teeth, one hand on the wheel and the other around her shoulder. He drove fast but slowed down when she asked him to. Her face was all powdered up, as it was even to go to the supermarket. But tonight was different. He was taking a night off from the revolution to twirl Norma into tomorrow. They were going to hit every danceable place in the city.

 

Typically, she left the apartment only for groceries or to go to the bank, though every once in a while, she went to the orchestra, usually alone. The performances took place in what used to be the Buenos Aires Central Post Office, now named La ballena azul, the Blue Whale. The auditorium lies several yards off the ground on finlike stilts, and its silver grooved exterior resembles a blue whale’s throat. She would come home late and rave to me about the show, gesticulating wildly like a conductor, exasperated by the impossibility of putting such an experience into words. After emerging from the Blue Whale, she seemed to have a renewed faith in the world. She walked with the light step of someone who never lost faith in the first place. If she paid attention to the TV at all, she was more generous with the newscasters. She hummed as she stirred rice, and I didn’t mind that we wouldn’t eat until midnight.

 

She left the radio on all day so that the apartment wouldn’t be silent. It didn’t matter what the music was; it was just noise to her. Because she didn’t understand English, the American pop songs that blared unceasingly couldn’t be anything but noise. Normally these songs would be nothing more than noise to me too, but when you’re heartbroken, you’re in thrall to the saccharine. For months, they picked at the scab with their stories so unspecific they weren’t stories at all, and yet they were everyone’s stories. I wanted to gag every singer who could see “it” in your eyes or was thinking about the way you looked that night.

 

The stereo hunched beneath the stairs to the second floor of the apartment, where I stayed. On my way to my room, I would sometimes lower the volume what I thought to be an undetectable amount, but Norma would turn it back up within minutes. Neither of us had acknowledged these little battles of attrition until one day I was coming down the stairs and she looked at me as she cranked up the volume. “Willy, I need this. I need the radio.” She told me the noise was a proxy for the indistinct chatter of real people. Maybe it even created the illusion that she was throwing a party where the guests were always just about to arrive.

 

She might have actually thrown parties, but most of her friends lived about a ten-hour drive away in her hometown of San Luis. Not long after college, she left to work as a chemist at the military hospital in Buenos Aires. This was in the late seventies, during the country’s last and most violent dictatorship, the seven-year period when as many as 30,000 Argentinians were “disappeared.” In the same hospital where Norma managed a laboratory, where she mixed chemicals and cleaned beakers and checked items off of lists, people who were considered a threat to the dictatorship were being tortured. They might have been brutalized with electric cattle prods, as so many were back then. Torturers closed the blinds and muffled screaming with loud music.

 

I wanted to hear more about her past, but she was mostly uninterested in the subject, or else unwilling to share. She would dangle intriguing details only to demur when I followed up, sometimes before I even had the chance. One day I drove with Florencia and Laura to the ritzy suburb of Pilar for their friend’s birthday party. Before we left, I sat with Norma in the kitchen as I waited for the sisters. “I used to live out there… but that’s a part of my history I don’t want to discuss,” she said, cutting herself off as she unfolded and refolded a towel. Another time, when I was on my way to Tigre, she started telling me how her late ex-husband used to take her there on his boat for the weekend. “Those must have been beautiful weekends,” I suggested. I heard the naïveté of my words as soon as they left my mouth.

 

“Well, yes. And no… What’s this guy saying?” she asked, leaning toward the television. Maybe I had located the limit of “somewhat involved.”

 

The housing coordinator for my program—a chain smoker with nothing but jokes and gossip to tell—had informed me at the beginning of my stay that Norma was the direct descendent of Justo José de Urquiza, an Argentine general and president of the Argentine Confederation from 1854 to 1860. I pretended to have just noticed that she shared his last name and asked Norma whether he was a relative. She confirmed that her grandma was one of his twenty-three children. He had lots of extramarital affairs but gave all of his illegitimate children, including Norma’s grandma, his last name. Norma seemed to think this was generous of him. I asked more about her family, about whom I knew almost nothing, I who had been using her mother’s old sewing machine as a desk upstairs, pumping the rusted foot pedal as I did my homework. I knew she had seven siblings, but I didn’t know she was the youngest. Five of them had died and the remaining two lived far from the capital. “I’m the lone baby,” she said.

 

We were a couple of glasses into a bottle of cider she’d bought to celebrate me finishing my final papers, when she said, “How lucky you didn’t fall in love with someone here. Being in love from that distance—no. It’s too hard. You already know.” Sometimes it works out though, I argued. My parents had started dating when my dad was living in Florida and my mom in California, I told her. “But how old were they?” Early thirties. “Ah, well then of course. Your mother was a plane searching for a hanger.” She made a gesture with her hand that was supposed to mimic a plane swaying in the sky, which was when I realized how drunk she was. I laughed and asked if this was an Argentine saying.

 

“No, I came up with it just now!”

 

Norma and I had our only real argument during my last week. She had just been bickering with Laura when she came into the living room, where I was reading and listening to music on my computer. She turned on the radio, drowning out my music. I waited until she walked back into the kitchen to say, “How about I play you something,” as I plugged in my computer to the stereo. “No, I need it for the sound,” she told me, agitated. “Right now, it’s just about the sound. And besides, not everyone is going to like your music.”

 

Earlier that day, my ex-boyfriend had called to ask if I was still in love with him. We had broken up five months prior, though we continued to speak every few weeks, apparently just enough to sustain his attachment but not mine. When I told him as gently as I could that I wasn’t in love with him anymore, he said thinking about me on his worst days had been the only thing keeping him from killing himself. We stopped talking. During the months that followed, I had nightmares about him leaping from the Golden Gate Bridge. In that moment with Norma, I was feeling scared, irritable, unwilling to bear the mark of loving and of being loved.

