{"id":5603,"date":"2020-11-16T21:31:29","date_gmt":"2020-11-16T21:31:29","guid":{"rendered":"https:\/\/svad.cah.ucf.edu\/?page_id=5603"},"modified":"2024-05-07T20:49:37","modified_gmt":"2024-05-07T20:49:37","slug":"public-art-at-ucf","status":"publish","type":"page","link":"https:\/\/cah.ucf.edu\/svad\/public-art-at-ucf\/","title":{"rendered":"Public Art at UCF"},"content":{"rendered":"\t\t\t<div class=\"jumbotron jumbotron-fluid bg-info text-inverse media-background-container mb-0 mt-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n<img decoding=\"async\" class=\"media-background object-fit-cover\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Public-Art-at-UCF-Banner-no-logo.jpg\" alt=\"Public Art in. State\" \/><br \/>\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<img decoding=\"async\" class=\"img-fluid wp-image-167 aligncenter\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Public-Art-at-UCF-Logo.png\" alt=\"Public Art in. State\" \/><br \/>\n\t\t\t<\/div>\n\t\t\n\t\t\t<\/div>\n\t\t\n\t\t<nav class=\"sections-menu-wrapper\" aria-label=\"Page section navigation\" style=\"min-height: 60px;\">\n\t\t\t<div class=\"navbar navbar-toggleable-md navbar-light bg-primary sections-menu\">\n\t\t\t\t<div class=\"container\">\n\t\t\t\t\t<button class=\"navbar-toggler collapsed ml-auto\" type=\"button\" data-toggle=\"collapse\" data-target=\"#sections-menu\" aria-controls=\"#sections-menu\" aria-expanded=\"false\">\n\t\t\t\t\t\t<span class=\"navbar-toggler-text\">Skip to Section<\/span>\n\t\t\t\t\t\t<span class=\"navbar-toggler-icon\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t<\/button>\n\t\t\t\t\t<div class=\"navbar-collapse collapse\" id=\"sections-menu\" data-autoselect=\"true\" data-selector=\".auto-section\">\n\t\t\t\t\t\t<ul class=\"nav navbar-nav\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/nav>\n\t\n\t\t\t<div class=\"jumbotron bg-primary mt-0 mb-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<div class=\"col-lg-6 col-md-4\"><\/div>\n<h2 class=\"mb-4\">What is Public Art?<\/h2>\n<p><span class=\"lead\"> UCF Public Art is a diverse art collection including hundreds of small-scale portable artworks donated by collectors, 130 artworks in the Art in State Buildings program (AISB) and more than 65 artworks given to the University on long-term loan or as a gift by the Kottemann family.<\/span><\/p>\n<p>Public Art enhances UCF\u2019s campuses, connects the community with the University, and serves as a teaching tool. The art inspires, responds to areas of academic study, illustrates concepts, and stimulates conversation.<br \/>\n\t\t\t<\/div>\n\t\t\n\t\t\t<\/div>\n\t\t\n\t\t\t<section id=\"public-art-at-ucf-main-campus\" class=\"ucf-section ucf-section-public-art-at-ucf-main-campus auto-section\" data-section-link-title=\"Main Campus\" aria-label=\"Main Campus\">\n\t\t\t\t\t\t\t\t<div class=\"jumbotron p-0 mb-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n<a class=\"col-sm m-0 p-0 text-center\"><a class=\"d-block h-100 w-100 pt-4 px-4 pb-3 media-background-container hover-parent text-white hover-text-inverse text-decoration-none\" href=\"#collapse1\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse1\"><br \/>\n<img decoding=\"async\" class=\"media-background object-fit-cover hover-child hover-child-scale-up\" src=\"https:\/\/cah.ucf.edu\/svad\/wp-content\/uploads\/sites\/47\/2020\/12\/UCF-Main_Full.png\" \/><\/p>\n<div class=\"mt-4 pointer-events-none\" style=\"text-align: center\"><span class=\"h1 font-condensed text-uppercase\" style=\"text-align: center\">Main Campus<\/span><\/div>\n<div id=\"collapse1\" class=\"collapse\" role=\"tabpanel\"><\/a><\/p>\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<div class=\"row\">\n<div class=\"card-deck\">\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Logic-at-Random.jpg\" alt=\"Logic at Random\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Logic at Random<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Business Administration II<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/business-administration-i\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse2\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse2\">More Info<\/a><\/p>\n<div id=\"collapse2\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Logic at Random<\/strong><br \/>\nObie Simonis<br \/>\nSteel and granite<br \/>\n1992<\/p>\n<p>Simonis states that \u201cThe spiral or helix has been a symbol of spiritual transformation throughout history and across cultural lines. It is the modern representation of biological transformation\u2026the elegant simplicity of the pure spiral has inspired me throughout my career.\u201d<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Monolith-1.jpg\" alt=\"Monolith #1\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Monolith #1<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Business Administration I<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/business-administration-i\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse3\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse3\">More Info<\/a><\/p>\n<div id=\"collapse3\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Monolith #1<\/strong><br \/>\nJohn Balistreri<br \/>\nCeramic<br \/>\n1997<\/p>\n<p>Balistreri is best known for his large-scale ceramic sculpture as well as his innovations using digital technology to create ceramic objects using ceramic 3D printing techniques. He states that \u201cMy early work was a continuation of my involvement with the ancient process of wood firing. Since 1994, I began to concentrate on using this process in an attempt to make objects that resonate with age, both geologic and human.\u201d<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Gyratory-II.jpg\" alt=\"Gyratory II\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Gyratory II<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Burnett House<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/burnett-house\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse4\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse4\">More Info<\/a><\/p>\n<div id=\"collapse4\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Two Conical Segments: Gyratory II<\/strong><br \/>\nGeorge Rickey<br \/>\nStainless steel<br \/>\n1979<\/p>\n<p>Rickey is known for his kinetic works and was inspired by Alexander Calder\u2019s mobiles. During WWII he learned about effects of wind while in the Army Air Corps maintaining computing instruments for gun-control turrets in B-29 bombers. In his sculptures like Gyratory II, the motion is achieved through the slightest variation in air currents and gravity using counterweights and ball bearings.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Alamar.jpg\" alt=\"Alamar\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Alamar<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">UCF Bookstore<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/foxtail-coffee\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse5\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse5\">More Info<\/a><\/p>\n<div id=\"collapse5\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\nAlamar<br \/>\nBruce White<br \/>\nCorten steel<br \/>\n1975-76<\/p>\n<p>White\u2019s work has been described as \u201can elegant union of ancient symbolism and contemporary science.\u201d He does not usually begin with a specific idea in mind, but rather, relies on manipulation of paper or thin sheet of metal to generate a \u201csurprise\u201d solution which can only be fully realized in three dimensionally.<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Tree-Talk.jpg\" alt=\"Tree Talk\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Tree Talk<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Classroom I<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/classroom-building-i\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse6\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse6\">More Info<\/a><\/p>\n<div id=\"collapse6\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Tree Talk<\/strong><br \/>\nMelanie Walker and George Peters<br \/>\nAluminum and PVC<br \/>\n2001<\/p>\n<p>Walker and Peters \u201cbelieve that public artwork should reflect a character of place, make a positive influence on the people that use and inhabit these areas, create an integrated platform for art in our public spaces and make our living, playing and working spaces a mix of color, culture and heart.\u201d<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/We-See-the-Same-Stars.jpg\" alt=\"We See the Same Stars\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">We See the Same Stars<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Classroom II<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/classroom-building-ii\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse7\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse7\">More Info<\/a><\/p>\n<div id=\"collapse7\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>We See the Same Stars<\/strong><br \/>\nMalcolm Robertson<br \/>\nSolaglass<br \/>\n2013<\/p>\n<p>This work is integrated with the design of the Classroom II building rotunda. Solaglass is stainless steel that has been polished to a mirror surface. Malcolm Robertson creates commissioned work from his studios in Scotland and Sarasota, Florida.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Sun-Target-1.jpg\" alt=\"Sun Target #1\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Sun Target #1<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Colbourn Hall<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/trevor-colbourn-hall\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse8\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse8\">More Info<\/a><\/p>\n<div id=\"collapse8\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Sun Target #1<\/strong><br \/>\nWelded aluminum<br \/>\n1974<\/p>\n<p>Sculptor John Henry is based in Chattanooga, TN. His works are described as \u201cwelded steel drawings\u201d or \u201cdrawing in space\u201d. Some of his sculptures, which are often monumental in size, have the appearance of floating despite the weight.