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Theatre UCF Production Auditions

Spring 2025 Audition Information

All BFA and MFA acting and musical theatre majors are REQUIRED to audition and REQUIRED to accept the callback invite unless you have already received a waiver from the Artistic Director. ALL Theatre Majors (including BA Theatre) are required to accept the role as cast, unless circumstances fall under the language in the Handbooks for exemptions to casting. Please make sure your schedule is clear for callbacks on October 26th, and October 27th.

We plan to seek multi cultural cast and encourage everyone to audition.

The following productions will be cast from this round of auditions:

The Last Firefly
By Naomi Iizuka
Directed by Tyler Simons and Leigh Green
UCF Blackbox, Dr. Phillips Center for the Performing Arts, and Orlando K-12 schools.
UCF Blackbox: February 27th – March 2nd, 2025
Dr. Phillips Center: April 10th – April 13th, 2025
School tour dates: TBD
The Last Firefly Casting Breakdown
Fiddler on the Roof
Book by Joseph Stein
Music by Jerry Bock
Lyrics by Sheldon Harnick
Directed by Michael Wainstein
Music Supervision by Richard Crawley
Choreography by Mayme Paul
Dr. Phillips Center for the Performing Arts, Disney Theatre
April 10th –13th, 2025
Fiddler on the Roof Casting Breakdown

Audition and Callback Schedule

These will be VIDEO auditions for your initial submission. Callbacks will take place in person.

  • Friday, October 11 at 12:00pm – FINAL DEADLINE for video submission
  • Callback invitation will be posted by Monday, October 21
  • Fiddler Callbacks are Saturday, October 26 at 10am – 3pm
  • The Last Firefly Callbacks are Sunday, October 27 from 5pm – 10pm

Your entire audition package must include the following:

  1. A filled out “Department Audition Form.” The audition form can be found online at: https://forms.gle/yseQgekTW4wJzYiJ8
  2. A TYPED bio no more than 75 words in length (submitted through the google form).
  3. A copy of your headshot and resume (Created as a PDF in a google drive. Embed the link to view the Resume and Headshot into the Youtube video Description. Make sure your permissions are set for anyone to View/Download the document from the drive.) Please also bring a copy in paper to callbacks. 

IMPORTANT:  You will need to upload your performance package to an unlisted YouTube link. Then, you will need to provide that link on your Department Audition Form. This link is what the directors will use to watch your audition package. Make sure that link is on your form!

Headshot, and resume should be submitted by uploading to the YouTube description. 

 

Performance Requirements for this audition:

  1. Slate Your Name, Major, and Year
  2. One modern 20th monologue
  3. 32 Bars from a musical, selections from Fiddler on the Roof encouraged, but not required

[You have 2 minutes TOTAL for your monologues and song. Not 2 minutes for each piece.]

  1. READ THE PLAYS! Know the styles of the plays and select appropriate audition material. If there are specific guidelines listed for specific plays, KNOW THEM!
  2. DRESS APPROPRIATELY! Present yourself in the best possible manner. Directors will make judgment about you the minute you walk into the room. Don’t let that judgment be negative. This includes shoes ­ don’t wear flip flops or shoes you can’t walk in when you audition. And, make sure your hair is combed and out of your face!! Don’t walk in looking like you just crawled out of bed!
  3. Behave in a professional manner. Be polite to everyone you meet and encounter. You never know who will be making casting decisions. That includes the way you talk to Stage Managers, Accompanists, Assistants, and Directors.
  4. Be prepared and on time! Have everything required of you for the audition. The Stage Managers will NOT help you with making copies of your headshot/resume/music/audition forms. Do your job and be prepared to demonstrate how professional you are.
  5. Have your sheet music prepared appropriately.-Don’t bring in a whole songbook or pages taped together like an accordion. Copy the song from the book and put it into a nicely-organized notebook that will sit on the piano easily.-Be sure your music is from a full score or songbook. Do not bring in music that only has chords or is from choral books or is written for guitar!-Be sure your song is in the correct key. The Accompanist will not transpose on sight for you.-DO NOT PUT YOUR MUSIC IN PLASTIC SHEET PROTECTORS!-Make sure the copy of your music has ALL THE MUSIC on every sheet. Double check to make sure the bottom line of music hasn’t been cut off.-Make sure the title of the song is marked clearly somewhere on the first page of your music.-Mark your music clearly for the following: Intro, Vocal Begins, Cuts in the Song, Repeats, Song Ends.-Communicate with the Accompanist what tempo you want your song. They aren’t mind readers ­ sing a little of the song for them.
  6. Be sure to “slate” clearly ­ this includes your name and the titles of the pieces you will be performing. Slate ALL YOUR PIECES before you begin your audition. Don’t waste valuable time announcing each piece individually.
  7. If you plan to use the chair in the room, SET IT UP BEFORE YOU BEGIN! You waste valuable seconds during your audition slot by taking time to move the chair to where you want it. It’s stronger if you act without using a chair.
  8. REHEARSE, REHEARSE, REHEARSE! And, just when you think you have it, REHEARSE SOME MORE! Most performers kill their chances of getting cast because they aren’t prepared.
  9. Breathe! Remember ­ we WANT you to succeed! It makes casting decisions easier when you “bring it” and deliver what we need for our shows. Part of your assessment in the department is based on your audition skills, no matter what your degree program may be!
  10. BE FEARLESS! OWN THE ROOM!