 

Rather than walk away or apologize, I shared an obvious and impudent observation: “It’s funny how the same things that keep one person from going crazy are the things that drive other people crazy.” Either she didn’t understand, or she thought I was being overdramatic. She furrowed her brow at me and then walked into the kitchen. I’m marking you, she had said. Later, I apologized and so did she, explaining that she had been fighting with Laura all day. “No pasa nada,” I said, which means “Don’t worry about it,” but translates literally as “Nothing happens,” as if taking forgiveness a step further by erasing consequences altogether. “Well, I love you very much,” she said.

 

On one of my last nights, Norma asked me to play some music as we prepared for my going-away dinner. Laura was making gnocci with cream sauce in the kitchen and the whole place smelled like butter. That afternoon, a woman from the countryside had delivered two cats to Norma, both of which had yellow fur and green eyes. One hid behind the out-of-tune piano in the living room, and the other curled around my neck, purring. A few friends, both Argentinians and Americans, were on their way. I asked Norma what her favorite song was. “Oh, play Mozart’s ‘Piano Concerto 21’! I cry every time, every time.” The song started to play. Strings sidled up to meet a hesitant piano in midair. Outside, there were no stars, but you could see the lights of the surrounding buildings for miles through the sliding glass doors that let out onto a terrace. The lights glowed at eye level, like stars glimpsed through airplane windows.

 

She didn’t cry, just stood beside the dining-room table, as she had when her daughters and I were working, and she told me the song reminded her of being in love. The melody had coaxed more out of her than any of my questions had, and opened the door for one more: “How many times have you been in love?” I asked. Four, she said, a number that tells as much and as little as pop song choruses. Then she closed her eyes just as the piano took hold.

 

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The Mountains Are Laughing

The wind, always on the hunt for a new location, combed the straw-yellow grass. The prairie withstood the wind as the gale blasted the grains, turning the invisible visible. Colorado Springs lay patiently close to the earth, as if prepared to love it.

 

Visitors gathered at the base of the mountains, taking pictures of the Beware of Rattlesnake signs caught between the bayonet shrubs gathered around the buttes. The tourists came from Denver, in search of awe. Deserted windmills from the gold rush jutted out from the small valley outside the mountain. Vincent stood at the edge of the cliff, looking outward, his phone turned off. His jacket, strained from his newly trained biceps, rippled between his body and the wind.

 

A stranger approached him, wearing a cloth face mask and holding a disposable camera. Vincent stood up almost preemptively, watching her walk toward the edge of the cliff, watching how her feet moved clumsily along the grooves of the hill.

 

“Could you take our picture?” Her sunglasses had sunflowers printed along the sides.

 

Vincent nodded and pointed, asking where the best angle for the snapshot would be.

 

He took pictures of the small ragtag team she had come with. Her boyfriend posed with his hands in his pockets, leaning only slightly toward his fellow travelers. The other guy, white like his companions, laughed as they joked about the wind.

 

“Where are you from?” the boyfriend said, yelling against the air.

 

“Out east,” Vincent shouted back.

 

They were friendly. They showed him the pictures he had taken alongside videos of them driving on the road south and even of the bus ride from the Denver airport terminal. Vincent’s large frame stood over them, with only the third traveler tall enough to look him in the eye. They asked about his job and how long he’d been in Colorado.

 

“Three years, I’d say.” They asked about his age. “I’m thirty-four, and you?”

 

He didn’t remember their names, nor their answers to his questions. Tourists to Colorado were always cheerful, ready to spark up a conversation. They were happy to be there, around the long Rockies, where the shadows of the range could be seen from a distance.

 

The woman laughed and turned to him, asking if he wanted something, a small pill that she had pulled from a backpack. “We’re here for a while, would you like to climb the hill with us?” she asked, a warm smile underneath her shades. She had partially removed the cloth face mask, the rose-pink fabric now dangling off her ear.

 

Vincent stared at her for a moment and then laughed, his voice coming out deeply. “Thank you, but no thank you. You should know, I am that lone tower.” He said this softly, looking over her shoulder. His hands lay relaxed by his sides.

 

She blinked, startled. Vincent did not know if she could hear the drift of his Chinese accent. She excused herself and walked off, looking over her shoulder as she made her path back to her flock, where they stood around in the small lot below with the boyfriend smoking a cigarette. Vincent watched the blue van move away and went back to sitting so quietly, with his back toward the grain of the stones behind him. The valley’s wind blew, catching the sides of his head, refreshing and cold.

 

 

On the drive back, Vincent could see the mountains, looming high over the small grassland of Colorado Springs. Their gray shadows stretched out like columns, like an open jaw. To his left were even wider plains, the corridors of the earth that carried travelers as far east as Kansas.

 

To the north, a blue glacier was assembling, the color of Mt. Everest. But having lived there for years, Vincent knew in an instant it was the great fires in the Rocky Mountains. The avalanche of smoke looked like a castle in the sky, the plumes of smog rising forward and into a long tail that carried itself east toward oblivion. Vincent drove on, almost closing his eyes to avoid looking at the mass growing in the distance.

 

 

At night, Vincent had been having dreams, ones from which he’d awake calmly, before turning his face deeper into the pillow, laying himself back into those worlds.

 

In one dream, he was older. His head had been shaved completely bald, and he had gained weight, more weight beyond even that of a bodybuilder, and he would look down at the body of what felt like a fully grown bear of a man. He sported a large brown beard, like the white and black wrestlers he had seen on WWE as a teen.