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Enlightenment.jpg\" alt=\"Enlightenment\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Enlightenment<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Courtyard<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/visual-arts-building\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse9\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse9\">More Info<\/a><\/p>\n<div id=\"collapse9\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Enlightenment<\/strong><br \/>\nDon Reynolds<br \/>\nMixed media fountain<br \/>\n2005<\/p>\n<p>This sculpture has a water feature and can be rotated at the base. By pointing the hand in any direction, the art suggest different paths of enlightenment. In the words of the artist, \u201cthe willingness of the student reach out and take the hand of a mentor and allow the self to follow is basic to learning.\u201d<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Elliptic-Lens.jpg\" alt=\"Elliptic Lens\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Elliptic Lens<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">CREOL<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/creol\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse10\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse10\">More Info<\/a><\/p>\n<div id=\"collapse10\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Elliptic Lens<\/strong><br \/>\nRay King<br \/>\nStainless steel, bronze,and glass<br \/>\n1997<\/p>\n<p>King\u2019s primary material is glass, laminated with refractive and reflective materials. His work uses the principles of sacred geometry to render 3-D patterns found in nature. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Bishop-and-Queen.jpg\" alt=\"Bishop and Queen\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Bishop and Queen<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Education Complex<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/education-complex-and-gym\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse11\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse11\">More Info<\/a><\/p>\n<div id=\"collapse11\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Bishop and Queen<\/strong><br \/>\nNita Sunderland<br \/>\nLimestone<br \/>\n1990<\/p>\n<p>Sunderland earned a bachelor\u2019s degree from Bradley University and taught sculpture there for over 30 years. This work is from her \u201cchessman\u201d series of sculptures and reflects her ongoing interest in parallels between medieval and contemporary society.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Recumbent-Knight.jpg\" alt=\"Recumbent Knight\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Recumbent Knight<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Education Complex<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/education-complex-and-gym\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse12\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse12\">More Info<\/a><\/p>\n<div id=\"collapse12\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Recumbent Knight<\/strong><br \/>\nNita Sunderland<br \/>\nBronze<br \/>\n1990<\/p>\n<p>Sunderland earned a bachelor\u2019s degree from Bradley University and taught sculpture there for over 30 years. This work is from her \u201cchessman\u201d series of sculptures and reflects her ongoing interest in parallels between medieval and contemporary society.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Lipstick-Enigma.jpg\" alt=\"Lipstick Enigma\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Lipstick Enigma<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Harris Corporation Engineering Center<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/harris-corporation-engineering-center\/\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse13\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse13\">More Info<\/a><\/p>\n<div id=\"collapse13\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Lipstick Enigma<\/strong><br \/>\nJanet Zweig<br \/>\nComputer driven sentence generator<br \/>\n2010<\/p>\n<p>Lipstick Enigma is a language-generating machine that combines the jargon and syntax of fashion with the vocabulary of engineering to create new sentences that are displayed in lipstick-shaped pixels. The motors are powered by custom circuit boards that receive information from a computer that holds the Java program that drives the pixels and generates the sentences. A motion detector triggers the computer to write a new sentence and then display it.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Tree-of-Life.jpg\" alt=\"Tree of Life\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Tree of Life<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Health Sciences II<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/health-sciences-ii\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse14\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse14\">More Info<\/a><\/p>\n<div id=\"collapse14\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Tree of Life<\/strong><br \/>\nGretchen Lothrop<br \/>\nStainless steel and bronze<br \/>\n2003<\/p>\n<p>Lothrop states that \u201cMy process is additive, using predominately, but not exclusively, stainless steel. My imagery is often based on music or its corollary \u2013 dance, and the paradox of time. I think of my work as haiku \u2013 the crystallization of an instant of insight which might otherwise be swept away.\u201d<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Space-Waves-II.jpg\" alt=\"Space Waves II\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Space Waves II<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Health Sciences I<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/health-sciences-ii\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse15\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse15\">More Info<\/a><\/p>\n<div id=\"collapse15\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Space Waves II<\/strong><br \/>\nLinda Howard<br \/>\nAluminum<br \/>\n1992<\/p>\n<p>Howard is known for her large-scale outdoor sculptures, typically created with aluminum. Her process involves taking polished, wheel-ground, or white-painted square aluminum bars that are cut, assembled, and welded into elaborate geometric forms.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Flame-of-Hope.jpg\" alt=\"Flame of Hope\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Flame of Hope<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">John C. Hitt Library<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/john-c-hitt-library\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse16\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse16\">More Info<\/a><\/p>\n<div id=\"collapse16\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Flame of Hope<\/strong><br \/>\nLeonardo Nierman<br \/>\nBronze<br \/>\n1987<\/p>\n<p>Leonardo Nierman was born in Mexico City in 1932. He started his career painting murals and his early work was influenced by Vasily Kandinsky, Paul Klee and Juan Miro. The Flame of Hope evokes movement and harmony through the use of the spiral form.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Florida-Dream.jpg\" alt=\"Florida Dream for UCF\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Florida Dream for UCF<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Millican Hall<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/millican-hall\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse17\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse17\">More Info<\/a><\/p>\n<div id=\"collapse17\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Florida Dream for UCF<\/strong><br \/>\nSteve Lotz<br \/>\nAcrylic on canvas<br \/>\n1982<\/p>\n<p>Lotz served as the first Chair of the UCF Art Department and is Professor Emeritus. He is known for his large-scale paintings such as this example and for his public art commissions. Lotz\u2019s dreamlike images often depict imaginary and tropical environments.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Axiom.jpg\" alt=\"Axiom\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Axiom<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Physical Science<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/college-of-sciences-building\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse77\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse77\">More Info<\/a><\/p>\n<div id=\"collapse77\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Axiom<\/strong><br \/>\nKristin Jones\/Andrew Ginzel<br \/>\nStainless steel and mirror<br \/>\n2011<\/p>\n<p>Axiom consists of 118 stainless steel tetrahedrons symbolizing the periodic table of elements. The art is designed to include future additions of tetrahedron elements to the work, as advancements in science are made. Kristin Jones and Andrew Ginzel have worked collaboratively since 1985 on public and private commissions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Cyclorama.jpg\" alt=\"Cyclorama\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Cyclorama<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Performing Arts Center-Theatre<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/performing-arts-center-theatre\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse18\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse18\">More Info<\/a><\/p>\n<div id=\"collapse18\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Cyclorama<\/strong><br \/>\nJoe O\u2019Connell\/Blessing Hancock<br \/>\nPowder coated and stainless steel<br \/>\n2012<\/p>\n<p>Cyclorama is a series of interactive, illuminated sculptures that serve as a contemporary stage set for shadow theatre. The public is invited to walk, sit and relax amongst the forms whose surfaces tell archetypal origin stories. At night colored lights prokect strong silhouettes onto the surrounding trees and visitors, creating the effect of being surrounded by a panoramic theater production.