Two Poems with Parents

Sleeping in My Childhood Bedroom as an Adult

Glow in the dark stars tumble

into black, their light hanging

 

like the feet

of a man tied to death. I trace

 

the outlines of memories and pull them

to my nose, they smell like

patchouli and my father’s

velvet coat. Gray shapes

 

dance to the window. Are they

the ghosts of my dead dogs

or the angels I overheard

my mother asking for help? Or maybe just

teenage headlights, sneaking back into their parents’

driveway. The laundry

room moans and shakes

 

behind a poster

of New York City’s face. The dryer thumps

against my wall. Round

round round. Clothes rise

and fall

like the air lifting up my chest. My mother’s

Elvis T-shirt. My father’s white

 

briefs. The noise goes

in circles. Up

and down. Taped on the fridge

is a photo dated two

days after my birth. My mother is holding

my head to her chest, my feet swing above

 

Elvis’s bleached teeth. And I still remember

my father

getting nervous and shouting

and shutting

 

the door when my brother and I found

him in his white briefs. Rise

and fall. I focus on the dark

and the noise and the clothes

that make the

dark warm. Up

 

and down.

Rise

and fall. Round

round round.

 

Sitting in a Classroom Where Everyone Is Smarter Than Me (Except Maybe That Guy with the Taco Tattoo)

I want to pull my knees to my chest

and make myself small and see

through like the balled-up sheets

of cling wrap I find in the drawers of my mother’s

kitchen. But I don’t do that

because I wouldn’t be small

or see through to the people

sitting across the table. They would still see

a girl with uncombed hair

wearing a baggy t-shirt she got free from a bank

because she never learned

how to not be ashamed

of her breasts. And they might find it strange

if this girl slipped her feet from

the mud-painted rainboots

that keep her weighted

to the government-bought linoleum,

and then if she pulled

her feet and the hand-knit socks

that held them up to the seat of her chair,

and what if her neck let go

so that her forehead sat balanced between

the tops of her knees.

Yes, that would look strange.

Instead I move my left thigh

over my right and tie my calves

into a knot. I can’t see

my legs beneath the table

but I imagine them as the twisted strings

of green and pink

taffy my father pulled from his suitcase

whenever he was afraid

that he’d been gone

for too long. Throw away

your wrappers, he told me. My mother yelled

when she found them

rolled into worlds

and tucked inside

the corners of kitchen drawers.

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Two Poems

Once when I was eight

and my sister seven, tensions boiled over

 in a game of hide & seek

& I slapped her. Thwack.

 Her head shook while streams on her cheek

loamed into deepening red.

 She didn’t talk to me for a week.

No chocolates, no sorry, no nothing.

 I even did her homework for a day. Still nothing.

She finally spoke when she found me

 crying in a corner after India had lost a cricket match.

Today, years later she isn’t picking up my calls

 & I’m here wondering if she’s busy

or simply pissed with me.

 I haven’t seen her in long & in this hour of prolonged dusk,

I’m trying to summon facts on her.

 But as I pace on my balcony, phone in hand,

watched by a sun rasping blood across a browning sky

 all I gather is the colour of her slapped cheek.

And how on reconciliation after a week, she had said

 I just wanted to see you cry.

 

Sambar on my shoes

I spot you in the cafeteria sitting with a faceless stranger

while I await my dosa at the desolate counter

you sip what seems like watermelon juice although

I’m sure my blood is just as gruesome and thick

that must be how your cheeks are so red and faint

like blushes of sky at dawn attracting birds of fury

and strangeness unknown I see some wrens beak you playfully

the crimson spreads through your neck like a field of clover

the stranger inundated with anticipation he crosses his legs

underneath the table when you let out a laugh

I head back to work my appetite punctured my spirit flensed

my dosa tray trembles in the tremors of discovery

buried fears don’t nibble they swallow

I try to tell myself it was probably someone else

but I find incriminating evidence when my colleague points out

continents of sambar on my white converse shoes

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Wedding Season

Free again, my panther

life takes off fast—palmettos

and snakes in the path.

The beautiful sea grape

is aging like it’s winter;

leaves of talkative platters,

some big as my hand, still

grow heart-red veins

 

but have gone soft

and pale at the edges.

