{"id":3176,"date":"2018-10-01T16:07:47","date_gmt":"2018-10-01T16:07:47","guid":{"rendered":"https:\/\/floridareview.cah.ucf.edu\/?post_type=article&amp;p=3176"},"modified":"2018-10-01T16:07:47","modified_gmt":"2018-10-01T16:07:47","slug":"the-kodak-moment","status":"publish","type":"article","link":"https:\/\/cah.ucf.edu\/floridareview\/article\/the-kodak-moment\/","title":{"rendered":"The Kodak Moment"},"content":{"rendered":"<p>As part of\u00a0<em>The Florida Review<\/em>\u00a0and\u00a0<em>Aquifer: TFR Online&#8217;s<\/em>\u00a0celebration of Hispanic Heritage Month and Latinx contributors, we are featuring the work of multi-media artist, theorist, and historian Michael Betancourt. We will feature one video by Betancourt every week until October 15th, starting today with\u00a0<em>The\u00a0<\/em><em>Kodak Moment.\u00a0<\/em>Betancourt&#8217;s work will also be featured in the\u00a0upcoming\u00a0fall\u00a0print issue of <em>The Florida Review.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"The Kodak Moment\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/mjASo8NpRyQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The silent film actress Mae Murray, known as the \u201cgirl with bee-stung lips,\u201d appears in fancy dress, pouting and flirting with the audience. Hers is an archetypal image of white feminine beauty from the start of the twentieth century, a form that was already old when the source film was shot in 1922, here glitched and fragmented\u2014yet remaining coherently recognizable throughout this movie. The music is from a vintage 1920 recording of inventor, visual music pioneer, and symphony piano soloist Mary Hallock-Greenewalt playing Chopin\u2019s <em>Nocturne in G Major.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An archetypal image of white feminine beauty from the start of the twentieth century, here glitched and fragmented. <\/p>\n","protected":false},"featured_media":3177,"template":"","categories":[9,20,171],"tags":[841,842,843,844,845,758],"class_list":["post-3176","article","type-article","status-publish","has-post-thumbnail","hentry","category-aquifer","category-film","category-multimedia-features","tag-beauty-standards","tag-glitch","tag-glitch-art","tag-hollywood","tag-michael-betancourt","tag-video"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Kodak Moment - The Florida Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/the-kodak-moment\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Kodak Moment - 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