 

He was living in the future, in a two-floor log cabin out even further into the country, in Ozark-land possibly. The pines would surround the house, and a small stone road would take this house back toward smaller roads, situated far from any highway or gas station. Here, young families would come, often just a woman and a man, sometimes just one woman. They would give him a baby wrapped in a small blanket. He would carry the infant down to the fireplace room, as they drove away. He would hold the newly given infant, gently speaking to it, walking to a room farther back. A nursery was there, where small cradles were neatly organized into rows. He would bring this child to their new place. In this world, he would hold them each gently, attending to small medical charts written on cheap paper and a small wooden pencil. He listened attentively to each of the tiny voices, and when he held one with the bottle, his chest would be so close to their mouths and it was as if the milk was his. The dream was suspended in just one hour of a day. Vincent never truly achieved the sight of this home after or during sundown. Always in the deep afternoon, the moment would stop promptly when his eye fell on where the one lone window for the fireplace room would shelter sunlight, the dust moving slowly along the rocking chair.

 

 

Xiao Hu lai le. Xiao Hu was taking the airplane for the first time in seven years, due to his nerves, and despite his nerves. The chemistry courses in New Jersey were proving to be remarkably challenging, and while he worked hard enough to squeeze top marks for the semester, Xiao Hu needed time away from college life. Over fall break it was decided that he would fly over, by himself, as Vincent waited to catch him.

 

Vincent’s mother had called last week, around 7:00 p.m., as they had a system set to adjust to the two-hour time difference. She often called from the kitchen, and he could hear the buzzing of the washing machine in the back.

 

“Ke neng Xiao Hu jiu xu yao yi dian ren bang lai kan ta.” Her voice was steady, indifferent, as if  her arms were casually crossed. Just a small errand, really, to chaperone the student around. “Ni zhi dao ta de baba xiang se me yang.”

 

Xiao Hu’s father, the prominent pharmaceutical director. He was generous, outgoing. He was known to bring German beer kegs to the Thanksgiving potlucks, where five or six Chinese families would gather each year. His mirth, matched only by his wife’s generous helpings of her own saran-wrapped meals, would bring a splash of color to the existing variety at the table. The families would never elect to meet at the Hu household, though, as the Chen’s were allergic to cats, which the Hu’s had three of.

 

While Vincent’s family didn’t need any help, they admired Mr Hu’s personality. It’d be good luck to exchange kindness, in this way.

 

He’d be arriving in Denver in about a week. Characteristic of Xiao Hu, it had been a plan made only in the blink of a month. Apparently Mrs. Hu almost booked a ticket for herself to come along.

 

Like observing a comet cast from the sky, Vincent counted the days as he waited for an imminent arrival.

 

 

Vincent had heard about the first breakdown over the phone, years back when he was in college and Xiao Hu had been in secondary school. One night, after a long week of basketball tryouts, Xiao Hu had cracked under the pressure and needed to be admitted into the hospital in Piscataway. Vincent’s mother described the apparent agony the parents had to go through, wrestling with the questions that the doctors were posing for them: How much was he eating? How often did he stay awake at night, rocking back and forth?

 

Xiao Hu stayed at home often after that, but the house was sizable enough for a teenager to live comfortably by himself. Once, when the Hu’s invited Vincent’s family over, the high schooler showed off his National Geographic magazines, which took up an entire bookshelf, spanning over a decade.

 

As they flipped through the images of red-tailed hawks and the wide, double-page spreads of the Michigan landscape, Xiao Hu spoke energetically about how he had discovered a mistake on the Lake Erie Wikipedia. He had proudly retraced the actual timeline of the watershed and found that there was enough evidence in two geological surveys to prove that Lake Erie was much older than the webpage claimed.

 

Xiao Hu sat very comfortably, it seemed, near the older Vincent. Vincent would move slowly away, as his junior spoke sometimes so quickly that their bodies would get close, much closer than Vincent felt comfortable.

 

That Thanksgiving, Xiao Hu also described the panic he felt during the basketball tryouts. “I had set up shop in the garage, making marks using charcoal to see how high I can jump,” he explained. “I was so prepared.”

 

“Was it the coach?” Vincent asked. They did not grow up in the same school districts, but he was aware that Xiao Hu’s high school was particularly competitive, known for cut-throat academics. The Hu family had invested heavily in college essay preparations, soon after Xiao Hu turned thirteen.

 

“No, no, it was the people.” There hadn’t been many East Asians trying out alongside him. “Some of them were really muscular, but also really nice.” Xiao Hu smiled as he remembered. “Those guys were funny, and told these jokes to each other. I remember I kept laughing at this one joke, and for some reason when it was my turn in the final round, I thought about it and started getting nervous. I was worried I’d laugh, or yell, or something.”

 

Xiao Hu ended up leaving early, and when the roster was announced the next day, Xiao Hu was not at school. His parents found him in his room, unable to speak, lying down in his bed with his eyes wide open.

 

When he didn’t respond, an ambulance had to be called. Only on the ER gurney did Xiao Hu start to talk, quietly, about his failure at the basketball tryout.

 

 

Vincent was engaged to a woman named Esther four years before. The way the engagement ended between Vincent and Esther was a gradual process, which surprised him. They had met and shared their first date in the course of weeks, but the finale of their relationship spanned much longer than its beginning. There was something structural about the breakup, as if the decline had been built, deliberately by hand.

 

Esther had met him through a mutual friend. She knew Trina, who knew Rishi, who knew James, who in turn knew Vincent. The string of connections allowed a sense of trust, and by the time they had gone on their first date they had already known so much about the other. Esther knew of Vincent’s background studying computers, and he knew of her love for origami and the graphic design degree  she never talked about.

 

She enjoyed discussing movies, particularly classics, like Breakfast At Tiffany’s. She looked like Audrey Hepburn and complained about how she wished she could wear the twin tails as well as the actress did in the film. She was shy about how she looked when she wore her hair anything other than straight down.

