Lisa M Logan, Ph.D.

Education

  • Ph.D. in English from University of Rochester (1993)

Research Interests

Early American literature; literature by women; personal narratives, including autobiography, diary, and memoir; early American captivity, crime, travel, and cross-dressing narratives; feminist theory; American novel; theories of space and place; manuscript and material culture approaches

Recent Research Activities

Logan is working on recovering 18th-century literary manuscripts by women using archives in the U.S., UK, and Ireland.

Selected Publications

Books

  • Resources for Teaching the Bedford Anthology of American Literature. Vol. 1. Boston: Bedford/St. Martin’s Press, 2008. Rev. 2nd ed., 2014.


Articles/Essays

  • Forthcoming "Territorial Agency:  Negotiations of Space, Place, and Empire in the Domestic Violence Memoirs of Abigail Abbot Bailey and Anne Home Livingston." Women's Narratives and the Early Americas and the Formation of Empire. Ed. Mary McAleer Balkun and Susan C. Imbarrato.  New York: Palgrave, 2016. 215-228.
  • “Thinking with Toni Morrison’s A Mercy.” (A Response to “Remembering the Past:  Toni Morrison’s Seventeenth Century in Today’s Classroom”). Early American Literature 48.1 (2013): 193-99.

  • “The Difference Teaching Equiano Makes: Notes on Teaching The Interesting Narrative in the Undergraduate American Literature Survey.”  Teaching Equiano’s Narrative: Pedagogical Strategies and New Perspectives. Ed. Eric LaMore.  Knoxville:  U of Tennessee P, 2012. 255-274.

  • “Blogging the Early American Novel.”  Transformations:  A Journal of Inclusive Scholarship and Pedagogy.  22.1 (Spring/Summer 2011):  119-123. 

  • "The Importance of Women to Early American Study." Early American Literature. 44.3 (2009): 641-48.
  • “Columbia’s Daughters in Drag; or, Cross-Dressing, Collaboration, and Authorship in Early American Novels.” Feminist Interventions in Early American Literature. Ed. Mary Carruth. Tuscaloosa: Univ. of Alabama P., 2006. 240-252.
  • “’And the Ladies in particular’: Constructions of Femininity in The Gentleman and Ladies Town and Country Magazine and Ladies Magazine, and Repository of Entertaining Knowledge.” Periodical Literature in Eighteenth-Century America. Ed. Sharon M. Harris and Mark L. Kamrath. Knoxville, Tennessee: U of Tennessee P, 2005. 277-306.
  • “’Cross-Cultural Conversations’: The Indian Captivity Narrative.” Blackwell Companion to the Literatures of Colonial America. Ed. Ivy T. Schweitzer and Susan Castillo. Oxford: Blackwell, 2005: 464-79.
  • “’Dear Matron—‘: Constructions of Women in Eighteenth-Century American Periodical Advice Columns.” Studies in American Humor. 3.11 (2004): 57-62.
  • “Race, Romanticism, and the Politics of Feminist Literary Study: Harriet Prescott Spofford’s “’The Amber Gods.’” Legacy: A Journal of American Women Writers 18.1 (2001). 35-51.
  • “Uncle Tom’s Cabin and Conventional Nineteenth-Century Domesticity.” Approaches to Teaching Stowe’s Uncle Tom’s Cabin. Ed. Elizabeth Ammons and Susan Belasco Smith. New York: MLA, 2000. 46-56.
  • “Encouraging Feminism: Teaching The Handmaid’s Tale in the Introductory Women’s Studies Classroom.” Teaching Introduction to Women’s Studies: Expectations and Strategies. Ed. Barbara Scott Winkler and Carolyn DiPalma. Westport: Bergin, 1999. 191-200.
  • “The Anxieties of Authorship: Gender, Agency, and Textual Production in Eighteenth-Century America.” Review 21 (1999): 257-64.
  • "'There is no home there': Captivity and Restoration in Spofford's 'Circumstance.'" Safe Space: Violence and Women’s Writing. Ed. Julie Tharp and Tomoko Kuribayashi. Albany: State U of New York P, 1997. 117-30.
  • Introduction. Critical Essays on Carson McCullers. Ed. Beverly Lyon Clark and Melvin Friedman. New York: Hall, 1996. 1-16.
  • "Nobody Knows Best: Carson McCullers' Plays as Social Criticism." Southern Quarterly 33. 2-3 (1995): 23-34. [Co-author: Brooke Horvath]
  • "Mary Rowlandson's Captivity and the 'Place' of the Woman Subject." Early American Literature 28.3 (1993): 255-77. [Honorable Mention, Richard Beale Davis Prize for Best Essay in EAL 1993]

