Evil Comes in Many Ways

Listen, don’t ever talk to strangers. If a stranger approaches you, run the other way and scream at the top of your lungs. Dios, I couldn’t live with myself if you were ever kidnapped. Sorry, Manuelito, no trick-or-treating this year. But Mom, we’ll have adults chaperoning and… I don’t care who’s doing what. You shouldn’t be outside at night, in the dark where it’s easier to kidnap someone. Look at poor Jimmy Ryce, the authorities still haven’t found him. He was walking home in broad daylight when he was taken. That could have been you. You’re both the same age. Oh, stop rolling your eyes at me. Forget about going to the movies—fasten yourself on the sofa and read those Goosebumps books you like so much. I don’t wanna read, Mom. I wanna go out and play hide-n-seek. You can’t. Armando, you’re his stepfather: tell Manuelito he can’t go to no sleepover. What am I gonna tell him that he doesn’t already know? There’s been talk of attempted kidnappings, the whole county is having a panic attack. Anyway, there’s no reason to go out. Oh, no, Dios. Armando, didn’t you hear? They found Jimmy; he was raped, his body mutilated with a bush hook, the parts buried inside planters, encased in cement. A Cuban balsero did it. I heard about it on La Cubanisima radio program. Do you know what this means, Armando? Yes, I do. Remember I’m a balsero, too. Now they’ll point a finger at us hardworking immigrants. They’ll tell us to go back from where we came. That we’re all rapists and murderers. That we don’t belong here. They’ve done it before. That man has left a scorch mark on us all. This never would have happened in Cuba, communism or no communism. Mom, that’ll never happen to me. But it can happen to you, Manuelito; you can be kidnapped and killed and buried inside planters. Mom, I need to go to school. I can homeschool you. What about my friends? You don’t need friends: they’re a distraction. Armando, tell him his friends are a distraction. Let the boy go out, willya? Ah! You’re no use. Manuelito, stay home and eat all the helado you want. Go on, read your little Goosebumps book—I’m never reading Goosebumps again! Jimmy Ryce never would have died if he was a character in a Goosebumps book. Stop screaming. Now, where is that boy hiding—? Oye, Armando! Where’s my son? I can’t find him. Call the police! He’s been kidnapped. Espera, wait, we don’t know that yet. Maybe he’s with un amigo? He’s dead, buried God knows where. Breathe, mija, breathe. Let’s look for him. Miralo, here he is, hiding under the kitchen cabinet. Manuelito, coño, why are you hiding? Stop crying. All I wanna do is play with my friends. Please, let me go! But there’s evil in every corner. Go out through the front door, and it smacks you like a strong gust of wind. Sit down on the sofa, stay home. You’re safe here, you’ll always be safe with me.

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The Bright Forest

My beloved spoke, and said unto me:

‘Rise up, my love, my fair one, and come away.’

—from “The Song of Songs,” attributed to King Solomon, circa 950 BCE

 

This planet may host a thousand worlds, or maybe millions: worlds within worlds, each nation a deck of cards, each citizen a new deal. But as certain as Gregory might be that many worlds must exist, he knew that he had claims in only two. He could live in the world which contained Sylvie, or he could live in the world which did not. He had a secret name for the world with Sylvie. He called it the Bright Forest.

 

Sometimes she could draw him into that world merely by speaking his name on the telephone. “Gregory?” she would begin uncertainly, and then pause. The uncertainty itself seemed to undo the normal world. It was like a fairy-call, and in that brief silence Gregory would be drawn, sometimes against his will, into the forest ruled by the misrule of Sylvie: a fairy queen, dark, with the serious expression of a girl, not of a woman. In the forest, she was at times openly a child, but no less the author of the tale. Much later, when he lived in the other world full time, the world without Sylvie, the Big World as he called it, he liked to say that he once knew someone who had thought about growing up but had thought better of it. People would smile when they heard this kind of thing, would joke about Peter Pan, but later, privately, he felt bad. Privately, he said, “What if innocence matters?” And he admitted to himself that when young with Sylvie he had looked up into windy sunlit birch trees and they had both seen the leaves flash in great numbers. And only when together! This was tantamount to a confession of faith by a fallen child, and it tore at him so much that sometimes long later he would pick up his phone and call her, and begin, uncertainly: “Sylvie…” then pause for the fairy-call in return and say, again like a child himself: “Oh Sylvie, today I turned forty-one.”

 

As a boy, Gregory was pale, with pale eyes that you could look straight through without interest. Drive into the suburbs and you might see dozens like him—boys with bikes and the pettiest temptations. He had gone to college as a studious lad without a clue on how to make friends or find a lover. He wrote to his parents: “Dear Mom and Dad: All is well. It looks like I have made peace with my Econ 12 T.A. and have been to the beach three times. I should be able to make your check last until February.” When it rained outside his dormitory, however, he opened his window for the wet smell. And sometimes, like a premonition, he would walk out into a night of crickets and feel a largeness in the sky—but nothing much more than that until he met Sylvie.

 

They met as freshmen in English Lit 221: The Romantics, where they were in the same section, and Sylvie was the only one who really cared about Byron, who she called an elitist pig. He just thought Byron a bore, though there was something to some of that stuff by Keats. She loved Keats and Shelley, too, but hardly bothered to turn in assignments. Sylvie was no “college girl,” but merely “in college” the way an animal wanders into a serious place, an office or a classroom, sniffs, and wanders out again. She told him seriously that professors murdered all poetry. That poets were in fact real people who really cared about what they were writing, and not in the least what stupid college students or professors said about it. That poets had actually seen the magic in the world and tried to communicate it, and that he should try reading their stuff under a tree without looking for the fucking underlying themes. “Seriously, Gregory. Tonight.” And she took him out at ten p.m. with his book and a flashlight and a jar of peanut butter in case they got hungry.

 

Of course they kissed, and her hands roamed, and they fell in love.

 

 

 

 

In love! There came a day when he walked into a city park in the full knowledge of being in love—looking at the other people in wonder, as if they must know. Of sharing secret amazements in the eyes of other young people, who must be, like himself, in love. If only he had known that it was all true, all along, all of it. Neither Gregory nor Sylvie were handsome people, but love does not require physical beauty, it only requires an alliance with beauty. So the two of them forgot about literature and sought beauty together everywhere—parks, houses, restaurants, bed.

 

In the face of this alliance with beauty, other things fell away. And so there came another amazing day when Gregory walked down the main street of the college town in full knowledge of Sylvie failing in all her classes. Not just one, but all. This information overwhelmed his previous knowledge of how the world operated. He saw how provisional and fraudulent the Big World was, and he ran into a store to buy champagne and potato chips to bring them back to her for a celebration of freedom. In the right light, this was a magnificent act, the act of a prince to his princess—and of course, after that, there was nothing for it but to fail along with her. He wrote to his parents, announcing his decision to drop out of college: “Dear Mom and Dad, I am finally taking responsibility for my own life. I think I’m about to discover a great truth, but I’m not sure what it is.”

 

He was, of course, about to discover the deepest extents of the Bright Forest, a world where anything might become beautiful. In the Bright Forest were green bottles and mossy curbsides, wet iron railings, bits of colored paper caught in the trees. A world like a fine photograph. He could see roads leading to dilapidated gas stations, sudden rocky overhangs, rows of maple, the gathering places of strangers. In the Bright Forest no one read newspapers on trains; they ran their fingers across the cold windowpanes, drawing circles. Later, at the station, people did not speak of schedules, they huddled against each other on benches and whispered. Or played guitars. Sometimes these same men and women would walk into the alleyways behind restaurants or lie naked together behind the hedges in a public park. In the Bright Forest, goals did not matter, only each step mattered, each momentary act—each meal of crackers and cheese, each raindrop in wintertime, each glance, each motion of the hand before the eyes. Sylvie and Gregory rented a shabby room together, got low-paying jobs, and before long the Bright Forest was everywhere: painted on the vinyl cushions of diner booths and tall against the blank stares of cars in parking lots. Each object in the natural world was but a marker for a potent force in the Bright Forest, each work along its paths a work of gods. In the distance, somewhere, was a lazy conductor beating a slow baton: Now you will sleep, will sleep, now you will make love. They would listen and lie together on long afternoons, would lose jobs for lying together on long afternoons.

 

Months passed effortlessly and grandly. Gregory let his head grow foggy and warm for whole weeks at a time. Sunlight would cross dusty rooms, grow weak with winter, strong with summer. He was for a long time a kind of prince, and in these, which he considered his finest hours, he was capable of the most royal actions: a quarter to a bum, a long night holding Sylvie when her father died. Prince Gregory could open his eyes to the near and the far and see them both as his dominion. Up close was Sylvie, her face, her hands, her frequent illnesses, her fears. In the distance were palaces: deeper glens, sea cliffs. Each palace they must find, or each palace would never be found by humankind, for there seemed to be no sight but their own. One afternoon in the year he was twenty would remain with Gregory for the rest of his life, a moment of greatness few people in this world can claim: the two of them standing on a small, grassy hill in a public park. A breeze was blowing, and hand in hand, the whole earth was telescoped into the power of Sylvie and Gregory, young and in love and owning it, just owning it all. Looking out, Gregory felt benevolence toward the scene, felt benevolence and generosity of spirit, as would any great man.

