<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Florida Review</provider_name><provider_url>https://cah.ucf.edu/floridareview</provider_url><author_name>Devin Wiebelt</author_name><author_url>https://cah.ucf.edu/floridareview/author/de919206/</author_url><title>Remnants - The Florida Review</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="fwnXdbAgvx"&gt;&lt;a href="https://cah.ucf.edu/floridareview/article/remnants/"&gt;Remnants&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://cah.ucf.edu/floridareview/article/remnants/embed/#?secret=fwnXdbAgvx" width="600" height="338" title="&#x201C;Remnants&#x201D; &#x2014; The Florida Review" data-secret="fwnXdbAgvx" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/* &lt;![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://cah.ucf.edu/floridareview/wp-includes/js/wp-embed.min.js
/* ]]&gt; */
&lt;/script&gt;
</html><thumbnail_url>https://cah.ucf.edu/floridareview/wp-content/uploads/sites/43/2019/01/Remnants_69-1.jpg</thumbnail_url><thumbnail_width>1212</thumbnail_width><thumbnail_height>1500</thumbnail_height><description>This series features small, improvisational, origami-like collage forms created from manipulated pieces of encaustic-infused rice and tissue papers. The series began with the otherwise practical intention of reusing scrap materials but has evolved into something more meaningful and representative of an interest in science, nature, memory, and narratives of ecosystems in flux. These abstract compositions [&hellip;]</description></oembed>
