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Apr 5 – Apr 6, 2025
- Alexis & Jim Pugh Theater
- Purchase Tickets
- Jump to Program
UCF Opera students to sing “Cendrillon” by Pauline Viardot – in French with English supertitles.
-
Apr 5 – Apr 6, 2025
- Alexis & Jim Pugh Theater
- Purchase Tickets
- Jump to Program
UCF Opera brings the fairy tale of Cinderella to life in Pauline Viardot’s enchanting Opéra Comique in Three Acts, Cendrillon. In this version of the story, we meet all our favorite characters: the beleaguered Marie (Cendrillon), a bumbling stepfather, Baron de Pictordu, the awkward stepsisters Armelinde and Maguelonne, the Fairy Godmother, and, of course, Prince Charming and his chamberlain, Barigoule. Viardot’s retelling of this well-loved story is simple, amusing, and charming. This is a family-friendly production to be enjoyed by opera aficionados and absolute newcomers to the genre.
This opera will be performed in French with English subtitles; recommended age is 8+.
Performance Schedule
- Saturday, April 5, 2025, 7:00 p.m.
- Sunday, April 6, 2025, 1:00 p.m.
Cendrillon
Opéra-comique en 3 Tableaux
Words and music by Pauline Viardot
Orchestration by Amy Crankshaw
Our Cast:
Marie, (Cendrillon): Rebekah Poe*, soprano
La Fée: Anna Rotolo*, soprano
Maguelonne: Leslie Flasterstein*, soprano
Armelinde: Nicole Lykiardopoulos*, mezzo-soprano
Le Prince Charmant: Adam Barnes*, tenor
Le Comte Barigoule: Desi Olmeda*, tenor
Le Baron de Pictordu: Kol Ball*, baritone
Ensemble (Guests at Prince Charming’s Ball):
Sopranos: Kyra Moore*, Carmen Yañez*, Casey Wynn*
Mezzo-sopranos: Jane Djajaputra*, Tabitha Petrak*, Elora Pfriender*
Tenors: Matthew Brice*, Miguel Lopez*, Samuel Portugal*
Baritones: Frederick Brown*, David Burrows*, Cameron Wilson*
Special Invited Performers at Prince Charming’s Ball - UCF Opera Alumni:
Samantha Barnes-Daniel**, soprano
Sarah Purser**, mezzo-soprano
John Teixeira**, tenor
Our Orchestra:
Robin Jensen, conductor
Amanda Wiebelt*, flute, piccolo, alto flute
Rie Suzuki, B-flat clarinet, E-flat clarinet, bass clarinet
Joshua Sanchez**, horn
Matthew Brandt*, tam-tam, tubular bells, crash cymbals, triangle, sleigh bells, glockenspiel
Rosalind Beck, harp
Jay Forsythe*, piano
Ayako Yonetani, violin 1
Ekaterina Citarella**, violin 2
Melissa Swedberg, viola
Christopher Everett Cruz*, violoncello
Luis Muñoz*, contrabass
Our Artistic Team:
Thomas Potter, stage director
Robin Jensen, music director
Jay Forsythe*, rehearsal pianist
Frederick Brown*, student dance captain
Geri Smith, French language coach
Lisa Buck, graphics and projections designer
Paul Bedford, drapery design
Jon Whitely, lighting designer
CJ Gray*, production stage manager
Hunter Clark*, assistant stage manager
Sydney Brennick*, assistant stage manager
Tristen Mendoza*, hair/makeup/wardrobe/props
Naje Gillespie*, hair/makeup/ wardrobe/props
Kyle Torrez*, spotlight operator
Thomas Potter, supertitles
TBD*, videographer
* Current UCF student ** UCF Music Alumna/Alumnus
Costumes rented from Pierre’s Mascots & Costumes in Philadelphia, PA
Prince’s throne on loan from Opera Orlando
The Story:
Act I
In Baron Pictordu’s drawing room, Cendrillon is singing to herself. She knows that rich women like her stepsisters can always make themselves beautiful, whereas she is poor and might never find love.
She is interrupted by a beggar, asking if the ladies of the house might spare some food. Left alone while Cendrillon runs to find her sisters, the 'beggar' reveals that he is in fact Prince Charming. The stepsisters, Armelinde and Maguelonne, arrive as he leaves, angry that Cendrillon had let him in. Cendrillon points out how much she does for them, asking for nothing in return.
Once more her song is cut short by the arrival of the prince, this time disguised as his own chamberlain. He invites the family to a ball that evening. After he leaves, Armelinde and Maguelonne vow to capture the prince's heart. Cendrillon diplomatically agrees that it will be easy for them.
The Baron enters and, sitting alone, reveals his secret – he used to be a grocer. Not only that, but dealings were less than proper (he used to sell bad gingerbread from the fairground) and, what's worse, he once spent time in prison for his business indiscretions.
The sisters leave to prepare for the ball. Cendrillon, left alone to look after the house, is dreaming of the chamberlain when she is awoken by a voice calling her real name, Marie. Her Fairy Godmother enters and proceeds to work her magic on the most unlikely objects, providing Cendrillon with a carriage, horses, footmen, and a coachman. Cendrillon thinks it's all a game, until her godmother gives her some slippers and a magic veil and tells her that by the time she arrives at the ball she will be splendidly dressed. Cendrillon leaves as the Fairy Godmother warns her to return before midnight.
Act II
In the castle ballroom, Count Barigoule, the real chamberlain, is rehearsing for the role he must play that night – that of Prince Charming. The real prince, who wants to be loved for himself rather than for his crown, is still dressed as his chamberlain. As the guests arrive, Barigoule pretends to be the Prince. The Baron arrives with Armelinde and Maguelonne, and all three try to ingratiate themselves with Barigoule. Cendrillon is the last guest to arrive; her entrance prompts gasps of admiration.
Barigoule announces the entertainment for the evening – three UCF Opera Alumni that the Prince has invited to sing. Cendrillon is also persuaded to sing. This is followed by a Minuet dance. Barigoule escorts the guests out to the pavilion and left alone, Cendrillon and the 'chamberlain' admit their love to each other. As the clock strikes midnight, she rushes away, leaving behind one of her slippers.
Act lll
Back at home, Baron Pictordu is uneasy at the strange looks the 'Prince' had given him at the ball. His fears are justified: Barigoule visits and reveals that he recognizes Pictordu as the grocer who used to sell him awful gingerbread. Barigoule also (eventually) admits his true rank as the chamberlain, and he and the Baron bond over the loss of a shared past lover named “Gothon”.
The real reason for Barigoule's visit is to tell the Baron that the Prince is about to arrive on his search for the owner of the slipper. A march announces the Prince's entrance. Armelinde and Maguelonne unsuccessfully try the slipper on. Barigoule remembers having seen another girl in the household and is sent to the kitchen to find Cendrillon. The slipper fits her perfectly – and she happens to have the matching one. Realizing the change in Cendrillon’s fortunes, the stepsisters their love for her, and the Baron actually calls her his daughter.
The Fairy Godmother arrives to bless the new noble couple, and all rejoice in the happy ending.

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