 

 

 

 

Over the course of four years, however, Sylvie and Gregory changed from eighteen to twenty, and then to twenty-two. Despite the best efforts of the forest, Sylvie discovered that Gregory retained ambitions. He found that she could sometimes look strong and serious. One night he brought a lamp up close to her face and declared that she had become a woman.

 

“Really?” she asked.

 

“Really,” he said.

 

She had no secrets from him, of course, and they began to talk about children. Carelessly, but they talked. “Imagine me having a baby,” Sylvie would say, squatting and pretending to pull a baby from her womb. “It would just come out, like this.” She did not know his secret term for their relationship, the “Bright Forest,” but she knew that theirs would be the first baby of some amazing world. This baby would walk with them hand in hand among its trees. They would found a dynasty born in the poverty of the Bright Forest. A dynasty!

 

Nevertheless, talk of a child triggered an ancient male fear which lay dormant but deep inside Gregory. Time, he saw, was hotting up. Conversations such as the following began to occur:

 

Gregory (condescendingly): “I don’t understand how you could have lost your fucking keys again. Look, I keep mine on this nail by the door. They’re always there and I can always find them.”

 

Sylvie (in tears): “What does it matter, Gregory? What does it fucking matter?”

 

Though such scenes became common, a greater threat arose. For the Bright Forest had a determined enemy, and his name was “Morning.” All was well when they slept in and kept the shades drawn, but sometimes Gregory would awake early with a curious restlessness, and, leaving Sylvie in the humid bedroom, he would walk out into the Morning. At Morning he heard the brass of trucks and streetcars, the cries of work and doing, could smell the clean hard smell of dew evaporating from the Big World, see mailmen. Eventually, Morning became a kind of religion with him. “Sylvie just doesn’t understand this,” he told himself, observing the early people and secretly smiling at their purpose. “These people understand something she just does not understand at all.” And when he returned to find Sylvie still asleep, the bedclothes warm to the touch and the shades peeking pinpricks of sunlight, when he touched the damp shine of sleep on her forehead and smelled the smell of long untidy human habitation, he began to be repelled.

 

Frightened, he’d close the door and go into the kitchen to make coffee. Once, he even called his parents for advice.

 

 

 

 

Sylvie began to sense a change in Gregory, and it became an uncomfortable joke between them that he was never home when she awoke. “I want to wake up together,” she would say. “We can open our eyes at the very same instant and then just lie there for a while before going to work or whatever.” And often, after his new routine of newspaper and coffee, Gregory would return to the bedroom, and, consciously steeling himself against—what, he didn’t know—he would crawl back into bed, and awaken her with much charm and grace. But this effort became deception and acting.

 

Gregory began to ask: was the Bright Forest merely a stepping stone to another, even finer world? And once that question had been asked, Morning was no longer enough. The idea of a baby born in the Bright Forest became more and more a threat. The Big World seemed more and more a release.

 

One day, Gregory got a real job downtown, to which he went at the appointed hours and worked not just for cash, but advancement. Such joy he took in arriving at a cold office in a gray a.m. would be hard to describe, but there he’d be, beaming inwardly to himself as he wrote things in files and passed messages to people in well-chosen clothing. At lunchtime, he would walk into the hustle of the city with a serious smile, and he would rejoice in the wind that tunneled through the office buildings and set the pant legs of busy men to flapping. The wind! Puzzling movements! Men themselves! The Big World held less beauty than the Bright Forest, but he found it strangely satisfying. He began to look collegiate again, tall and thin, with round glasses and a preppie vest. In the office he became liked, for he had a way of fixing his eyes on a person with an innocent concentration which brought him much good will.

 

His parents rejoiced that he had finally made a job last more than a few months. Hey, maybe he’d go back to school.

 

When Gregory told Sylvie that he enjoyed “this cycle of coming and going each day, being away from you and then with you again,” she at first believed him. She was too naive, perhaps, to realize what was going on. After all, what could really threaten the beauty of the Bright Forest? When he came home each day, she would throw herself around his neck and try to drag him into bed, but he would demur, would say he was tired, and again she would believe him. She didn’t realize that he had brought the Big World in with him, and that she, in her old sweater and sneakers, and with all that undisguised love in her eyes, looked merely out of place. Little by little, Gregory grew impatient with “her” cheap restaurants and “her” back roads, and he began to be repelled by sex. Seriously: a certain American Puritanism rose up in him against a life of pleasure. Worse, he now saw not a determined “poetry-in-real-life,” but a kind of desperate quality to all his days with Sylvie, an excess of beauty which might well appear ugly to the outsider. To people, for example, from his office.

 

At night, lying awake by Sylvie’s side, keeping a precious inch between himself and her flesh, Gregory would actually wonder how he could have given himself to this woman who was like none of the women he knew in his other, Big World of men and ideas. She, for example, could not keep facts straight and ask the right questions when taking a message over the phone. Just now, she was, for heaven’s sake, working in an organic food collective. She had no shine of rapid plans in her eyes, she wore no masculine jackets, and touched no colored shadows to her eyes.

 

“You should throw out that shirt,” he’d say. “It’s falling apart.”

 

“You look like a college boy in that jacket,” she would reply, as a joke. “Do they laugh at you at work?”

 

But he did not smile.

 

Late at night, he could hear the wind curl around the edges of the apartment building like a kind of warning, and sometimes, rising noiselessly, he would walk out onto the balcony and feel a kind of tremendous and lonely power in the darkness. At such times, even though it was not Morning, he would let a strength come into his limbs which thrilled him, which reminded him that he was young and might do anything. For a short time, at least, young.

 

 

 

 

In such a manner, little by little, Gregory became utterly alone from Sylvie, and entirely left the Bright Forest for the Big World. This should be no surprise: a new world is all we ever ask, and for the second time in his life, counting the moment he quit college, he felt mighty and free.

 

The final separation came in the worst way, when Sylvie was out of town, visiting her mother. Indeed, a whole month passed without a visit to the Bright Forest. Under the circumstances, far too long for it to survive.

 

During that month, Gregory relaxed visibly and worked late hours. So little did he think about Sylvie that he imagined that she did not think of him either. When he finally wrote his letter, on actual paper with a pen, he was sure it would come as no real surprise: “Dearest Sylvie, I’m sorry to write you a letter, but it must be done in a letter, if it is to be done at all. If you would find your own true strength, I know that you must leave me for a time. I am holding you back every moment we are together. We once said that the present should never destroy the beauty of the past, and in that spirit, I say that it has all been so beautiful that I am brought only to joy in looking back. You know what you have taught me, and I only hope the world can teach you what I cannot as time goes by. Write to me. Gregory.”

 

Lying face down on her childhood bed, Sylvie could only think of that word “strength.” Strength? What did strength have to fucking do with it? Either you stick with someone or you don’t. The letter had come at a dark moment with her mother, when she was hoping for a word from Gregory to cheer her, and now she thought the world had come to an end. Who was this jerk masquerading as Gregory, who had signed such a letter? A letter so full of ugliness and distrust? She reviewed the few weeks before their parting and could not remember having met this other Gregory, though looking back, she could see the signs that he had been growing inside her true Gregory.

 

“Now I am alone,” she thought, correctly.

 

This other Gregory grew a moustache, moved halfway across the country, enrolled at a new university—and after a few months he was no longer a child in the Bright Forest, but an adult in the Big World. City streets began to lose their shine and glimmer. He completed a tax return. He graduated. He obtained a job in a sales statistics firm. He fixed his own lunch to bring to work, and he began looking at advertisements for cameras and stereo systems and folding couches. In time he forgot the smell of women, or rather the women around him were so clean that he could not smell them through their blouses and sinless colognes.

 

About a third of the way into the fourth movement of Beethoven’s Ninth Symphony, there’s a curious moment when the chorus pauses for the orchestra to play a theme like a little brass band—a brief, bouncy military march, revving up for another grand entrance. Gregory whistled that little tune to himself almost every Morning. If he thought back to his time with Sylvie, he would say things like this to himself:

 

“Is it only the first moments of any new enterprise that set the whole image and beauty for what is to come? Surely everything that happened in that first moment beneath the oak when Sylvie’s hands roamed created everything that occurred in the next four years.”

 

Again and again he recalled specific moments of joy in the Bright Forest, but always he heard himself describing his former love to his new friends in disparaging terms: “Those were awful days after I left school, just floundering around. There was this girl who flunked out and took me with her. She, like, never grew up.”

 

But Gregory found no new woman in the Big World. And sure enough, six years further on, when he was nearing thirty, he began to dream again of making love to Sylvie. The dream of her would arise against his will around him in the night like a close and familiar room. He began to telephone her in Phoenix or Boulder or wherever she had moved that month and found himself talking to her in the small, childlike voice of his previous love.

 

“Sylvie?”

 

Sylvie was at first hesitant and kept her distance over the phone. Gregory took this as a sign of strength, and in his mind, judging by the new tone of her voice, his heart began to dress her in sleek, adult working jackets and straight slacks; he pictured her wearing makeup and staring him directly in the eye. Then she began to call, too. “Gregory,” would come the call. Each time, after they spoke, he would walk out into the city with new eyes and look briefly down graffiti-laden alleyways and into the beautiful shadows of the trees, revisiting the Bright Forest. But safely.