 

But ultimately they were both attractive in the way one would expect. Both of them were very tall, he was bulky and she was slim. The couple looked good together, and when they waited in line at the Korean bakery sometimes teenagers would point at them and giggle.

 

“They’re jealous,” Esther would say, “but they’re more jealous of you. I’m the pretty one.” She would giggle, which had a mischievous shishishi sound. He liked this about her, how she was more playful than him from the start, but he was used to this kind of dating, where the girl took the lead.

 

They were both East Asian. Esther was Taiwanese and would joke about the food in Taipei, teasing him for having never seen it. His parents were raised in mainland China, and with only one or two international outings that he could not remember, he had stayed largely content in his birthplace in Northern New Jersey. They met often in New York, where he worked for a while and she would commute from Union City.

 

It worked well, especially given that she was Vincent’s type. One of the best things, during their short time living together in Union City, was the routine. He would sometimes touch her thighs as she was getting dressed, as he lay on his stomach at the corner of the queen-sized bed, and she would smile without looking at him. In the mornings she would play music as she brushed her hair.

 

Vincent had an odd habit of getting annoyed in the shower. He would, since high school, lash out if the shampoo bottle would fall too quickly off the shower shelf, hitting the floor loudly. Something about the sound startled him, and he would yell, sometimes scream at the bottle, the shower. Even the hot water that touched his back, which had previously been comfortable, suddenly became unbearable. Sometimes he would pick the bottle up just to throw it as hard as he could into the ground. He would occasionally buy one, maybe two bottles in a week.

 

But while he was living with Esther, he had to share this life. He was terrified of being seen like this, naked, with his body so big that his head reached over the shower separation. He admired how his feelings for her changed his behavior; he suddenly knew more about the nature of even the most private spaces in life. He learned in this way how odd he had always been, so quiet. She would sometimes see it, as they got ready in the morning.

 

“You’re so emotionally constipated,” she said as they walked to the elevator apartment. Esther eyed him from the side. “But you know I get annoyed too.”

 

Sometimes she would interrogate him. One time they had a fight, walking back from a sushi restaurant. She pushed him on the topic as he sat, his sweatshirt pulled up to cover his mouth.

 

“Where’s all this coming from? You get so quiet? Like, what do I even make of it?” They were both drunk.

 

“Does it matter?” he replied. “I’m here, aren’t I?”

 

 

Xiao Hu arrived at Terminal B, and Vincent waited outside for him. It was raining, the sun barely visible through the clouds setting quickly. In Denver, the Mile-High City, the weather was unpredictable. During the summer, Vincent had observed entire blazing afternoons followed by nights where it felt freezing, blistering cold.

 

“I just can’t handle it.” Xiao Hu laughed, putting on his seatbelt. “I just can’t handle it anymore.” He collapsed into the seat, chatting away about the airplane as Vincent drove onto Interstate 70, the windshield groaning against the strain of the wind.

 

Xiao Hu’s slim build had grown even skinnier, and during the pandemic he had grown his hair out into a spiky length. Vincent had been accustomed to his bowl-cut, but the younger man had now a more wild, feral appearance.

 

“Was the airplane bumpy?” Vincent asked.

 

“It was alright.” Xiao Hu’s hand covered his forehead, and he looked out into the Colorado landscape. They were passing by the massive plains over by Arsenal, as the car headed west. The straw-yellow land stretched out for miles. “It’s so wide, I didn’t expect that. Everything feels like it’s on a bigger screen here. I’ve never been to Colorado, you know.”

 

Vincent focused on the road, the sounds of trucks passing along, of the rainwater that surrounded them.

 

 

Vincent lived in the basement of a two-floor house owned by a Chinese couple in their late fifties whose children had moved away. The house was complete with an upper middle-class set of hedges, which grew athletically. The area, close to Aurora, had seen a boom in the East Asian population. Especially in the shopping plazas, where nearby restaurants were now becoming more Korean in what they sold and who shopped there.

 

Xiao Hu would be sleeping on a small two-person couch across the room. Despite the support pillars in the basement, it was spacious. Vincent even had a bathroom to himself, newly remodeled. He thought suddenly how he’d have to behave himself in the shower once again, as he didn’t want to upset a nineteen-year-old.

 

“Do you mind if I study here at night?” Xiao Hu had set up his toiletries and taken a shower before Vincent. His wet hair was pressed straight down, and he had on a Ramapo College sweatshirt.

 

“You’re only staying here for four days, and then you’re flying back, right? Why do you need to work at all?” Vincent lay on his mattress, his arms crossed behind his head.

 

“I became a research assistant over the summer, after freshman year. I’m studying ecology.” He paused. “But I might switch to something more cool, like botany. There’s even a toxicology major at my college, but that might prove to be too difficult.”

 

Xiao Hu started muttering to himself, typing entries into his silver laptop. The screen lit a red and yellow glare onto his glasses, and from the distance of the room, Vincent could see water from the shower still dripping from the ends of his hair.

 

 

There was a stray pipe from the roof’s gutter that always held a surplus of water when it rained. The tip tap of drops hitting the backyard’s bricks below would sometimes wake Vincent early. He would always check if it was an insect or a cat. Instead, he would always find the tip tap of the droplets falling eight feet onto the ground. It was in these instances he thought about Esther.

 

Xiao Hu asked him the next morning what that sound had been. But then Xiao Hu himself forgot, busying himself with his laptop.

 

 

Vincent took Xiao Hu out west of Denver, closer to the long line of the Rocky Mountains.

 

“God, look at that,” Xiao Hu said. “The shrubbery here is purple, isn’t that something? In Jersey, it’s mainly marshes, swamps. But here, everything is so dry.” Xiao Hu said this while slowly breathing in and out. He had read about altitude sickness, tourists flying in from out-of-state and being unable to adjust to the oxygen levels in the mountains.