Miscellaneous Publications

  • “Domestic Fiction.” American History Through Literature, 1820-1870. Ed. Janet Gabler-Hover, Robert D. Sattelmeyer. New York: Charles Scribners Sons (Thomson Gale), 2006.
  • “American Women’s Autobiography: Early Diarists and Memoirists.” Encyclopedia of Women’s Autobiography. Ed. Victoria Boynton and Jo Malin. Greenwood Press, 2005. 32-42.
  • “Bodies in Space: Reading Gender and Race in Context.” Early American Literature 38.3 (2003): 521-26.
  • "Julia Ward Howe." American Travel Writers, Volume II, 1851-1901. Ed. Donald Ross and James Schramer. Dictionary of Literary Biography. Vol. 189. Detroit: Bruccoli Clark Layman, 1998: 166-71.
  • "Mary Lewis Kinnan." American Women Prose Writers to 1820. Ed. Carla Mulford, et al. Dictionary of Literary Biography. Vol. 200. Detroit: Bruccoli Clark Layman, 1998: 217-20.

Awards

2018-2019 Davida Deutsch Fellowship in Women's History, Library Company of Philadelphia.
2016-2017. UCF Competitive Sabbatical Award.
2015. UCF Scholarship of Teaching and Learning Award.

Courses

Course Number Course Title Mode Date and Time Syllabus
10827 AML3031 American Literature Ⅰ Web-Based (W) Unavailable
No Description Available
11319 AML3286 Early American Women's Words Mixed-Mode/Reduce Seat-Time(M) M 03:00 PM - 04:15 PM Unavailable
No Description Available
Course Number Course Title Mode Date and Time Syllabus
81428 AML4300 Major American Authors Web-Based (W) Unavailable
This class can count as a "major author" or "post-1865" literary history class. It is designated as a "diversity" class.

AML 4300.0W61 focuses on the works of acclaimed contemporary Chickasaw writer and ecofeminist Linda Hogan. We will read Hogan’s poetry, essays, memoir, and three of her novels. Heavy reading and content load consistent with upper-level literature courses. We will study the literature (Hogan’s works) and the literary scholarship about it using research in UCF databases.  

Three 1000-word essays; weekly quizzes; one conference length (10-12 page; 2500-word) essay with research; heavy reading load.  

80641 ENG6950 Capstone Course Mixed-Mode/Reduce Seat-Time(M) Th 06:00 PM - 07:15 PM Unavailable

   In this required course for the MA in Literary, Cultural, and Textual Studies, graduate students will implement professional practices in the discipline of Literary, Cultural, and Textual Studies.  These practices include developing and revising scholarly writing; preparing academic work for publication and presentation; applying productive strategies for research, writing, and collaborative work; evaluating academic writing (including your own) with honesty and rigor; and strengthening and refining your professional voice. The primary work in this course will culminate in a sustained article with original research suitable for publication in a scholarly journal and the organization of the Spring 2023 Graduate English Symposium.  

Students will prepare abstracts, literature reviews, arguments, proposals, bibliographies, curriculum vitae, and manuscript, article, and journal evaluations as they hone their own original work for academic publication and presentation. The skills learned in this course are vital to any profession that requires writing, editing, speaking, planning, deliberation, time management, and focus. This course is an "M" or mediated course, which means that it uses reduced seat time and an online component in place of in-person meetings.                                                                                                                       

Course Number Course Title Mode Session Date and Time Syllabus
50635 LIT3383 Women in Literature Web-Based (W) A Unavailable
"Post-1865" and "diversity": This upper-level literature elective covers six novels by six contemporary women in six weeks. Focus is on women and girls facing environmental and social justice challenges as they navigate the process of coming of age. Writers studied: Hegland, Alvarez, Ozeki, Hogan, Morrison, and one graphic novelist. Weekly essay postings, discussions, and quizzes. Final exam.
Course Number Course Title Mode Date and Time Syllabus
10869 AML3031 American Literature Ⅰ Web-Based (W) Unavailable

AML 3031: American Literature 1 is a literary history course. It focuses on broader literary historical movements, on literature that was produced in what is now the U.S.  AML 3031 studies literature written “from the beginnings,” i.e. the arrival of European settler-colonists through the first half of the 19th century.  