 

 

 

 

At last, one long holiday weekend, Gregory boarded a plane and met Sylvie in her latest town. Over the course of those six years, she had known many men and many jobs. Gregory had become the poet who was her first love, and her best, but who had abandoned her in some vague, artistic confusion. She lost her anger and told herself they had had to part in order to grow up. She could now speak in a more direct manner, dress in well-kept skirts (though not sleek adult jackets), own a car, make plans in advance, offend people less often, and generally pass as a citizen of the Big World.

 

When Gregory arrived, therefore, he was at first perfectly enchanted. He felt his fondest wish had come true. Sylvie had gained all the strength he had spoken of in his heartless letter! They went out to dinner without even holding hands, and Gregory was magnificent with charming talk and generous public behavior. He had learned how to smoke cigarettes, and he displayed this new talent with bravado, blowing smoke into a warm summer night. Sylvie, in her turn, acted witty, and she looked at him with the indulgence of a former lover, now grown mature, gently hinting at the secrets they had in the past, and laughing indulgently at the right moments.

 

Like in a movie made by the Big World.

 

No one in the restaurant looked at them oddly or suspected them to be refugees from another world altogether. And back at her apartment, they went about the business of getting ready for bed with coy efficiency. When the lights went out, Gregory crawled into Sylvie’s bed with confidence, eager to make love like men do to women in the Big World.

 

On the second day, however, Sylvie didn’t bother to comb her hair as carefully. Gregory overslept.

 

On the third day, spent idly at a beach, they didn’t walk as they’d both intended, with pants rolled and shoes held discreetly, but instead sprawled in the sand, making a mess with sandwich wrappers. Sylvie forgot to mention the plans she had for Gregory to meet her new friends—annoying and confusing him.

 

And by the end of the fourth day, when he awoke dreamy and lost, and looked deeply into the waxy magnolia leaves that rattled outside Sylvie’s window, he lost sight of Morning. He saw only that the Bright Forest had sprung up lush and fantastic from the ground all around them, once again. All day they slept and woke, slept and woke, missing the appointment to meet her friends. It wasn’t their fault, Gregory thought. When they got together, everything just went to hell.

 

As anyone will tell you, much is changed in one’s life merely by having a regular job. And so, even though he delayed his return flight until late into the night, Gregory did eventually drag himself to the airport.

 

For a time, as they sat together waiting for his flight to depart, it’s true that everyone else looked like a stranger.

 

Only after their final kiss, and when he found himself alone on the airplane, did Gregory begin to think about how to organize the next day. He checked his messages. His calendar. A few minutes later, he felt the vast cool relief of flying into the Big World forever.

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Overhang

I slipped and nearly twisted my ankle getting out of bed and trying to look out the window—as if it made a difference what the weather was. The day would be wasted at work, where I would mostly sit on the edge of the toilet, zooming in to towns in Greenland and Mozambique and the Russian Far East on my phone. My boss sat in a glass-enclosed office and scrolled Reddit all day, and it was clear from the way he talked to me that he didn’t know my name. I had lost my job as a sommelier and ended up here. I used to joke that I would rather be a day laborer than one of the petty tyrants I had spent my life tiptoeing around; that way, at least, I could keep to myself. Now my wish was granted.

 

I didn’t really know what my job duties were, although I was able to intuit that breaking down tomato boxes, wrapping them with twine, and setting them in the lot behind the building for pickup fell to me. Around six everyone left for the day, and I would work alone in the big empty facility until my shift ended at ten. The vaulted ceilings and troweled floor magnified every tap of my feet like snare hits. I dithered, playing on my phone; now and then I broke down a box and leaned it against the wall with the others, finishing by evening’s end however many were going to get done in my dithering style. The boss probably assumed I was sweeping and mopping. What did I care?—they paid me hardly enough to live.

 

Improved weather lured me outside—I spent the last couple of hours of my shifts in the lot behind the facility. I dragged out however many boxes I might realistically take care of. One night I flipped one on its back and tore off its flaps. With a razor blade I’d found on a windowsill, I cut two windows and a door in the front. My shadow reached into the bath of kudzu behind the barbed-wire fence.

 

I tore apart several more boxes and taped them together into some sort of hut, big enough for, say, a few cats to lounge around in.

 

Over time, I built the structures more and more elaborately, adding lookouts and flourishes, always thinking of symmetry. I cut out crenellations. I drew out entrance halls. I realized I needed this, enjoyed this little something. One night I made what you might call a castle, with four lookouts and a full-on gatehouse. I assembled a drawbridge that didn’t quite work, and then it was already five past ten. I would have to start the whole thing over the next day. I didn’t know where the boxes actually disappeared to—some kind of processing facility, I assumed.

 

On Memorial Day I was one of two employees scheduled. A professional cleaning crew was brought in. Nobody told me how I should interact, so I avoided them. I hauled every box I could find outside and built a room big enough for two people to have coffee in. I brought in two folding chairs and sat and put my feet up. I wrote “Hotel Pomodoro” over the entrance with a Sharpie. I liked to think I was daring them, whoever they were, to take it away. The next day my little cafe was gone, the asphalt clean.

 

I was supposed to have begun getting ready for work by now. The day was bright—I stood on my balcony and came alive in the sun. I was taking the day off: I wasn’t going to show up.

 

 

I walked to the corner store for cigarettes. An orange tabby sat at attention beside the door, pretending not to see me. “What is this, Buckingham Palace?” I said, never having felt more unselfconscious about dishing out tepid one-liners.

 

I bought my pack, saluted the cashier, stripped off the plastic, and strolled out into the sunshine. The skyline soared in the foreground; it looked as if the buildings were receiving medals, the tallest in the middle taking gold. They seemed to smile at me. The possibilities of today were almost overwhelming. I could walk all the way downtown. Maybe take in a movie. Or I could buy a novel and gobble up the whole thing in the park.

 

I decided I would take myself out for lunch downtown at the famous place I knew only by sight where the ramen was of the highest caliber.

 

I had no desire to call in and invent some excuse—I didn’t owe them a thing.

 

Was I quitting? Was that what I was doing?

 

At the bus stop a man I’d never seen before was dancing joyfully, barefoot, hair swinging. He leaned out from under the overhang and held out cupped hands, still bouncing. I handed him a dollar, we dapped, and the shop cat skittered out from behind the bench and scampered up the street as if our knuckles touching had launched him.

 

The cat stopped at the next corner and glanced back, waiting for me.

 

We let a car pass and crossed the street together. I started running to see if he would follow along. He did. We jogged past the shady schoolyard; a group of kindergarteners heaved a red ball toward the heavens and squealed.

 

The next intersection marked with an X the “downtown” of the neighborhood, a cluster of markets and restaurants with funny names: Victory Cigarettes, Zen Tool & Hardware, and, of course, Mr. and Mrs. Fruit.

 

Maybe I would buy myself something nice. Once a week I almost spent my entire savings on a giant television. If I were going to die on my feet, I might as well enjoy myself.

 

It was just now one o’clock, my in-time. If I snuck into the facility at two, when management had their daily meeting, maybe no one would see me come in late, and I could keep my paycheck after all.

 

The cat, who had gone ahead while I stopped to think, looked back at me expectantly. I caught up with him.

 

We reached the local ramen shop, the last shop on the last strip of this section of town. I had never eaten here. I assumed it was inferior to the fancy place, which I couldn’t imagine improving upon.

 

I looked at the menu, even though I knew it wouldn’t do. I wanted the real deal; I wanted something to look forward to.

 

The cat’s eyes blazed: he was fixated on something ahead, his heart thumping through his fur. He was staring into what I called the Zone, the fenced-off moonscape of wild grass and rubble between the inferior ramen shop and actual downtown. The road we stood on bisected the rocky terrain, rising up slightly before us and vanishing down. I knew it eventually led to the overpass I considered to be the border with actual downtown, only two blocks from the ramen mecca.

 

At the precipice of the Zone, the wind picked up. The cat paused, his body scrunched, the formerly linear stripes down his back now scrambled. He squinted nervously. I bent down to pet him goodbye and he shied away. I tried again, and he ran and hid behind a car.

 

The brightness of the chalky mass and the openness of the sky were paralyzing. I forged into the headwind, shifting my gaze to the sidewalk. The glaringly white concrete stung my eyes: there was nowhere to look.

 

I couldn’t walk straight; I slipped off the curb and veered into the road.

 

I was going to get hit by a car.

 

I stumbled back, blindly found the fence, grabbed on. I covered my face with my other arm, slid to the ground, and curled myself into a ball.

 

My eyes stayed shut for some time. I watched brain TV, avoiding myself. Maybe a few minutes passed, and I then heard the gentle crunch of slowing tires, and then an engine fan. I peeked through my knees—a taxi had stopped across the street. The window, opaque with reflective glare, came down, gradually revealing a woman’s impassive face, squinting at me.

 

In the car I asked if she could take me to the ramen place I’d just passed, the less exciting place. Taking the bus home from downtown didn’t sound pleasant, nor did I want to shell out for cab fare from there, which would approach the cost of lunch.

 

She asked if I meant the restaurant fifty feet behind us; I nodded. She searched my face.

