{"id":2676,"date":"2017-11-29T09:56:52","date_gmt":"2017-11-29T14:56:52","guid":{"rendered":"https:\/\/cah.ucf.edu\/imprint\/?p=2676"},"modified":"2018-10-31T10:48:08","modified_gmt":"2018-10-31T14:48:08","slug":"power-of-confidence-the-key-to-being-a-writer","status":"publish","type":"post","link":"https:\/\/cah.ucf.edu\/imprint\/power-of-confidence-the-key-to-being-a-writer\/","title":{"rendered":"Power of Confidence: The Key to Being a Writer"},"content":{"rendered":"

by Domonique Weston<\/strong><\/p>\n

If you are a writer, the first thing you have to accept is that it happens to everyone\u2014the moments when we stare blankly at empty word documents, the times when our heads are filled with clouds instead of ideas.\u00a0 These times cause us to wonder if we\u2019re cutout to be writers.\u00a0 In the heat of all our writing classes, we learn how to write better stories, but how we should approach the writing process often goes unspoken.<\/p>\n

However, this semester my three courses with Professor Peter Telep (Advanced Fiction and Script Writing, along with Writing for Video Games) has taught me that bettering ourselves as writers is much more important than bettering the stories we write. Professor Telep, writer of over 50 books and multiple television scripts and a UCF professor of 17 years, agreed to share his experiences with learning how to get past some of the most crippling writing pitfalls\u2014motivation, time management, and the unforgiving abyss of a creative rut.<\/p>\n

Because writing demands such an incredible amount of self-motivation and discipline, finding the willpower to write can be daunting. Doubts, criticisms, and rejections litter the writer\u2019s path.\u00a0 However, that\u2019s the sort of negative thinking that Professor Telep warns writers against. He recounted the time one of his stories received its first acceptance:<\/p>\n

\u201cWhen I first began writing short stories and started trying to get them published, I wasn\u2019t aware of the amount of rejections I would get. After you get 20 or 30 rejections (and back in those days, we were licking envelopes and mailing them in), you start to think, \u2018Why am I even doing this.\u2019 And then you suddenly get that one acceptance, and all of a sudden, the rejections don\u2019t matter.\u201d<\/p><\/blockquote>\n

As writers, our greatest enemies tend to be ourselves. We brew these internal, toxic cesspools whenever we criticize our own work, and it\u2019s draining and demoralizing. You cannot<\/em> be productive when you expend all your energy putting yourself down. Professor Telep indicated that his best advice in order to stay motivated as a writer came from Joel Rosenberg, author of the Guardians of the Flame<\/em> series.\u00a0 Rosenberg\u00a0 says, \u201cWhat do you care how many rejections you get? It\u2019s the hits that matter, not the misses.\u201d Rejection and criticisms will inevitably come; it\u2019s part of the package of being a writer. But, Telep says, \u201cIgnore the rejections and the negativity, and just focus on what your next story will be, because it\u2019ll be a fresh, new idea.\u201d<\/p>\n

But, having the motivation and the confidence in your story is only half of the game. The other half is finding the time <\/em>to write. We are college students. We have classes to take, homework to do, jobs to work and sleep to get.\u00a0 Some days 24 hours doesn\u2019t feel like enough. \u00a0On top of that, our schedules seem to always be changing, and it\u2019s difficult to stick to a concrete writing schedule.<\/p>\n

When asked how he keeps himself writing every day, Professor Telep said, \u201cI plan it out every week and set a number of pages to have by the end of the week. I keep a daily calendar, and at the beginning of the week, I assign myself a number of pages to write each day.\u201d<\/p><\/blockquote>\n

This advice seemed like such common sense, and yet, it never occurred to me. It\u2019s easy to assign yourself a general number of hours to dedicate to your craft or a word count for each day to force yourself to write. The thought of planning out each week never crossed my mind, and it\u2019s a good way to make sure you\u2019re writing every day, even if you don\u2019t get to complete the same amount each day. Professor Telep said, \u201cI don\u2019t write as much on days I\u2019m teaching, maybe three or five pages. But on days I\u2019m home all day, maybe ten or fifteen.\u201d<\/p>\n

To help stay in the groove of your schedule, Professor Telep mentions giving yourself routine \u201cenablers\u201d that help you slip into a writing-mode. This can be anything, and it\u2019s just something you do when you start writing or while you\u2019re writing. For me, I like to drink chai tea. \u201cFor [Professor Telep], it\u2019s coffee, peanut butter, and a quiet setting.\u201d This quiet setting is a very integral part of getting into your writing and staying immersed, so try and avoid distractions and surround yourself with only your writing enablers.<\/p>\n

Once you\u2019ve mastered time management and self-discipline, you may eventually reach a point where you fall into a rut writing the same genre over and over again. You might find it hard to come up with new ideas because you feel like you\u2019ve explored so much in your genre already. Professor Telep stated, \u201cI\u2019ve written so many action-adventure stories, and I wonder how many times I can re-write action scenes about bullets flying. Sometimes I think, maybe I just need to write a story about two guys fishing.\u201d Exploring different genres can really help you rekindle that spark you had when writing was new and fresh and exciting. Going beyond different story themes and practicing with a variety of mediums can really help enhance your writing overall. If you\u2019re a fiction writer, poetry can help you create concrete imagery. Non-fiction can be useful for helping you capture human emotion. Script writing is good for learning how to tighten your language and rid yourself of the passive voice.<\/p>\n

Professor Telep also teaches another class: Writing for Video Games. \u201cIn the class, students have to think about player agency. We\u2019re writing the story of the player, who is creating their own story, and that\u2019s a big difference between video game writing and other genres. Not to mention we have FIEA [the Florida Interactive Entertainment Academy\u2014a graduate school for video game design].\u00a0 A lot of English majors may be unaware that they can pursue a career in video game production.\u201d<\/p><\/blockquote>\n

As a student in this class, one of the biggest lessons that I\u2019ve taken away is think about your audience and the many different ways the can interpret scenes and plot elements. And the story bibles that we write for our games really <\/em>teach you how to make organizing and outlining the details of your story a lot more fun.<\/p>\n

Out of all of Professor Telep\u2019s advice, the most important message is that we have to make writing enjoyable. We have to allow ourselves to relax and not let this work feel like work. This profession calls for us to really enjoy what we do, really have fun with what we do, and not let all of the other stuff bog us down. Rejection and acceptance and publication will come and go, but the experience of writing a story or a poem or a screen play\u2014that\u2019s eternal. As a writer, loving what you do is essential because negativity affects your work and your morale.<\/p>\n

Professor Telep leaves us with these words, \u201cWriting\u2019s hard<\/em>. And the really rewarding part is the journey, whether the book sells or not. So write the book you would really love to read, then you\u2019ll love the experience of writing it, and that\u2019s the real reward.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

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