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Power-of-Passage.jpg\" alt=\"Power of Passage\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Power of Passage<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Performing Arts Center-Theatre<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/performing-arts-center-theatre\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse19\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse19\">More Info<\/a><\/p>\n<div id=\"collapse19\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Power of Passage<\/strong><br \/>\nJohann Eyfells<br \/>\nAluminum<br \/>\n1994<\/p>\n<p>Eyfells was born in Iceland and moved to Florida in 1969, where he was a professor of art at UCF for over 30 years. He produces abstract sculptures based on his experiments in chemistry and physics, using metals such as aluminum, iron and copper. The volcanic landscape of Iceland is a strong influence in his work.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Hermes-Gate.jpg\" alt=\"Hermes Gate\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Hermes Gate<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Recreation and Wellness<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/recreation-and-wellness-center\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse20\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse20\">More Info<\/a><\/p>\n<div id=\"collapse20\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Hermes Gate<\/strong><br \/>\nDale Enochs<br \/>\nIndiana limestone, steel, and gold leaf<br \/>\n2011<\/p>\n<p>Hermes Gate, Dale Enochs, Hermes Gate, Indiana limestone, steel and gold leaf, 2011, Enochs\u2019 preferred material is limestone. Enochs enjoys \u201cthe challenges of creating large scale work and I love doing site-specific work\u2026Scale is one of the many formal elements of art that I draw from. It is a tool used in building a composition of thoughts, ideas and emotions.\u201d<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Trio.jpg\" alt=\"Trio\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Trio<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Student Union<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/student-union\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse21\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse21\">More Info<\/a><\/p>\n<div id=\"collapse21\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Trio<\/strong><br \/>\nTim Prentice<br \/>\nAluminum &amp; Stainless Lexan<br \/>\n1996<\/p>\n<p>This work is suspended from a single wire and consists of three major parts that are carefully balanced and rotate with precision. Prentice\u2019s sculpture is inspired by the tradition of kinetic works by Alexander Calder and George Rickey.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Rounding-Off-the-Edges.jpg\" alt=\"Rounding Off the Edges\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Rounding Off the Edges<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Visual Arts Building<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/visual-arts-building\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse22\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse22\">More Info<\/a><\/p>\n<div id=\"collapse22\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Rounding Off the Edges<\/strong><br \/>\nRichard Termes<br \/>\nAcrylic paint on acrylic sphere<br \/>\n1992<\/p>\n<p>Termes uses a six point perspective system that he devised to create unique paintings on large spheres called Termespheres. His imagery is influenced by M.C. Escher and Buckminster Fuller.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Florida-Song.jpg\" alt=\"Florida Song\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Florida Song<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Visual Arts Building<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/visual-arts-building\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse23\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse23\">More Info<\/a><\/p>\n<div id=\"collapse23\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Florida Song<\/strong><br \/>\nCraig Rubadoux<br \/>\nOil on canvas<br \/>\n1992<\/p>\n<p>Rubadoux primarily works on paper and canvas. His paintings are intensely personal glimpses into particular emotions, and he frequently speaks of his work as a journal. Greatly affected by his environment and a love of nature, Rubadoux.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/The-Drawing-Lesson.jpg\" alt=\"The Drawing Lesson\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">The Drawing Lesson<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Visual Arts Building<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/visual-arts-building\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse24\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse24\">More Info<\/a><\/p>\n<div id=\"collapse24\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>The Drawing Lesson<\/strong><br \/>\nCheryl Bogdanowitsch<br \/>\nPainted wood<br \/>\n1992<\/p>\n<p>These figurative sculptures are inspired by the artist\u2019s life-long interest in the natural world and sculptors Mia Westerlund Roosen and James Surls. As Bogdanowitsch states, \u201cMy central Florida environment of trees and lakes provides me with both the inspiration and the materials for my work. My work has evolved from my personal life, my environment, and my metaphysical studies.\u201d<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!-- PASTE ABOVE THIS LINE -->\n<\/div>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t\n<\/p><\/div>\n\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/section>\n\t\t\n\t\t\t<section id=\"public-art-at-ucf-research-parkway\" class=\"ucf-section ucf-section-public-art-at-ucf-research-parkway auto-section\" data-section-link-title=\"Research Park\" aria-label=\"Research Park\">\n\t\t\t\t\t\t\t\t<div class=\"jumbotron p-0 mb-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n<a class=\"col-sm m-0 p-0 text-center\"><a class=\"d-block h-100 w-100 pt-4 px-4 pb-3 media-background-container hover-parent text-white hover-text-inverse text-decoration-none\" href=\"#collapse62\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse62\"><br \/>\n<img decoding=\"async\" class=\"media-background object-fit-cover hover-child hover-child-scale-up\" src=\"https:\/\/cah.ucf.edu\/svad\/wp-content\/uploads\/sites\/47\/2020\/12\/UCF-Research-Park_Full.png\" \/><\/p>\n<div class=\"mt-4 pointer-events-none\" style=\"text-align: center\"><span class=\"h1 font-condensed text-uppercase\" style=\"text-align: center\">Research Park<\/span><\/div>\n<div id=\"collapse62\" class=\"collapse\" role=\"tabpanel\"><\/a><\/p>\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<div class=\"row\">\n<div class=\"card-deck\">\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Mark-Adams_Beths-Soup.png.jpg\" alt=\"Beths Soup\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Beth&#8217;s Soup<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse25\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse25\">More Info<\/a><\/p>\n<div id=\"collapse25\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Beth\u2019s Soup<\/strong><br \/>\nMark Adams<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Mark Adams, now remembered for his luminous watercolors, began his career as a designer of tapestries, as well as stained glass pieces for liturgical buildings in America. He was also skilled in a variety of art forms, including mosaics, printmaking, drawing, and oil painting. In 1975, Adams grew frustrated with his craft and his lack of complete control over the creative process, and devoted himself to painting in the hopes of creating small, intimate works. Adams realized that with watercolor, he could best apply his knowledge and techniques of working in flat planes of luminous and translucent color. His favorite subjects were quotidian or nostalgic objects or scenes borrowed directly from his own life and memories.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Mark-Adams_Filoli-Topiary.png.jpg\" alt=\"Filoli Topiary\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Filoli Topiary<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse26\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse26\">More Info<\/a><\/p>\n<div id=\"collapse26\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Filoli Topiary<\/strong><br \/>\nMark Adams<br \/>\nEtching<br \/>\n1983<\/p>\n<p>Mark Adams, now remembered for his luminous watercolors, began his career as a designer of tapestries, as well as stained glass pieces for liturgical buildings in America. He was also skilled in a variety of art forms, including mosaics, printmaking, drawing, and oil painting. In 1975, Adams grew frustrated with his craft and his lack of complete control over the creative process, and devoted himself to painting in the hopes of creating small, intimate works. Adams realized that with watercolor, he could best apply his knowledge and techniques of working in flat planes of luminous and translucent color. His favorite subjects were quotidian or nostalgic objects or scenes borrowed directly from his own life and memories.