 

 

The door chimed as it shut behind me. Someone—a waiter—emerged from a secret door in the wall and through the opening revealed the kitchen: immense steel cauldrons of bubbling broth, white-coated cooks. A woman stood at a steel table and portioned dry noodles into plastic bags, twisted them closed, and set them aside, staring vacantly ahead. The door closed and the scene ended.

 

I asked the waiter if I could sit at the bar. He led me through drawn curtains to an empty room—where was the bar? He set a menu on a table in the far corner, near the kitchen.

 

Although I already knew what I wanted, I picked up the menu and pretended to read him my order, envisioning the creamy, six-minute egg, the concentrated, nourishing broth, and the heap of soft yellow noodles from the other, better restaurant.

 

He nodded and took the menu. I waited.

 

Finally he came through the curtain holding my bowl, set it down, and left without saying anything. The ramen swayed—pork belly, seaweed, pickled mushrooms. This was not what I’d ordered.

 

The waiter burst through the curtains holding a jar of candies. I lifted my chin and writhed to get his attention.

 

He stomped his foot, acknowledging the mistake, set the candies on the table next to mine, and carried my bowl away.

 

I noticed my shoulders weren’t relaxed and dropped them. It’s only food.

 

A few minutes later an old man wearing chef’s whites limped into the room, holding a platter heaped with scallions and bean sprouts, clearly meant for a large party that was not there. He looked lost. Sweat streamed down his face.

 

The confusion on his face intensified when he saw me, as if he were just now realizing the restaurant was open.

 

He remained in his frightened stance, knees bent, five feet away, clutching the plate, staring past me. He seemed to be looking at my ear lobe. Then he glanced back toward the kitchen, maybe for guidance. I felt the urge to say something to him—I opened my mouth—and then the curtains flew back and the server rushed in, wove around the man as if he were a tree, and set before me something resembling what I’d ordered.

 

The broth was lukewarm and under-seasoned. The bewildered cook now held the heap of garnishes close to his knees, his arms tiring. He watched me eat.

 

He shuffled over and set it next to the candies on the table beside mine and returned to the kitchen.

 

 

The mizzling rain would have been refreshing on a certain kind of day. Not that it bothered me—it simply coated me, like a plant. My stomach growled; I had eaten three bites of ramen.

 

I walked in the general direction of home. Maybe it wasn’t too late to call in. Although now I would have to explain why I hadn’t contacted them earlier, in addition to lying about my absence. Lies on lies. I burst out laughing, which almost developed into weeping. I slowed to a halt, and stood, just stood there, water droplets quivering on my chin before leaping off like skydivers. At least that was how I imagined they appeared. A black SUV whooshed by, looking important.

 

On the bench at the bus stop sat the man to whom I had given a dollar, and sitting to his right was the cat, in loaf-of-bread position. A matching loaf—it was even the same color—of sandwich bread rested on the man’s lap. To his left were open jars of peanut butter and jelly.

 

He set one piece atop the loaf of bread, which he used as a table. Then he dunked his finger in the peanut butter and smeared it on the slice, and with deft, certain strokes he did the same with the jelly. He popped out another slice, slapped it on top of the filling, handed his creation to me without looking up, and went on producing sandwiches, piling them up between his legs. Now and then he glanced up at me. Maybe he was waiting for me to start eating. The window of time in which I could have plausibly said I was saving it—saving it for the first trash can once I was out of view—had passed.

 

I sat beside the cat. He didn’t acknowledge me. He knew I was there and accepted my presence, squinting and smiling, the way cats do. He was completely dry and smelled like fabric softener.

 

“Found him in a cardboard box,” the man said. “Taking a nap.”

 

“What did the box look like?” I said.

 

“What did it look like?” he said.

 

“Yeah.”

 

“It looked like a box.”

 

He stood, lifted the pile of sandwiches, opened a polyester knapsack, placed them inside, cinched the drawstring, set the bag of sandwiches on the concrete, sat back down, wiped his hands on his pants, and looked off into the distance.

 

“Anything unusual about the box?”

 

He looked over at me, and then at my sandwich, as if he hadn’t heard, or maybe he had and didn’t intend to respond.

 

I took a small bite. No granules, no razor blades. I nodded with approval, arching my eyebrows to make sure he got the message. He snorted and shook his head wildly, as if I had insulted his family and thrown the sandwich into the street.

 

“Crazy over there,” he said, motioning with his head toward the Zone. “Stadium is going to change everything. If they ever build it. Gonna wipe everything out. Gonna wipe out the whole neighborhood.”

 

Another SUV cruised by, looking official, its black-mirror windows reflecting the three of us like mangled dough.

 

“There’s gonna be a casino, too,” he said. “A goddamn casino. Can you believe they approved it?”

 

I had no idea what he was talking about. I caught myself starting to speak, emitting a truncated, guttural sound. “Ahp.”

 

He assessed me, first my sneakers, then my legs and shorts, working his way up to my face.

 

I had another bite of the sandwich. It was delicious. The jelly was exploding with strawberry sweetness. I tilted my head back and nestled it in the bend of the Plexiglas overhang. Hundreds of beads of water constellated above me, jiggling on their own, as if they were alive; every so often one broke away, streaked down the plastic, and disappeared. I got to thinking about the last restaurant I would ever work in; in the summer we served watermelon granita in crystal glasses, which either I or a runner would pass from a silver tray to guests waiting for tables. I was the sommelier.

 

And then I wasn’t.

 

“That’s why we like you—you stick up for yourself,” the manager, Jamie, had told me as I sat down to sign my termination notice.

 

At the time, I didn’t think it was the end of my career. The strange thing about being blackballed is nobody tells you—you gradually figure it out on your own, to the extent you can affirm it. Nothing was stopping me from trying to break back in, technically.

 

I remember standing in the parlor in the early evening before the rush, empty tray under my arm as I looked through floor-to-ceiling windows onto the sidewalk, watching the uneven stream of bodies, some hurrying by, some stalling; and then a woman stopped to let her dog pee on some impatiens fenced around a tree.

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Cartilage

One night, when I was in grade school, my parents hosted a party. Other families came, co-workers. There were drinks. A man in a yellow tie had a margarita and then another and another. He said his ex-wife was a tramp. He stumbled as he passed from the living room into the den, where we kids were playing, entered the room looking unsure of why he walked into it.

 

“A bitch,” he said. “Total bitch.”

 

That night, I swore to my mom I’d never drink. She laughed, asked me why. I said I hated that man, that there was no need to drink, that I was happy without it. I was seven or maybe eight. She said I’d understand when I was older. I lay in bed, unable to sleep, knowing I’d prove my mom wrong.

 

The first time I got drunk was at Vlad’s, the summer after my freshman year of high school. We bought a handle of vodka so cheap, we thought, that the homeless man we’d given a twenty to buy it had given us seventeen dollars change. We passed the bottle with a shot glass and a chaser of store-brand cola. Around my fourth shot, everything started spinning. It felt good, wholesome, the ritual. Later, trying to sleep on Vlad’s floor, head resting on my bunched-up hoodie, I thought about what I swore to my mom, her laughter, and I felt an unmooring. Who knew what I’d believe in ten years? Twenty? Who would I be?

 

I was friends with Vlad because he and I rode the city bus together after school. By that point, my mom and dad had divorced, and on days at my dad’s house I’d ride one bus out from the suburbs into the core of downtown Seattle, where I’d walk up Stewart to wait by a garbage can on the backside of the convention center for the number 18, which then took me to school, just a stone’s throw from my mom’s. Vlad and I took advantage of our afternoons downtown, hitting the market for donuts or piroshkies or hum bao, drinking dollar tallboys of Arizona Iced Tea from minimarts where homeless people moved around in parallel to our thin reality, buying hot dogs or imitation crab sold on Styrofoam trays wrapped in cellophane.

 

Vlad had a knack for finding free food. At GameWorks we strolled the arcade, swiping a chicken leg off an abandoned plate, a slice of pizza at the bar. In the shampoo-scented hallways of downtown hotels, we found room service carts with scraps of porterhouse and baked potato, or the browned edges of a salmon frittata, the last bits of flesh out of the carcass of a Dungeness crab. We’d walk to the ballpark and talk down a scalper, or head up to the Starbucks on the forty-fourth floor of the Columbia Center to take in the view. Eventually, we’d split. I’d catch the 511 out way north, the ride quiet, still with the sodden air of evening commuters.

 

Vlad dropped out before the end of the school year. It made me wish I could drive. I’d sit alone in the back of the number 18, my biology textbook open on my lap, my gaze elsewhere, following the sequence of teriyaki joints and coffee shops, rain puddling at the curb.

 

My senior year, I saw Vlad in the parking lot at Leilani Lanes. I heard he’d been stealing cars. I’d tried to avoid him, but he caught up to me, put his hand on my shoulder. He asked if I wanted to buy some greeting cards and produced from under his jacket a small binder of samples. He told me I could make a good buck in the greeting-card game and invited me over to see how it was done.

 

His house, his parents’ house, smelled like chicken and mildew. None of his family was home but his friend was there, a guy with a gentle, fragile smile that made me anxious. He was seated in the parlor, where they’d spread a table with patterned cardstock, scissors, bottles of glue. Vlad asked if I was hungry and retrieved a roast chicken from the fridge, submerged in its own congealed juice. We ate it cold, with our hands, our fingers glistening.