 

They stopped for lunch near the Red Rocks Amphitheater. At the turn of the twentieth century the rocks were known for their massive, cascading formation. The pillars of stone came jutting out like an upside-down cliff, far into the sky. The series of bedrock was known as the Garden of Angels, the Garden of the Gods. Xiao Hu walked with Vincent to the sitting areas, large steps made adjacent to the butte. Their bodies were dwarfed by the sheer height of the butte, a golden-red wall so huge it felt to the student the size of a skyscraper.

 

“It’s even larger than I had thought,” Xiao Hu said, making his way down to the amphitheater’s bottom row. “I know, mentally, that this probably isn’t bigger than the Empire State Building, but it feels just as huge. I think it’s the fact that the whole rock is one uniform color.”

 

He looked up again and realized even if he rolled his whole head back he would only be able to visually capture just a section of it with his eyes.

 

Vincent and Xiao Hu had gone to the local H-mart in Aurora for lunch, bringing with them an assortment of sandwiches and bread. They ate fluffy red-bean buns with ham and cheese inside the toasted loaves. They chewed quietly and chatted about Xiao Hu’s classes at Ramapo. A small black beetle crawled toward the crumbs of the bread left on the grass.

 

“I have this professor who always yells at me,” Xiao Hu said, picking sesame bits off his pants, his hand clutching a half-eaten bun. “She studies these bugs, tapeworms, actually. I hope you don’t mind me talking about something so gross.”

 

Vincent smiled. “Push my limits.”

 

“I say too much sometimes. You know, I was so worried about climate change for the longest time. I was going to ask you about the fires here. I’d been reading about them on the news.”

 

Vincent looked out into the open plains and said nothing. The sky was peacefully blue, with a matrix of clouds streaming out into the world above them.

 

“My professor told me that I worry too much,” Xiao Hu continued. “She said, ‘You know, if there really was a natural disaster, if you worried like that, you’d be the first to go.’ In her office there were all these jars filled with taxidermied parasites and preserving liquid.”

 

Vincent squinted from the sunlight at Xiao Hu, listening. The wind was picking up, and Xiao Hu’s bangs started to float as he spoke.

 

“She said, ‘Look at these parasites. Some of these could kill you in seconds. Life thrives anyway.’” Xiao Hu stared down at the concrete platform they were sitting on. “I think she was saying we have this symbiotic relationship with nature, but also we don’t.” Xiao Hu started to stand up and stretch, and took a few steps out into the open plains before them. “I had this one professor who took us out over the summer to sit by a basketball court. One of those crappy ones. He said, ‘Look at the grass, growing from the separations and cracks of the court.’” There was even this flower that grew from a crack. It was so dramatic.” Xiao Hu started to walk along the stone platform, poking at the small plants growing against the height of the steps, out of patches of sand. “He was one of those white, cool professors, who talks while sitting on the desk instead of a chair. The professor with the parasites was Asian. Thai, maybe?”

 

Vincent pulled his sweatshirt closer to his body. He watched as Xiao Hu’s sneakers made imprints on the grass.

 

Xiao Hu looked up at the massive butte above them. “We need nature to survive. But nature itself? It doesn’t care what it becomes.” The clouds above them moved quickly, their form changing to a shape more perpendicular to the angle of the rocks.

 

 

It wasn’t Vincent’s anger, ultimately, that ended the relationship with Esther. She had started to grow restless at her job in New York. She would go out for long walks during the mornings, wearing jogging clothes. More and more, she left her professional blazers at home. She quit her job suddenly, after she stopped wearing blouses to the office, just polo shirts.

 

She was moving to Rhode Island, she announced one day. She had quietly been applying to MFA programs in sculpture, and even interviewed that fall during a weekend at her parents’ house in Basking Ridge. It felt, to Vincent, like this would be a transition to a long-distance relationship. He helped her pack, which was slow process, not noticing how many of her belongings she was taking. That day, she still kissed him, holding him closely, and then she took her family minivan to RISD.

 

Once she was gone, the text messages quickly dried up. He would ask to call, but she didn’t want to, said she was tired or busy. Weeks dragged on until the fall semester. By the time they broke up, she had stopped using his name. He panicked, for a while.

 

Vincent looked back on moments of the relationship and realized there were points he could’ve seen this coming. Once, over wine, her friend Jiyoung described to the couple her new job as an art gallery co-owner. When Jiyoung asked if Vincent liked art, Esther suddenly became quiet, looking down at her hands. Vincent stared blankly at his guest, surprised for a long moment, and then laughed nervously, saying, No, no, I don’t know too much about that stuff.

 

After she left he decided, abruptly, to move to Colorado. He looked around his empty apartment and realized he needed so little, he could have been alone this whole time. Vincent saw that he could be anywhere, be by himself in any way he wanted.

 

 

The next day, Vincent cooked a home-made meal for Xiao Hu and himself. He was proud of his dishes, which were mainly built on greens. Chinese celery, eggplant with oyster sauce, and tofu.

 

He was surprised by his own thoughts as he placed the dinner plate down. He wanted to say, My wife cooks much better than me. But of course he didn’t have a wife.

 

They retired early at night, turning off the lights except for the bathroom, which was kept open by a slight crack. Xiao Hu lay on the couch, checking his phone while Vincent rested on the mattress.

 

Into the darkness, Vincent said, “You know, I thought about what you said, about nature.”

 

“Oh yeah?” Xiao Hu put his phone away, letting it lay underneath him, his head now supported by his elbow. He was facing the wall, his back to Vincent.

 

“Last year they introduced gray wolves back into the Rockies. There’s this whole conservation attempt going on, over near Boulder. They’re even taking them off the endangered species list soon.”

 

Xiao Hu was silent.

