{"id":4674,"date":"2019-11-18T21:35:46","date_gmt":"2019-11-18T21:35:46","guid":{"rendered":"https:\/\/floridareview.cah.ucf.edu\/?p=4674"},"modified":"2019-11-18T21:35:46","modified_gmt":"2019-11-18T21:35:46","slug":"erasure-special-feature-begins","status":"publish","type":"post","link":"https:\/\/cah.ucf.edu\/floridareview\/2019\/11\/18\/erasure-special-feature-begins\/","title":{"rendered":"Erasure Special Feature Begins!"},"content":{"rendered":"<p>We&#8217;ve now launched this fall&#8217;s special feature, highlighting innovative hybrid and erasure work across <em>Aquifer: The Florida Review Online<\/em> and our upcoming print issue 43.2. Twice weekly through December 26, 2019, we will be publishing a different piece of erasure work on <em>Aquifer<\/em>, with each taking advantage of the web-native format that enables us to publish genre-bending work we simply couldn&#8217;t present accurately in print. Our print issue, no less innovative (though maybe less <em>colorful<\/em>), will feature even more erasure work that challenges the norm and speaks to the topical origins and traditions of this resilient form. Be sure to <a href=\"https:\/\/ci.ovationtix.com\/34486\/store\/packages\/107578\">subscribe<\/a> to our print magazine as soon as possible if you haven&#8217;t already, and check back here as pieces are published on <em>Aquifer<\/em> every Monday and Thursday through the end of December.<\/p>\n<p>Over the past fifty years, erasure has come to be known as a (mainly) poetic technique that both connects the writer\/reader with an original text and also questions and transforms it, sometimes evokes a completely contrary meaning. As a form, it draws attention to writing as a &#8220;physical&#8221; object (or, more recently, as a digital object) and makes us aware of how all writings&#8217; meanings can shift and change with varied attention and assumptions. It connects us to our literary and extra-literary writing and visual arts traditions while creating a contemporary engagement with subjects and words from works both ancient and recent. We are pleased to present in\u00a0<em>Aquifer<\/em> and the print\u00a0<em>Florida Review<\/em> a wide range of erasure techniques from blacking out, crossing out, blanking out, painting out, burning out, and creating collages from original material both written and visual.<\/p>\n<p><strong><em>Aquifer<\/em> Erasure Publication Schedule:<\/strong><\/p>\n<p>(Links inactive until posted publication date at 8:00AM, EST)<\/p>\n<p>&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/selections-from-violets\/\">Selections from VIOLETS<\/a>&#8221; by Austin Rodenbiker &#8211; Live 11\/11<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/the-mueller-report-vol-2-page-147-fairy-tale\/\">The <del>Mueller Report, Vol. 2, Page 147<\/del> Fairy Tale<\/a>&#8221; by\u00a0Ronnie Sirmans &#8211; Live 11\/14<br \/>\n<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/of-extinction\/\">&#8220;Of extinction&#8221;<\/a> by Holly Burdorff &#8211; Live 11\/14 (in our Multimedia Features)<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/november-nineteenth\/\">November Nineteenth [On Erasure]<\/a>&#8221; by Amanda Moore &#8211; Live 11\/18<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/seduction\/\">Seduction<\/a>&#8221; by Lynn Domina &#8211; Live 11\/21<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/wory-gardn\/\">Wory Gardn<\/a>&#8221; by\u00a0Harrison Candelaria Fletcher &#8211; Live 11\/25<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/plum-trees-astray-verso-a-little-croquis-and-snow-still\/\">Plum Trees, Astray, Verso, A Little Croquis, and Snow Still<\/a>&#8221; by\u00a0Jayne Guertin &#8211; Live 11\/28<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/two-erasures\/\">Two Erasures<\/a>&#8221; by\u00a0Zebulon Huset &#8211; Live 12\/02<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/to-all-whom-it-may-concern\/\">To All Whom It May Concern<\/a>&#8221; by\u00a0Julie Jones &#8211; Live 12\/05<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/four-computer-generated-erasures\/\">Four computer-generated erasures<\/a>&#8221; by S Cearley &#8211; Live 12\/09<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/three-erasures\/\">Insect Erasures<\/a>&#8221; by Jaime Zuckerman &#8211; Live 12\/12<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/three-poems-from-time-lifes-north-american-wilderness-series\/\">Three Poems from Time Life&#8217;s North American Wilderness Series<\/a>&#8221; by Allyson Young &#8211; Live 12\/16<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/season-cluster\/\">Season Cluster<\/a>&#8221; by\u00a0Sara Biggs Chaney and Michael Chaney &#8211; Live 12\/19<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/two-bible-stories\/\">Two Bible Stories<\/a>&#8221; by Caleb Curtiss &#8211; Live 12\/23<br \/>\n&#8220;<a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/healthful-living\/\">Healthful Living<\/a>&#8221; by\u00a0Maud Kelly &#8211; Live 12\/26<\/p>\n<p><strong>Forthcoming Erasures in 43.2 of\u00a0<em>The Florida Review<\/em>:<\/strong><\/p>\n<p>Sea Poems by C. R. Resetarits<br \/>\n&#8220;[your mind is night],&#8221; &#8220;[The animal is chemical carnivorous sick],&#8221; &#8220;Read this each time you],&#8221; and &#8220;[Life eats breath]&#8221; by Hardara Bar-Nadev<br \/>\n&#8220;Seance&#8221; by Jay Barnica<br \/>\n2 poems from Each Leaf by Anna Lena Phillips Bell<br \/>\n&#8220;In the house of&#8221; by John Bonanni<br \/>\n&#8220;Jefferson&#8217;s Secret Message to Congress (Redacted)&#8221; by Alan Elyshevitz<br \/>\n&#8220;Self-Erasure for My Mother&#8221; by Amanda Hadlock<br \/>\n&#8220;Notes on Pet Monkeys and How to Manage Them&#8221; by Bethany Shultz Hurst<br \/>\n&#8220;Body: Luke &amp; Acts&#8221; by Jayson Iwen<br \/>\n&#8220;Come Gentle&#8221; and &#8220;Come Hollow&#8221; by Carolyn Janecek<br \/>\n&#8220;Apollo &amp; Daphne&#8221; by Eva Della Lana<br \/>\n&#8220;Boys, Boss&#8221; by Kristine Langley Mahler<br \/>\n&#8220;After a Death&#8221; and &#8220;Allegro&#8221; by Kelly Nelson<br \/>\n&#8220;Hell&#8217;s Our Destination&#8221; by David Rachels<br \/>\n&#8220;My Girlfriend Asks if I Think I&#8217;ll Ever Stop Writing about My Ex&#8221; and &#8220;Ars Poetica in War Time Which for Us Means Always&#8221; by Dujie Tahat<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;ve now launched this fall&#8217;s special feature, highlighting innovative hybrid and erasure work across Aquifer: The Florida Review Online and our upcoming print issue 43.2. Twice weekly through December 26, 2019, we will be publishing a different piece of erasure work on Aquifer, with each taking advantage of the web-native format that enables us to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-4674","post","type-post","status-publish","format-standard","hentry","category-announcement"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Erasure Special Feature Begins! - The Florida Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cah.ucf.edu\/floridareview\/2019\/11\/18\/erasure-special-feature-begins\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Erasure Special Feature Begins! - The Florida Review\" \/>\n<meta property=\"og:description\" content=\"We&#8217;ve now launched this fall&#8217;s special feature, highlighting innovative hybrid and erasure work across Aquifer: The Florida Review Online and our upcoming print issue 43.2. 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