 

We smoked a joint in the woods. His friend talked about how it easy it was to crib a Toyota. I got the sense he was trying to impress me. Vlad asked if I wanted to steal a car with them.

 

“Nah,” I said, and wondered why I hadn’t just said no.

 

We wandered the neighborhood in the wash of streetlight, going nowhere in particular. I kept smelling my hand, thinking about if my mom would smell the weed.

 

When I’d come home the morning after getting drunk for the first time, I’d been worried she would smell alcohol on my breath. I could feel booze in my mouth and lungs, in my pores, in my sweat. I stood in the entryway telling her we mostly played Xbox.

 

“Are you okay?” she said. I felt like I’d been emptied out and then filled with vapor. But from her tone and expression I knew that she knew what I’d done and also that she didn’t mind. It was like I’d crashed through some invisible barrier from one reality into another more like hers. She had known my whole life this feeling that felt so new, this hollowness and also the night’s strange spinning joy.

 

My hand didn’t smell like weed, but it did smell like chicken cartilage. Those days I thought a lot about the smell of food because I was working part-time washing dishes at a burger joint. I was terrible at it. Each day I’d come home soaked, my shirt thick with grease, ketchup, tartar.

 

“You going to college?” Vlad asked.

 

“Yeah.”

 

“Where?” his friend said.

 

“California,” I said. “Got a scholarship.”

 

Vlad said, “What are you gonna study?”

 

I’d been telling people business with a minor in art history but that was a lie. My mom had a fantasy of my future where I ran a restaurant and painted on the side, but all I knew was the certainty of a looming void stretching out before me. I still felt like a child, no direction, no idea what was next. And here was Vlad. Whatever next was, he was already living it.

 

We turned a corner and another, began to run out of small talk. I didn’t know it would be the last time I saw Vlad, but I didn’t not know it either. There was a damp gust, and I zipped my baggy raincoat shut. It was cold but not too cold, wet but not really raining.

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Professor Wyckhuis

Professor Wyckhuis would stand at the front of the classroom and lecture, his gaunt face tilted to the podium, his bare scalp growing red with fervor. He’d occasionally whirl toward the board behind him and scribble out etymologies, the chalk popping and splintering in his hand.

 

After class I’d join him for coffee in the Union. He would smoke cigarettes and touch his stout mustache and gently answer my questions about the Platonists and the Church Fathers, or describe his own scholarly projects: translations of commentaries by obscure saints and monks and mystics.

 

I once confessed to him that I was given to daydreaming, to making stories, and he, in a typically tender gesture, proposed that I might think of it as prayer and submit gratefully to it. We were walking beneath the trees of the quad, and he explained that the imagination might be exercised to understand our fears, and delight in the works of God, and grieve for our sins.

 

“Then,” he said, “if our devotion is deepened, and our minds not scattered, we may be called to the contemplative life.” He bowed his head and briefly closed his eyes to recite the words of—he later told me—a French parish priest, speaking so softly that I had to lean toward him. “The interior life is like a sea of love, in which the soul is plunged, and is drowned in love.” And then he opened his eyes and looked at me. “Just as a mother holds her child’s face in her hands to cover it with kisses, so does God hold the devout man.”

 

The story was that he’d left the priesthood in order to marry, his eyes still wetting with emotion whenever he’d speak of his wife, an elementary school teacher from Missouri, who’d passed from this earth twenty years before.

 

And there was also a competing and more dramatic story, that his wife had been a French girl, whom he’d impregnated when she was still at the lycée. It was then that he’d left the Church and married, and it was shortly afterwards that she and the baby died, the new bride hemorrhaging during childbirth, the infant’s neck bound with the umbilical cord.

 

If true, did he blame himself for the deaths of the schoolteacher or the French girl and the innocent child for whom he’d given up God, and whom God, in a show of spite and bile, cast to dust?

 

A reckless undergraduate was said to have mentioned the rumors to him, and he was reported to have smiled and said, “Charming,” and then, touching the student’s sleeve, “It is of course always easier to love the dead than the living.”

 

He once admitted to me that he’d stopped on the way home from campus the night before to buy a copy of Playboy. “I was angry,” he said, nodding his head. “I was very angry with God.” He crushed out his cigarette in the ashtray upon the cafeteria table. “So then,” he said, his jaw thrust forward, and he shook his fist in the air.

 

Once, late at night, Greta and I were leaving a party at a house just off campus, and we saw him walking slowly along the dim sidewalk across the street, in the direction of his own house, two or three blocks away. Twice he stumbled, the second time falling to his knees.

 

“Oh, Joe,” Greta said, and we started toward him, but one of the hosts of the party, a graduate student, who was standing on the lawn and talking to some girls, said, “I’ll get him,” and trotted across the street, helped him up, and then, his arm around the old professor’s shoulder, escorted him home.

 

There was a small memorial service for Professor Wyckhuis in January of my senior year. His body had already been flown to Antwerp, where a lone surviving brother was to bury him. As Greta and I stood in the dim chapel near campus, I felt thin and frightened, as if I’d been scooped out.

 

“Joe?” I could hear Greta’s whisper at my shoulder, feel her hand on my arm.

 

Later, outside in the glare of the winter sun, she told me that I’d begun to whine, a sound so slight and high pitched that she at first become aware of it only at the breaking of her own breath.

 

When he heard I was engaged, Professor Wyckhuis told me not to enter into marriage easily. He said that only those who’ve never been married or are destined for divorce think that they’ll not tolerate woundings or pain. I could smell tobacco on his sweater as he sat near me, clenching his hands. “It is like faith,” he said. “Some do not understand the necessary agony of the relationship with God, and so their faith . . . ,” and he suddenly splayed his fingers, like an object scattering.

 

His brother had directed that his personal property be given away or destroyed. And so in rounds—faculty colleagues, graduate students, and then undergraduates—we strolled through his house—polite shoppers at an abandoned flea market—bending to examine books, peering into dark closets, smoky with old sweaters, glancing at the chipped china in the kitchen, looking for something to take with us.

 

Everyone stepped softly past the bathroom. Devil’s madness.

 

The walls in the living room and bedroom were yellowed and bare, the dresser and table tops white with dust. I stood before his narrow bed and picked up from the pillow his glasses, the gold spindly frames, the lenses smudged, the nose pads mossy with oil and skin.

 

And then my face began to ache, as if I’d been struck, and I left his house without taking anything.

 

During the time that I knew him, Professor Wyckhuis battled insomnia. We rarely spoke about it, but I’d sometimes notice a weary edginess as we had coffee, as he answered my questions, sometimes struggling to recall a name or find a word.

 

“Have you seen a doctor?” I would ask.

 

“Yes, yes,“ he would say, nodding, and he’d shrug. “But it is the cigarettes, I think.” Or he’d simply smile and recall the words of some medieval monk. “Suffering is short pain and long joy,” he’d say.

 

Once, during the fall of my senior year, he stopped me on the quad and gave me a copy of his latest book, a translation of The Cloud of Unknowing. He offered it to me and then bowed. “A gift,” he said.

 

On the title page he had written, in his small, cramped hand, “To Joseph, Thank you for your spiritual help in the past. I wish you the best always: Deus providebit.”

 

When Greta became pregnant, she and I would walk the small Kansas town to which we’d moved, out to a graveyard on its north edge, five flat acres in a pocket of mulberry trees. It was there that we decided upon the name Hannah. We’d been taken with the tall and graceful headstone of a woman named Hannah Jane Flax, who was born in 1859 and died in 1947, and who was surrounded by family members, some—a husband, two children, and a grandchild—preceding her there, all now lying peacefully beneath blizzards and droughts, removed from the welter of the world. Greta saw her in those terms—a life lived deeply and then the serene and slow re-absorption into the earth. I tried to reckon the anger and the grief of those left living, that which had been loosed over the years on these few acres, the weight of accumulated mourning, still, surely, in the air, the damp of it on our skin.

 

I labor at forgiveness, thinking of Professor Wyckhuis’s instruction, his quoting of Francis of Paola, that the recollection of injury adds to our anger and nurtures our sin. “It is,” he said, touching his breast, “a rusty arrow and poison for the soul.”

 

He once told me that Qoheleth, delivering one of most brutally honest books in the Bible, revealed that traditional wisdom has failed, that we can’t know God, that we lack control, and that life is short and death certain. “However,” he said, crouching, bending close to the surface of the cafeteria table, his fingers poised as if to pluck from it a crumb of bread, “joy can still come to us in small portions.” And he looked up at me and smiled. “We need to be attentive.”

 

The story was that Professor Wyckhuis’s landlady found him dead in his bathtub, three days after Christmas. In the wastebasket were, supposedly, empty bottles of lorazepam and Tylenol and a spent blister pack of Sudafed. On the bath mat was a half-full three liter bottle of Rosso di Montalcino. His wine glass wavered on the bottom of the tub, between his legs, beneath the skin of cold water.

 

The story was that at the beginning of his last final exam in December, he wrote upon the board, Faith is the agent of things un-hoped for, as the thief proved. And the students laughed, and he winked and wished them luck, and left the room, and the building, a graduate student arriving to proctor and pick up papers. And no one on campus ever saw him again.

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Elegy for My Father

 

Photo of man from Gideon Thomas Laney Collection, Western Carolina University.

