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Two Poems

Poem I Wish to Title with the Species Name of My Least Favorite Palmetto Bug but Can’t Because There Are So Many Candidates; or, Another Invasion

 

The inspector says the name’s a misnomer,

that the great bugs of my childhood were not,

in fact, the Florida woods roaches that dwell

in the fans of cabbage palms and saw palmettos

(uniformly dark, slow-moving, emitting

a foul smell) but American cockroaches

(brown-bodied, tan head), and those are different still

from the smoky-brown cockroaches creeping across

my present-tense living room floor in the mornings.

And still “palmetto bugs” were what we called them,

little winged bombs of misery that dropped

into our beds or rustled behind cupboards

or scuttled into cracks at a beam of light

or, worse, flew at the lamp or the hand on the switch.

At Palmetto High, our unofficial mascot

paraded the halls in poorly painted murals:

think smiling blue cartoon palmetto bug

as Mozart to designate the music wing;

palmetto bug beside a bust of Shakespeare

and holding a feathered quill; palmetto bug

astride a spinning globe. You get the idea.

If I say the phrase “palmetto bug” enough,

do you think it could lose all meaning, the way

so many swarmed from the bottom row of lockers

in the girls’ side of the gym that after a while

we gave up screaming? They became a kind of static

we ignored. Yet the isolated bug—

the sudden intrusion on a wall or ceiling

in a place I should feel safe—still makes me quake

and call for my husband who doesn’t understand

my helpless terror, that I am a child again

in Miami, slipping bare feet into shoes and meeting

the dry armored back with my soft skin.

The cold click of toe against wing. The scramble

of those legs like filaments across my foot,

and my foot trapped inside. Or the wet smear

of their crushing. I learned to check my sneakers,

to tap, then shake them out. A friend tells me

she attended a dinner party where a roach

dropped onto a guest’s salad plate, and I think

of this story every time I host. Each month

the guy who sprays blames the weather—too hot,

too cool, too much rain, not enough—so we’ve called

his boss, who checks the crawl space and the attic

and finds no scurrying, no sign of nests.

“They really don’t like living in houses,”

he tells us. “They’re just passing through.”

He smiles as if this settles everything,

as if the walls that look so safe and solid

weren’t permeable and crawling in the dark.

 

 

“Another Day in Paradise,”

 

my father said without a trace of irony

each time my family drove to Miami Beach

or Coconut Grove or beneath the outstretched arms

of banyan trees on the old canopy roads,

the roads he’d driven since high school. He’d lift

one hand—or both—off of the steering wheel

to gesture at whatever we were passing:

blue bay, cruise ships or pleasure boats, sunlight

on a white bridge, a perfect specimen

of palm. Despite the heat, the traffic, the car-

jackings and home invasions, he says it still:

“Another day in Paradise.” He can’t

imagine better.

                             “All good things come to an end,”

the owner of a sandwich-and-cupcake shop told me

when I said I was sorry his place was closing.

Then he caught himself: “Except Paradise.

That has no end.” He was so pleased by the thought

he repeated it and walked off, whistling.

This was the small town where we’d moved for work,

the bakery the only decent place to eat

for miles. We never felt at home living there,

though I’m not sure there’s anywhere I’d feel

at home. Isn’t that why I travel, always

looking for something to make me want to stay?

The baker’s whistle, my father’s sweeping hand—

maybe what I envy is their certainty.

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Chelsea Rathburn

Chelsea Rathburn is the author of three poetry collections, most recently Still Life with Mother and Knife. Raised in Miami, she has made Georgia her home since 2001 and has served as the state poet laureate since 2019. She is the recipient of fellowships from the National Endowment for the Arts and the Academy of American Poets, and her poems have appeared in Poetry, Southern Review, 32 Poems, and other journals. She currently teaches creative writing at Mercer University in Macon. Her fourth book of poetry, Broken Houses, will be published by LSU Press in July 2026.