{"version":"1.0","provider_name":"The Florida Review","provider_url":"https:\/\/cah.ucf.edu\/floridareview","author_name":"cahcmsadmin","author_url":"https:\/\/cah.ucf.edu\/floridareview\/author\/cahcmsadmin\/","title":"Cosmos Obscura - The Florida Review","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QaagBs0WLj\"><a href=\"https:\/\/cah.ucf.edu\/floridareview\/article\/cosmos-obscura\/\">Cosmos Obscura<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cah.ucf.edu\/floridareview\/article\/cosmos-obscura\/embed\/#?secret=QaagBs0WLj\" width=\"600\" height=\"338\" title=\"&#8220;Cosmos Obscura&#8221; &#8212; The Florida Review\" data-secret=\"QaagBs0WLj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cah.ucf.edu\/floridareview\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cah.ucf.edu\/floridareview\/wp-content\/uploads\/sites\/43\/2019\/02\/Kate-Balsley-Cosmos-Obscura-4.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Warning: This video contains flashing images. &nbsp; Score by\u00a0Irina Escalante-Chernova &nbsp; In Cosmos Obscura, the universe is at once known and unknowable. New patterns, rhythms and metaphors are born from old ones, and familiar celestial bodies are refracted into strange and unusual forms. The visuals were created from photographs taken from the Voyager II spacecraft. [&hellip;]"}