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Mark-Adams_Toe-Shoes.png.jpg\" alt=\"Toe Shoes\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Toe Shoes<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse63\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse63\">More Info<\/a><\/p>\n<div id=\"collapse63\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\nToe Shoes<br \/>\nMark Adams<br \/>\nEtching<br \/>\n1993<\/p>\n<p>Mark Adams, now remembered for his luminous watercolors, began his career as a designer of tapestries, as well as stained glass pieces for liturgical buildings in America. He was also skilled in a variety of art forms, including mosaics, printmaking, drawing, and oil painting. In 1975, Adams grew frustrated with his craft and his lack of complete control over the creative process, and devoted himself to painting in the hopes of creating small, intimate works. Adams realized that with watercolor, he could best apply his knowledge and techniques of working in flat planes of luminous and translucent color. His favorite subjects were quotidian or nostalgic objects or scenes borrowed directly from his own life and memories.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Mark-Adams_3-Pears.jpg\" alt=\"3 Pears\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">3 Pears<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse27\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse27\">More Info<\/a><\/p>\n<div id=\"collapse27\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>3 Pears<\/strong><br \/>\nMark Adams<br \/>\nEtching<br \/>\n1983<\/p>\n<p>Mark Adams, now remembered for his luminous watercolors, began his career as a designer of tapestries, as well as stained glass pieces for liturgical buildings in America. He was also skilled in a variety of art forms, including mosaics, printmaking, drawing, and oil painting. In 1975, Adams grew frustrated with his craft and his lack of complete control over the creative process, and devoted himself to painting in the hopes of creating small, intimate works. Adams realized that with watercolor, he could best apply his knowledge and techniques of working in flat planes of luminous and translucent color. His favorite subjects were quotidian or nostalgic objects or scenes borrowed directly from his own life and memories.<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Peter-Alexander_Gooeyduck.jpg\" alt=\"Gooeyduck\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Gooeyduck<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse28\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse28\">More Info<\/a><\/p>\n<div id=\"collapse28\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Gooeyduck<\/strong><br \/>\nPeter Alexander<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Peter Alexander is a contemporary American sculptor who was a part of the Light and Space movement along with Robert Irwin and Larry Bellduring the 1960s. His best known works are sculptures constructed from translucent plastic and resin, which respond to the light of the spaces in which they are shown. \u201cI\u2019m a romantic, and I believe in it. I believe in the value of things,\u201d the artist has said. \u201cI believe that objects can be made that can have an extraordinary effect on me and others.\u201d Born on February 27, 1939 in Los Angeles, CA, he studied architecture in England before receiving both his BFA and MFA from the University of California, Los Angeles. Alexander started as an architect, before developing a reputation in the 1960s for creating his sculptures. More recently, he has shown himself to be a prolific painter, with many of his paintings depicting the landscape and night skyline of Los Angeles. Alexander currently lives and works in Santa Monica, CA. The artist\u2019s works are held in the collections of the J. Paul Getty Museum in Los Angeles, The Museum of Modern Art in New York, and the Walker Art Center in Minneapolis. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Broken-Brick_Arneson.jpg\" alt=\"Broken Brick\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Broken Brick<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse29\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse29\">More Info<\/a><\/p>\n<div id=\"collapse29\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Broken Brick<\/strong><br \/>\nRobert Arneson<br \/>\nEtching<br \/>\n1977<\/p>\n<p>He was born on September 4, 1930 in Benicia, CA and studied at California College of the Arts after working as a cartoonist for a local newspaper. Robert Arneson was an American sculptor and ceramicist who is considered as the father of Funk Art, the anti-establishment movement that incorporated a m\u00e9lange of found objects, autobiographical subjects, and humor. He died on November 2, 1992 in Benicia, CA from liver cancer, and his works can be found in major institutions around the world including including the Chicago Art Institute, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Metropolitan Museum of Art in New York, and the Smithsonian American Art Museum in Washington, D.C. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Silver-Top.jpg\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Silver Top<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse30\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse30\">More Info<\/a><\/p>\n<div id=\"collapse30\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Silver Top<\/strong><br \/>\nJohn Baeder<br \/>\nEtching<br \/>\n1987<\/p>\n<p>John Baeder is known for paintings and prints of roadside diners. In the 1950\u2019s he was highly influenced from road trips to and from Atlanta and Auburn University where he was a fine arts student. His work was part of the post-war realist movement and is linked to 18th century Romanticism, specifically the genre of \u201cgrand tour\u201d travel paintings. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Barbershop.jpg\" alt=\"Barbershop\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Barbershop<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse31\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse31\">More Info<\/a><\/p>\n<div id=\"collapse31\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Barbershop<\/strong><br \/>\nTimothy Berry<br \/>\nEtching<br \/>\n1974<\/p>\n<p>Timothy Berry has been a practicing artist for over 30 years. His paintings, drawings, and prints have been exhibited extensively in museums and galleries throughout the United States and Europe, including 21 solo and 75 group exhibitions. He is also a dedicated art educator, having taught and lectured at university level for 33 years. He is presently on the faculty of the San Francisco Art Institute.<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Culture-Mine.jpg\" alt=\"Culture Mine\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Culture Mine<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse32\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse32\">More Info<\/a><\/p>\n<div id=\"collapse32\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Culture Mine<\/strong><br \/>\nTimothy Berry<br \/>\nEtching<br \/>\n1991<\/p>\n<p>Timothy Berry has been a practicing artist for over 30 years. His paintings, drawings, and prints have been exhibited extensively in museums and galleries throughout the United States and Europe, including 21 solo and 75 group exhibitions. He is also a dedicated art educator, having taught and lectured at university level for 33 years. He is presently on the faculty of the San Francisco Art Institute. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Details.jpg\" alt=\"Details\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Details<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse33\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse33\">More Info<\/a><\/p>\n<div id=\"collapse33\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Details<\/strong><br \/>\nTimothy Berry<br \/>\nEtching<br \/>\n1991<\/p>\n<p>Timothy Berry has been a practicing artist for over 30 years. His paintings, drawings, and prints have been exhibited extensively in museums and galleries throughout the United States and Europe, including 21 solo and 75 group exhibitions. He is also a dedicated art educator, having taught and lectured at university level for 33 years. He is presently on the faculty of the San Francisco Art Institute. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Restoration-Repose.jpg\" alt=\"Restoration Repose\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Restoration Repose<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse34\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse34\">More Info<\/a><\/p>\n<div id=\"collapse34\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Restoration Repose<\/strong><br \/>\nTimothy Berry<br \/>\nEtching<br \/>\n1991<\/p>\n<p>Timothy Berry has been a practicing artist for over 30 years. His paintings, drawings, and prints have been exhibited extensively in museums and galleries throughout the United States and Europe, including 21 solo and 75 group exhibitions. He is also a dedicated art educator, having taught and lectured at university level for 33 years. He is presently on the faculty of the San Francisco Art Institute.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Milk-Bottle.jpg\" alt=\"Milk Bottle\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Milk Bottle<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse35\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse35\">More Info<\/a><\/p>\n<div id=\"collapse35\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Milk Bottle<\/strong><br \/>\nGordon Cook<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Gordon Cook, printmaker, painter, sculptor, and educator, was born in Chicago on October 3, 1927. Between 1945 and 1950, he was enrolled in studies at Illinois Wesleyan University where he earned his BFA. Cook studied intaglio printmaking with Vera Berdich in 1949 and attended S.W. Hayter\u2019s lectures at the School of the Art Institute of Chicago. He relocated to Iowa City in 1950 for graduate studies in printmaking with Mauricio Lasansky. