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Two Poems

Jane Zwart

Plots

I know: people want roads. They want room
for paths to fork and converge. A story is better
if its hero might be lost, if no one has taken
reversal off the table. But a great plot is too much
for me. I max out at raised and sunken beds.

 

A repurposed sandbox, fine: beans’ greedy ringlets,
an argyle trellis; tomatoes drooping outside
steel gyres; a frame of marigolds to put off deer.
Blind alleys under lawns, yes, and fraud roses
and knee prints, balloons in every stage of dilation.

 

The woman thinning the zucchini; the child
plowing a stripped crayon, lengthwise, over a page
his father holds square across a gently canted
stone: I cannot tell you their befores or their afters.
Those plots are beyond me. I can only write Look.

 

Used Benison

Tonight I am borrowing a septuagenarian’s life,
his lap full of husks and silk, his friend running
streetlights; they are rushing ears of sweetcorn

 

to boiling water, they are racing sugar’s corrosion
into starch. I am borrowing everything. The chrysalis
a boy set on his dresser for its shape alone. The brief

 

pet it bred. I am trying on a whole record of wonder:
the child’s, an inning into summer; the groom’s,
his paisley a distraction to the Baptists; the old

     fellow’s—

 

if this is life who could earn their keep—when he

     throws
up his hands. There is a joy that helpless. I borrow it.
I too have been loved more than makes sense.

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Jane Zwart

Jane Zwart teaches at Calvin University and co-edits book review for Plume. Her poems have appeared in Poetry, The Southern Review, Threepenny Review, HAD, and Ploughshares, and her first collection of poems is coming out with Orison Books in fall 2025.