Prototypes of Existence and Essence in Camus’s The Stranger
John Valentine, Savannah College of Art and Design I One of the most enigmatic characters in modern literature is Meursault of Camus’s The Stranger. Is he an absurd hero or a dangerous psychological type? There are clearly two personifications in the novel: the Meursault of Part One, an embodiment of sensualism and carpe diem, a […]