My very last husband

sheds his brave persona

and slithers into the bamboo

for good. Leaving

 

him there, I remember

that on nights like this,

thousands of baby

sea turtles hatch

and make their determined

way to the water. Life

goes on, the planet sings,

unaware of all our betrayals.

The waves swell

and collapse. I hear

 

the corks and lantern-lit

shouts of new wedding

feasts all over this ringing

world. If champagne comes

in midnight blue, I’ll toast

their tight bouquets of joy

as clouds bubble

against the sky in

their incessant kissing

with the moon.

Glowing sand pushes

up from every step

like sifted white

hills of cake flour,

the only light for miles.

 

 

Please also see Russ Kesler’s review of Susan Lilley’s book Venus in Retrograde, in which this poem later appeared.

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Salvaging Beauty

(for Alan)

 

Peonies are blooming

to the point of collapse.

They lean into each other

with nothing to say.

Gracing lawn and stones,

thousands of fragrant petals,

extravagant as wings

relinquished.

 

To make final bouquets, I take

every flower that does not dissolve

at touch—late blooms, buds

surrounding first display—

pinks, bold and blushed;

shameless yellow;

white, center-stained

with crimson.

 

Every vase chipped

or cracked I fill;

vases on every table

in the house. I leave

the lawn scattered

with petals and stems.

I wait for the scent

of this dying

beauty.

 

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Natural Order

I’m a little more prairie than you, Mom.
Grew up a stone’s throw from winding,

 

forested trails. Trees arched over gravel
roads, and the place in the powder sky

 

where their branches met, a cathedral ceiling.
You buried downed birds in shallow graves,

 

in a vacant lot by your apartment. I watched

a whole deer decompose in a field. Made a school

 

project of her. Every quarter, on my class trip

to buckthorn country, to the task of weeding-out

 

invasive plant species, I saw the same doe
sink deeper into the ground. Drew her outline

 

on a worksheet more and more skeletal
with each visit to her muddy bedside. Mom,

 

you too have watched the seasons change.
Your childhood rotted into caretaking,

 

like a sun-bleached cordgrass giving
its whole self back to the ground.

 

When you were seven, you started buying
the family’s groceries each week—

 

cans of beans stacked in a bike basket,
cradled by cornstarch and white flour.

 

In elementary school, all my teachers
had the same four-pronged chart

 

of the seasons: spring turned
summer, then a gentle decline

 

into fall and a snowman

smiling through winter.

 

Nothing in nature actually follows

this pattern. A field mouse breeds

 

too many young, swallows
half of them back into herself.

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When God Is a Woman

How many householders meet in

a whorehouse?

 

How many mujras dwell in a kotha?

 

How many neonates hew to a bordello?

 

Like her admirers

the god is silent.

In her sinews

hides a hint of soil

from the yard of courtesans.

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What We Ate

Not loin chops cooked Moroccan style,

 palm-sized, presented like gifts

simmering with harrisa-spiked hummus,

 nor the shoulder placed atop a small knoll

of onions and peppers, flavor brimming

 in each slashed sinew, but the heart,

that muscle which, to me, still seems untouchable

 in the hierarchy of organs. In French curry

we ate what once beat in the smooth body

 of the lamb, the taste of iron coiled

around our tongues like a rope swing,

 the meat perfectly tender to chew

on a dilemma: better to waste nothing

 or keep one thing sacred, worshipped

as we do our own ventricles?

 And as we swallowed I did not think

of the lamb force-fed with a stomach tube

 in a barn in North Georgia, its legs wobbly

on an altar of hay, but a hundred other hearts—

 Nefertiti’s pulsing wildly for the sun god Aten,

Napoleon’s stopped briefly at Waterloo,

 and those closer, more real—

my mother’s stepped on like an amaryllis

 in a field swollen with weeds, my brother’s

heart, desires I’ll never know, humming

 like a complex engine, its pistons

clogging with blood, and so forgive me,

 little ounce of lamb, for taking

your heart on a piece of jagged

 ciabbata, and when I say I forced you down

with water, believe me when I tell you

 I took only the slightest pleasure

and that I did not clean my plate.