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Day-Scene.jpg\" alt=\"Day Scene\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Day Scene<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse36\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse36\">More Info<\/a><\/p>\n<div id=\"collapse36\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Day Scene<\/strong><br \/>\nSqueak Cornwath<br \/>\nEtching<br \/>\n1983<\/p>\n<p>Squeak Carnwath draws upon the philosophical and mundane experiences of daily life in her paintings and prints, which can be identified by lush fields of color combined with text, patterns, and identifiable images. She has received numerous awards including the Society for the Encouragement of Contemporary Art (SECA) Award from San Francisco Museum of Modern Art, two Individual Artist Fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, the Award for Individual Artists from the Flintridge Foundation, and the Lee Krasner Lifetime Achievement Award from the Pollock-Krasner Foundation. In 2019, she was inducted into the National Academy of Design and Art. Carnwath is Professor Emerita at the University of California, Berkeley. She lives and works in Oakland, CA.<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Moon-Night_Cornwath.png.jpg\" alt=\"Moon Night\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Moon Night<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse37\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse37\">More Info<\/a><\/p>\n<div id=\"collapse37\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Moon Night<\/strong><br \/>\nSqueak Carnwath<br \/>\nEtching<br \/>\n1983<\/p>\n<p>Squeak Carnwath draws upon the philosophical and mundane experiences of daily life in her paintings and prints, which can be identified by lush fields of color combined with text, patterns, and identifiable images. She has received numerous awards including the Society for the Encouragement of Contemporary Art (SECA) Award from San Francisco Museum of Modern Art, two Individual Artist Fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, the Award for Individual Artists from the Flintridge Foundation, and the Lee Krasner Lifetime Achievement Award from the Pollock-Krasner Foundation. In 2019, she was inducted into the National Academy of Design and Art. Carnwath is Professor Emerita at the University of California, Berkeley. She lives and works in Oakland, CA.<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Ice.jpg\" alt=\"Ice\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Ice<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse38\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse38\">More Info<\/a><\/p>\n<div id=\"collapse38\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Ice<\/strong><br \/>\nRobert Cottingham<br \/>\nEtching<br \/>\n1975<\/p>\n<p>Robert Cottingham is an American painter best known for his Photorealist depictions of cropped commercial signage. Born in Brooklyn, NY, Cottingham studied at Pratt Institute, where he received his BFA in 1963 before starting a five-year career in commercial advertising. Upon moving to Los Angeles Cottingham seriously committed himself to his own painting practice, which eventually subsumed his advertising career by 1968 as the artist rose to prominence along with the Photorealist movement. Cottingham is considered among the 13 most prominent Photorealists of the latter half of the 20th century\u2014he disavowed his relationship to the movement. Instead, he views his own work as part of the lineage of vernacular Americana painters, including the likes of Stuart Davis and Edward Hopper.  .<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Untitled.jpg\" alt=\"Untitled\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Untitled<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse39\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse39\">More Info<\/a><\/p>\n<div id=\"collapse39\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Untitled<\/strong><br \/>\nLaddie John Dill<br \/>\nMonotype<br \/>\n1982<\/p>\n<p>A central figure in the California Light and Spacemovement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: \u201cI was influenced by [Robert] Rauschenberg, Keith Sonnier,Robert Smithson, Dennis Oppenheim, and Robert Irwin, who were working with earth materials, light, and space as an alternative to easel painting.\u201d Among his most celebrated works is an untitled installation from 1971, for which Dill filled a gallery with mounds of pale sand, topped with precisely arranged glass panels illuminated by the soft, green glow of argon lighting set just beneath the surface. When he does use canvas, he paints with pigments derived from cement and natural oxides.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Untitled2.jpg\" alt=\"Untitled\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Untitled<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse40\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse40\">More Info<\/a><\/p>\n<div id=\"collapse40\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\nLaddie John Dill<br \/>\nEtching<br \/>\n1982<\/p>\n<p>A central figure in the California Light and Spacemovement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: \u201cI was influenced by [Robert] Rauschenberg, Keith Sonnier,Robert Smithson, Dennis Oppenheim, and Robert Irwin, who were working with earth materials, light, and space as an alternative to easel painting.\u201d Among his most celebrated works is an untitled installation from 1971, for which Dill filled a gallery with mounds of pale sand, topped with precisely arranged glass panels illuminated by the soft, green glow of argon lighting set just beneath the surface. When he does use canvas, he paints with pigments derived from cement and natural oxides.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Now-and-Then.jpg\" alt=\"Now and Then\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Now and Then<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse41\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse41\">More Info<\/a><\/p>\n<div id=\"collapse41\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Now and Then<\/strong><br \/>\nRupert Garci\u00e1<br \/>\nEtching<br \/>\n1991<\/p>\n<p>Deeply entrenched in the activist communities of the San Francisco Bay Area, renowned poster-maker Rupert Garcia creates artwork that synthesizes his political background with a graphic, pop sensibility. Garcia came of age in the post-\u201968 era, creating screenprints, drawings, and pastel paintings of subject matter drawn from documentary photographs and paintings, and inflected with his political affiliations. Garcia rendered figures like Frida Kahlo or unnamed political prisoners with the bold colors and sharp lines of Warhol or Lichtenstein. Applying the apolitical style of pop to political icons, Garcia melds the sometimes-dissonant aesthetic and social currents of his time. Among his influences are the Mexican muralists Diego Rivera, Jose Clemente Orozco, and David Siqueiros.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Early-Riser.jpg\" alt=\"Early Riser\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Early Riser<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse42\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse42\">More Info<\/a><\/p>\n<div id=\"collapse42\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Early Riser<\/strong><br \/>\nJohn Himmelfarb<br \/>\nEtching<br \/>\n1977<\/p>\n<p>John Himmelfarb is an American painter, draftsman, and printmaker. Born in Chicago, Illinois, he grew up in a household of artists (his parents being artists) surrounded by their art and the countryside that inspired them. John finished his undergraduate studies at Harvard University in liberal arts with a major in architectural sciences. He opened a studio in Chicago in 1970 and has worked primarily in Chicago since that time. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Double-Rose.jpg\" alt=\"Double Rose\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Double Rose<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse43\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse43\">More Info<\/a><\/p>\n<div id=\"collapse43\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Double Rose<\/strong><br \/>\nBeth Van Hoesen<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Beth Van Hoesen was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. Van Hoesen\u2019s work uses realism and tonality to create bold images of animals and botanicals, she accomplishes this by building up color through the process of etching. Van Hoesen distinguished herself as a draftsman and printmaker throughout her career. She was honored with numerous awards and solo exhibitions at museums and recognized by a multitude of institutions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Hibiscus.jpg\" alt=\"Hibiscus\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Hibiscus<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse44\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse44\">More Info<\/a><\/p>\n<div id=\"collapse44\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Hibiscus<\/strong><br \/>\nBeth Van Hoesen<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Beth Van Hoesen was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. Van Hoesen\u2019s work uses realism and tonality to create bold images of animals and botanicals, she accomplishes this by building up color through the process of etching. Van Hoesen distinguished herself as a draftsman and printmaker throughout her career. She was honored with