{"version":"1.0","provider_name":"The Florida Review","provider_url":"https:\/\/cah.ucf.edu\/floridareview","author_name":"cahcmsadmin","author_url":"https:\/\/cah.ucf.edu\/floridareview\/author\/cahcmsadmin\/","title":"Interior - The Florida Review","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uvKMKWy7XG\"><a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/interior\/\">Interior<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cah.ucf.edu\/floridareview\/article\/interior\/embed\/#?secret=uvKMKWy7XG\" width=\"600\" height=\"338\" title=\"&#8220;Interior&#8221; &#8212; The Florida Review\" data-secret=\"uvKMKWy7XG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cah.ucf.edu\/floridareview\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/cah.ucf.edu\/floridareview\/wp-content\/uploads\/sites\/43\/2019\/10\/d87422fe-43fe-4462-aee2-8b70aa7e3e5c.jpg","thumbnail_width":1375,"thumbnail_height":943,"description":"In this series Mary Tautin Moloney&#8217;s poems are inspired by and paired with photographs taken in the subway stations of New York by photographer John Moloney. The work captures the desire to connect alongside the alienation that can come with being alive; how these forces bear on one another and affect us. Mary Tautin Moloney [&hellip;]"}