{"version":"1.0","provider_name":"Florida Philosophical Review","provider_url":"https:\/\/cah.ucf.edu\/fpr","author_name":"Jesslyn Parrish","author_url":"https:\/\/cah.ucf.edu\/fpr\/author\/je000450\/","title":"Bergman\u2019s Persona and the Mystery of Plot - Florida Philosophical Review","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cz7eFvURU7\"><a href=\"https:\/\/cah.ucf.edu\/fpr\/article\/bergmans-persona-and-the-mystery-of-plot\/\">Bergman\u2019s Persona and the Mystery of Plot<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cah.ucf.edu\/fpr\/article\/bergmans-persona-and-the-mystery-of-plot\/embed\/#?secret=cz7eFvURU7\" width=\"600\" height=\"338\" title=\"&#8220;Bergman\u2019s Persona and the Mystery of Plot&#8221; &#8212; Florida Philosophical Review\" data-secret=\"cz7eFvURU7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cah.ucf.edu\/fpr\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Winner of the Gerritt and Edith Schipper Undergraduate Award for Outstanding Undergraduate Paper at the 49th Annual Meeting of the Florida Philosophical Association Dave Monroe, University of West Florida Introduction Ingmar Bergman\u2019s Persona is a film that defies easy analysis and description. One becomes quickly disoriented in a labyrinth of flash backs, dream sequences, and [&hellip;]"}