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Reflex

Fumble on the big screen, everyone

up in arms. My daughter grasps my shirt

 while nursing and can’t let go. Across the room,

 my mother applies Chapstick without taking

her eyes off the screen. It’s Christmas. Everyone believes

in miracles and wants to hold the baby. My grandmother

 sits at the table holding a doll. Beyond her, a train

 slips through the snowy field carrying—what? Time

moves backwards on the field. Less than a minute left

on the clock. My grandmother’s lips barely close around the red

 spoonful of Jello with coconut. A marshmallow falls

from the spoon in all its puffed-up,

childhood ecstasy. The game is nearly over.  Pins

 and needles. The tree is heavy with color

 and ornaments of beans and children’s faces.

My grandmother tightens her fingers around the hanky

she has always held. Eventually, there is nothing

 left beneath the tree. Everyone kisses the baby.

 They each slip a finger into her palm,

and she struggles to let them go.

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Maps

What do I do now? There are no maps

 

No brushstrokes gesturing to where I could have gone,

 

Whimsical curlicues pointing my way.

 

No celluloid images flickering my history at me.

 

“To become who you were meant to be, you have to kill the past.”

 

Is that what I have done? No phone calls with my parents for nine years.

 

Who gave me the right, one other human children never had, to

 

Sever that bond? To act like I’m made of metal, wielding a light

 

Saber that manufactures their consent. How many years

 

Am I allowed to stay this light? No burden

 

Other people roll their eyes and put up with. “Oh, Dad.” “Mom, please.”

 

When she decided nothing could stop her pulling me

 

Into her bed. When he explained how I would always deserve

 

Being cursed. “Beyond the pale?” But what if we were always

 

Too far behind the dark? Dark behind dark,

 

Moving where people couldn’t see.

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Reverie of Gratitude

I would like to invite you over for butternut squash soup. I am excellent at making this soup, and I leave out the heavy whipping cream, but you won’t even miss it. The recipe recommends using an immersion blender, but I’ll tell you that my regular blender works just fine. You make batches. The color is burnt orange. It is pure autumn, the brand that Keats promotes, though whenever I read that poem, I think, it could end after the first stanza. That it doesn’t: a giant bonus. I would like to invite you over for mashed potatoes. I did not skimp on decadence this year, after Ken made his with low-sodium chicken broth. It would be nice if those were worth eating, but I fear they are not. I don’t like to pretend. I am aware that Thanksgiving is a problem: the pilgrim narrative can’t hold up much longer, what with Columbus’ reputation gone south. My job ignores him, altogether. That’s alright: I like my work. I even like cooking on a morning like this, when time is not a Harley driver with a doctored muffler in my blind spot. On the other hand: the noise makes me aware of their presence. To all the Harley drivers: I would like to make you butternut squash soup. I think it would cause less lane-splitting for it is a patient soup: close to a puree and distant from a broth. A friend once said of a clam affair: more a bisque than a chowder, which represented his general state of disillusionment. I do not feel that way. Certain things have gone egregiously right to balance out the egregiously wrong. The word reminds me of Spanish for “y”: i griega. Why oh why oh why oh. For the month approaching Thanksgiving, we receive emails from the local rescue mission, reminding us how little it costs to provide a family a meal. I give $180. My husband gives $250. I give another $180. It is a quiet competition. There are worse contests. I cannot invite everyone over for butternut squash soup and mashed potatoes, though I have enough of the latter for 24. The recipe called for 10 pounds of spuds. This year, I am following recipes. My son is now making a key lime pie. He will zest his knuckles within a moment or two, with 007 in the background, making love to a supermodel. He asks if I watched James Bond movies as a child. I said, they were too sexy for me. Twice today I drove inland and back to the coast. Both times the sky was whole driving east, and in tatters as we drove west. My approach to the fat content in my potatoes was ecumenical: one stick butter, one package cream cheese, one cup milk/heavy cream. Fair is fair. Tomorrow, a feast. I would like to invite you. My mother would say: “Genug shoyn.” Enough, already. As I peeled the 10th pound of potatoes. Seriously. We have more than enough. Be here close to noon, as my sister-in-law makes an artichoke spinach dip that disappears quickly.

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