numerous awards and solo exhibitions at museums and recognized by a multitude of institutions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Ichi.jpg\" alt=\"Ichi\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Ichi<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse45\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse45\">More Info<\/a><\/p>\n<div id=\"collapse45\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Ichi<\/strong><br \/>\nBeth Van Hoesen<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Beth Van Hoesen was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. Van Hoesen\u2019s work uses realism and tonality to create bold images of animals and botanicals, she accomplishes this by building up color through the process of etching. Van Hoesen distinguished herself as a draftsman and printmaker throughout her career. She was honored with numerous awards and solo exhibitions at museums and recognized by a multitude of institutions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Maharani.jpg\" alt=\"Maharani\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Maharani<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse46\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse46\">More Info<\/a><\/p>\n<div id=\"collapse46\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Maharani <\/strong><br \/>\nBeth Van Hoesen<br \/>\nEtching<br \/>\n1989<\/p>\n<p>Beth Van Hoesen was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. Van Hoesen\u2019s work uses realism and tonality to create bold images of animals and botanicals, she accomplishes this by building up color through the process of etching. Van Hoesen distinguished herself as a draftsman and printmaker throughout her career. She was honored with numerous awards and solo exhibitions at museums and recognized by a multitude of institutions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Wrapped-Flowers.jpg\" alt=\"Wrapped Flowers\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Wrapped Flowers<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse47\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse47\">More Info<\/a><\/p>\n<div id=\"collapse47\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Wrapped Flowers <\/strong><br \/>\nBeth Van Hoesen<br \/>\nEtching<br \/>\n1985<\/p>\n<p>Beth Van Hoesen was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. Van Hoesen\u2019s work uses realism and tonality to create bold images of animals and botanicals, she accomplishes this by building up color through the process of etching. Van Hoesen distinguished herself as a draftsman and printmaker throughout her career. She was honored with numerous awards and solo exhibitions at museums and recognized by a multitude of institutions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Mole.jpg\" alt=\"Mole\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Mole<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse48\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse48\">More Info<\/a><\/p>\n<div id=\"collapse48\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Mole<\/strong><br \/>\nBeth Van Hoesen<br \/>\nEtching<br \/>\n1982<\/p>\n<p>Beth Van Hoesen was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. Van Hoesen\u2019s work uses realism and tonality to create bold images of animals and botanicals, she accomplishes this by building up color through the process of etching. Van Hoesen distinguished herself as a draftsman and printmaker throughout her career. She was honored with numerous awards and solo exhibitions at museums and recognized by a multitude of institutions.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Jacob-Kainen_Jack-Pot.jpg\" alt=\"Jack Pot\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Jack Pot<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse49\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse49\">More Info<\/a><\/p>\n<div id=\"collapse49\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Jack Pot<\/strong><br \/>\nJacob Kainen<br \/>\nEtching<br \/>\n1974<\/p>\n<p>Missing info.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Black-Bird.jpg\" alt=\"Black Bird\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Black Bird<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse50\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse50\">More Info<\/a><\/p>\n<div id=\"collapse50\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Black Bird<\/strong><br \/>\nVictoria Nodiff<br \/>\nEtching<br \/>\n1981<\/p>\n<p>Victoria Nodiff-Netanel has been a horsewoman all her life. From pretending to be a horse as a kid in Wisconsin to painting photorealistic horses at California Institute of the Arts, from toy horses to competing in dressage at the Intermediaire level, Victoria has always known the magic of horses. In 2007, after many years of competing in dressage, Victoria shifted gears when a little horse came into her life. She realized that she wanted to help people with this miniature horse and she immediately started training Pippin, putting all her years of horsemanship to work.  <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Grempoli.jpg\" alt=\"Grempoli\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Grempoli<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse51\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse51\">More Info<\/a><\/p>\n<div id=\"collapse51\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Grempoli<\/strong><br \/>\nMaria Quinn Oliver<br \/>\nLithograph<br \/>\n1982<\/p>\n<p>Missing info.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Free-Man.jpg\" alt=\"Free Man\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Free Man<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse52\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse52\">More Info<\/a><\/p>\n<div id=\"collapse52\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Free Man<\/strong><br \/>\nEd Paschke<br \/>\nEtching<br \/>\n1996<\/p>\n<p>Highly influenced by the photo-based portraiture of Andy Warhol, Ed Paschke created portraits modeled from images sourced from popular media and American subcultures. By the aid of an opaque project. He was one of the first artists to paint using this technology\u2014Paschke combined separate features culled from newspapers, tabloids, television, and pornographic magazines into single compositions. His early work was known for parodying celebrities and portraying marginal members of society; he later transitioned from recognizable subjects to anonymous, masked characters who appeared to be distorted by a malfunctioning television.  <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/R.G.-1.jpg\" alt=\"R.G. #1\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">R.G. #1<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse53\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse53\">More Info<\/a><\/p>\n<div id=\"collapse53\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>R.G. #1<\/strong><br \/>\nCarl Schwartz<br \/>\nEtching<br \/>\n1978<\/p>\n<p>Carl Schwartz, born in Detroit, Michigan, is a painter and print-maker, who currently resides in Fort Myers, Florida. He is a realist, whose work shows the influence of both abstract expressionism and cubism. For almost thirty years, Schwartz taught figure drawing and painting in Chicago at the North Shore Art League, until moving to Florida in 1984. There he resumed teaching at Edison Community College and at Florida Gulf Coast University. At the home he shares with his wife Dinah Schwartz, he raises Koi, a type of Oriental goldfish, which, along with water lilies, are often subjects in his art. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Water-Palms.jpg\" alt=\"Water Palms\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Water Palms<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse54\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse54\">More Info<\/a><\/p>\n<div id=\"collapse54\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Water Palms<\/strong><br \/>\nCarl Schwartz<br \/>\nEtching<br \/>\n1976<\/p>\n<p>Carl Schwartz, born in Detroit, Michigan, is a painter and print-maker, who currently resides in Fort Myers, Florida. He is a realist, whose work shows the influence of both abstract expressionism and cubism. For almost thirty years, Schwartz taught figure drawing and painting in Chicago at the North Shore Art League, until moving to Florida in 1984. There he resumed teaching at Edison Community College and at Florida Gulf Coast University. At the home he shares with his wife Dinah Schwartz, he raises Koi, a type of Oriental goldfish, which, along with water lilies, are often subjects in his art. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Winterhill.jpg\" alt=\"Winterhill\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Winterhill<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse55\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse55\">More Info<\/a><\/p>\n<div id=\"collapse55\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Winterhill<\/strong><br \/>\nAnn Thornycroft<br \/>\nEtching<br \/>\n1983<\/p>\n<p>Ann Thornycroft was born and raised in the English countryside, drawing on her experiences and memories of nature as the basis for her abstract compositions. Thornycroft is best known for her large-scale, gridded compositions, though the execution of these works varies in rigidity and expressiveness. In explaining her use of this structure, the artist wrote, \u201cThe grid symbolized nature and man. It is a very simple device but it continues to capture my interest.\u201d Recurring motifs in Thornycroft\u2019s work also include overlapping circular forms and arcs that resemble botanical forms. