{"id":793,"date":"2017-07-04T14:27:08","date_gmt":"2017-07-04T14:27:08","guid":{"rendered":"https:\/\/floridareview.cah.ucf.edu\/?post_type=article&amp;p=793"},"modified":"2017-07-04T14:27:08","modified_gmt":"2017-07-04T14:27:08","slug":"two-poems-2","status":"publish","type":"article","link":"https:\/\/cah.ucf.edu\/floridareview\/article\/two-poems-2\/","title":{"rendered":"Two Poems"},"content":{"rendered":"<h3>&#8220;With Affirmative Action and All&#8221;<\/h3>\n<p>There is not enough silence in all of Pittsburgh<br \/>\nto explain the quiet in that room<\/p>\n<p>&nbsp;<\/p>\n<p>between the two of you, not the televised silence<br \/>\nof a Steelers&#8217; riot on mute; not the stillness<\/p>\n<p>&nbsp;<\/p>\n<p>of the Duquesne Incline failing to scale<br \/>\nMt. Washington and rise above the grime<\/p>\n<p>&nbsp;<\/p>\n<p>of steel mills. Not the muffled gasps of black boys<br \/>\nkicked and dunked by whites while lifeguards<\/p>\n<p>&nbsp;<\/p>\n<p>look on at the Highland Park pool, summer \u201931.<br \/>\nNot the dampened blast of the Lower Hill, razed<\/p>\n<p>&nbsp;<\/p>\n<p>to pave a parking lot and build the Civic Arena,<br \/>\nwith &#8220;no social loss&#8221; in bulldozing homes<\/p>\n<p>&nbsp;<\/p>\n<p>of immigrants and blacks. Not the stifled sobs<br \/>\nof teen August Wilson fleeing Gladstone<\/p>\n<p>&nbsp;<\/p>\n<p>when his teacher accuses him of plagiarism.<br \/>\nBut Pittsburgh, why bully you, City of Bridges:<\/p>\n<p>&nbsp;<\/p>\n<p>steely with pride, grappling with all your histories?<br \/>\nWhy choose you, and this old horse I ride<\/p>\n<p>&nbsp;<\/p>\n<p>repeatedly, haphazardly, backwards through time\u2014<br \/>\nwhy choose you, when, in any given American<\/p>\n<p>&nbsp;<\/p>\n<p>town, there is a room inside a room inside a room<br \/>\nwhere thought shapes word shapes action\u2014shapes<\/p>\n<p>&nbsp;<\/p>\n<p>memory, shapes history\u2014where synaptic gaps<br \/>\ndeepen, now, into fissures, into canyons.<\/p>\n<h3><\/h3>\n<h3>View-Master Virtual Reality Starter Pack: Mortality Reel<\/h3>\n<p>1.<br \/>\nA canyon of memory floods<br \/>\nas the zip line slips: first bike,<br \/>\nfirst dance, first kiss. Broken bone.<br \/>\nAnd more: first love, wedding cake,<br \/>\ntwo kids. Soft spot pulsing<br \/>\non each newborn&#8217;s crown. And you,<br \/>\nin the blur of greenery and river<br \/>\nand craggy rock, you release<br \/>\nevery spring, pulley, or counterweight<br \/>\nthat ever held you back.<\/p>\n<p>&nbsp;<\/p>\n<p>2.<br \/>\nSlammed by a PAT bus. Mercy. Swift<br \/>\nand painless. Seven angels gasp<br \/>\nbut you are unperturbed, descending<br \/>\nwith a steaming non-fat chai tea latte<br \/>\ninto the counterflow lane from the curb.<\/p>\n<p>&nbsp;<\/p>\n<p>3.<br \/>\nOne moment you leap and dance amid<br \/>\na snow-topped mountain cap backdrop<br \/>\nand the next, without notice, you huddle<br \/>\nin bed, doting spouse dropping one perfect<br \/>\ntear upon your furrowed brow. Somewhere<br \/>\nafar, a sitar twangs and wails. A mysterious<br \/>\nvirus. Rare injury. Lightning seizing<br \/>\nyour whole and healthy spine<br \/>\nwhen you least expect it. No<br \/>\nchoreography for grief: an entire troupe<br \/>\nof sequined mourners, it seems,<br \/>\nwill fail to bring you back.<\/p>\n<p>&nbsp;<\/p>\n<p>4.<br \/>\nLegs crossed upon a mat in the dusty outpost<br \/>\nyou attain such enlightenment that time slows,<br \/>\ngiving you full minutes to regard the smooth<br \/>\ncartridge hurtling toward your chest. It makes<br \/>\nof the air a gel. A web. A balloon stretched to snap.<br \/>\nWelcome to bullet time. You were never so much<br \/>\n<em>in<\/em> your life as you were <em>around<\/em> it: observing it,<br \/>\nremarking on it. Given this moment of dead time,<br \/>\nyou can at last see from every given viewpoint.<\/p>\n<p>&nbsp;<\/p>\n<p>5.<br \/>\nOverpriced vintage fountain pen<br \/>\npokes through your bag, piercing<br \/>\nyour backside. Infection follows<br \/>\nand you fall to sepsis, bringing credence<br \/>\nto claims that, daily, writing involves risk.<\/p>\n<p>&nbsp;<\/p>\n<p>6.<br \/>\nPitch darkness. Silence. Pure emptiness.<br \/>\nA familiar voice in the distance.<\/p>\n<p>&nbsp;<\/p>\n<p>7.<br \/>\nThe truth is, you don&#8217;t see it coming even there<br \/>\nin the wrinkled bed for the sixth\u2014or is it seventh?\u2014<br \/>\nvisit that season. Your beloved covers a bowl<br \/>\nof canned peaches, the only taste, nowadays, that<br \/>\nappeals. You want to save it. You plan to eat it<br \/>\nlater. You wait for your children to arrive<br \/>\nat the bedside as they always do, exhausted<br \/>\nand deeply happy to see you still there, still alive,<br \/>\nbright-eyed but\u2014they know\u2014shrinking. Your face<br \/>\nis fuller now with fluids your kidneys retain<br \/>\nwhich helps them forget that your legs, under<br \/>\na stack of sheets and blankets, are nearly fleshless.<br \/>\nYou know the doctors by name and they, you.<br \/>\nYou know which nurses will glide in to usher<br \/>\neach dumbstruck family member from the room<br \/>\nhours after you&#8217;ve passed to the next world,<br \/>\nhours they&#8217;ve spent sobbing, wondering,<br \/>\nand pleading, your chest still rising and falling<br \/>\nin rhythm endlessly, it seems, as though<br \/>\nthe only barrier between you and them<br \/>\nwere the blissful sleep of recovery, a dream<br \/>\nof being lifted with love and carried home.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is not enough silence in all of Pittsburgh \/ to explain the quiet in that room&#8230;<\/p>\n","protected":false},"featured_media":794,"template":"","categories":[9,49,119],"tags":[78,283,284],"class_list":["post-793","article","type-article","status-publish","has-post-thumbnail","hentry","category-aquifer","category-literary-features","category-poetry","tag-dilruba-ahmed","tag-mortality","tag-racism"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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