 

“I don’t know. People are worried here, about Denver and Aurora getting too crowded. This year, those fires out west? They’re apparently the worst that this state has ever seen.”

 

A few seconds passed. Despite the fact that it was a basement, moonlight crept into the space through small windows seated at the top of the walls.

 

“You know,” Xiao Hu said, “it’s a headache anyways, what the professors say.” Vincent was surprised at the serious tone in which he said this, as if he wasn’t smiling as usual.”I just don’t care sometimes. I really don’t.”

 

Vincent turned to look over, straining in the dark to see that Xiao Hu’s arm was tracing long circles on the wall next to him.

 

 

The day before Xiao Hu had to fly back to New Jersey, Vincent planned a small tour up north, near Boulder. But the fires had started to grow worse overnight, the wind must’ve brought the flames even farther through the Rockies. Throughout the state, emergency vehicles and C-130 forces cast their wave of personnel. Reporters from local news stations went on duty, too, relaying information to national media outlets.

 

The sky was faintly yellow, and it appeared as if it was sundown, although it was only 3:00 p.m. Xiao Hu watched from the convenience store, where they were both wearing face masks and drinking carefully from cans of iced tea.

 

“I want to see the fires,” Xiao Hu said.

 

Vincent looked over, surprised. “Why? It’s pretty dangerous, I hear. The dust, the particulates.”

 

“I don’t know. I’m only out here for a few days, and I don’t know the next time I’ll come back.” He looked over quickly at Vincent. “The next time I’ll be able to come back, I mean. I like it here, it’s been fun.”

 

Vincent flicked the rim of the iced tea can with his right hand. On the other hand, his fingers traced the car keys in his jacket.

 

 

The plan was to take State Highway 93 up north, far past Eldorado Springs and even Buckingham Park, before continuing onward. As Vincent drove, they played music as the clouds got darker. They passed by Boulder, where the city shined and flickered.

 

They were passing by the small stores, still displaying shoes and coffee signs outside the brick-and-stone apartments. Pearl Street Mall popped by, as Vincent’s SUV slowed down then sped up to catch the ramp onto Route 119.

 

Vincent recognized the route, at first. He knew the direction toward Platt Rogers Memorial Park, after he had gone camping with coworkers for a winter afternoon two years ago. But suddenly, the climb up with the car became tedious. Throughout the drive, he had seen smoke, rising out of the sky, and there were more firetrucks stationed around Boulder than usual.

 

The car made sounds as he shifted the gears, the vehicle twisting around small bends of the road. He had started to sweat. He rolled up the windows to prevent the smell of fire from entering the car, and turned off the music that had been playing aimlessly as noise.

 

Xiao Hu was quiet for most of this trip, although he sat relaxed now, feeling the bumps and turns of the highway move his body along the track. He simply looked out from his passenger window, watching the smoke and the trees that blossomed from the side of the road blink and then pass by him.

 

Thirty minutes up this road, the highway’s exits toward the surrounding forest area were blocked off with black-and-red fences. Road maintenance vehicles guarded the new gate, and men in helmets motioned to the car to turn over. Vincent saw a man, white and over forty years old, shaking his head. They made a K-turn, back onto the road.

When the car was almost immediately upon the pass, Xiao Hu tapped Vincent on the shoulder. “Pull over. I was wondering if I could walk around a little.”

 

“You’re crazy.” Vincent was too surprised to even be angry. “I’m not letting you out of this car.”

 

“I need to go to the bathroom. We drank too much water on the way over here.” Xiao Hu laughed as he said this, but there was an impatience to his voice. “I’m being serious, I’ve really got to go.”

 

“Just make it quick.” Vincent turned on his hazard sign as he parked along the side of the road, near the small stretches of land marked by the white stones of the cliffs and forests on the other side.

 

“Thanks, but also, I really just want a close look around,” and by the time Xiao Hu had finished this sentence, he had already left his seat. For a moment, Vincent was terrified he’d fling himself over the side of the cliff, but instead Xiao Hu made a turn and ran, laughing, into the woods. All around them, the smog was starting to get thick, and the sky was turning quickly from yellow to soft blue. Evening was approaching.

 

Vincent unbuckled his seatbelt in a hurry, noticing how much his hands were shaking as he did this. He got out, standing by his vehicle, before pocketing his keys and running toward the other side of the road, where over the steel bars, small forest plateaus were formed and unformed by ditches.

 

Xiao Hu was still laughing. Vincent could see his small figure disappear over the mounds. All around him, he realized how difficult it was to make out the sight of the forest. The shadows of conifer trees dominated his vision, and Xiao Hu had now made it past two large slopes in the hill, and he could no longer see him.

 

“Xiao Hu! I swear to God!” Fear started to truly hit him, and he felt an itch rush his back. He thought about Mr. Hu, and screamed, hoping an echo could be made this high up in the mountain. “Xiao Hu ni hui lai! Ni zhe me ban ne? Ni hui lai xian zai—“

 

Vincent started to lose his balance as his feet caught between the ditch made from the main road to the natural forest ground below him. He felt himself almost fall, and he had to catch the metal rail. He looked out, panting. He considered calling 911 or rushing back to his car.

 

Two minutes later, he saw Xiao Hu coming out from the woods, on a higher angle of the small forest hill. Xiao Hu was panting, and his sweatshirt was wrapped around his waist.

 

“I’m coming, don’t worry, I’m coming.” Xiao Hu descended the mound and hurried toward the car.

 

They both sat in the car, breathing heavily. Vincent didn’t say anything, just started the car and drove away with his hands trembling.

 

“Dude, what the hell. Dude, what was that?” Vincent finally said as the car made a steady climb back down the mountain.