 

When he died last month at 91, my dad left boxes and boxes of black-and-white, sepia, and tinted photographs, along with a mahogany crucifix on which the Virgin Mary is suspended. Black hair, probably a horse’s, flows from the Virgin’s scalp and skirts her narrow waist; she has two tiny discs of grey-veined mica for eyes; and her feet are malformed, curving outward like jester shoes. I’d never seen this figurine in my life. I found it in Dad’s pocket a few hours after he died. The oddest thing, however, is that—whether it’s a fault of the woodworker, an act of vandalism, or a consequence of one of my father’s devious moods—the Virgin’s right breast is missing. The left side has an oval hump; but the right side is flat, smooth, and palely smudged as though rubbed vigorously with sandpaper. Along the back of the cross is carved: “To Amelia, from Dad.”

 

We shared many irreverent jokes; neither of us were orthodox Christians. But this figurine, I admit, makes me uneasy. Why is her breast sanded down? Can a single object inflect the narrative of an entire life?

 

Dad loved dolls, that I knew. He was the only man I’d ever met who kept an extensive collection of them—enough to fill an entire closet. As a child, I could never step foot in that uncanny sanctuary (or, to my mind, mausoleum) without chastisement; although at times, when he was out photographing the mountain landscapes and mountain people—the thing he loved to do above all others—I’d sneak in and caress their porcelain faces, turn their eyeballs to the left or right, or, when I was especially lonely, embrace them carefully without altering their positions.

 

Dolls in a yard, Western Carolina University. 

 There were big dolls and little dolls; conventional ones and quirky ones. I remember waiting for him in his Model T as early as nine years old while he hunted for dolls in drug stores and dusty furniture shops that made my allergies act up. The last doll he bought was in an antique store in Brevard, North Carolina; it was gigantic, dark-haired, with arms as pale and thick as split oak slats (I don’t know why this doll, in particular, finally satisfied his collector’s heart and completed his coven). He photographed them all, but of this Virgin Mary there are no extant photographs.

 

Dad was what you might call a shutterbug. He conceived of life as an album of images. His memories, for the most part, were tied to particular photographs he’d taken at one time or another. He entered Kodak contests and lost them. He wrote Kodak often complaining about their overrepresentation of northern urban photographers and the relative neglect of southern rural ones in contests; he wrote them about their new products; he wrote them about copyright law. I remember falling asleep to the ring-clack and furious metallic swings and snaps of the typewriter.

 

In the 1920s and ’30s, during the decline of tenant farming and in the heyday of folk photography, each town or hamlet in rural America had its resident photographer (Dad was born in 1889 and I in 1909). Men and women from Hemlock Cove, Olto, Judaculla, and Gallow Hollow frequented Dad’s studio and the Attic Window darkroom. They’d come with baskets of huckleberries, lovely foot-high April morels, and birch sap candy especially for me. They had names like Mossie Reynard, Earl Palmer, Gideon Laney, Imogene Bascom, Reinfried Romanes, and Max Straub. Like my dad, none of them made a splash in the photography world. At best they placed a few pictures in the Atlanta Journal or Audubon magazine. But Dad never kept friends long. He’d get into some bitter dispute with them about aesthetics or the superiority of a particular strain of vegetable. He had so many of these short-lived artist friends who shared and exchanged photographs with him that it’s impossible for me to know which of the tens of thousands of photographs he left behind are in fact his. The overwhelming majority are, certainly, but the outliers I can’t identify. My eye isn’t sharp enough and perhaps his style wasn’t distinct enough.

 

Throughout our lives, Dad and I would venture to the obscurest regions of our property, which was five square miles of oak, creek, and granite dome. He called our home in the cove Amelia’s World, because I spent all my time there gardening, walking, and writing while he was off taking pictures. We’d search for lonely abandoned chimneys from the nineteenth century—the relics of the crude cabins of Cherokee and frontiersmen, which often tilted dramatically on uneven ground. These one can find all over western North Carolina, hidden in rhododendron coves: creek rocks rising twelve feet high layered with clay chinking and reinforced with rope, hair, and hog’s blood; the splintered horizontal slats made of poplar. Over time, bees bored into the chinking’s hard pottery. Sometimes we’d light a fire in one of these crumbling hearths and smoke would pour out of the holes.

 

 

Dad’s death was a painful one. It feels almost irreverent to speak of it. The few distant cousins who visited struggled to keep their hands from their faces. He had bulging sores resembling purple tomatoes, some split open and oozing as if struck by the blight. His body was like a neglected garden at the onset of winter. I dabbed his sores with a cold cloth day and night during the final struggles. His last wish was for me to cover him with his dolls. His face glowed as he tossed and turned, coughing, spitting up fluid and blood; it jutted out from the top of the porcelain and cotton bodies so that it seemed he wore a grand, puffy Elizabethan dress with ivory lacework.

 

Dad had many sayings: “the best and worst things in life are errors of the stars”; “we’re just searching for a lucid interval”; “our knowledge is a journey from ruin to ruin.” These cryptic maxims I’ve found myself pondering in the days since his death. Over time, we came to share a similar philosophy. We believed travel outside Appalachia, for instance, would not edify the mind. Close observation of oneself and one’s immediate surroundings is the key to parting the curtains of mystery, however briefly; sense impressions decay into a precarious reality and the laws of nature can change at any moment. But we never held our breath awaiting those changes.

 

Some of his quirks I picked up. We both preferred corncob pipes with bowls cured with apple butter; it made the brightleaf tobacco from our garden taste sweeter and heavier than molasses (I’m smoking an old corncob right now at my writing desk; my hand shakes more than in the past and I pull the smoke with less vigor, but I experience the same relish as in my early adulthood). Neither Dad nor I owned a mirror. On the rare occasions we looked at our reflections, we did so in the convexities of tablespoons, and only then out of a sense of curiosity, never vanity or self-critique. We should move through life, Dad said, like a living soul in love that knows it’s loved in return, that doesn’t desire more or less as it stands on the bridge between self and other. That was his roundabout way of saying that we should accept our insignificant selves as they are.

 

I remember the winter it snowed and never let up, the flakes hissing and shifting on the branches, rocks, and roofs. In a fit of rage one day, due to some accident in the darkroom that ruined a batch of prints, Dad threw his ice-crusted walking stick against the wall—and it’s still stuck there. Somehow the tip wedged perfectly between two boards. We thought it quaint to leave it. In later years the walking stick reminded us of that long brutal winter and cut us with nostalgia, remembering the faerie cabins we built with pebbles and bark; the chunks of granite we heated in the stove and used to warm our feet; the icy shock of creek water in our throats; the night we glimpsed a freak offshoot of the northern lights weaving blue and violet nets around the moon; our midnight feasts on crystallized honey; and reading the Gospel of Thomas aloud until we drifted to sleep.

 

Winter in Appalachia, Virginia Tech University Libraries.

 

Living with Dad was not always easy. Rarely did we get on each other’s nerves, but there were times, especially towards the end, when he’d come in needy and sulking, desiring compliments. For sixty-plus years we’d discussed the people and places he photographed and the prints he left lying about the kitchen counter or that he had genuine questions about, which my untrained eye could help him clarify. When his body and spirit began to fray, however, he started leaving

photographs in places I’d find when I was alone: on my writing desk, bedspread, and rocking chair; in my tackle box, where I kept my rocks; and in my jewelry box, where I kept some beloved, much-read letters from an old flame. In the garden I once found a Polaroid caught in corn silk. It was a portrait of a woman I’d never met. She had sensuous lips that turned down at the ends and a bold beautiful forehead. Her eyes were closed; a horny crust, some kind of skin condition, populated her eyelids. The next day Dad asked me about it. Was it good or bad? Should he submit it to a magazine?

 

The first few times he did this I told him how moving the photographs were. I patted him on the back and flicked him affectionately on his balding pate. But as time passed, it angered me that he wanted me constantly to be his praiser and applauder, his confidant in art’s triumphs, failures, and transgressions. I wanted nothing more than the communion of easy laughter and the intimacy of long silence. That was how it had always been. It hurt to alter my attitude toward him, to play a role other than daughter. In the final two years his liberal spiritual convictions began to wear thin, and I suspected he was becoming secretly zealous in a manner he was embarrassed to admit to me, given our long history of unorthodoxy and light heresies. He’d hide himself away in his workshop reading a copy of the New Testament that he’d picked up at the Baptist church down the road. Once, when he lost his pipe, and we couldn’t find it anywhere in the cabin, I heard him mutter: “My God, why hast thou forsaken me?” I laughed. I thought it was a joke, but his expression was solemn. In spite of these things—which I’ve hesitated to commit to paper—he was my only friend and would’ve carried the cross or burned for me. An elegy, unlike a eulogy, should be honest in its longing for souls no longer in reach and should not shirk the hard truths of a complex life.

 

On the end table, there’s a browning, half-eaten peach with Dad’s bite mark still intact. I can’t throw it away. I think of how often he fretted, especially after he turned eighty, that all the peach trees in North Carolina were dying. He carefully documented their mutilations after the April freeze. He didn’t go exploring the mountains and rivers as far as Asheville anymore, but stayed near Amelia’s World, beekeeping, making muscadine wine, and worrying over our failing orchard. He often related dreams of worms, molds, and hard white blights like baby teeth infesting the fruit.