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Ann-Thornycroft_Woodnish.jpg\" alt=\"Woodnish\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Woodnish<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse56\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse56\">More Info<\/a><\/p>\n<div id=\"collapse56\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Woodnish<\/strong><br \/>\nAnn Thornycroft<br \/>\nEtching<br \/>\n1983<\/p>\n<p>Ann Thornycroft was born and raised in the English countryside, drawing on her experiences and memories of nature as the basis for her abstract compositions. Thornycroft is best known for her large-scale, gridded compositions, though the execution of these works varies in rigidity and expressiveness. In explaining her use of this structure, the artist wrote, \u201cThe grid symbolized nature and man. It is a very simple device but it continues to capture my interest.\u201d Recurring motifs in Thornycroft\u2019s work also include overlapping circular forms and arcs that resemble botanical forms. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Rise-Form.jpg\" alt=\"Rise Form\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Rise Form<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse57\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse57\">More Info<\/a><\/p>\n<div id=\"collapse57\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Rise Form<\/strong><br \/>\nRichard Thompson<br \/>\nMonotype<br \/>\n1992<\/p>\n<p>Since Richard Thompson began painting in the 1960\u2019s, he has used a visual vocabulary of landscape and still life images. Now, fifty years later, those images continue to mature. The paintings grow from all that he sees and all that he thinks about in the world around him. Over the last decade Richard has explored the rural, agricultural landscape of the American west with its distant horizons, far away mountains, geometric field patterns and farm buildings seen as if they are still life elements on a wide, vast table.  <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Toy-Tank-II.jpg\" alt=\"Toy Tank II\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Toy Tank II<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse58\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse58\">More Info<\/a><\/p>\n<div id=\"collapse58\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Toy Tank II<\/strong><br \/>\nRobert Weaver<br \/>\nEtching<br \/>\n1974<\/p>\n<p>With a highly expressionistic and very personal vision, Weaver has become one of the Midwest\u2019s most celebrated artists.  Weaver was born in Stilwell Kansas, and received his BA from the Kansas City Art Institute and his BFA from the University of New Mexico in 1965.  He went on to receive his MFA from the University of Nebraska-Lincoln in 1968. Weaver has worked in a variety of mediums and techniques: ink, charcoal, lithograph, oil paint, woodcut, pencil and pastel.  Though he briefly experimented with abstraction in the 1950s and 1960s, Weaver is best known for his realistic and intimate portraiture and subjects taken from nature.  These works are deeply connected to his own history and his experiences growing up in rural Kansas. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Beehive.jpg\" alt=\"Beehive\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Beehive<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse59\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse59\">More Info<\/a><\/p>\n<div id=\"collapse59\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Beehive<\/strong><br \/>\nWilliam T. Wiley<br \/>\nLithograph<br \/>\n1998<\/p>\n<p>William T. Wiley is a contemporary American artist. Maintaining an eclectic practice that has been associated with the Funk Art movement, Wiley incorporates drawing, painting, sculpture, performance, and filmmaking into his work. His paintings act as an aggregate and are composed of a wide range of obsessive marks, materials, and mediums, frequently layered on top of a map or other information-coded images. Often featuring illustrations of fantastical universes, his works contain both historical literary references and integrate geometric abstraction. Born in Bedford, IN on October 21, 1937, he earned both his BFA and MFA from the California School of Fine Arts shortly before joining the UC Davis Art faculty in 1963, where he would instruct and influence prominent artists like Bruce Nauman. Wiley has enjoyed widespread acclaim and success, participating in both the Venice and Whitney Biennials in 1980 and 1983, respectively. His work is held in many important collections, such as the Art Institute of Chicago, The Museum of Modern Art in New York, and the Smithsonian American Art Museum in Washington, D.C. The 2009\u20132010 exhibition \u201cWhat&#8217;s It All Mean: William T. Wiley in Retrospect,\u201d offered a comprehensive retrospective of Wiley&#8217;s career. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/O.T.P.A.G.-for-P.G.jpg\" alt=\"O.T.P.A.G. for P.G.\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Planks Pool<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse60\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse60\">More Info<\/a><\/p>\n<div id=\"collapse60\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Planks Pool<\/strong><br \/>\nWilliam T. Wiley<br \/>\nEtching<br \/>\n1980<\/p>\n<p>William T. Wiley is a contemporary American artist. Maintaining an eclectic practice that has been associated with the Funk Art movement, Wiley incorporates drawing, painting, sculpture, performance, and filmmaking into his work. His paintings act as an aggregate and are composed of a wide range of obsessive marks, materials, and mediums, frequently layered on top of a map or other information-coded images. Often featuring illustrations of fantastical universes, his works contain both historical literary references and integrate geometric abstraction. Born in Bedford, IN on October 21, 1937, he earned both his BFA and MFA from the California School of Fine Arts shortly before joining the UC Davis Art faculty in 1963, where he would instruct and influence prominent artists like Bruce Nauman. Wiley has enjoyed widespread acclaim and success, participating in both the Venice and Whitney Biennials in 1980 and 1983, respectively. His work is held in many important collections, such as the Art Institute of Chicago, The Museum of Modern Art in New York, and the Smithsonian American Art Museum in Washington, D.C. The 2009\u20132010 exhibition \u201cWhat&#8217;s It All Mean: William T. Wiley in Retrospect,\u201d offered a comprehensive retrospective of Wiley&#8217;s career. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Planks-Pool.jpg\" alt=\"Planks Pool\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">O.T.P.A.G for P.G.<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Research Park<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"http:\/\/cfrp.org\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse61\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse61\">More Info<\/a><\/p>\n<div id=\"collapse61\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\nO.T.P.A.G for P.G.<br \/>\nWilliam T. Wiley<br \/>\nEtching<br \/>\n1981<\/p>\n<p>William T. Wiley is a contemporary American artist. Maintaining an eclectic practice that has been associated with the Funk Art movement, Wiley incorporates drawing, painting, sculpture, performance, and filmmaking into his work. His paintings act as an aggregate and are composed of a wide range of obsessive marks, materials, and mediums, frequently layered on top of a map or other information-coded images. Often featuring illustrations of fantastical universes, his works contain both historical literary references and integrate geometric abstraction. Born in Bedford, IN on October 21, 1937, he earned both his BFA and MFA from the California School of Fine Arts shortly before joining the UC Davis Art faculty in 1963, where he would instruct and influence prominent artists like Bruce Nauman. Wiley has enjoyed widespread acclaim and success, participating in both the Venice and Whitney Biennials in 1980 and 1983, respectively. His work is held in many important collections, such as the Art Institute of Chicago, The Museum of Modern Art in New York, and the Smithsonian American Art Museum in Washington, D.C. The 2009\u20132010 exhibition \u201cWhat&#8217;s It All Mean: William T. Wiley in Retrospect,\u201d offered a comprehensive retrospective of Wiley&#8217;s career. <\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!-- PASTE ABOVE THIS LINE -->\n<\/div>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t\n<\/p><\/div>\n\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/section>\n\t\t\n\t\t\t<section id=\"public-art-at-ucf-downtown\" class=\"ucf-section ucf-section-public-art-at-ucf-downtown auto-section\" data-section-link-title=\"Downtown Campus\" aria-label=\"Downtown Campus\">\n\t\t\t\t\t\t\t\t<div class=\"jumbotron p-0 mb-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n<a class=\"col-sm m-0 p-0 text-center\"><a class=\"d-block h-100 w-100 pt-4 px-4 pb-3 media-background-container hover-parent text-white hover-text-inverse text-decoration-none\" href=\"#collapse64\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse64\"><br \/>\n<img decoding=\"async\" class=\"media-background object-fit-cover hover-child hover-child-scale-up\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/UCF-Downtown_Full.jpg\" \/><\/p>\n<div class=\"mt-4 pointer-events-none\" style=\"text-align: center\"><span class=\"h1 font-condensed text-uppercase\" style=\"text-align: center\">Downtown UCF<\/span><\/div>\n<div id=\"collapse64\" class=\"collapse\" role=\"tabpanel\"><\/a><\/p>\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<div class=\"row\">\n<div class=\"card-deck\">\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2020\/12\/Of-History-and-Hope-2.jpg\" alt=\"Of History and Hope\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Of History and Hope<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">UCF Downtown<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/downtown\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"https:\/\/cah.ucf.edu\/svad\/of-history-and-hope\/\" target=\"_blank\" rel=\"noopener\">More Info<\/a><\/p>\n<div id=\"collapse65\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><\/p>\n<p><iframe loading=\"lazy\" title=\"Artwork at UCF Downtown Pays Homage to Parramore\u2019s Heritage\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/ZirPh4X-5nU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Of History and Hope<\/strong><br \/>\nNANCY GUTKIN O\u2019NEIL (b. 1949)<\/p>\n<p>\u201cIf we can truly remember, they will not forget.