 

“I’m sorry, I really thought it would be okay.” Xiao Hu wiped his nose with his sleeve. His eyes were dry, but his breathing was scared. “I was there for just a moment, and then I realized I didn’t know where I was. I just thought…if I could see the fires a bit, or smell them better. I don’t know.”

 

The two started down a series of bends in the path.

 

“Did you really shout Chinese at me?” Xiao Hu asked.

 

Vincent didn’t reply.

 

Xiao Hu locked the door to his right. He later would say he worried he’d fall right out of the car, or even get pushed out.

 

“You’re not laughing at me, are you?” Xiao Hu finally asked.

 

“No,” Vincent said. “No, that’s very far from how I’m feeling right now.”

 

This time, he’d plan on taking the highway directly back to Aurora, without making a stop to see Main Street at night. He was breathing deeply, not heavily now, and focused on getting the car back before the smog got any stronger.

Vincent turned the windshield wipers on, despite the fact that it wasn’t raining. Around them, dust started to descend upon the car. The windshield wipers hit the dry glass, rocking the front slightly. What what what, the sound seemed to say. What what what, the machine said. The car made another turn toward the main roads, toward the apartment, or someone’s home, or somewhere, anywhere away from the forest above.

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Sidle Creek

The first rock wall Esme Andersen built was in 1975 when she’d just turned twenty and was halfway through an engineering degree. Her father had been diagnosed with MS, and she was home from college for the summer. People said she was pregnant—“Look how bloated that belly is”—but she’d never been with a man. She just passed clots and passed out a lot. “That’s why they scraped her out,” Dad said. “Ended up taking everything. It’s a pity, you know.”

 

I didn’t quite know.

 

She and her dad took trips to the creek bed every day for two weeks, gathered up flat rocks from the slippery bottom of the Sidle. The rumor was Esme kept adding stones on days she felt well, sometimes only a few—toiling over making the fit right, a half turn here and there. When she was poor and in pain, she claimed she felt the hum of protection within the kissing stones of her very own rampart.

 

After her father died, Esme ended up living alone behind that dry-stacked wall, being called strange, a fool. But I adored the wall, how it held.

 

 

Back when we first moved next to Sidle Creek—not a large creek but cool enough for trout—a man who’d been blinded by welder’s flash got his sight back when he fell into its water. When Dad gave directions to our house he’d say, “Follow Sidle from the bridge near Colwell’s Cemetery about three quarters of a mile out Stone Church Road. If you get to the old pump station, you got out too far.” He’d add, “You won’t see our house from the road so just turn right where the creek takes a sharp bend to the left—where Prichard got his sight back—and you’ll see our drive.” How strangers could have been helped by his directions was lost on me, but no one questioned them, and every time someone said, “What do you mean got his sight back?” Dad would tell the story about how the Sidle’s water cured Mr. Prichard.

 

 

Granddad had a bleed at the muddy bank of the Sidle the same year my mom left. His best fishing buddy, Lee, gave him sips of whiskey thinking it was a clot that could thin, but it was a different kind of stroke. “Hemorrhagic” read the death notice. Dad repeated the word three times, slow. Dad said Lee couldn’t have known when he held the bottle’s lip to Granddad’s he was making his death come swifter. For a long time he wondered what might’ve happened had Lee let Granddad drink some of the Sidle’s water instead, but decided it was all good. “He didn’t have to suffer years of half a life, unable to talk or walk or dance or fish. No one should have to suffer.”

 

But when Granddad showed up in everyone’s dreams, even the neighbors’, he had dirt all over him. “Just that dried-out topsoil from trying to get back to us from his grave. Not the muddy silt from the Sidle,” Dad said. “Don’t you worry. He didn’t fault the creek. He loved it pret’ near as much as he loved us.”

 

 

Before my Uncle Bobby went away to the pen, back before his layoff at the mine and his broken marriage and the drug bust and the helicopters hovering over the hunting camp while state boys dragged him from the attic with bits of pink insulation stuck to his shirt, we all fished together at Granddad’s spot, like some happy family. But the truth is my dad might have sooner just gone alone. We kids were too loud. Spooked everything. And Uncle Bobby used weird things for bait that day. Hot dogs, Pop-Tarts, bubblegum, carrots.

 

 

Late-season snow runoff, and a bout with the wrong side of manic, sent Miss Turner into the deepest channel of the Sidle with stones from the Allegheny River weighting her coat. “She’d given it some thought,” Dad said. Those river stones were smooth and small—unlike the bulky, irregular creek stone covered up in the high-water rush—and she could fit them nicely into the woolen coat she’d sewn with extra-deep pockets, some said, exactly for this deed. Two anglers scouting for spots to stock rainbows tried to pull her from the high cold. One of the Colwell boys, a newly minted volunteer fireman who’d completed fifty-two of seventy-two passes in the final game of his senior year, overhanded a throw bag to each of them, landing them right at their chins. Still all three abided feverish shivering fits of hypothermia for a handful of days in ICU. Miss Turner lived three more years before something like cancer nettled into her woman parts and offed her slow and terrible. Dad blamed Miss Turner for using the creek wrong. He blamed her for the fact that the browns weren’t taking nightcrawlers that season. He swore her actions cursed the line, cursed the hooks.

 

 

Dad always said attractor dries were best for catching wild browns. I tried every fly in the box, every single one clatched to my hat. Caught my best brown once when the stream was high and thick after a hailstorm. Filled my waders, nearly drowned. I cried out for help but no one heard. “You got yourself out. Found good footing on that creek bed. That’s what counts,” Dad said, patting me on the shoulder, then hugged me tighter than he ever had in my whole thirteen years.