 

 

Effects of freeze on plant, West Virginia Tech University.

 

For some reason I can’t help but connect the missing flesh from this half-eaten peach—where Dad’s long, rabbit-like teeth scored as deep as the stone—with the Virgin Mary’s missing breast; and I can’t help but connect her missing breast to my motherless life. Of all people to have no photographs of, I have none of Mother (never “Mom”). Dad took hundreds of the goat man who visited the byways of Appalachia once a year in his junk-filled wagon pulled by goats; he has thousands—literally thousands—of pictures of purple martins feeding their young from perches in hollowed-out gourds hanging from poles. None, however, of Mother. Dad only started documenting the still, silent world after her death; in his photographs, the mysteries of loss were lulled into chemical innocence.

 

 

Mother passed away a few weeks after childbirth when I was two years old (my brother was stillborn). I was too small to remember her. Like clockwork, once a month (during the entire seventy-one years I lived with Dad, up until those final weeks), I’d walk into the house to find him drinking sassafras tea in the kitchen and crying, almost silently, his shoulders heaving. Few things made me so uncomfortable. It transformed me into his parent. I’d always pretend I didn’t see and pass quickly through the room. He never detained me but once. On that particular evening he spoke about Mother, how she had been feverish before she died. She didn’t rave exactly; she was lucid, just bathed in sweat and bright-eyed. She related certain visions: Christ in the desert, hovering, suspended in the air by magnets; a fiery cross erupting on the forehead of a goat; breaking a rock and seeing the face of Jesus inside it. The last vision she related, however, was more intimate.

 

She told of a day in Oberwolfach in southern Germany, the evening before she and Dad started their long journey to America. They’d decided not to go walking in the windy autumn hills above the village. She couldn’t remember why they’d stayed indoors; maybe they needed more time to pack. But in her vision they had, indeed, gone walking in the hills that day; they’d held hands; they’d kissed each other’s imperfections; they’d talked about what North Carolina might be like as they made for a gap in the trees, where the sun flooded the dim evergreen forest like a bomb’s light. 

 Landscape with storm, Western Carolina University Library.

 

Dad, you were good to me. You were strong and gentle and careful as a mother. I’m a seventy-one-year-old woman now. When I smile the hundreds of wrinkles on my face hurt like paper cuts. It’s a testament to you that I have no fear of the darkness or the light. As I rotate this effigy of the Virgin Mary back and forth under candlelight, I want to glean more details, to see its mica eyes flash at me. I know that this object is some kind of provocation from you; a sign that I should rethink my life, my past and future, even at this late stage. It makes me wonder what other secrets you kept from me in that red-lit darkroom and in that closet of dolls, which did not replace me, exactly, but acted as a surrogate for something I can’t understand. What perversions, mean hates, and desires so naive and saccharine as to be almost scandalous did you hide from me? And where shall I go now? What shall I do? If I crack open the Virgin’s wooden skull, will there be a ball of mica inside it, a mineral brain not so different from my own? Will a thought rise from it like smoke?

 

The sky is the dark orange of persimmon beer as I finish this elegy. Orion, the hunter constellation, sparkles along the trees but Sirius has yet to appear above the hill. Perhaps I have twenty more years left, and I’ll die at 91, just like you. But with this inexplicable figurine in my hand, what tables shall I turn to honor, spite, or abandon you? Is the Virgin a key to open the kingdom within?

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The Beheaded (or, A Sward for the Disembodied)

The French aristocrats persist in their delusions of grandeur, confirming they learned nothing from their cart rides to the guillotine. They revel in their precise necklines and pooh-pooh without decorum those like the Inca with ragged tears from a puma’s claw and the turbaned apostate with saw marks from a scimitar not properly sharpened. Some even grunt or humph on occasion as though still in touch with their upper-class gastronomic disorders. A few of the other heads may suffer now and then from phantom torso, but clearly these aristocrats are putting on airs of self-importance.

 

Roundabout a gross in all, these heads loiter in the grass like a gaggle of free-range bowling balls. The only criterion for membership is the complete separation of one’s neck from the body, intentional or no. The uneven ground ranges off in all directions into an unfathomable dark they have not the capacity to plumb. The grass itself is downy and kempt, not unpleasant to reside in, provided one is not vulnerable to oral, nasal, optical or aural intrusion. New arrivals drop from the murky haze that serves as sky and plop into available space. Thankfully, there is no pool-balling, but the way one lands is generally one’s position for the tenure of this after-existence. Thus, the fenstermaker, struck off during a freak installation accident, lies idly on his cheek, free to engage in idle conversation, while Nazi doctor Horst Fischer, facedown, can do little but mumble (to the relief of his adjacents). Rosalind Thorpe, the Co-Ed Butcher’s fifth victim, landed similarly but was industrious enough to tongue her way onto her ear. She beams with accomplishment when she hears the Nazi’s muttering, until memories of that which initiated her into this place sets her eyes quaking like jelly globs.

 

But before an arrival can have available space, a cranium needs to pop out of existence. They do so like bubbles, leaving behind neither trace nor debris. Neither arrivals nor departures go by any discernible logic. Jayne Mansfield arrived well after David Pearl, a seemingly beneficial swap at first, but her lack of bosom made Jayne quite the bore. She subsequently popped to make way for a Saudi extremist spouting pro-democratic slogans. Yet the ancient samurai remains, as well as the aforementioned Inca, who flares his septal bamboo when anyone makes eye contact for too long.

 

Their arrangement also seems indiscriminate. The aristocrats, for example, have but one trio in proximity, while the others reside singly among those they scoff. A cotton slave done in by overenthusiastic lynching glares at the aforementioned Herr Doktor. John the Baptist lies face-to-face with a Viking, the samurai alongside a poor kid who got truncated by the world’s tallest waterslide. Yet Medusa, her petrification skills as limp as her serpent tresses, is seemingly attended to by Henry VIII’s executed wives. The Greek is the only one who balances on the base of her neck, which in truth is the most level of them all, having been excised by deific steel, so she stands (metaphorically speaking) as though surveying the landscape, Anne B. and Catherine H. oriented well enough to watch over that which extends beyond their lady’s periphery. Some figure her snakes might not have been deceased when she first arrived and delivered her to her present position, but no one predates her arrival, so all hypotheses are the result of pure speculation.

 

The afterlife of decapitated heads is full of debate and skepticism. Belief is the number-one topic of conversation. What have they left but to question their surroundings?:

 

Who established this place? Does the choice of verb ‘establish’ load the question unfairly towards a God-based conclusion? The ordering of arrivals and departures, not following temporal logic, suggests some kind of selection is at play, but is that selection natural or super-thereof? Why doesn’t the grass grow, and why doesn’t it dry out since there’s never been a hint of rain or cloud ever from the caliginous expanse overhead? Could this place be the dream-invention of a single brain in the midst of its ninety seconds between separation and finality? Answers aren’t easy, even for those determined in their beliefs, pro- or anti-theist. If this were paradise, why subsist as heads alone? If punishment, what kind of Dantean contrapasso is at play? Discussions are curt and thankfully absent of palaver, for the wind of the bodiless is limited to their open-ended fragments of esophagus. Thus, they speak only in quick bursts, no more than two syllables at a time. A not atypical exchange:

 

“God.”

 

“Sure?”

 

“No doubt.”

 

“How?”

 

“Just look.”

 

The only exercise the beheaded are capable of anymore is to vacillate between despair and relief—relief that their existences didn’t just cut to black, despair that their continuation still contains no definite answers, their brains still boggled at the nature of things.

 

Though their distribution will vary according to the whimsy of arrivals and departures, overall they remain a hodgepodge of creeds and philosophies, from the standard repertoire to paganism to Wotan to rigid irreverence. The Viking considers a hall of heads the height of honor, while John the Baptist cries, “Repent! Repent!” Even John’s adherents, however, consider him unremittingly goody-goody.

 

A philosopher caught up in the Khmer Rouge revolution wonders if their situation is case and point of brains in a Cartesian vat, though even that conclusion necessitates further speculation on the placement of the evil daemon (or genius, depending on your translation). Joseph Haydn insists this existence a gift to promote the ultimate life of the mind, though he is considered something of an infidel, his decapitation done postmortem for phrenological purposes. The aristocrats spit and curse the name of Robespierre, but in their own way, being short of saliva and limited of wind. They wish him in their midst, for justice’s sake.

 

In the pale haze of sky, an unphased moon glows with persistence, making these crania shine like irradiated shrapnel in their lawn, or deep-sea pufferfish, aglow and uffing their jaws for life-giving water. Medusa and the former Mrs. Henry VIIIs look on without comment.

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I Loved the Dog So Much

I loved the dog so much. So, I decided that I needed to have it surgically implanted into my body. And I called the surgeon.

 

He was a short and astute doctor with a deep, trustworthy voice.

 

“You have too many internal organs,” he told me. “We’ll have to remove some in order to fit the dog in. No way the dog’ll fit otherwise.”

 

We agreed to remove all the unnecessary organs first. “You have two kidneys, two lungs, so one of each can go. I can remove one of your eyes just so you feel like you’re all in.”