\u201d<\/p>\n<p>Miller Williams, \u201cOf History and Hope\u201d<br \/>\nfrom Some Jazz A While: Collected Poems<\/p>\n<p>Tempered and laminated float glass with fired-in pigments. Fabrication by Glasmalerei Peters, Paderborn, DE. Completed January, 2020.<\/p>\n<p>Six panels. Each Transom, 30\u00bd\u201d h x 52\u00bc\u201d w.  Each Sidelight, 104\u00bd\u201d h x 29\u201d w.<\/p>\n<p>Each large panel, 138\u201d h x 51\u201d w. The glass is \u00bd\u201d thick.<\/p>\n<p>Purchased 2020 with funds provided by Florida\u2019s Art in State Buildings Program<br \/>\n(F.S. 255.043)<\/p>\n<p>I titled my artwork with the last line of the Miller Williams poem, \u201cOf History and Hope\u201d. That\u2019s what this piece is about.<\/p>\n<p>I grew up in Brooklyn, NY and graduated from Sarah Lawrence College.  I lived in rural Maine for many years, and now live in New Orleans. I\u2019ve been a glass artist for almost 40 years, and produce work in my own studio and with fabricators.  My public art projects are in many parts of the country.<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!-- PASTE ABOVE THIS LINE -->\n<\/div>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t\n<\/p><\/div>\n\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/section>\n\t\t\n\t\t\t<section id=\"public-art-at-ucf-rosen\" class=\"ucf-section ucf-section-public-art-at-ucf-rosen auto-section\" data-section-link-title=\"Rosen College\" aria-label=\"Rosen College\">\n\t\t\t\t\t\t\t\t<div class=\"jumbotron p-0 mb-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n<a class=\"col-sm m-0 p-0 text-center\"><a class=\"d-block h-100 w-100 pt-4 px-4 pb-3 media-background-container hover-parent text-white hover-text-inverse text-decoration-none\" href=\"#collapse68\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse68\"><br \/>\n<img decoding=\"async\" class=\"media-background object-fit-cover hover-child hover-child-scale-up\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Rosen-College.jpg\" \/><\/p>\n<div class=\"mt-4 pointer-events-none\" style=\"text-align: center\"><span class=\"h1 font-condensed text-uppercase\" style=\"text-align: center\">Rosen College<\/span><\/div>\n<div id=\"collapse68\" class=\"collapse\" role=\"tabpanel\"><\/a><\/p>\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<div class=\"row\">\n<div class=\"card-deck\">\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Carla-Rossi-Poindexter.jpg\" alt=\"Infinite Possibilities\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Infinite Possibilities<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Rosen Campus<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/www.ucf.edu\/location\/rosen-college-of-hospitality-management\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse66\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse66\">More Info<\/a><\/p>\n<div id=\"collapse66\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Infinite Possibilities<\/strong><br \/>\nCarla Rossi Poindexter<br \/>\n8&#8242; x 28&#8242; acrylic painting on canvas in seven interlocking panels<br \/>\n2004<\/p>\n<p>Poindexter writes, \u201cMy work is a personal response to the time in which we exist and our place in that time. It is a viewpoint that engages my imagination by including what I understand about science, poetry, language, movement, time, and human interactions by filtering them all into an act of understanding and responding. In Infinite Possibilities, I confront macro- and micro-space, shape, and color as they interlock in a unified place. The air that surrounds the objects of this world is sometimes more important than those objects themselves. All of these object-characters are important, but would be nothing without the plasma they exist within.\u201d<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!-- PASTE ABOVE THIS LINE -->\n<\/div>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t\n<\/p><\/div>\n\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/section>\n\t\t\n\t\t\t<section id=\"public-art-at-ucf-cocoa-beach\" class=\"ucf-section ucf-section-public-art-at-ucf-cocoa-beach auto-section\" data-section-link-title=\"Cocoa Beach\" aria-label=\"Cocoa Beach\">\n\t\t\t\t\t\t\t\t<div class=\"jumbotron p-0 mb-0\"\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\n<a class=\"col-sm m-0 p-0 text-center\"><a class=\"d-block h-100 w-100 pt-4 px-4 pb-3 media-background-container hover-parent text-white hover-text-inverse text-decoration-none\" href=\"#collapse69\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse69\"><br \/>\n<img decoding=\"async\" class=\"media-background object-fit-cover hover-child hover-child-scale-up\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/03\/Cocoa-Beach.jpg\" \/><\/p>\n<div class=\"mt-4 pointer-events-none\" style=\"text-align: center\"><span class=\"h1 font-condensed text-uppercase\" style=\"text-align: center\">Cocoa<\/span><\/div>\n<div id=\"collapse69\" class=\"collapse\" role=\"tabpanel\"><\/a><\/p>\n\t\t\t<div class=\"container\"\n\t\t\t\t\t\t>\n\t\t\t\t\n<div class=\"row\">\n<div class=\"card-deck\">\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/04\/Azores-Nasturtium.jpg\" alt=\"Azores Nasturtium\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Azores Nasturtium<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Florida Energy Solar Center<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/map.ucf.edu\/locations\/cocoa\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse67\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse67\">More Info<\/a><\/p>\n<div id=\"collapse67\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Azores Nasturtium<\/strong><br \/>\nClaire Reese<br \/>\nWater color<br \/>\n40&#8243;x32&#8243;x2&#8243;<br \/>\n1999<br \/>\n<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/04\/Chromospheres-Lace.jpg\" alt=\"Chromospheres Lace\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Chromospheres Lace<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Florida Energy Solar Center<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/map.ucf.edu\/locations\/cocoa\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse70\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse70\">More Info<\/a><\/p>\n<div id=\"collapse70\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Chromospheres Lace<\/strong><br \/>\nBruce White<br \/>\nAluminum<br \/>\n25&#8243;x12&#8243;x29&#8242;<br \/>\n1999<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/04\/Genesis-Day-II.jpg\" alt=\"Genesis Day II\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Genesis Day II<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Florida Energy Solar Center<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/map.ucf.edu\/locations\/cocoa\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse71\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse71\">More Info<\/a><\/p>\n<div id=\"collapse71\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Genesis Day II<\/strong><br \/>\nRobert Singleton<br \/>\nPastel<br \/>\n32.5&#8243;x40.5&#8243;<br \/>\n1986<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-4 col-sm-6\">\n<div class=\"card mb-4\" style=\"width: 350px\">\n<div id=\"headingOne\" class=\"card-title\" role=\"tab\">\n<p><img decoding=\"async\" class=\"card-img-top\" src=\"\/wp-content\/uploads\/sites\/47\/2021\/04\/Fall-Winter-Spring-Summer.jpg\" alt=\"Fall, Winter, Spring, Summer\" \/><\/p>\n<div class=\"card-block\">\n<h3 class=\"card-title\" style=\"text-align: center\">Fall, Winter, Spring, Summer<\/h3>\n<h6 class=\"card-subtitle mb-2 text-muted\" style=\"text-align: center\">Florida Energy Solar Center<\/h6>\n<p><a class=\"btn btn-outline-secondary btn-sm btn-block\" href=\"https:\/\/map.ucf.edu\/locations\/cocoa\/\" target=\"_blank\" rel=\"noopener\">Location<\/a><\/p>\n<p><a class=\"btn btn-secondary btn-sm btn-block\" href=\"#collapse72\" data-toggle=\"collapse\" aria-expanded=\"false\" aria-controls=\"collapse72\">More Info<\/a><\/p>\n<div id=\"collapse72\" class=\"collapse\" role=\"tabpanel\">\n<p class=\"card-text\"><small><br \/>\n<strong>Fall, Winter, Spring, Summer<\/strong><br \/>\nQue Thom<br \/>\nMixed Media &amp; gold leaf flowers<br \/>\n4 works 27&#8243;x33&#8243;<br \/>\n1999<\/small><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!-- PASTE ABOVE THIS LINE -->\n<\/div>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t\n<\/p><\/div>\n\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/section>\n\t\t\n\t\t\t<section id=\"public-art-at-ucf-news\" class=\"ucf-section ucf-section-public-art-at-ucf-news auto-section mb-5\" data-section-link-title=\"News\" aria-label=\"News\">\n\t\t\t\t\t\t\t\t<div class=\"container pt-5\"\n\t\t\t\t\t\t>\n\t\t\t\t\n        <input type=\"hidden\" id=\"cah-news-vue-options\" value=\"{&quot;dept&quot;:[5],&quot;limit&quot;:-1,&quot;per_page&quot;:4,&quot;view&quot;:&quot;preview&quot;,&quot;cat&quot;:[],&quot;exclude&quot;:[],&quot;section_title&quot;:&quot;In the News&quot;,&quot;section_title_classes&quot;:&quot;&quot;,&quot;button_text&quot;:&quot;More 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