 

That night I dreamed I kept finding something stuck on the undersides of rocks, stuck to the slippery green of them, and how it stuck I couldn’t figure; I worried it would tack over the whole run. It was stuck to everything. When I woke up, my panties were full of blood. I told Dad and he said, “That’s natural. It’s time. Go to Mom’s closet and get her napkins in a pink box,” and I did. They were right beside the pretty purses and shoes in boxes she’d left behind when she left me behind too, two years before. He said, “Let’s go see how they’re runnin’ today.”

 

I knew the blood would come. I’d learned about it a few years before. I just thought it was much, much more than it should be.

 

 

Shiners, in the minnow bucket, darted left and right. Nightcrawlers we filched by the light of night’s moon tunneled dirt in the coffee can. Bait. “Live things to catch live things,” Dad always said each time he slipped the thin hook through a slippery body, but I heard it different that day.

 

He cast. Set the pole in the wooden wye he carved from a cherry tree branch.

 

“Always use thin wire hooks and rig close to the tail so it can still move a lot. Or through the top of its back. You want it lively in the water. Just as it would be if it wasn’t on the hook.”

 

I nodded and straightened my back, rubbed at my spine. He glanced at me then grabbed a minnow from the bucket and placed it in my palm.

 

“Hold onto that for a sec,” he said. He pulled his lighter from his shirt pocket and relit the charred end of his cigarette. Took in a long drag. I watched the smoke come out his nose and thought of gills, of the insides of our lungs and wondered if they were red, too. The minnow’s tickle made my throat burn, made me want to clamp tighter, but I didn’t want it dead. I blinked. I swallowed all that extra saliva. I thought about where he’d slip the hook through the one I held.

 

That’s when he said, “Uncle Fatso takes them close to the eyeball and through the snout. They’ll wiggle then.” He laughed. “Here,” he said. I opened my hand and watched its shine flip to the ground. “Son of a bitch,” he said, stopping it with his boot from flip-flopping its way toward the water’s edge. He grabbed it after two tries and handed it to me again. “Don’t worry, you can use them like this, too. Hook straight through both lips. See?” I rolled my lips in while he slid the dead minnow on my line’s hook. “Living or dead they still look good to the trout.” He took in another drag and winked.

 

We moved to nightcrawlers then. We waited for a hit while the other worms burrowed deep to the bottom of the can, away from the light splashing through the trees that lined the bank. I couldn’t help staring into the minnow bucket, watching their frantic flickers, their wild eyes.

 

 

Five bleeds later, I got hints when it would come on. Angry at my cowlick. Lonely. Fish looked sad. It scared me, this thing happening to me. Hurt all over. Made me slow. Run down.

 

“Maybe flow’s off a little,” Dad said. “Maybe it’ll straighten out.” Though he told me before Mom left us for Jesus and moved to a place in upstate New York to be nearer His Grace and Love, that she’d had the exact same kind of pains. He wanted to take me to Crazy Miss Jean for a tincture, but I was so scared of her that I refused to go.

 

So, again, he took me fishing. We caught our limit quick. Let the gutted fish soak in saltwater in the sink all day. After supper, Dad said, “Let’s have a sundae.” I couldn’t bring myself to grab the maraschino cherry jar that always sat next to the salmon eggs after I spotted the canned plums. They looked too much like the clots that dropped from inside me.

 

“Hot fudge is plenty,” I said.

 

In those five months, I’d learned to hate all things red.

 

That frightening leaking out came again just as I was halfway done with the sundae, sending the bowl clanging into the sink and me running to the bathroom. When I sat on the toilet I imagined my own eggs sliding to the bottom of the porcelain while I peed.

 

“You okay?” Dad said from behind the bathroom door.

 

“I’m fine,” I said, shoring up my voice box to keep at bay any sound of stupid crying.

 

 

After eight bleeds, Dad told me to head out to the Sidle, wade in the water some. Might cure me from bleeding so much. But I worried the Sidle couldn’t help me, and I didn’t want to use the creek wrong like Miss Turner, didn’t want to spook the fish away. He said, “Regular season’s over. They’ve slowed by now.”

 

 

Cramps woke me. Cramps kept me home from school. Headaches weighted my eye sockets.

 

Snow came early. I tried to think about the cool creek water, how oxygen would be swelling, how trout hens would be building nests in the gravels, deep in the redds, to home their eggs.

 

 

A year more passed when Dad said, “I can’t have you suffer,” and went to Crazy Miss Jean without me. She said it was a malady no one aspired to study for a long time. She said she had it, too, ‘til she went through the change. She said people still think it’s fake, a lie. She told him what kinds of stones to find at the Sidle, gave him a bottle of paregoric and told him to mix it with sugar.

 

“It tastes like black licorice gone bad,” he said and held the tiny whiskey glass to my lips. I forced myself to drink it.

Warm, warmer. Cramps eased, eyelids drooped. Rest came. Until pain rippled again.

 

Miss Jean told Dad to “search for a keen doctor who’ll listen.” She said it may take years. She gave the awful thing a name. “Endometriosis, endometriosis, endometriosis,” Dad said.

 

I repeated it. It didn’t sound half as mean as it was.

 

Dad said, “It’s a dirty rotten shame.”

 

In my floating self, I said, real quiet, “Will you help me build a wall, Dad, from both creek rock and river rock? It’ll be knee-high and I’ll plant flowers to line it.”

 

“Sure will,” he said.

 

From the steeped water in the pot, Dad took the smooth flat stones he found near the redds where the trout laid eggs. He placed the warm stones right on top of my belly where Miss Jean said my ovaries and uterus ached underneath. I could feel the Sidle’s love walking deep inside. It made me want to live.

 

I stared at the rainbow Dad had mounted on my wall. I’d caught it on opening day near the bend where Lee cut the line on his palomino when he saw Granddad slump, where he held whiskey to Granddad’s lip. The shininess, those pretty dots, that magenta line the length of it. Its colors buoyed me. It stared back at me with its hopeful eye.

 

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