 

I said take it all. The dog wasn’t too big anyhow. I imagined it would fit in my rib cage with a little room left for it to waggle its tail. “Make sure you leave room for it to waggle its tail,” I told the surgeon.

 

The surgeon did not share my optimism. “We’ll need to run valves through your abdomen for oxygen and sewage. The more I think about it, this is sort of like when they sent that dog to outer space,” he told me. “Except in this situation the dog will most definitely die instants after the surgery is complete.”

 

I asked him if he thought I should get the local university involved. At the time I thought this would be the kind of thing that would attract a young academic. Perhaps I was putting too much faith in the surgeon. The surgeon slept at my house that night. He said we would start in the morning.

 

He woke me up that night with a new plan. “We’ve been thinking about this all wrong,” he told me. “We have to remove all the organs, put the dog in and then figure out how to put the organs in, one by one like a puzzle. At that point we could even begin connecting the dog to your body so it could breathe with your lung and use your bladder.”

 

I thought about it for a moment in bed. “I worry we might suffocate the poor thing in the process of doing this. Plus, I believe you’re implying that through this surgery I might be able to hear the dog’s thoughts which was never my intention.”

 

“That’s impossible,” said the surgeon. “I’m only trying to fulfill your vision within the limits of my understanding of human anatomy.” The project was clearly wearing on him, though he seemed to be more saddened than upset. In the darkness he looked like a pale, bitter shadow.

 

“I’ll go get the dog,” I said. “The dog is the whole reason we’re doing this. Let me just put on my slippers.”

 

The surgeon sat on my bed. Thoughts flew through him the way that I’ve always imagined a computer thinking. A ticker tape of ideas fell from his mouth. “We could remove all your intestines except what’s absolutely essential. We could halve the size of your stomach, bladder, lung, and cut out all but a thumbnail-sized section of your liver. I’ve heard of people living with less. Imagine being able to live on an organ no bigger than the hard nail on your thumb,” said the surgeon.

 

I looked at my own finger. “The human body is a marvelous invention,” I told him.

 

The doctor came back to his senses after a glass of water. He played with the dog a while. “This is really a great dog,” he told me.

 

I said it was the whole reason for the project. I told him I was putting my body on the line.

 

The next morning, he cut me open in my living room. This is the only part I was unconscious for, so I only know what he told me.

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Ghosts-Turned-Blue

Molly’s friend Ronaldo orders a second old fashioned, and she has to tamp down the voice in her head that itches to inform him (to lecture, she corrects herself) of what the ethanol (rotted plant waste is the phrase she really wants to use) is doing to his brain. Sobriety has turned her into her mother-in-law, Didi, who flinches every time Molly inadvertently uses “god” as an interjection. Didi assumes that the “god” of Molly’s interjections is Didi’s God, that by saying, “God, I’m exhausted,” Molly is likening Didi’s God to a “wow” or a “whoa” or a “yikes.” This perceived degradation offends Didi, yes, but the flinch is also Didi suppressing the urge to warn Molly that she’s booking herself a ticket on a high-speed train to hell. Molly has long found religious people intriguing in this respect—how earnestly they believe that they’re more enlightened than you and how this conviction convinces them it is their responsibility to instruct you on how to live. It’s infuriating behavior for sure, but she empathizes with their plight. To believe so certainly that the mother of your grandchildren is going to hell if she doesn’t change her ways, that’s a tough predicament.

 

Alcohol is now for Molly like God is for Didi, in the sense that Molly has spent so much time reading and thinking and talking about alcohol these past few weeks that she believes she knows it far better than Ronaldo and all these other restaurant patrons drinking their fancy cocktails and their blood-hued wine. Because Ronaldo is her good friend and she loves him, she feels an urge to warn him (to proselytize, Molly corrects).

 

It’s like one of those cartoons where the two characters are stranded on a lifeboat, starving, and one looks at his best friend, the chicken, and sees not his fluffy, feathery body but a golden-brown roast, his legs plump drumsticks. Super-imposed on Ronaldo’s warm brown eyes, Molly sees a cirrhotic liver, barnacled instead of smooth. Then that image disappears like a slide she’s clicked, replaced with—Oh god: not some crappy, too-sweet old fashioned, but Molly’s own former go-to drink: Maker’s Mark, with one cube of ice slowly melting. The trick was to pace herself, so she could finish the drink just as the ice finally dissolved. That was the perfect last sip, the signal that she could order another.

 

Molly shakes her head to dislodge the Maker’s, and Ronaldo’s face returns to normal, except he’s giving her a quizzical look. And Molly has to resist (the endless resistance! She understands why people use the expression “white-knuckling”; dinner at a restaurant is like gripping the side of a bouncy river raft) the urge to say, What the hell, dude? Why are you ordering a second cocktail in front of your good friend who has yet to make it past the one-month mark? Is that not a sign in and of itself of a drinking problem, of being in the thrall of alcohol, that you would make such a weak, selfish, and inconsiderate error in judgement? Does not such behavior warrant a lecture on ethanol and cirrhotic livers, since clearly Ronaldo needs saving from himself?

 

Then again, did she not tell him barely forty minutes ago that he shouldn’t censor his desire to drink? Did she not say confidently, “I’ve got this!”

 

These questions rattle in Molly’s head like cubes of ice in a glass.

 

As though he can read her mind, Ronaldo says, “You said you don’t even miss alcohol.” The look in his eyes makes Molly think of how she feels playing arcade games—braced the entire time for her avatar’s impending pixel-dismantling death.

 

He says, “Fuck, Molly.” He sticks up his hand to flag down their waitress.

 

The waitress quickly appears, and Ronaldo tries to cancel the drink, but Molly says, “No, don’t cancel it. He wants the drink.”

 

The waitress has a head of silvery white hair that is almost violet. Rather than make her look old or worn, her hair makes her vibrant and hip. She eyes Molly’s pink prickly-pear lemonade, and Molly suspects that the woman has read this situation clearly. This embarrasses her. Alcohol is such a pervasive and deeply ingrained part of the culture that giving it up is akin to giving up gas-guzzling transportation. Forgoing it makes her seem snooty and judgmental. Her abstaining inconveniences people. Molly’s friend Una commutes by bicycle only, which means no plans that include Una on the guest list can venture outside an approximately six-mile radius. And now Ronaldo feels like he can’t have a second drink.

 

Ronaldo says, “Please cancel it. Thank you.”

 

Molly says nothing, but she is already considering what she will write about this experience tonight in her online community of other people giving up alcohol without AA. The problem with AA, the group ethos goes, is that it is all about willpower, and so all about fighting your cravings. Instead Molly is learning to deconstruct her cravings so that eventually they aren’t cravings anymore. Supposedly this makes not drinking about gain rather than about loss. Supposedly it will make her more present and more joyful.

 

But here she is sitting across the table from her longtime friend, yet she’s thinking about the conversation she will later have about him with other people, strangers she doesn’t know anything about other than that they too have quit drinking. Well, that, and that they share her resistance to AA: a resistance which is not merely about AA glamorizing alcohol (as a permanent “craving” that needs to be resisted “one day at a time”), but also about its emphasis on submitting to a higher power. Molly isn’t “present,” she’s far away, imagining herself back in her bedroom, a space that’s felt cavernous ever since Connor moved out last year, and now, without her nightly, companionable Maker’s Mark, that much emptier.

 

Clearly Connor is not going to come to his senses, recognize how hard Molly is trying, how much she deserves to get him back. “Good for you,” he’d said when she told him she’d quit drinking. It was hard to explain what was so chilly, so measured about the phrase. On paper, it sounded supportive. But Connor’s delivery turned it into something else. It was that subtle way Connor emphasized “you.” He communicated that Molly’s quitting drinking was something that now benefitted her alone.

 

What do cravings become once they are no longer cravings? Molly has never posed the question to her group. She thinks of arcade games again. They were Connor’s thing. She’d always kind of hated them—even Pac-Man, her game of choice—because they made her so damn tense. Curious how those blocky ghosts’ pursuit of the little yellow corn kernel of a figure her hand was controlling could raise her heart rate so much. But she had always chosen to play rather than sit on the red sofa and wait for Connor to be done. She had chosen to play despite how much the experience frazzled her. Because there were brief moments of pleasure in playing Pac-Man, such as when she managed to maneuver her Pac-Man toward a piece of fruit, or better yet, toward a ghost-turned-blue. Then her Pac-Man could destroy the thing that had been taunting him, but only temporarily, until the ghosts resumed their normal coloring and consequently their normally lethal nature. Is that what a craving became when it was no longer a craving? A ghost-turned-blue that could turn on her at any moment? Because as much as she wanted to, she could not believe cravings could remain always and forever ghosts-turned-blue.

 

Or maybe the problem is she’s using the wrong metaphor? Maybe cravings dissolve into nothingness, like when Pac-Man dies three times and no jiggling of the joystick or the coin slot will bring him back to life unless you put in another quarter?

 

The problem is she can always get her hands on another quarter. So how do you make the cravings stop for good? You take a baseball bat to the machine and, after that, every other Pac-Man machine in existence?

 

And can the same alchemy be applied to Connor? Can she take a baseball bat to the memory of him? Make her longing for Connor disappear? Molly imagines asking this to a bunch of strangers who will reassure her (grandmotherly Pat134 and sarcastic but steadfast trickynick): You’ve got this, girl.

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