 Literature from this time period uses genres (and sometimes language) less familiar to modern readers. People didn’t think highly of fiction and wanted “truth and beauty” (moral lessons and poetic forms). Poetry was an esteemed genre and quite formal. The literary genres that proliferated in early America were sermon, history, poetry, polemic, travel narrative, personal narrative, and origin story. The novel emerged in the 1780s and 1790s. 

This course covers three literary historical periods: 1) early settlement and colonial literature; 2) the Enlightenment or “Age of Reason”; and 3) the 19th-century American “Renaissance” and “Age of Reform.” The  course is divided into three major sections, one for each literary historical period. Each of these historical periods will center several texts around a key “touchstone” or “classic” text. Our methods will be to understand how specific texts produced during a particular historical period are in conversation about questions which constitute and underpin American culture and literature. 

Assignments: Weekly readings and quizzes, bi-weekly writing, final exam. 

11458 AML3286 Early American Women's Words Mixed-Mode/Reduce Seat-Time(M) M 03:00 PM - 04:15 PM Unavailable

Early American Women’s Words explores the following questions: What did early American women write about?  What traditions of writing did women—who were denied legal, political, and economic rights, and whose identities and destinies rested in their bodies’ reproductive capacities—put in place?  What pretexts did they use to enter literary discourse, and how and why were they successful?  How did they negotiate the boundaries between authorship and public spectacle?  How did women from diverse socioeconomic and ethnic backgrounds negotiate authorship and voice similarly or differently?   

            To answer these questions, we will explore North American women’s writing produced during the colonial and early national periods, from 1630 (the founding of the Massachusetts Bay Colony) to the first decades of the nineteenth century.  We will pay attention to the historical and cultural contexts in which women wrote, examine a variety of literary genres, and study the relationship between women’s “place” and works in early America. Students will also learn about material culture, including early American cookery, penmanship, manuscript culture, needlework, etc.  

Assignments: heavy reading; weekly quizzes and discussion postings;  three 5-page analysis papers, final project, in-class contribution. 

Course Number Course Title Mode Date and Time Syllabus
92826 AML3643 Cont Native Amer Prose & Poetr Web-Based (W) Unavailable

"Post-1865" and "diversity"

Catalog description: Native American prose fiction and poetry since Momaday’s House Made of Dawn (1968). 

Extended course description: This upper-level literary history course covers contemporary Native American literature since 1970. Our historical focus starts with the so-called “second wave” of Native American nonfiction, novels, poetry, and short fiction. We will read about six books by Native authors and consider how these works express a range of attitudes about Native presence, history, land, language, and identity. Assignments: Two short papers; midterm; final; weekly discussion postings. (Fulfills: English Department Diversity course; Post-1865 Literary History course) 

81529 AML4300 Major American Authors Web-Based (W) Unavailable
This class can count as a "major author" or "post-1865" literary history class. It is designated as a "diversity" class.

AML 4300.0W61 focuses on the works of acclaimed contemporary Chickasaw writer and ecofeminist Linda Hogan. We will read Hogan’s poetry, essays, memoir, and three of her novels. Heavy reading and content load consistent with upper-level literature courses. We will study the literature (Hogan’s works) and the literary scholarship about it using research in UCF databases.  

Three 1000-word essays; weekly quizzes; one conference length (10-12 page; 2500-word) essay with research; heavy reading load.  

Course Number Course Title Mode Session Date and Time Syllabus
51421 LIT3383 Women in Literature Web-Based (W) A Unavailable

"Post-1865" and "diversity"

Catalog description: Fiction, poetry, drama and non-fiction by selected women writers

Extended course description: This upper-level literature elective covers six novels by six contemporary women in six weeks. Focus is on women and girls facing environmental and social justice challenges as they navigate the process of coming of age.Writers studied: Hegland, Alvarez, Ozeki, Hogan, Morrison, and one graphic novelist. Weekly essay postings, discussions, and quizzes. Final exam.  (English Department diversity course)

Updated: Feb 12, 2023